Posts Tagged ‘ soundboard ’

Creeper Lagoon: August 10, 2017 Mercury Lounge

August 15, 2017
By


[photo from Chris Quartly twitter]

The relative enjoyability quotient of a band reunion almost always depends upon the reason for the get together. When long-departed groups decide to get together and play shows for the simple fun of it, count us in. Creeper Lagoon had a brief but productive career that petered out in 2004. After being named Spin’s Best New Artist in 1998, the band went on to produce a couple of major label releases before splitting up after a difficult European tour. The 2001 release Take Back the Universe and Give Me Yesterday remains the peak of the Creeper Lagoon catalog and the music sounds as vibrant now as it did nearly two decades ago. After the split, all of the band members went on to successful careers and happy lives outside of the music industry. This excellent interview of band founder Sharky Laguana gives all the details, but suffice to say that all of the band member were in a good place when this reunion was contemplated and then announced late last year. After a couple of shows at the Noise Pop Fest’s 25th Anniversary in San Francisco in February, Creeper came to NYC for their first show in 16 years, a one-off at Mercury Lounge with no plans to return.

The excitement of the event was evident in the crowd from the outset as the band interactions will attest. Mercury was quite sold out and Creeper Lagoon’s energy reflected that fact throughout the night. The setlist was a lengthy run through the band’s back catalog with a nice cross-section of material. Universe was well represented as expected. The reality is that this night was exactly the reunion show you would have hoped for if you’re a Creeper Lagoon fan — fun, interactive, energetic, and well paced. If the reactions of the many fans who approached me after the show asking about the recording is any evidence, this document should also be exactly what the fans want.

I recorded this set with the Schoeps cards mounted in front of the Soundboard and mixed with a superb feed provided by the band’s FOH Kim Griess. This was a rambunctious and happy crowd, although there was a near-fight audible to my left during the encore break. Other than that and some other obvious chatter, the sound quality is quite excellent. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page:

Creeper Lagoon
2017-08-10
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kim Griess] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:32:34]
01 Chance of a Lifetime
02 Claustrophobia
03 Under the Tracks
04 Dead Man Saloon
05 Second Chance
06 [Tracy false start]
07 Tracy
08 [Patrick intro]
09 Dreaming Again
10 Sylvia
11 Empty Ships
12 Motor Away [Guided By Voices]
13 [banter – lawyer shit]
14 Hey Sister
15 Roman Hearts
16 Wrecking Ball
17 Bloodbuzz Ohio [National]
18 Sunfair
19 Keep from Moving
20 [encore break]
21 [Tonight long intro]
22 Tonight Was Fun
23 Wonderful Love
24 Dear Deadly

SUPPORT Creeper Lagoon: Website | Facebook

Oneida: July 14, 2017 Secret Project Robot

July 26, 2017
By

Since our last encounter with the band at the former Secret Project Robot space nearly a year ago, Oneida has released a stellar live album (of a different Secret Project Robot show), Secret Project Robot has become a slightly-less DIY, fully licensed, and even-more-enjoyable artist-run venue, drummer Kid Millions put out the best Man Forever release of … forever, and Oneida has nearly completed a brand-new album. Not a bad year’s work for guys who still have day jobs.

We’ve seen as many Oneida performances, collectively, as just about any band, so it’s hard to make a claim about one without offending one’s memory of another. So, I won’t throw inadvertent shade on those many other performances by saying this was the very best Oneida performance, but it was easily the very best I’ve seen in the recent past, made doubly exciting by the high volume of new tuneage (owing to that new album and all). The band has worked out many of these jams live at various other shows, but we haven’t been to one where they ripped through so many at once. Further, several of these were brand-new to us, including the one title-not-known-by-me song, “It Was Me,” “All In Due Time,” and “Lay of the Land.” A couple of those new songs offer a somewhat softer vibe than Oneida jams of recent past, with one of those unnamed numbers even billed as a “love song.” Just in case you thought they might go soft, Oneida made sure to play the storming “Cock Fight” next. By the time they made it to the final song, a nearly fifteen-minute “Cedars,” all I could think about was exactly how soon I could get my hands on that new record, and see Oneida next.

I recorded this set with Schoeps MK4V microphones at the stage lip, together with a soundboard feed provided by our friends at punkcast. Other than a couple of occasional technical glitches in the vocal parts from the board feed, the sound quality is excellent. Enjoy! (By the way, if you want to hear an amazing, perfect-sounding Oneida live show, don’t be a cheapskate and go buy their live album. Trust us.)

Download the complete set: [MP3/Apple Lossless/FLAC]

Oneida
2017-07-14
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Onstage recording by acidjack
Soundboard recording courtesy of punkcast
Produced by acidjack

Schoeps MK4V (Stage lip, DFC)>KCY>Z-PFA + SBD (engineer: Eric)>>Zoom F8>24bit/48kHz WAV>Adobe Audition CC (fades, align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 You Get Brighter
02 Economy Travel
03 All In Due Time
04 Bad Habit
05 Reputation
06 [tuning]
07 [new1 – “love song”]
08 Cock Fight
09 It Was Me
10 Lay of the Land
11 Cedars

SUPPORT Oneida: bandcamp | Buy Live at Secret Project Robot | Man Forever

Waxahatchee: July 15, 2017 Warsaw BK

July 25, 2017
By


[photos by Joe Saturday – courtesy of We All Want Someone blog]

Last September, Katie and Allison Crutchfield’s first major band PS Eliot reunited for a brief tour and the results were quite impressive. The show we captured at Market Hotel was one of the best nights of last year. Ten months later, Katie’s main band Waxahatchee has released its latest album and it appears that last year’s return to the earlier emo/punk of her career influenced the sound of the new album. Out In the Storm (Merge Records) was produced by the great John Agnello whose credits include Dinosaur Jr. and Sonic Youth, and it comes as no surprise that this is the most guitar-centric Waxahatchee album. That being said, its also undoubtedly the best sounding album in the band’s catalog and the song-writing fits perfectly with the production. The record chronicles the inner conflict of a person going through a difficult break-up and the anger and aggression and the power production matches perfectly.

Waxahatchee is currently on tour and the Brooklyn show was advertised as an album release show. Katie and Allison are originally from Alabama and currently live in Philadelphia, but each have great affection for Brooklyn. And as became obvious at this sold out Warsaw show, the borough loves them too. This was the largest show in the band’s history and they certainly rose to the occasion. With a crack band behind them, the sisters played a powerful set of material from the the last three albums mixed pretty evenly, but it was the newer tracks that brought the energy. If music is the universal emotional healing elixir, then whatever damage was suffered by the protagonist of Out In The Storm should have been thoroughly exorcised by the close of this outstanding show.

Waxahatchee is on an extensive world tour that last through November. Their many dates on posted on their Facebook page [here].

I recorded this set with the Neumann hypercardioids mixed with and board feed, and the sound is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Waxahatchee
2017-07-15
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:55]
01 Recite Remorse
02 Silver
03 Poison
04 Misery Over Dispute
05 The Dirt
06 Sparks Fly
07 Eight Ball
08 Brother Bryan
09 Lively
10 Never Been Wrong
11 Hear You
12 Air
13 Waiting
14 Coast to Coast
15 Brass Beam
16 A Little More
17 [band introductions]
18 No Question
19 Peace And Quiet
20 [encore break]
21 La Loose
22 Fade
23 Under a Rock

SUPPORT Waxahatchee:  website | Purchase Out In The Storm

Grim Streaker: July 16, 2017 Out In the Streets Festival, The Well

July 20, 2017
By

There are many loud, fast, post-punk guitar bands — even ones with female frontpersons and catchy puns for names. But whatever that exact “it” is that makes one stand out, that makes the front rage and the bored people in the back stand up and pay attention, Brooklyn’s Grim Streaker has it. Obviously, the live performance counts for a lot in this genre, and Amelia Bushell anchors that bit of the proceedings, with wry onstage humor and intense, snarling delivery that’s matched by an equally relentless band. The Out In the Streets Festival, in its second year, was our intro to the band, and they flat-out tore it up for a concise 30-minute set that packed in nine songs. The band has a new EP, Girl Minority, on offer, and it’s a commendably strong slab of digital goodness, but the live show is where the money’s at. The band seems to get that, having released the video for “Guts” as a straightforward live production. Have a look below, have a listen to the set, and you’ll see what we mean.

I recorded this set with a soundboard feed from engineer Cliff Ribiero and Schoeps MK41V hypercardiod microphones. The sound quality is quite good. Enjoy!

Download the complete show: [MP3/FLAC]

Grim Streaker
2017-07-16
Out In the Streets Festival
The Well
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS, LOC)>KCY>Z-PFA + Soundboard (engineer: Cliff Ribiero)>>Sound Devices MixPre-6>1x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Freak Child
02 Babysitter
03 Kiss
04 Tina’s
05 Savage
06 Guts
07 Miami Girl
08 Psycho
09 Mojito Mountain

Support Grim Streaker: bandcamp | facebook

The Mountain Movers: July 13, 2017 Union Pool

July 17, 2017
By

The Mountain Movers, of New Haven, CT, have been operating since the mid-2000s, but it feels like 2017 is their biggest moment yet. With the release of their self-titled LP on Chicago’s psychedelic mecca Trouble In Mind, the band have offered  a bold new statement of purpose. Compared to a decade ago, their sound is almost unrecognizable; even compared to the psychedelic-leaning but more folk-driven Apple Mountain, what you hear today is vastly different. Simply put, this band has entered the deep zone, and I hope they stay there. The material from the self-titled record is far and away the band’s heaviest yet, exploring deep grooves interspersed with approachable hooks.

That was on display at Union Pool this past Wednesday, where the band used its minutes to play only four songs, from a new(?) instrumental and the album’s sprawling opener “I Could Really See Things” to its most straightforward track, “Angels Don’t Worry.” After gigs with Chris Forsyth and Kikagaku Moyo, among others, earlier this spring, the band is in fighting shape, ready to take on the summer mini-tour that kicked off with this show.  It’s worth your time to get to know The Mountain Movers, who aren’t afraid to change course, or get weird, or get heavy. They’re at their very best when they do all three.

I recorded this set with Schoeps MK5 microphones at the center of the balcony together with a soundboard feed from Union Pool engineer Doug. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

The Mountain Movers
2017-07-13
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (at SBD, DFC, X-Y)>KCY>Z-PFA + Soundboard (engineer: Doug)>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:16]
01 [instrumental] [please provide track name if you have it]
02 Everyone Cares
03 [banter]
04 Angels Don’t Worry
05 [banter2]
06 I Could Really See Things

Support The Mountain Movers: bandcamp | Trouble In Mind

Sunwatchers: June 24, 2017 Union Pool (Summer Thunder)

July 5, 2017
By

It’s been a short couple months since we last saw Sunwatchers, but picking up on the final date of the Feral Ohms-Sunwatchers-Honey tour, the band had a few new tunes to share with us. We hadn’t previously heard “Nose Beers” or “The Works” (except on this excellent recording from last year via Southern Shelter); and the perfectly-titled “Greeneyed Pigmen (Get the Blade)” also appears to be brand new. The centerpiece of their set is a wonderful cover of Alice Coltrane’s “Ptah, The El Daoud,” from her 1970 album of the same name. Coincidentally, none other than Pharoah Sanders plays on that record and he was in town the previous night for a free show in Prospect Park along with Brooklyn Raga Massive’s tribute to John and Alice Coltrane. No doubt the spirits were in alignment for this one.

I recorded this with the mics set up on stage, combined with a board feed courtesy of Union Pool engineer Doug. It sounds excellent. Enjoy!

Download: [MP3/FLAC]

Sunwatchers
2017-06-24
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + AKG C480B/CK61 (OS) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [33:28]
01. Nose Beers
02. The Works
03. Greeneyed Pigmen (Get the Blade)
04. Ptah, The El Daoud [Alice Coltrane]
05. Eusubius
06. Ape Phase

Buy Sunwatchers via Castle Face

Feral Ohms: June 24, 2017 Union Pool (Summer Thunder)

June 29, 2017
By


[photos by PSquared Photography]

Though this was their NYC debut, Ethan Miller’s latest garage fuzzout band, Feral Ohms, began quietly releasing singles on his Silver Current label way back in 2013. What the hell took them so long? Well, Miller’s had some other stuff going on like Howlin’ Rain, Heron Oblivion, and the too-damn-short Comets on Fire reunion from that same year. So we’ll let Feral Ohms skate on their longtime absence from the East Coast. Besides, the band—that’s Miller on guitar and vocals, Josh Haynes on bass, and Chris Johnson on drums—made up for it and then some with this literally scorching Saturday afternoon outdoor set as part of Union Pool’s Summer Thunder series. They played the entire self-titled record to huge smiles all around as the packed crowd took in the sun and the tunes. Let’s hope we don’t have to wait too long before the ’Ohms come back this way again.

I recorded this with the mics set up on stage, combined with a board feed courtesy of Union Pool engineer Doug. It sounds excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Feral Ohms
2017-06-24
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + AKG C480B/CK61 (OS) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [36:06]
01. Love Damage
02. Living Junkyard
03. Early Man
04. God of Nicaragua
05. Teenage God Born to Die
06. Sweetbreads (false start)
07. Sweetbreads
08. Value on the Street
09. The Glow
10. Super Ape

Buy Feral Ohms music via Bandcamp
• • Instagram

• • • Facebook

Spiral Stairs: June 23, 2017 The Bell House

June 27, 2017
By


[Photos by Rocketman]

It’s been nearly a decade since we’ve had new music from Scott Kannberg/Spiral Stairs—but the long wait is justified as his new album Doris and the Daggers is his best since Preston School of Industry disbanded in 2004. We caught up with Spiral Stairs for the first of his two night NYC stand and were rewarded with eighty minutes of tunes off the new record, plus some Pavement and Preston School of Industry favorites. If you needed reminding of Spiral’s crucial contributions to the former, the song selection here—“Date with IKEA,” “Kennel District,” “Passat Dream,” “Hit the Plane Down,” and “Two States”—will emphasize that Pavement had two major songwriters. For my money, I enjoyed hearing a couple from the criminally underrated Preston School of Industry, the wonderfully-lackadaisical “Whalebones” (which ranks up there with his signature Pavement compositions) and “Caught in the Rain.” (As an aside, there are quite a few PSOI tracks I’d still like to hear the Spiral Stairs band play live, like “Somethings Happen Always” and “Falling Away.”) But back to Doris and the Daggers: so many reviews have focused on the maturity of the record, which makes it sound overly serious. Spiral Stairs may be older and singing about real life, but he’s still doing so with a wink and smile and his penchant for an opaque but resonant turn of phrase.

I recorded this with the mics set up at the board in DIN stereo configuration, which I then combined with a board feed from the Bell House’s FOH David Hurtgen. A special thanks goes out to David for loaning me a mic stand so I could make this recording for you all. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Spiral Stairs
2017-06-23
The Bell House
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Rocketman

Soundboard (engineer: David Hurtgen) + AKG C480B/CK61 (DIN, ROC) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:18:31]
01. Flesh and Blood [Roxy Music]
02. Dance (Cry Wolf)
03. No Comparison
04. Exiled Tonight
05. Trams (Stole My Love)
06. Date with IKEA [Pavement]
07. Kennel District [Pavement]
08. Emoshuns
09. Dundee Man
10. Passat Dream [Pavement]
11. Hit the Plane Down [Pavement]
12. Whalebones [Preston School of Industry]
13. Caught in the Rain [Preston School of Industry]
14. Angel Eyes
15. Hypnotized
16. Two States [Pavement]

Buy Doris and the Daggers at the Spiral Stairs website
• • Instagram

• • • Facebook

Man Forever: June 14, 2017 Brooklyn Music School

June 26, 2017
By


[photo by Sarah Richardson]

Its not news to our readers that Kid Millions is one of this site’s favorite musicians, both as a member of site-regulars Oneida and as a solo artist under the moniker of Man Forever. We’ve chronicled Man Forever from their days as a team of drummers, through the addition of accompanying musicians, to its present incarnation. For the latest album, Kid compiled a roster of prime musicians and created a work of great imagination and invention that truly transports Man Forever to it ultimate fruition. Play What They Want (Thrill Jockey) is more than just a collection of Kid’s friends — Laurie Anderson, Yo La Tengo, and Mary Lattimore included — its a realization of a career of the scene’s ultimate percussionist as composer. The album is a musician at the peak of his compositional talents.

For the album’s release show at the most-appropriate setting of the Brooklyn Music School, Kid Millions brought together many of the album’s players (but none of the celebrities) as a profoundly talented orchestra. Among the many players too numerous to list in its entirety, there was the percussion group TIGUE, the harp of Brandee Younger, the vocals of Nina Dante and Nick Hallett, and the lively lead bass of Brandon Lopez. Kid introduces everyone on the recording and rest assured that this compilation of talent is truly remarkable. The band worked through three of the tracks from Play What They Want and one older piece in a well-paced set of material that touched on elements of jazz, prog and drone and highlighted the natural rhythmic talents of its protagonist.

I recorded this set with the Schoeps mounted in front of the stage and mixed with a superb soundboard feed provided by the talents of house FOH Ben Manley. The result is an outstanding capture with depth and clarity. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Man Forever
2017-06-14
Brooklyn Music School
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this excellent band:
http://www.thrilljockey.com/artists/man-forever

Recorded and Produced
by nyctaper

Setlist:
[Total Time 43:53]
01 [introduction]
02 You Were Never Here
03 Ten Thousand Things
04 The Clear Realization
05 Twin Torches
06 [outro]

PLEASE SUPPORT Man Forever: Website | Facebook | Purchase Play What They Want

Robert Millis: May 17, 2017 Park Church Co-op

June 12, 2017
By

It’s no secret that Sublime Frequencies publishes some of the most interesting, far-flung music and books out there, much of that due to the extraordinarily tireless work of compiler and artist Robert Millis. His latest book is Indian Talking Machine, which chronicles Millis’ hunt for 78s in India in words and pictures. Millis is also responsible for an impressive catalog of music of his own, both solo and with Climax Golden Twins. Most recently, Abduction put out the album The Lonesome High, which includes “Marvelous Fool” and the traditional “The Drowsy Sleeper,” both of which he performed last month at Park Church Co-op. (As an aside, that album also includes “Notes on a Scandal” which he performed a couple years ago at Union Pool.) Also in this set is “Continental,” a Climax Golden Twins song from 2007’s 5 Cents a Piece. The finale, “Abstraction,” is a long ambient piece that perfectly encapsulates the intersection of Millis’ two passions, combining his guitar with, in his words, “a mixture of field recordings I have made, 78rpm record samples, and a few other oddities—put together to interact with my effects and the guitar pick up in interesting ways.”

I recorded this with the room mics set up ORTF at the stage lip, combined with a board feed from Park Church engineer Jasno Swarez. It sounds excellent. Enjoy!

Download the complete show: [MP3/FLAC]


Robert Millis
2017-05-17
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard > Roland R-26 + AKG C480B/CK61 (ORTF, stage lip) > Zoom F8 > 2 x WAV (24/48) >  Audacity 2.0.5 (align, mixdown, tracking, tagging) > FLAC (24/48, level 8)

Tracks [35:18]
01. The Drowsy Sleper [traditional]
02. Continental [Climax Golden Twins]
03. Marvelous Fool
04. Abstraction

3-4 copyright Robert Millis, 2017

Support Robert Millis: Website | Facebook | Buy Robert Millis music via Forced Exposure

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.