Posts Tagged ‘ soundboard ’

Survival Knife: November 22, 2014 Brooklyn Night Bazaar – FLAC/MP3/Streaming Set

November 25, 2014
By


IMG_0042
[photos by acidjack]

Survival Knife have a storied pedigree, having emerged in part from the remnants of the legendary ’90s post-hardcore band Unwound. Members Justin Trosper and Brandt Sandeno both hail from that band, and while Trosper’s voice and playing on Survival Knife’s first full-length, Loose Power, are hard to miss, Survival Knife feels very much like a distinct project. With Survival Knife, you can find the expected driving guitars and angsty post-punk vocals combined with a willingness to let things get proggy, such as on the extended “Heaven Has No Eyes” that closed the set.

We caught the band on the tail end of a whip through the East Coast, playing a free gig as part of the Brooklyn Night Bazaar. I was excited to check the Bazaar out, having noticed its excellent booking for a while. I’m pleased to report that although the shows hosted here are very much part of a broader holiday food/shopping bazaar, the concert experience still feels very much like a concert experience, with the show going on in its own corner of the room with plenty of seating and floor space for a crowd. Despite the cold night the Knife brought out a good-size crowd, and delivered a set focusing mostly on their only full-length, but adding in some new stuff — “Thud of the Jackboot” and “Tropic of Chaos” — from their Survivalized tour-only EP. For those of us that mourned the passing of Unwound, seeing this next project swing into action is all the sweeter. Check them out the next time they’re around.

I recorded this set from inside the soundboard cage at the Brooklyn Night Bazaar, with Schoeps MK41 microphones and a soundboard feed that included the engineer, Kenny’s, mics at either side of the stage. While the venue design (not, after all, actually a concert hall) presents some challenges, the sound is overall quite good. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the full set

Survival Knife
2014-11-22
Brooklyn Night Bazaar
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard w/ onstage mics (engineer: Kenny) + Schoeps MK41 (LOC, PAS)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter)>Izotope Ozone 5 (EQ, exciter, imaging)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Tropic of Chaos
02 Thud of the Jackboot
03 Gold Widow
04 Snakebit
05 Loose Power
06 [tuning]
07 Cut the Quick
08 Crystalline
09 [tuning2]
10 Heaven Has No Eyes

If you enjoyed this recording, PLEASE SUPPORT Survival Knife, like them on Facebook, and buy Loose Power from Fat Possum Records

Thee Oh Sees: November 18, 2014 Bowery Ballroom – Flac/MP3/Streaming

November 24, 2014
By

DSC06817
[photos by Ken Grand-Pierre]

Last week Thee Oh Sees played four shows in four days in NYC and we were fortunate to catch what was most certainly the best sounding show of the week. In our many attempts to capture the live lo-fi garage rock of this amazing band, we’ve been frustrated by a series of sound issues that have prevented our capture of Thee Oh Sees with a recording that their highly energetic performances really deserve. We came close with the historic night at 285 Kent last Fall, but nothing we’ve ever presented from this band can even approach the sound of this particular show. Of course the lion’s share of the credit for the superb sound quality of Tuesday’s TOS show is credited to Bowery Ballroom (and their staff), which continues to be the best sounding room in town. The band itself was completely on during this set. They were scheduled to play forty-five minutes and instead played over an hour. And even given the lack of an encore, John Dwyer and company played virtually every song they’ve played this tour including four outstanding new numbers. We’re streaming “Tidal Wave”, which was the third song in a very high octane three-fer that opened the show. Thee Oh Sees tour continues in Chicago this week before ultimately moving West, dates here.

I recorded this show with the Schoeps in our tradition balcony location and mixed with a terrific board feed from FOH Bowery legend Kenny. As noted above, the sound quality is superb. Enjoy!

Stream “Tidal Wave”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2014-11-18
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Kenny] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:02:34]
01 Tunnel Time
02 The Dream
03 Tidal Wave
04 [new song – Sugar]
05 Encrypted Bounce
06 Toe Cutter – Thumb Buster
07 [new song1]
08 [new song2]
09 Lupine Dominus
10 [new song – Seasons]
11 Dead Energy
12 I Come From The Mountain
13 The Web

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase their official releases from Castle Face Records [HERE].

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Ryley Walker: October 24, 2014 Aquarium Drunkard CMJ Showcase, Rough Trade – FLAC/MP3/Streaming

November 21, 2014
By


IMG_0321
[photos by acidjack]

It seems only appropriate to post a recording of Ryley Walker on the heels of one by the great Hiss Golden Messenger. These two artists represent among the very finest of their time, separated by a generation but potentially on very similar career trajectories. The two are also likely to have a lot of overlap in fans, because those drawn to authenticity, a canny understanding of their musical past, and honest songwriting are likely to find good company with these two. My first experience with Ryley Walker — playing with a full band at the Hopscotch Music Festival — also mirrored my first live experience with HGM two years before. Here, at the Aquarium Drunkard CMJ showcase at Rough Trade, Ryley proved himself alone (with a supporting bassist for part of the set). More to the point, Ryley proved himself an unmitigated master of his art, far beyond his years in poise and style.

Most CMJ sets tend to be truncated versions of artists’ “best stuff”, run through in perfunctory fashion to get the most bang for the buck in terms of setlist. Walker saw things differently, leading off with a twelve-minute, spine-tingling “Summer Dress” that equaled about a third of the set. That time wasn’t wasted, either, as Walker soared on improvised vocal runs that took the song beyond the singer-songwriter realm into something spiritual, his voice becoming its own instrument rather than the mere vessel of lyrics. As with the bulk of the set in North Carolina back in September, this focused entirely on new material in lieu of Walker’s outstanding album of earlier this year All Kinds of You. That alone should say something about how prolific this artist is at this point. The ability of the young Chicagoan to distill such pain and emotion into his work is a humbling surprise, the kind of thing you’d never guess from the rest of his happy-go-lucky stage persona. This is a man possessed of rare gifts, and we cannot wait to see them brought to a wider world.

I recorded this set primarily with a soundboard feed by Rough Trade engineer Cam, with a small amount of Schoeps audience microphones added for ambiance. Other than a few glitches with a DI during one song, the sound is excellent. Enjoy, and spread the word!

Thanks to Ryley Walker and Aquarium Drunkard for permitting the recording.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Ryley Walker
2014-10-25
Rough Trade NYC
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Cam) + Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Summer Dress
02 The West Wind
03 [banter1]
04 Primrose Green
05 [banter2]
06 Sweet Satisfaction

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy his records here.

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Dream Syndicate: November 15 and 16, 2014 Rough Trade – Flac/MP3/Streaming

November 20, 2014
By

the-dream-syndicate-9
[photos by PSquared Photography]

In 2012, a European superfan of Steve Wynn convinced him to reunite the Dream Syndicate for a festival in Barcelona and eventually the reunion became the 30th anniversary tour. But frustratingly for fans in his adopted home town, Steve had not returned with the band to NYC. In fact, there had only been a handful of US dates thus far, the first of which was 2013’s Solid Sound Festival. This past weekend’s two-fer at Rough Trade remedied the slight as New York received two outstanding performances of the band in full sync. Dream Syndicate had several personnel changes during its original eight-year tenure as Steve and drummer Dennis Duck were the only consistent band members. This version of the Dream Syndicate featured bassist Mark Walton, the longest tenured bass player who joined for the second album and remained through the band’s demise in 1989. This time around the lead guitar is a very familiar face to Steve Wynn fans — his longtime guitar partner Jason Victor who has performed many of these very songs live with the Miracle Three. The fortunate aspect of having to wait a couple of years for the reunion tour to reach NYC is that the band is truly operating on all cylinders and really clicking as a unit. There were many moments of inspired improv during the two show run, including a foray into “Morning Dew” during “Coltrane” on Saturday and a well developed “Marquee Moon” jam in the midst of an extended “Halloween” at Sunday’s show. The setlist for each night included just about all the songs you’d hope to hear at a Dream Syndicate show and a few tasty covers. Steve promised and delivered a different show for Sunday, subbing in a few deep tracks and re-arranging the list, but each show was equally satisfying and clearly worth the wait.

The Dream Syndicate perform their final show of the year at the Echoplex in Los Angeles this weekend, Saturday November 22.

The November 15 show was recorded by Kubacheck with his MBHO cards from a stand inside of the soundboard booth and the recording is an outstanding capture. I recorded the November 16 show from the same exact location with the Schoeps cards mixed with an excellent board feed provided by talented house FOH Kyle. Its is a super listen. Enjoy!

Stream “Definitely Clean” (from November 15 show):

Stream “Tell Me When Its Over” (from November 16 show):

Download the Complete Shows:
November 15 [MP3] / [FLAC]
November 16 [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

the-dream-syndicate-16

Dream Syndicate
2014-11-15
Rough Trade
Brooklyn NY

Digital Master Audience Recording
Recorded inside Sound Booth

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:50:56]
01 When You Smile
02 Sure Thing
03 Then She Remembers
04 [banter – homecoming]
05 Season of the Witch [Donovan]
06 Daddy’s Girl
07 Until Lately
08 Tell Me When It’s Over
09 Burn
10 Definitely Clean
11 Halloween
12 [banter – Rutles reference]
13 The Medicine Show
14 That’s What You Always Say
15 Too Little Too Late
16 The Days of Wine and Roses
17 [encore break]
18 Merritville
19 John Coltrane Stereo Blues

*****************************************

Dream Syndicate
2014-11-16
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Kyle] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, effects, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:38:27]
01 See That My Grave Is Kept Clean
02 Tell Me When It’s Over
03 Daddy’s Girl
04 [banter – Brooklyn]
05 Sure Thing
06 Armed With An Empty Gun
07 Definitely Clean
08 Burn
09 Fifty in a 25 Zone
10 Then She Remembers
11 When You Smile
12 Halloween
13 [band introductions]
14 That’s What You Always Say
15 Too Little Too Late
16 The Days of Wine and Roses
17 [encore break]
18 Season Of The Witch [Donovan]
19 John Coltrane Stereo Blues
20 Break On Through [Doors]
21 John Coltrane Stereo Reprise

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Dream Syndicate, visit their website, and purchase their official releases from Steve Wynn’s Store [HERE].

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Speedy Ortiz: November 2, 2014 Mercury Lounge – FLAC/MP3/Streaming

November 19, 2014
By


speedy-ortiz-mercury-lounge
[photo courtesy of Marc Villoria for BrooklynVegan]

Review by Eric PH:

Every review of Speedy Ortiz you read is going to acknowledge their debt to beloved nineties indie rock bands. I’ll resist enumerating them all here if only to focus attention on the band’s irresistible songs and serious chops. Begun as the bedroom project of singer-songwriter-guitarist Sadie Dupuis, she recruited Mike Falcone on drums, Darl Ferm on bass, and Devin McKnight on guitar for 2012’s “Taylor Swift” single. Two EP’s and one Pitchfork Best New Music LP later, Speedy Ortiz have a well-stocked arsenal of rockers to draw from. The band manages to keep it loose while cohering as a whole that sounds like they’ve been playing together for much longer than the math would indicate. Dupuis’ vocals somehow hover above and intersect with the music, alternating between complementing and contrasting it. These songs are infectious. Her confessional lyrics evoke a nostalgia for shared experience, even if it’s an experience you’d rather forget. At least, that’s how I feel when I hear “Indoor Soccer.”

We were lucky enough to catch Speedy Ortiz at Mercury Lounge on their dual-headlining tour with Ex Hex. To illustrate how successful this band has been in such a short period of time, Ex Hex frontwoman Mary Timony happens to be the former frontwoman of one of those beloved nineties indie rock bands to which Speedy Ortiz are often compared. Speedy Ortiz can hold their own among giants. Their Mercury Lounge set features an array of selections from across their catalog; from the Major Arcana LP, Sports and Real Hair EPs, and even some deep cuts like “Doomsday” from a Less Artists More Condos 7” and “Bigger Party” from the 2014 Adult Swim Singles Series. Catching this band in a small venue is a major coup as they’re clearly going to be packing larger rooms very soon.

I recorded this set from our usual location in the venue, with a soundboard feed from Speedy Ortiz soundman, Dan. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Speedy Ortiz
November 2, 2014
Mercury Lounge
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Audio Technica 3031 + Soundboard (engineer: Dave Lefcourt) > Roland R-26 > 2x24bit/48kHz WAV > Audacity 2.0.5 (set fades, mixdown, tracking, tagging) > FLAC (level 8)

01. Taylor Swift
02. Tiger Tank
03. Plough
04. MKVI
05. Casper (1995)
06. Graduates
07. Ginger
08. Doomsday
09. Curling
10. Bigger Party
11. American Horror
12. Everything’s Bigger
13. Ka-Prow!
14. Indoor Soccer

If you enjoyed this recording, PLEASE SUPPORT Speedy Ortiz, visit their bandcamp page, and buy Major Arcana from Carpark Records.

King Gizzard and the Lizard Wizard: October 13 and 26, 2014 Baby’s All Right – Flac/MP3/Streaming

November 18, 2014
By

KGLW Babys Yuki
[photo courtesy of Yuki Matsumura]

Australia’s neo-psych phenoms King Gizzard and the Lizard Wizard were here in New York during the Summer and made a bit of a splash. We saw them open for Thee Oh Sees at McCarren Park and could definitely see their talents, but conditions (crazy wind, early set time) didn’t allow us to see the band’s full potential. Baby’s All Right gave King Gizzard a multi-show residency back in June, so when the band returned to NYC for much of October it was perhaps fitting that we should capture them at their homebase away from home. Baby’s offers Gizz what they need to thrive — the right sized room, an adoring audience and a welcoming vibe. And thrive they did. The band played multiple shows at Baby’s including several CMJ shows. We were fortunate to capture the first of those October shows, and the last. On October 13, The King Gizzard set was truly what I had hoped to see when I saw the band’s potential back in June. This was a full-on psych-rock assault with dual-lead guitars, dual-drummers and all manner of non-traditional instruments (flute!). The new King Gizzard album I’m In Your Mind Fuzz came out at the end of the month, but two weeks early we got nearly the whole thing, beginning with the tremendous five-song segue that opens the album to also start the show. That mini-set literally never let up in its astounding energy. When the band finally came up for air a good twenty minutes into the set, you could almost hear an exhale from the crowd and feel a collective realization that this band had truly arrived — lots of mouthed wows and head shakes. Gizz was on and the room was electric. The remainder of the set was equally outstanding, including the end of the show which featured two extended jam sessions and finished with the band’s epic “Head On/Pill”.

At the end of the CMJ week, the appropriately named annual “CMJ Hangover Brunch” hosted by Panache Booking featured a completely different King Gizzard set from earlier in the month. This event was conceived as a quieter, more mellow experience and the Gizz played off that idea. The pared down version of the band displayed their talents at singing/songwriting and it was no less compelling than the psych-out aspect of the band. The October 26 set featured only two songs from the new album, the aptly named “Slow Jam” songs. After the set we had a nice chat with band leader Stu MacKenzie, an intelligent and thoughtful guy whose personality is well captured in this excellent piece in Interview Magazine.

King Gizzard is back in Australia and not likely to tour the US again until the Summer of 2015, but those shows will be events not to miss.

I also recorded the crazy Halloween show and that will be on the site within the next few weeks.

Both of these shows were recorded and mixed in the exact same manner by Baby’s FOH Devin. We blended the room mics with his excellent multitrack mix and the sound quality of each is superb, truly capturing the completely different feel of each of the sets. Enjoy!

Stream “I’m In Your Mind” from October 13 show:

Stream “Sleepwalker” from October 26 show:

Download of Complete Shows
Oct 13 Show [MP3] / [FLAC]
Oct 26 Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

King Gizzard and the Lizard Wizard
2014-10-13
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 48:56]
01 I’m In Your Mind
02 I’m Not In Your Mind
03 Cellophane
04 I’m In Your Mind Fuzz
05 Empty
06 Hot Water
07 Slow Jam 1
08 Am I In Heaven
09 Head On Pill

**************************************

King Gizzard and the Lizard Wizard
2014-10-26
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 28:49]
01 Slow Jam 1
02 Stressin’
03 Her And I (Slow Jam 2)
04 It’s Got Old
05 Vegemite
06 Sleepwalker
07 [banter]
08 God Is Calling Me Back Home
09 [happy birthday]

If you download this recording from NYCTaper PLEASE SUPPORT King Gizzard and the Lizard Wizard, visit their website, and purchase I’m In Your Mind Fuzz from the Heavenly Records website [HERE] or in the US currently from iTunes. The album has just been released by Castle Face Records in the US, buy it [HERE].

Gizz Keim
[photo courtesy of Dean Keim]

Palehound: October 23, 2014 NYCTaper Unofficial CMJ Day Party, Cake Shop – FLAC/MP3/Streaming Full Set

November 17, 2014
By


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[photos by acidjack]

Generally, when I see a review of a band posted on this website that I wasn’t aware of, I take notice. So it went with the recording of Palehound at the now-in-the-history-books Death By Audio earlier this year. Then there was the memorable opening line, which pointed out that the band’s Hell Bent EP was written by a college freshman and half the band can’t legally buy beer. And thus, a shoo-in for an invite to our annual unofficial CMJ Day Party at Cake Shop was born.

As we noted then, the band continues to work on new material, and this show already served up several strong new numbers that weren’t in that set back in May. The band came out swinging with “Drooler”, followed by several new numbers from the band’s forthcoming album. Frontwoman Ellen Kempner and her full band continue to gel well, and if the new songs are any indication, this much-buzzed-about band should continue to enjoy the fan love for their newest work. While the band only had six songs to work with, they made the most of them, closing out with one of our favorites, “Pet Carrot”. Oddly enough, Kempner originally thought of the song as a reject, but crowds disagreed. We’re glad they did!

I recorded this set in the same manner as our other recordings from this day, with Schoeps MK4V microphones up front and a soundboard feed from house engineer Clint. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Palehound
2014-10-23
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6 + Soundboard (engineer: Clint)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (light EQ, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Drooler
02 Selfish Molly
03 Cushioned Caging
04 Cinnamon
05 I Get Clean
06 Pet Carrot

If you enjoyed this recording, PLEASE SUPPORT Palehound, like them on facebook, and buy their records from their bandcamp page.

Cass McCombs: November 1 and October 31, 2014 – FLAC/MP3/Streaming

November 16, 2014
By


IMG_8104
[photos by acidjack]

On night two of the Cass McCombs / Meat Puppets stand at Brooklyn’s Rough Trade, the order was switched, with McCombs the “headliner” playing the longer set. Since his breakout moment a few years ago, McCombs has shifted direction a bit, turning his sound toward the jammier side of things with an expanded band. We pointed this out last year when McCombs first brought his material from Big Wheel and Others to the stage at Bowery Ballroom. This time, Cass had a new band in tow but a similar attitude, letting songs proceed at a languid pace that gave the band time to grow into the tunes. In that sense, the two shows offer a bit of a contrast, as the Halloween show finds the band self-editing a bit to make the time requirements, while the November 1st show gives you a full-on jamfest, including a very extended version of “County Line” from 2011’s breakout Wit’s End as an encore. Once again it was arguably the Halloween show that once again took the cake, as the reduced set time both focused Cass’ energies and also yielded a unique cover of Metallica’s “The Unforgiven”. Whatever your Cass preferences, this twofer tour with the Meat Puppets is a can’t miss. The bands are finishing up this year on the West Coast, with the tour dates here.

Each of these sets were recorded in the same manner as Eric PH’s and my respective sets from Halloween. The November 1st set was recorded with Schoeps MK41 microphones and a soundboard feed from Kyle of Rough Trade, while the Halloween show is Audio Technica 3031 microphones and Kyle’s feed. Both are excellent. Enjoy!

Download acidjack’s 11/1 show: [MP3] | [FLAC]

Download Eric’s 10/31 show: [MP3] | [FLAC]

Stream “The Unforgiven” [Metallica] from 10/31:

Stream the full 11/1 show:

Cass McCombs
2014-11-01
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kyle) + Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades, align)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [total time: 1:35:42]
01 Big Wheel
02 Morning Star
03 A
04 Home On the Range
05 Angel Blood
06 Brighter!
07 Buried Alive
08 Lionkiller
09 [banter]
10 Multiple Suns
11 Everything Has to Be Just So
12 The Same Thing
13 Not the Way
14 [encore break]
15 County Line
______________________________________
Cass McCombs
October 31, 2014
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Audio Technica 3031 + Soundboard > Roland R-26 > 2x24bit/48kHz WAV > Audacity 2.0.5 (set fades, mixdown, tracking, tagging) > FLAC (level 8)

01. That’s That
02. Equinox
03. Big Wheel
04. Sooner Cheat Death Than Fool Love
05. Aeon of Aquarius Blues
06. Brighter!
07. Robin Egg Blue
08. Dreams Come True Girl
09. [Instrumental]
10. Love Thine Enemy
11. Name Written in Water
12. City of Brotherly Love
13. The Unforgiven [Metallica]

If you download this recording from NYCTaper, PLEASE SUPPORT Cass McCombs, visit his website, and purchase Big Wheel And Others from the Domino Records website [HERE].

Juan Wauters: October 26, 2014 Panache CMJ Baby’s All Right – Flac/MP3/Streaming

November 15, 2014
By

Wauters Babys Keim
[photo by Dean Keim]

I will admit that I just never got the Beets. Back last decade, in an era when every band’s vocals were steeped in reverb and instruments were as “garage” as possible, the Beets took it to the extreme, creating a muddy and harsh sound that some found inspired but that I believed was over the top. I’ll also admit to mailing in the post for my one Beets recording that ended up on the site six years ago. But who knew that buried underneath all of those exaggerated garage effects was an extraordinarily talented singer and songwriter. Juan Wauters solo career has been a revelation thus far. My best comparison would be to a modern day Jonathan Richman — if JoJo was Uruguayan and from Queens. Juan has an ease about his performing style and like Richman, straddles the fine line between sincerity and humor, often keeping it so close to the vest that you’re not entirely sure whether he’s putting you on, or telling you something that you need to hear, or even both. Last year, his debut album on Captured Tracks N.A.P. (North American Poetry) was a collection of home recordings made over a two year period and seems to have just scratched the surface of his talents. We’ve seen Juan Wauters twice in the last month, including this set as part of the outstanding Panache Booking’s “CMJ Hangover Brunch”, where Juan played as a duo in a makeshift “stage” in front of the outer room bar at Baby’s All Right. While the setlist did include four songs from NAP, it also included five terrific new numbers including our favorites “I’m All Wrong” and “Let the Mystery Be There” (streaming below). The quality of the new material bodes very well for Juan’s next release which we expect will be soon, since he just released a video for a new song “Nena”. Juan Wauters will be touring Europe for much of November and December, dates here.

I recorded this set with the Schoeps cards on-stage and mixed with a feed from the PA used to power the vocals and Juan’s acoustic guitar. The sound quality is superb. Enjoy!

Stream “Let The Mystery Be There”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Juan Wauters
2014-10-26
Baby’s All Right
Brooklyn NY

Digital Master Recording
On Stage + PA Raw Feed

PA Feed [Engineer Devin Foley] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, effects, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 22:22]
01 Goo
02 I’m All Wrong
03 She Might Get Shot
04 Sanity or Not
05 En Mi
06 Lost in Soup
07 Woke Up Feeling Like Sleeping
08 Let the Mystery Be There
09 Dos

If you download this recording from NYCTaper PLEASE SUPPORT Juan Wauters, visit his website, and purchase North American Poetry from the Captured Tracks Records website [HERE].

Stars: November 10, 2014 Music Hall of Williamsburg – Flac/MP3/Streaming

November 14, 2014
By

November 10, 2014[photos courtesy of Jill Harrison and For the Love of Brooklyn]

This past Monday night, the Stars began their tour in support of new album No One Is Lost and made their third stop in Brooklyn at the Music Hall of Williamsburg. After a fantastic opening set from fellow Canadian band Hey Rosetta!, the Stars took the stage to the sweet, lonely lilt of Judy Garland and promptly kicked off the party with the first single from their new album, “From The Night.” The sold-out crowd apparently read an album review or three and figured a dance party might happen, so when the retro disco beat kicked in and singers Torquil Campbell and Amy Millan hit the chorus, it felt like the weekend was back in full force.

Much of the press about the new album has focused on how the band is making more dance tunes — and yes, Millan did collaborate on a recent track with EDM DJ Porter Robinson. But the real story seems to be that the cute, ironic fatalism that was present in the younger band’s work has evolved; the cabaret has shuttered because the stakes are too high. In fact, during the recording of No One Is Lost, the band’s long-time tour manager, Eoin O’Leary, was diagnosed with cancer. So if the Stars are guilty as charged of making a big fat dance album, so be it; O’Leary is now in recovery, and there is cause to celebrate.

On Monday, while there was certainly plenty of dancing, there was also a huge variety. Slow burners, disco tracks, and the good old-fashioned pop songs the Stars are known for — they made sure the setlist had something in it for everyone. The lineup was a mix of brand new songs and deep cuts dating all the way back to their debut album, Nightsongs. One of, if not the very highest points of the night was a reworked version of “Going, Going, Gone,” which Emily Haines of Metric sang with the band back in 2001. While the original version is earnest, spare and stripped down, the new version they performed Monday night featured melancholy synths, a minimalist backbeat, and heartbreakingly beautiful vocals. The new version felt more like a downtempo afterhours clubby version of the Stars — in the best of ways.

Other highlights included 2012’s “Hold On When You Get Love and Let Go When You Give It,” a sing-along for crowd favorite “Elevator Love Letter,” and a raucous new song called “Trap Door” that would make Ric Ocasek proud. The band closed out the main set with the new album’s title track, and all the arms in the venue went up in unison at the refrain: “Put your hands up because everybody dies!”

I recorded Stars using a pairs of Schoeps hypercardiod microphones and a soundboard feed graciously provided by the band and house engineers. They did an outstanding job and the sound quality is excellent. We hope you enjoy!

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

stars_2014_11_10_2v2

Stars
Music Hall of Williamsburg
Brooklyn, NY
2014-11-10

Exclusive download hosted at nyctaper.com
Recorded and Produced by hi and lo

Source: Soundboard (Engineer: Marty) + Schoeps MK41 > KCY > Naiant PFA > Sound Devices 744T @ 24 bit / 48 kHz

01. Intro
02. From the Night
03. Ageless Beauty
04. We Don’t Want Your Body
05. Turn it Up
06. Backlines
07. You Keep Coming Up
08. The Ghost of Genova Heights
09. This is the Last Time
10. Hold On When You Get Love and Let Go When You Give It
11. Look Away
12. Dead Hearts
13. Going, Going, Gone
14. Trap Door
15. One More Night
16. Elevator Love Letter
17. Take Me to the Riot
18. Your Ex-Lover Is Dead
19. Are You OK?
20. No One Is Lost
21. (Encore Call)
22. No Better Place
23. What Is to Be Done

If you enjoyed this recording, PLEASE SUPPORT Stars, visit their website, and purchase any of their CDs or Vinyls from their online store [HERE].

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