Posts Tagged ‘ Soul Coughing ’

Mike Doughty: March 1, 2014 City Winery – FLAC/MP3/Streaming

March 7, 2014
By


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[Photos by acidjack]

No matter how many times I see Mike Doughty in a year, he’s always got some kind of a new twist. Whether an epic two-plus hours of him breaking out Soul Coughing classics solo acoustic at City Winery, or his full-on all-Soul Coughing full-band set at Webster Hall, Doughty comes up with new ways to keep his loyal fan base interest. This City Winery performance reprised another of Doughty’s fan favorites, the “Question Jar”, which is more or less what it sounds like. Doughty plays some tunes, then he answers questions fans placed in a jar. Beyond learning Doughty’s tastes in ice cream toppings and Beatles, though, what we got here was another hour and a half of Doughty at his best, this time backed by cellist Andrew “Scrap” Livingston, who added depth to songs like “Looking At the Bottom of A Well” from Haughty Melodic. 

A few Soul Coughing tunes were on the menu this time — probably that band’s two best-known hits, “Circles” and “Super Bon Bon” — but most of the show was dedicated to Doughty’s solo oeuvre. Some of those other highlights included “White Lexus”, “Down On the River By the Sugar Plant” and the night’s somewhat-unintentional highlight, “Busting Up A Starbucks”. Doughty’s a good-natured guy, but as we have seen in the past, he isn’t afraid to call out disrespectful fans, which he did mid-song. For the rest of us who were paying attention, it was pure comedy. I’m not sure when Doughty will come this way next, but when he does, I suspect he’ll have more tricks up his sleeve.

This recording is a straight soundboard feed, which makes sense given the relatively quite nature of the material. Engineer Patrick’s house mix is outstanding. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

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Mike Doughty
2014-03-01
City Winery
New York, NY USA

Download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Patrick)>Roland R-26>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, tagging, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Unsingable Name
02 Super Bon Bon
03 27 Jennifers
04 [banter1]
05 Madeline and Nine
06 Down On the River By the Sugar Plant
07 The Only Answer
08 [banter2]
09 Circles
10 Sunken-Eyed Girl
11 [banter3]
12 Nectarine
13 White Lexus
14 Put It Down
15 Russell
16 [banter4]
17 Busting Up A Starbucks (w/ STFU)
18 Janine
19 I Hear the Bells
20 Looking at the World From the Bottom of A Well
21 [banter5]
22 Day By Day
23 [banter6]
24 Drunk On the Train to Chicago [Drink Me]
25 Put It Down

Personnel:
Mike Doughty – Guitar, vocals
Andrew “Scrap” Livingston – cello

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his websitesee him on tour this fall and buy his forthcoming record of Soul Coughing songs reimagined from PledgeMusic.

Mike Doughty: November 22, 2013 9:30 Club (DC — 2 sets) + November 23, 2013 Webster Hall – FLAC/MP3/Streaming

November 25, 2013
By


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[photos by acidjack]

Mike Doughty promised to reimagine some of the favorites he wrote with Soul Coughing, and with a successful PledgeMusic campaign, he made it happen. The new LP features brand-new arrangements that hew closer to the vibe of Doughty’s solo work, with more straight singing and less of the scatty sing-speak that he popularized as “M Doughty” back in the Soul Coughing days.

Doughty has refused to play Soul Coughing songs live for years; his book documents his animosity toward his former bandmates and his perception of how and why the band ended. When he played an acoustic doubleheader at City Winery earlier this year, it was the first time I had seen Soul Coughing material live since the late ’90s.

You don’t have to buy into, or agree with, Doughty’s perspective on the band’s breakup to enjoy the new-old songs. If you were a fan of the band in its heyday, it won’t take long to remember how infectious and unusual many of these songs were. From their breakout hit “Super Bon Bon” to their big hit “Circles” to Ruby Vroom’s standout “Screenwriter’s Blues”, this sound hasn’t been replicated by anyone. It was Doughty’s, and his bandmates’, alone.

We are offering three shows in this post: First, an exclusive “VIP” acoustic performance of five songs prior to the main set at the 9:30 Club in Washington, DC; second, that night’s main set, where Doughty paid a much-deserved and touching tribute to the deceased longtime 9:30 Club fixture Josh Burdette, the kind of person that, if you have ever been to that club, you would remember. Finally, we have a homecoming performance at NYC’s Webster Hall, which due to my failure to charge my preamp, is missing the last few songs. It and the 9:30 Club set are fairly similar.

The acoustic set is the best example of where Doughty is musically today — you hear him deliver some powerful renditions of both his solo stuff and Soul Coughing material in a manner that he grew more comfortable with over the past decade-plus. It’s heartfelt and reflective, more personal than any Soul Coughing performance ever came across.

The Soul Coughing material presents a different challenge. You have a performer who used to be known for spastic, hyperkinetic performances in his 20s, backed by musicians from a variety of disciplines, trying to redefine that material in a newer, more mature image. Soul Coughing shows were just that — shows — and some songs’ delivery covered up some of the original arrangements limitations. In some instances, these “re-imagined” Soul Coughing songs felt the way Doughty said in The Book of Drugs that he wanted them — leaner and meaner, with fewer distractions. “Unmarked Helicopters”, from the X-Files soundtrack, certainly makes that argument, as do, among others, songs like “True Dreams of Wichita” and “Is Chicago, Is Not Chicago”. “St. Louise is Listening” highlights its essential opening lyric when Doughty’s smoother arrangement is deployed.

In other cases, the reimagination becomes more of an adjustment: Without the classic bass line once played by Sebastian Steinberg, a song like “Super Bon-Bon”, with its mad flow and seemingly random lyrics, is no longer what it was. Absent the classic loop credited to Mark De Gli Antoni on “Screenwriter’s Blues”, Doughty’s lyrics have a different cast than they did in the original. That said, that Doughty dared to mess with his original success on this album is a credit to his growth in the past 13 years. As a fan of both his solo work and Soul Coughing, I think I speak for more than myself that we always hoped to hear some of his ’90s work alongside his current material. So, Mike — thank you.

DC-based friend of the site Kubacheck recorded both of his sets with MBHO cardiod microphones. My recording from Webster Hall was made with Schoeps MK4V microphones in a mobile fairly close to the stage. We have streaming tracks and full downloads of each, and all three are excellent. Enjoy!

Stream “Fully Retractable” from the 9:30 Club acoustic set: 

Stream “St. Louise Is Listening” from the 9:30 Club

Stream “True Dreams of Wichita”

Download the 9:30 Club acoustic set from the Live Music Archive: [MP3] | [FLAC]

Download the 9:30 Club main set from the Live Music Archive: [MP3] | [FLAC]

Download the Webster Hall set from the Live Music Archive: [MP3] | [FLAC]

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Mike Doughty
2013-11-22
9:30 Club
Washington, DC USA
[VIP acoustic set]

Hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Adobe Audition CS 5.5 (adjust levels)>Izotope Ozone 5 (EQ, exciter)>>Audacity 2.0.3 (tracking, amplify, additional level adjustments, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sunken-Eyed Girl
03 Fully Retractable
04 [tuning/banter]
05 No Misfortune
06 27 Jennifers
07 American Car
________________

Mike Doughty
2013-11-22
9:30 Club
Washington, DC USA
[Main set]

[same info as acoustic set]

Tracks [Total Time: 1:23:11]
01 [intro]
02 Is Chicago Is Not Chicago
03 Sugar Free Jazz
04 Bus to Beelzebub
05 The Idiot Kings
06 Unmarked Helicopters
07 Lazybones
08 Screenwriter’s Blues
09 Uh, Zoom Zip
10 Mr. Bitterness
11 Soft Serve
12 How Many Cans?
13 Monster Man
14 True Dreams of Wichita
15 St. Louise Is Listening
16 [banter]
17 Moon Sammy>So Far I Have Not Found the Science>Moon Sammy
18 Super Bon Bon
19 [encore break]
20 Janine
21 Circles
________________
Mike Doughty
2013-11-23
Webster Hall
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB/DFC)>KCY>tinybox v2>Sony PCM-D50>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, additional level adjustments, downsample)>FLAC ( level 8 )

Tracks [Total Time: 54:11]
01 Is Chicago Is Not Chicago
02 Sugar Free Jazz
03 Bus to Beelzebub
04 The Idiot Kings
05 Unmarked Helicopters
06 Lazybones
07 Screenwriter’s Blues
08 Uh, Zoom Zip
09 Mr. Bitterness
10 Soft Serve
11 Monster Man
12 True Dreams of Wichita
[rest of show cuts]

If you enjoyed these recordings, PLEASE SUPPORT Mike Doughty, visit his website and buy his record of Soul Coughing songs reimagined there.

Mike Doughty: July 31, 2013 City Winery – FLAC/MP3/Full Set Streaming

August 5, 2013
By

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[Photos by acidjack]

I arrived at this Mike Doughty show at City Winery having just finished his autobiography, The Book of Drugs. Reading Mike’s book — which tells the story of his rollercoaster experience fronting the seminal 90s cult band Soul Coughing as well as his battles with addiction — made seeing him perform Soul Coughing songs again for the first time in thirteen years all the more meaningful. As happens all too often with bands that reach a certain level of commercial success, Soul Coughing dissolved at the end of the 1990s in a bitter fight about money and songwriting credit. So Doughty — who by that point was nearing rock bottom in his abuse of drugs and alcohol — struck out on his own a solo act right when the music industry imploded. Early solo shows, where he shared material from the Skittish LP he had recorded in the Soul Coughing days, meant facing crowds howling for Soul Coughing tunes that Doughty felt disconnected from, and disappointed in. In his telling, Doughty not only felt that his bandmates denied him the credit he was due for writing the songs, but that in many cases those better-trained musicians had adulterated the intent of his compositions. So Mike stopped playing Soul Coughing songs, and the fans that weren’t open-minded or intelligent enough to dig the new material fell away. The fan base that remained, though, is fanatical.

Today Mike is in a comfortable groove musically and, as the book makes clear, emotionally. What that means for fans is that Mike decided to rework some of Soul Coughing’s best-loved numbers in the way he intended them to be heard, with a full band backing him. You can purchase that forthcoming record, and keep track of its progress (including previews), on Mike’s PledgeMusic page. In the meantime, he has taken those old Soul Coughing songs off the shelf to be played proudly alongside the songs he’s been writing for the past thirteen years. While there’s no way to take a valid position on Soul Coughing’s past or songwriting process without hearing the story from all sides, it’s clear that there is a consistency to Mike’s work that has spanned his career. Stripped to their essentials, Mike’s songs are hook-driven, lyrically inventive songs filled with unique phrasing and clever observations. Even if the hooks can get repetitive once in awhile — even Mike joked that he keeps writing his favorite song over and over — a great Mike Doughty song is a great Mike Doughty song, and that voice of his can’t be replicated.

This show was comprised of two hour-plus solo sets, with Mike alone at the guitar, relaxed under the lights. First we got “Janine” from Ruby Vroom, followed by “I Hear the Bells” off Mike’s best-known solo album, Haughty Melodic. Then “St. Louise Is Listening” from El Oso, one of the songs that reimagined best as an acoustic number. When Mike played “Unmarked Helicopters”, Soul Coughing’s contribution to Songs In the Key of X: Music From the X-Files, it was clear we were going to have a special night with lots of time deep in the catalog.

Some of the Soul Coughing songs work better than others as acoustic numbers: Without its killer baseline and frenetic samples whirling around, “Super Bon Bon” becomes a bit lifeless, but others like “Soft Serve” and, yes, the band’s biggest radio hit, “Circles”, retain their infectious power. The solo work wasn’t to be ignored, too — Cheap Trick’s “Southern Girls” and Thin Lizzy’s “Running Back”, both of which appear on Doughty’s recent The Flip Is Another Honey, became a single song in Doughty’s live mashup.  But for me, having just read The Book of Drugs, the most powerful solo numbers were the ones that told stories of darker days: “Unsingable Name”, “Sunken-Eyed Girl” and “Tremendous Brunettes”.

It’d be tempting to characterize this show as one of redemption, where the prodigal singer returns to being his old self. I suspect Doughty wouldn’t see it that way; to him, when it comes to being the lead singer of the band Soul Coughing, a guy who existed 13 years ago, he’s still not that guy. And it’d be wrong to assume the artist sees playing these songs as a return to some kind of glory days, either. How you feel about Doughty’s catalog is your business, but in Mike’s mind — and to a good many of his fans — his next chapter of making music has been every bit the equal of his first, and more true to his spirit. Hearing the songs side by side, played just as he wrote them, I think it’s hard to argue otherwise.

Mike will be touring as a three-piece band this fall, performing sets of all Soul Coughing songs. Tickets are available from him here.

I recorded this set with a soundboard feed from Mark, the outstanding house engineer at City Winery. The recording is flawless. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream “Unmarked Helicopters”

Stream “Soft Serve”

Stream the entire show:

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[PledgeMusic contributor Josh Rosenblum prepares to smash one of Mike’s broken guitars to fulfill his PledgeMusic reward]

Mike Doughty
2013-07-31
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark)>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (light reverb)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 2:22:06]
Set 1
01 Janine
02 I Hear the Bells
03 St. Louise Is Listening
04 [banter1]
05 Your Misfortune
06 Unmarked Helicopters
07 [banter2]
08 Mistress [Red House Painters]
09 Shunned + Falsified
10 Year of the Dog
11 [banter3]
12 The Idiot Kings
13 [banter4]
14 Sleepless
15 Sunken-Eyed Girl
16 [banter5]
17 Grey Ghost
18 Busting Up A Starbucks
19 True Dreams of Wichita
20 [banter6]
21 Take Me Home, Country Road [John Denver]
22 The Book of Love [Magnetic Fields]
23 [encore break 1]
24 Circles
25 [banter7]
26 27 Jennifers

Set 2
27 Super Bon Bon
28 Unsingable Name
29 Soundtrack to Mary
30 Down On the River By the Sugar Plant
31 [Josh Rosenblum smashes Mike’s guitar]
32 Soft Serve
33 Madeline and Nine
34 $300
35 Day By Day By
36 Southern Girls/Running Back mashup [Cheap Trick/Thin Lizzy]
37 Where Have You Gone?
38 [banter8]
39 So Far I Have Not Found the Science
40 Tremendous Brunettes
41 Mr. Bitterness
42 Looks [The Student Teachers]
43 Put It Down
44 Na Na Nothing
45 Lazy Bones
46 Looking At the World From the Bottom of a Well
47 Is Chicago Is Not Chicago

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, see him on tour this fall and buy his forthcoming record of Soul Coughing songs reimagined from PledgeMusic.

Mike Doughty: June 19, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming Songs + Full Set

July 1, 2013
By

mdoughty2013-06-19-1
[Photos by acidjack]

Fans of Mike Doughty, previously known as “M Doughty”, lead singer of seminal ’90s oddballs Soul Coughing, may already be familiar with the journey of self-discovery that led him to abandon his role as frontman of a popular act to become a freewheeling solo performer, with the waypoints of addiction and recovery (not to mention what some incorrectly interpreted as a religious conversion) along the way. Mike told the whole story in his 2012 memoir, The Book of Drugs, but if you followed his solo work from early last decade to now, much of the story was already there for the taking.

Though Mike’s solo efforts have abandoned some of the more frenetic elements of the Soul Coughing sound, which culled rhythmic textures from soul, funk and hip-hop, his solo work retains that band’s most distinctive element — Mike’s voice. Though his voice won’t be accused of having big-rock-singer range, it is one of the most distinctive of recent decades. A kind of sing-speak whose flow is at times reminiscent of hip-hop and scatting, Doughty’s voice is custom-built for storytelling. Similarly, his lyrics are smart, evocative, and unabashedly original. Nobody sees the world quite the way that Mike Doughty does.

This set, performed opening for Low at Music Hall of Williamsburg, found Doughty in the format with which he’s now most comfortable, stripped down to him, an acoustic guitar and a drummer. For almost a full hour, Mike led us on a journey through his entire solo career, from early 2000s work from Skittish and Rockity Roll (now available as a single 2-record release) such as “Shunned + Falsified”, “Ossining” and his first solo single, “27 Jennifers”, to his newest work like “Na Na Nothing” (which Doughty claims was “partially stolen” from a song written by Nikki Sixx, Dan Wilson and Matt Gerrard) and his cover of John Denver’s “Take Me Home, Country Road”. Even on the fairly large Music Hall stage, Mike’s set felt like an intimate evening in a living room, with Mike amiably taking (and turning down some) requests and making his fair share of self-deprecating jokes. One of my personal favorites, and one of the most obviously autobiographical, was “Looking At the World From the Bottom of A Well” from 2005’s Haughty Melodic. It’s worth noting that that record also represented Mike’s first major-label record since leaving Soul Coughing and spending the first half the decade self-releasing his records and touring under his own steam. The music world has fewer great second acts than maybe it ought to, but Mike’s is one of the most inspiring of all. As to what he’s up to this year, Mike is busy re-recording and re-interpreting thirteen of his Soul Coughing classics, which will be self-released later this year. You can support that effort through PledgeMusic here.

This is a recording of outstanding quality. We’d like to personally thank Mike for giving us permission to share it. Please support his efforts by attending his shows and visiting the PledgeMusic page noted above.

Stream “27 Jennifers”

Stream “Looking At the World From the Bottom of A Well”

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

mdoughty2013-06-19-2

Mike Doughty
2013-06-19
Music Hall of Williamsburg
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (create room ambiance, adjust levels, fades, compression)>Izotope Ozone 5 (EQ, tape effects)>Audacity 2.03 (amplify, balance, tracking, downsample)>FLAC ( level 8 )

Tracks [Total Time 59:15]
01 Ways and Means
02 Lord Lord Help Me Just To Rock On
03 (I Keep On) Rising Up
04 Down On the River By the Sugar Plant
05 (You Should Be) Doubly (Gratified)
06 Madeline and Nine
07 Ossining
08 Like A Luminous Girl
09 Shunned + Falsified
10 Looking At the World From the Bottom of a Well
11 27 Jennifers
12 [banter1]
13 Take Me Home, Country Road [John Denver]
14 Nectarine (Part One)
15 [banter2]
16 Nah Nah Nothing From Me
17 Put It Down
18 Train To Chicago
19 I Hear the Bells

If you enjoyed this recording, PLEASE SUPPORT Mike Doughty, visit his website, and buy his forthcoming record from PledgeMusic.

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