Posts Tagged ‘ soundboard ’

Oneida: July 17, 2014 Glasslands – FLAC/MP3/Full Set Streaming

July 20, 2014
By

Photo by Greg Cristman | www.gregCphotography.com
[Photos by Greg Cristman]

With Oneida, you never have to worry about seeing the same show twice. Even if you’re hearing the same song — for example, the mammoth version of “Cedars” from this night’s show at Glasslands compared to the one we documented at the start of the year at the Knitting Factory – you won’t necessarily know it if you don’t pay close attention. As our review of the Knitting Factory show pointed out, at this point, referring to an Oneida show’s “setlist” is kind of missing the point. This band has long-since abandoned the conventional, which is why they continue to be a major draw in the underground scene in New York seventeen years in despite minimal blog hype and virtually no mainstream exposure. An Oneida show is an event, a celebration of what music can be when all of the downward pressures on creativity are cut.

Joining the band for this show, as he did at Glasslands last year, was James McNew of Yo La Tengo and Dump, whose bass playing mingled nicely with the swirling controlled chaos on the stage. Although technically a four-song “set”, this set had a similar structure, with a 40-minute sequence of “Cedars” into “Economy Travel” adding two shorter songs, “Cock Fight” and “You Get Brighter” (a 48-minute version of which appeared at the 2013 Glasslands show) to round it out. We expect to see some of these compositions whittled down to album length for a future release, but in a way that’d be a shame. This act’s sound cannot be contained on a few pieces of plastic, nor can their songs properly be culled to one right “version”. The beauty is in the expression of it at a given time on a given night–the very reason live recordings exist in the first place.

I recorded this set with a Schoeps MK5 and Schoeps MK8 capsule in the “mid-side” configuration on-stage to allow maximum adjustment capability to the stereo image, combined with a soundboard feed from Glasslands head of production Josh Thiel. The sound quality is quite simply phenomenal — one of the best recordings I think I can take credit for. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the full show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

Photo by Greg Cristman | www.gregCphotography.com

Oneida
2014-07-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (stage lip, M-S)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (Engineer: Josh Thiel)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 56:59]
01 [intro banter]
02 Cedars>
03 Economy Travel
04 Cock Fight
05 You Get Brighter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Woods: April 22, 2014 Baby’s All Right – FLAC/MP3/Full Set Streaming

July 17, 2014
By

woods-mittal-1
[photo from the May 16 Bowery Show by Sachyn Mital]

Before sharing their latest sounds at yet another blockbuster of a show at the Bowery Ballroom in May, which we recorded, Woods kicked off their tour with a more intimate show at the Williamsburg clubhouse Baby’s All Right, curated by our friends at BrooklynVegan. Meant to also celebrate the release of their latest album, With Light and With Love. If band founder, lead singer and guitarist Jeremy Earl had any concerns that this first outing with the new stuff might come off ragged but right, he needn’t have had them — at least about the “ragged” part. This show displayed the band’s now-familiar virtuosity and served as a preview of what was to come later in the tour. This night, as at Bowery, the band pulled off a tight segue of “Shining” into the classic jam song “Bend Beyond” that exited into “Size Meets The Sound”, proving that the more approachable sound of With Light and With Love felt right at home with the band’s earlier material. It is always a treat to catch a Woods show, but especially so in a club of this size; this is a band that fills and belongs in bigger venues, but hasn’t forgotten where they came from.

This set was recorded on the Baby’s All Right house multitrack and, as usual, the sound quality is outstanding. The full set is streaming below as well as FLAC and MP3 downloads as usual. Enjoy!

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Woods
2014-04-22
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Multitrack digital soundboard>Adobe Audition CS 5.5 (mix down, fades, compression, effects)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Leaves Like Glass
03 Full Moon
04 Cali In A Cup
05 Shining>
06 Bend Beyond>
07 Size Meets the Sound
08 Shepherd
09 Only the Lonely
10 Moving To the Left>
11 Twin Steps
12 With Light and With Love
13 [encore break music]
14 Green Is the Color [Pink Floyd]
15 Find Them Empty

If you download this recording from NYCTaper PLEASE SUPPORT Woods, visit their website, and purchase With Light and with Love from the Woodsist Records website [HERE].

Night Beats: July 2, 2014 Baby’s All Right – FLAC/MP3/Streaming Full Set

July 9, 2014
By


nightbeats-chrislaputt
[photo from the House of Vans show by Chris La Putt for BrooklynVegan]

Seattle garage rockers Night Beats helmed a stacked bill this night at Baby’s All Right that also featured Frankie Rose’s new project Beverly (that recording to be posted soon pending band approval), Hamish Kilgour’s latest project Roya, and Brooklyn garage punks LODRO. Night Beats had been teasing new songs for a while (including our last meet up with them at Glasslands) and we’ve finally gotten to see the final versions in the form of the songs on their record Sonic Bloom. Much of that material was on display on this night, but the Beats jumped around some, playing some more new ones, plus songs from their self-titled debut LP. Of note from that album in particular were a fiery “Puppet On A String” and the jammed-out set closer “The Other Side”, but the real fun came in hearing new songs like “Dewayne’s Drone” and “Useless Game” come to life. The Beats were joined after the show by the Black Lips on the turntables, and returned the favor the following night when they opened for the Lips at the lame corporate marketing opportunity House of Vans.

This set was recorded by Baby’s All Right head of production Devin Foley using the house multitrack system, whose files I produced and mixed down. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the entire set:

Night Beats
2014-07-02
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Multitrack digital soundboard>SanDisk Cruzer USB Drive>Adobe Audition CS 5.5 (mix down, effects, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 38:12]
01 Rat King [cuts in]
02 As You Want
03 Outta Mind
04 Dewayne’s Drone
05 Useless Game
06 The New World
07 [unknown1]
08 [unknown2]
09 Puppet On A String
10 [encore break]
11 The Other Side

If you enjoyed this recording, PLEASE SUPPORT Night Beats, like them on Facebook, and buy Sonic Bloom from the Austin Psych Fest label here.

Sharon Van Etten: October 9, 2010 Mercury Lounge – FLAC/MP3/Streaming Full Set [From the archives]

July 8, 2014
By

SVE-2010-mastrangelo
[Photos courtesy of Dominick Mastrangelo Photography for BrooklynVegan]

NYCTaper’s love affair with Sharon Van Etten has been long, going back all the way to a Piano’s performance back in summer of 2008. In the intervening six years, Van Etten has transformed from the prodigious but slightly awkward performer we saw then into a commercial success and confident headliner of large venues, culminating as of late with NYC shows headlining Bowery Ballroom (our recording here) and Music Hall of Williamsburg. This pristine soundboard recording from the Mercury Lounge in 2010, which we unearthed recently, finds Van Etten charging ahead with the release of her breakthrough album, Epic, which would set the stage for the career-defining Tramp and everything that has come since. Sharon had only recently begun playing with a full band (the first such show which we captured), and this show reflects the transition, with a mix of full-band and solo material. We have already shared the Epic release show from the night before at Rock Shop; now you can check out Van Etten’s follow-up to that from Mercury, where Kyp Malone opened and Cat Martino once again gave the assist on vocals for half the set. This show provides an interesting midpoint between Sharon’s early innocence and future poise; the performance is resolute even if her crowd banter reveals how young she still is as an artist. While the longer Rock Shop recording, which adds audience microphones to the soundboard mix, is arguably the one to have of the two, one can never have enough Sharon. You can stream and download the entire set via the links below.

Download the complete show from archive.org: [FLAC] | [MP3]

Stream the complete show:

SVE-2010-mastrangelo-2

Sharon Van Etten
2010-10-09
Mercury Lounge
New York, NY USA

Hosted at nyctaper.com
Produced by acidjack

Midas Verona Soundboard>Tascam CD–RW900SL>AAC>Izotope Ozone 5 (effects, imaging, EQ, exciter)>Audacity 2.0.3 (tracking, fades, amplify, balance, upsample)>FLAC ( level 8 )

*Note on source: The CD was destroyed by the original recordist before ever being copied losslessly. The single AAC file which I tracked and edited is the only existing source

Tracks [Total Time 44:40]
01 [intro]
02 Don’t Do It
03 [banter]
04 One day
05 [untitled]
06 [banter2]
07 Love More
08 For You
09 I’m Wrong
10 Holding Out
11 [encore break]
12 [unknown1]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sharon Van Etten, visit her website, and purchase Are We There from the Jagjaguwar Records website [HERE].

Thee Oh Sees: June 14, 2014 McCarren Park (Northside Fest) – Flac/MP3/Streaming

July 5, 2014
By

12_thee-oh-sees_mccarren-park_6-14-14_by-adela-loconte
[photo by Adela LoConte]

Here at NYCTaper we’ve been big fans of the Northside Festival, and L Magazine and indeed the Stedmans for quite a while. And we hope the feelings are mutual — we’ve hosted multiple Northside showcases over the years and have been the subject of several L Magazine profiles too. But the show that seems to have been the pinnacle for the Fest has also been one of our favorites and that’s the Saturday afternoon mega-show at McCarren Park. In previous years we captured the uber Guided By Voices event in 2011. But this year it was a whole other level — one of the best live bands in the world playing in the bright sunshine in front of a few thousand adoring fans. Thee Oh Sees return to NYC after a brief “hiatus” was met with quite a bit of enthusiasm — by the time the band began their set much of the huge McCarren yard was filled. Indeed, John Dwyer joked that the next night’s show at Death By Audio would have a capacity one-fourteenth the size of this day’s crowd. After an introduction by Daniel Stedman, the band ripped through more than an hour of their intense garage-rock before the show’s curfew called an end to the set. We’ve previously discussed Dwyer’s move of the band to a trio but on the big stage in a huge venue, the three oh sees had no problem filling up the sound. As John announced, they’ll return to NYC in November and we’ll certainly be there again.

I recorded this set with the Neumann wide cards set up in front of the soundboard tent about 80 feet from the stage and mixed with a fine stereo board feed. The problem on this day was the wind. It was blowing and bursting right into the face of the stage, so that there is phasing that’s present in the board feed through the mics on stage and also in the sound projected by the speakers. There is no wind noise problem in the mics because of was in front of the tent, and protected by both the mic grills and big windscreens. Other than the wind-phasing, this is an excellent recording. Enjoy!

Stream “Lupine Dominus”:

Download the Complete Show in both FLAC and MP3 by utilizing our Personalized WeTranfer Page [HERE].

We are very pleased to be able to partner with WeTransfer to offer direct downloads at NYCTaper without the limitations of our server speeds and without the limitations of other download services. WeTransfer offers our readers unlimited downloads at excellent speeds. This is a partnership that we believe will benefit the site and our readers and we’re quite pleased to be working with WeTranfer.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2014-06-15
McCarren Park
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:05:47]
01 [introduction]
02 I Come From The Mountain
03 Tunnel Time
04 Tidal Wave
05 The Dream
06 [unknown]
07 Lupine Dominus
08 [tuning]
09 Toe Cutter – Thumb Buster
10 Withered Hand
11 Encrypted Bounce
12 [banter - one-fourteenth]
13 Carrion Crawler
14 [banter - thanks]
15 Dead Energy
16 [banter - Matt]
17 The Web

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase their official releases from Castle Face Records [HERE].

Train Company: June 20, 2014 Bowery Electric – Flac/MP3/Streaming

July 3, 2014
By

static.squarespace.com
[photo from Train Company website]

If Chicago is the home of the blues, then perhaps its appropriate that one of the City’s best new-ish indie bands plays pretty killer blues. Train Company is more than just a blues band though — they’re a quintet of extremely talented musicians with a plethora of influences that adds up to a superb roots rock band. Train Company’s tour took them East and we were there when they played their first ever NYC show last week at Bowery Electric. The initial impression is that these guys are pros — belied by the fact that they’re mostly young men in their 20s. But between lead singer John Zozzaro’s wise growling vocals, the addition of a sax in several numbers, and killer organ/piano/keytar from Samuel Wyatt, Train Company has an authentic and compelling bluesy sound that really can’t miss. We’re streaming “Steve”, a number that captures all of these traits in one strong song.

I recorded this set with the Sennheiser cards set up in front of the board about twenty feet from the stage and mixed with an excellent feed. The sound quality is superb. Enjoy!

Stream “Steve”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Train Company
2014-06-20
Bowery Electric
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 39:30]
01 City Down By The Shoreline
02 Zilla
03 Change
04 Queso
05 Banister
06 Steve
07 On Time
08 Still Can Feel The Heat

If you enjoyed this recording, please support Train Company, visit their website, and purchase their official releases from the Store at their website [HERE]

Nicole Atkins: June 18, 2014 Madison Square Park – Flac/MP3/Streaming

July 1, 2014
By

13
[photo by Chris La Putt - complete set at brooklynvegan]

The last time we connected with Nicole Atkins her brilliant new album Slow Phaser had just been released and her tour was literally just beginning — it was the tour’s first show. That night at Bowery Ballroom there was a palpable excitement in the room and despite a huge winter storm the venue was quite filled. This album is a career-defining accomplishment and we were more than pleased when her new crack band brought the songs to life. Now with six months of shows behind them, we caught Nicole and her band earlier this month at Madison Square Park. This show was the first night of the Park’s concert series, run impeccably by the Madison Square Park Conservancy. On a beautiful summer-like night the crowd was a mix of fans, families on blankets, curious locals and park supporters but from the outset Nicole had their attention and kept it for the entire full-length show — even with the lively city noise behind us (including persistent police and ambulance sirens). There was been one change in the band which now contains one guitarist but has added a keyboardist who provided much color to the music. Nicole played much of Slow Phaser but also added a few older tracks. We’re streaming “Its Only Chemistry”, which ended the main set and contains a particularly strong vocal performance. In July, Nicole goes on a national tour in support of Nick Cave with two NYC dates, July 26 at Celebrate Brooklyn/Prospect Park and July 27 at Hammerstein Ballroom.

I recorded this show with the Neumann large diaphragm mics set up at the soundboard tent and mixed with a fine board feed. The Neumann LD’s are especially warm and wide in the outdoor setting and the mix is quite well balanced resulting in a superb recording. Enjoy!

Stream “Its Only Chemistry”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Nicole Atkins
2014-06-18
Madison Square Park
New York NY

Digital Master Recording
Soundboard + Front of Board Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:12:19]
01 Who Killed The Moonlight
02 What Do You Know
03 Cool People
04 Gasoline Bride
05 The Way It Is
06 Maybe Tonight
07 Girl You Look Amazing
08 We Wait Too Long
09 Vultures
10 Red Ropes
11 The Worst Hangover
12 Party’s Over
13 Cool Enough
14 [banter - Oh Mercy]
15 Its Only Chemistry
16 [thanks]
17 The Tower

If you enjoyed this recording, please support Nicole Atkins, visit her website, and purchase Slow Phaser through her Pledge Music Campaign [HERE]

Courtney Barnett: June 17, 2014 Bowery Ballroom – Flac/MP3/Streaming

June 30, 2014
By

courtney-barnett-8
[photo by Amanda Hatfield - complete set at brooklynvegan]

Courtney Barnett is a natural. Her singing style is so comfortable and nonchalant that she’s been described as “slacker rock” by the lazy non-music media. The reality is that Courtney is an incredibly hard-working artist who has in the last two years founded her own label, played in an Australian super-group, released two EPs and toured incessantly. In fact, Courtney Barnett could be accurately compared to Ty Segall in terms of her indefatigable nature. In May she released her first album with Mom and Pop Music which is essentially re-release of her two EPs as a single long player. The Double EP: A Sea of Split Peas is an outstanding collection of songs — really a stunningly mature collection for a artist in her mid-20s. Courtney has performed in NYC quite a bit in the last few months, each time attracting a larger crowd and earlier this month she sold out Bowery Ballroom. Although she’s not a local, this show had that celebratory air that comes with a first-Bowery-sellout event. The trio came out to a warm welcome and immediately launched into a run of four songs before even coming up for air. After she greeted the crowd and thanked all for their support, the band worked more casually through much of the album and a couple of new songs before Courtney played another new song solo for the encore. We’re streaming the main set final “History Eraser” on which the band raged before exiting the stage.

I recorded this set with the Sennheiser cards mounted in our usual balcony location and mixed with an excellent feed by Bowery’s legendary FOH Kenny. The sound quality is superb. Enjoy!

Stream “History Eraser”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Courtney Barnett
2014-06-17
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kenny] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:02:22]
01 David
02 Lance Jr
03 Canned Tomatoes (Whole)
04 Scotty Says
05 Don’t Apply Compression Gently
06 Are You Looking After Yourself
07 Out Of The Woodwork
08 Blah
09 [band introductions]
10 Avant Gardener
11 [new song]
12 [banter - end of the show]
13 History Eraser
14 [encore break]
15 DePreston

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Courtney Barnett, visit her website, and purchase The Double EP: A Sea of Split Peas from Mom and Pop Music [HERE].

The Kickback: June 10, 2014 Pianos – Flac/MP3/Streaming

June 27, 2014
By

TheKickbackPianos
[photo by Rev Moose]

For a band that has yet to release its first proper album, Chicago’s The Kickback certainly have received some high profile attention — from both Rolling Stone and Jim DeRogatis. Indeed, the debut album is currently being recorded with Jim Eno from Spoon. The New Music Seminar brought The Kickback to NYC a couple of weeks back for a showcase at Pianos. Its easy to see why the band is getting serious attention — they’re tight, the songwriting is excellent, the live energy is contagious, and bandleader Billy Yost has that x-factor the separates up-and-comers from never-will-be bands. The highlight of the set was the show’s finale, and absolutely stunning number called “Rob Our House” which we’re streaming below. The song draws upon the pure helpless rage of a crime victim filtered through Yost’s magnetic stage presence. The song left me speechless and definitely wanting to see more of the The Kickback when they return to NYC for CMJ in October.

I recorded this set with the Sennheiser cards mounted to the front plexiglass out of the soundboard booth and mixed with a feed. The sound quality is quite excellent. Enjoy!

Stream “Rob Our House”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Kickback
2014-06-10
Pianos
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > Two 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 35:12]
01 Fanger
02 When I Die
03 Headhunter
04 Please Hurt
05 White Lodge
06 Sting’s Teacher Years
07 [thanks]
08 Rob Our House

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Kickback, visit their website, and purchase their official releases from the links at their website and the Bandcamp page [HERE].

The Antlers: June 17, 2014 Rough Trade NYC – FLAC/MP3/Full Set Streaming

June 18, 2014
By


the-antlers-10
[Photos by Amanda M. Hatfield for BrooklynVegan]

There are many good things to be said about The Antlers, one of the most consistent and interesting bands to arise out of the Brooklyn scene in the past six years, but what’s most inspiring about them is how little they seem to care what others are doing. They’ve never been part of any kind of “-wave”; they’ve never even really found clear company among stylistically similar bands. If there were aspects of their sound that drew inspiration from elsewhere, the whole was something else entirely, animated by Peter Silberman’s unique vocal turns and the group’s collective faith in their listeners. Most bands in late-aughts Brooklyn wouldn’t have put out a record like the band’s debut, Hospice, a concept record from another time whose material was dark and whose sound was hardly going to bring out the tubthumpers who like to hit up Terminal 5 on Friday nights. The Antlers followed that up with Burst Apart, to date the closest thing they’ve done to a commercial record, even if it was hardly humpbacking a trend, either.

On this Tuesday night, the band showed up at the post-industrial chic and great-sounding back room venue at Rough Trade NYC and played us Familiars, the album they’d released that very day. Among the hardcore fans who showed up — who earned their tickets by buying the vinyl — there couldn’t have been a better way to be introduced to it. That whisper-quiet crowd got to hear these songs in their true voice, played by a band whose facility with the songs was hard-earned in the studio. Familiars won’t be everyone’s bag — even compared to the previous efforts, it’s a delicate effort that rewards patience — but for those who respect the band’s love of texture, of gorgeous songs that soar only when they really need to, it’s a classic. The songs unfolded like dreamscapes, rarely peaking until three or four minutes in, overlaid with Silberman’s literary, evocative lyrics. There are a good bit of horns on offer this time around, which I wouldn’t trust in less-sure hands, but The Antlers seem to have taken a page from Dan Bejar in that regard, using them at just the right moment. If I’m partial to any of the new songs as yet, it’d be the smooth-flowing “Director”, which feels like the product of several different phases of the band’s work all at once, and relies on elegiac guitar chords to move it forward.

It was a bit funny to hear Silberman, not yet out of his 20s, to say the band was “feeling the years”, but in an odd way it’s true. The Antlers aren’t the baby band we first witnessed back in early 2008; nor are they one of many flashes in the pan that have come since. The Antlers are a mature, established Brooklyn band, one that has rewarded their experience with an album of similar grace and maturity. See them throughout the U.S., Europe and the UK this summer and fall as they tour Familiars – this is a live experience you don’t want to miss.

I recorded this set with a flawless soundboard feed of the mix created by the band’s touring engineer Dan Seiders, together with Schoeps MK4V microphones. The sound quality reflects Seiders’ years of experience mixing the band and the flawless nature of the room, making for a live album quality experience. Enjoy!

Download the entire set: [MP3] | [FLAC]

Stream the entire show: 

the-antlers-18

The Antlers
2014-06-17
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (inside SBD cage, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Dan Seiders)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, limiter)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:02:01]
01 Palace
02 Doppelgänger
03 Hotel
04 Intruders
05 [transition]
06 Director
07 [banter]
08 Revisited
09 [tuning]
10 Parade
11 [tuning2]
12 Surrender
13 [banter2]
14 Refuge

If you enjoyed this recording, PLEASE SUPPORT The Antlers, visit their website, and buy Familiars there.

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.