Posts Tagged ‘ soundboard ’

Beach Day: October 23, 2014 NYCTaper Unofficial CMJ Day Party, Cake Shop – FLAC/MP3/Streaming Full Set

October 31, 2014
By


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[photos courtesy of Dean Keim]

It may have been dreary and pouring outside of Cake Shop at the start of the NYCTaper Unofficial CMJ Day Party, but Beach Day brought some Florida sunshine to brighten the day’s kickoff. The Hollywood, FL band treads some of the same ground as like-minded beach-named acts (that is surfy/garage-y rock) distinguished by the vocals of guitarist/vocalist Kimmy Drake, whose vocals are as sweet as any I heard all weekend. The once two-piece of Drake and Skyler Black, the band’s drummer, expanded to four by the time of this show, and the more robust sound did the band’s songs justice. Their music is deliciously retro, with songwriting of the AM radio/earworm variety. I haven’t been able to get “I’m Just Messin’ Around” and the heavier “Pretty” for more than a week. Both songs can be found on the band’s latest Kanine Records release, Native Echoes, and I recommend you grab one before the weather here in New York gets any worse.

I recorded this set in the same manner as the other shows on this day, with Schoeps MK4V microphones at the stage lip and an excellent soundboard feed from Clint, the house engineer. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Beach Day
2014-10-23
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6 + Soundboard (engineer: Clint)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (light EQ, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 I’m Just Messin’ Around
02 Don’t Call Me On the Phone
03 Walkin’ On the Streets
04 Gnarly Waves
05 Pretty
06 Beach Day
07 Boys

If you enjoyed this recording, PLEASE SUPPORT Beach Day, visit their Tumblr page, and buy Native Echoes directly from Kanine Records

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Purling Hiss: October 23, 2014 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 28, 2014
By


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[photos by acidjack]

Purling Hiss, the scuzz-rock project of Philadelphia-based guitarist/songwriter Mike Polizze, has emerged from his early records’ soup of fuzz with the band’s best-recorded, best album of righteously weird rock n’ roll, appropriately titled Weirdon. We couldn’t have been happier as longtime fans to feature this band as the headliner of our annual unofficial CMJ day show at Cake Shop, where the Hiss gave us thirty minutes of the most badass shredding we saw all weekend. Appropriately enough, we first caught the band opening for fellow Philadelphian Kurt Vile, another artist who has cultivated his early sound into something still-vital but more accessible to the masses.

A set like this shows you another thing, which is that while Weirdon is certainly Polizze’s most complete song cycle yet, it’s as much a triumph of production as evolved songwriting. When you hear a Hiss classic like “Run From the City” next to some of the best new numbers like “Forcefield of Solitude” and “Learning Slowly”, you realize just how much the aesthetics of a recording actually do matter, even in the earbud age. Despite a CMJ-typical truncated set time, Polizze and the band put everything into what they had, with Polizze on his knees bent over his guitar at several points in front of a crowd that, in the best Cake Shop tradition, was practically on top of him. Closing out with the very early PH song “Almost Washed My Hair”, Polizze drew a straight line from then to now. To hear the live version below is to realize that, if you weren’t, you should have been on this bandwagon from day one.

I recorded this set with Schoeps MK4V microphones mounted just in front of the band on the ceiling, plus Clint’s excellent soundboard feed of the house mix. The sound quality makes this likely our best Purling Hiss recording. Enjoy!

Purling Hiss plays more New York dates, including this Wednesday at Death By Audio, and Friday night at 338 Moffat.

Download the complete show: [MP3] | [FLAC]

Stream the complete show (you can also download the MP3s from the Soundcloud page):

Purling Hiss
2014-10-23
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6 + Soundboard (engineer: Clint)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (light EQ, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:26]
01 Mercury Retrograde
02 Forcefield of Solitude
03 Rat Race
04 Airwaves
05 Learning Slowly
06 Run From the City
07 Where’s Sweetboy
08 Almost Washed My Hair

If you enjoyed this recording, PLEASE SUPPORT Purling Hiss, like them on Facebook, and buy Weirdon directly from Drag City.

Matt Northrup: September 5, 2014 Hopscotch Music Festival, Vintage 21, Raleigh, NC – FLAC/MP3/Full Set Streaming

October 27, 2014
By


snapshot-Matt-Northrup-photo-by-Andy-Marino
[Photo by Andy Marino for Shuffle Magazine]

Greensboro, NC-based guitarist Matt Northrup comes from the distinctly louder spectrum of folks in the solo guitar field. He has commented before on the fact that people don’t always expect “solo guitarist” to represent quite the wall of sound that his performances tend to create, but I suspect he’s OK with the added mystery. One of the highlights of Hopscotch Music Festival for me is always the chance to catch up on North Carolina talent that I haven’t been exposed to before, and seeing Northrup was high on my list. In the dim and quiet confines of Vintage 21, he more than rewarded all of our interest with a multi-part piece, “The Unwinding”, that hasn’t yet been committed to recorded form. What is clear is that Northrup is one to watch among the latest guitar talents. Don’t miss him.

I recorded this set with a soundboard feed and Schoeps MK41 microphones which provided a little bit of ambiance. The quality is outstanding. Enjoy!

Direct download of full set: [MP3] | [FLAC]

Stream the full set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Matt Northrup
2014-09-05
Hopscotch Music Festival
Vintage 21
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
recorded and produced by acidjack

Soundboard + Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, levels, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, fades, dither and downsample)>FLAC ( level 8 )

Tracks
01 The Unwinding (1-5) pt. 1
02 The Unwinding (1-5) pt. 2

If you enjoyed this recording, please support Matt Northrup, visit his website, and buy his records on his bandcamp page.

Thurston Moore: October 21, 2014 St. Vitus – FLAC/MP3/Streaming/Video

October 23, 2014
By


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[Photos by P Squared Photography]

For more than three decades, Thurston Moore has been a constant in so many ways — perhaps the only excusable reason why changes in his personal life have been talked about at all in the last few years. Musically, Moore has stood above almost every one of his peers in his ability to both mine the farthest reaches of his instrument (see, for example, his recent appearances with Tony Conrad and Enemy Waves) while constructing memorable, catchy, yet-still original traditional songs. Moore’s most recent album, The Best Day, represents both impulses while leaning on the latter, abetted by a crack band that includes Steve Shelley, James Sedwards on guitar, and My Bloody Valentine’s Debbie Googe on bass. While The Best Day is technically Moore’s first solo album since 2010’s Demolished Thoughts, it may be better to think of it as a next step beyond the Chelsea Light Moving project that we saw in 2012 and 2013. The connection to Moore’s Sonic Youth output, both lyrically and musically, feels strong, but there’s also a line toward the more concise style of his 1995 solo album, Psychic Hearts. On the U.S. release date for The Best Day, this show at the metal-centric venue St. Vitus gave us the very best of all of it — energetic guitar work, deeply-explored grooves, and killer songwriting.

This set covered almost the entire Best Day album, plus a couple of choice nuggets from Psychic Hearts. We had first hoped to catch the full band at Hopscotch Music Festival, but due to visa issues, that ended up being just Thurston and Shelley, doing surprisingly full renditions of these songs. Played by the band for which they were intended, these songs sprung to life, from “Speak to the Wild” and its earworm of a hook to the set closer, Psychic Hearts’ “Pretty Bad”.  Many artists at Moore’s level of seniority are worried about staying relevant; the question with Moore is how much better he might get from here. Moore has made some misunderstood comments about black metal lately, making the choice of St. Vitus all the better. Watching the man and his band on stage, it’s hard to imagine anyone not being impressed.

I recorded this set with Schoeps MK4V microphones and a soundboard feed of the house mix. The sound quality is outstanding, at least on par with the Chelsea Light Moving recordings from 2013. Enjoy! We have now added a complete video of the set from our friends at unARTig as well!

Thurston Moore plays another NYC show this Sunday at Rough Trade NYC. It appears to be sold out, but give it your best shot….

Download the complete show: [MP3] | [FLAC]
If the above are not working, try these permanent links: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thurston Moore
2014-10-21
St. Vitus
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (LOC, A-B)>KC5>CMC6>Sound Devices USBPre2 + Soundboard>>Roland R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (aligh, mix down, fades, limiter)>Izotope Ozone 5 (light EQ, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:06:14]
01 Forevermore
02 Speak to the Wild
03 Germs Burn
04 Detonation
05 [banter]
06 The Best Day
07 Grace Lake
08 [encore break]
09 Psychic Hearts
10 Pretty Bad

Band:
Thurston Moore – guitar, vocals
Debbie Googe – bass
James Sedwards – guitar
Steve Shelley – drums

If you enjoyed this recording, PLEASE SUPPORT Thurston Moore, visit his Facebook page, and buy The Best Day directly from Matador Records.

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Ed Schrader’s Music Beat: September 26, 2014 Mercury Lounge – FLAC/MP3/Streaming

October 22, 2014
By


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[photos by acidjack]

Ed Schrader’s Music Beat have the distinction of being, hands down, one of the weirdest bands I’ve ever seen. If the duo of Ed Schrader and Devlin Rice’s instrumentation — Rice’s bass and Schrader’s single floor tom, played standing up — or their quirky and hilarious banter weren’t enough, then there’d be the songs themselves to consider. They play short, loud blasts of scrawling sonic assault, intermingled with some traditional singing by Schrader that included, on this night at Mercury Lounge, a semi-sincere Elton John cover. The pair played in complete blackness, with Schrader going shirtless fairly soon into the set. He talked about his time in Utica, pre-Baltimore relocation, and sang a few songs about it, too. Schrader’s music, if you listen to his crowd banter, might be deeply personal, or it might make no sense at all. Or it might be both — he does after all sing about how he can’t stop eating sugar, a problem to which we can all relate. This set didn’t even last an hour, yet comprises 19 tracks, including the aforementioned Elton cover and another of Frank Sinatra.

As some things I record tend to be (see, e.g., Tony Conrad at Hopscotch), this is probably the kind of thing you have to see live for it to fully make sense. These are songs that belong in context, in a dark room late on a Friday night, where you’re primed not only to laugh, but to be exposed to something original and maybe a little bit unsettling. Schrader isn’t trying to helm a traditional rock band, and if that’s what you’re here for, eject while you can. If not, take a trip into Schrader’s delightfully demented little world, and prepare to be tickled.

I recorded this set with a soundboard feed from house engineer Dave Lefcourt and a soundboard feed. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the full set

Ed Schrader’s Music Beat
2014-09-26
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Dave Lefcourt) + Schoeps MK41 (ROC, PAS)>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 When I’m In A Car
02 [banter1]
03 Pilot
04 [banter2]
05 Signs
06 Laughing
07 Sermon
08 I Guess That’s Why They Call It the Blues [Elton John]
09 Weekend Train
10 No Fascination
11 Right
12 Televan
13 Fly Me to The Moon [Frank Sinatra]
14 Clock Weather
15 Desire Post
16 [banter3]
17 Airshow
18 Party Jail
19 Traveling
20 I Can’t Stop Eating Sugar
21 Rats

If you enjoyed this recording, PLEASE SUPPORT Ed Schrader’s Music Beat by visiting their bandcamp site and buying their records there.

White Fence: October 13, 2014 Baby’s All Right – Flac/MP3/Streaming

October 20, 2014
By

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[photos by PSquared Photography]

When I think about CMJ week, White Fence always comes to mind. It was 2011 when they played our show — a frenetic set that was one of the best if not the actual best set ever in the many years we’ve presented CMJ parties. Three years later, White Fence has become exactly what we believed possible back then — a consistently excellent band that has produced a plethora of remarkably pure and faithful sixties and seventies styled psychedelia and garage rock in 3 to 4 minute bursts of goodness. The band now records for Drag City Records and their latest album is their first for this excellent label. For The Recently Found Innocent is also the first album recorded outside of Tim Presley’s home studio and he chose an excellent collaborator to help produce this album — the equally prolific Ty Segall. Found Innocent is a more conventional White Fence album, although it certainly does not deviate from the the band’s overall sound. Last Monday, White Fence was back in town and they will be on the East Coast through CMJ week. Their set at Baby’s All Right was a headline spot on an excellent three-band bill and it didn’t start until almost 1am on a school night, but the crowd for the most part stuck around. Tim has employed a couple of new players for this touring band, but the result was consistent with prior live White Fence experiences. The live show gives a different energy to the material and the songs take on altered arrangements from the recorded versions. The Baby’s set maintained a high energy for over an hour and while the setlist covered much of the new album, it was two older numbers where the band stretched out and jammed a bit. “Baxter’s Corner” has for years been the go-to for extended performance and this night it was again a burner, but also “And by Always” was a sprawling treat and we are streaming that number below.

This week White Fence will be playing at least four CMJ shows, including the Panache Booking CMJ “Hangover Brunch” at Baby’s All Right on Sunday where they will be playing an acoustic set. We will be there to record that special set.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed near the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “And by Always”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request

White Fence
2014-10-13
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:03:32]
01 Chairs in the Dark
02 Fragility
03 Arrow Man
04 Wolf Gets Red Faced
05 Like That
06 Trouble Is Trouble Never Seen
07 [banter - fix a drum]
08 Baxter Corner
09 Actor
10 Hard Water
11 Makers Nest And Words Freeze
12 Anger Who Keeps You Under
13 Sandra
14 And by Always
15 Get That Heart
16 Pink Gorilla
17 Paranoid Bait

If you download this recording, we expect that you will PLEASE SUPPORT White Fence, visit the Facebook page, and purchase For The Recently Found Innocent from the Drag City Records website [HERE].

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Wussy: October 11, 2014 Private House Larchmont NY – Flac/MP3/Streaming

October 17, 2014
By

Wussy Larchmont
[photo by nyctaper]

The nights like this one are the ones to cherish. After Wussy’s Friday show while I was breaking down equipment, I was invited to a private house concert by Wussy for the following night up in Larchmont in Westchester County. Fortunately, I had no plans so that I was able to take the quick drive up to attend and record this event. It was clear from the outset that this was going to be special as a spread of gourmet Indian food was presented to the band and all the guests. After setting up my equipment with the help of the band, all of the guests made it downstairs to a family room large enough to host a small concert. Lisa Walker and Chuck Cleaver played seated with Lisa on acoustic and Chuck on a steel guitar — or as Lisa called it “Campfire Wussy”. The band also put together a very unique setlist including some Wussy Duo numbers, some deep cuts, and the first full band performance of an Ass Ponys track. And of course, the band spent much of the between-song banter as they often do, ribbing each other and telling amusing anecdotes. From my vantage point sitting less than ten feet from the band, it was truly a unique and special experience. We remarked that Friday’s show featured a wonderful version of “Motorcycle”, and Saturday’s show featured a different arrangement that was equally breathtaking. That song is streaming below. Wussy will return to the NYC area on January 17 for gig at a venue that is not yet announced. See you then.

I recorded this set with the Schoeps cards positioned directly in front of the band. I also used a single DPA omni microphone and a single line out from the modest PA used to amplify the vocals and guitars. With the onstage Schoeps as the primary recording, I used the other sources to supplement the depth and also the vocals (upon which I applied some reverb). I’m quite pleased with the excellent results. Enjoy!

Stream “Motorcycle”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wussy
2014-10-11
Private House Concert
Larchmont NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [mono] + Schoeps CCM4u Cardioids + DPA 4061 (mono) > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:01:52]
01 Little Paper Birds
02 [banter - Queensryche]
03 Motorcycle
04 [banter]
05 Pretty as You Please
06 [banter - rehearsal]
07 Crooked
08 Humanbrained Horse
09 [banter - Marshall Tucker]
10 Airborne
11 Acetylene
12 Donald Sutherland [Ass Ponys]
13 [banter - Duo]
14 Maglite
15 Gene I Dream
16 Halloween
17 [banter - false start]
18 Don’t Leave Just Now
19 [encore break - thanks]
20 Loaded for Bear

If you download this recording, we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases from the Music link at their site [HERE] or from the Shake It Records website [HERE].

Celebration: September 26, 2014 Mercury Lounge – FLAC/MP3/Streaming

October 16, 2014
By


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Celebration easily wins for a band with an apt-sounding (if not optimally Google-able) name. Their upbeat sound threads the needle between organic and electronic in a way that invites a host of meaningless microgenre phrases like “psychedelic soul” and “cabaret-punk”. Whatever you want to call it, the root of the matter is that the band’s key appeal rests on two pillars — the voice of Katrina Ford and the sounds made by multi-instrumentalist Sean Antanaitis, the one most responsible for the band’s hard-to-classify sound. By this point, the Baltimore band has been at it a full decade, yet the only really clear thing I’ve read about them is that they’re friends with TV on the Radio. Such is their blessing and curse — Celebration don’t fit into many neat boxes or narratives, the less so the longer they’ve been around.

This show at Mercury Lounge was styled as a bit of a release party for the band, being the New York debut of the material from their 2014 LP, Albumin, along with some numbers even newer than the current releases. If you didn’t know the band at all up until the first song played, that album’s track “Razor’s Edge” might have convinced you that they were standard-bearing shoegazers, leaving the confusion at the door. But that was just the first song. “Tomorrow’s Here Today” — next up on the album as well as at the show — takes things in a completely different direction, drawing inspiration from New Wave. Owing perhaps to being the anchor act on a late-going bill, the band kept things loose, taking their time between songs and playing the new material unselfconsciously.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed from Mercury production manager Dave Lefcourt. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete show: 

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Celebration
2014-09-26
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (ROC, PAS)>KCY>Z-PFA + Soundboard (engineer: Dave Lefcourt)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 53:25]
01 Razor’s Edge
02 [banter1]
03 Tomorrow’s Here Today
04 In This Land
05 [banter2]
06 Freedom Ring
07 Blood Is the Brine
08 Chariot
09 [banter3]
10 Walk On
11 [banter4]
12 [new song 1]
13 Heartbreak
14 I Got Sol

If you enjoyed this recording, PLEASE SUPPORT Celebration, visit their website, and buy Albumin here.

Ought: October 14, 2014 Bowery Ballroom – FLAC/MP3/Streaming

October 16, 2014
By


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[photos by acidjack]

It only took one listen to Ought‘s debut album, More Than Any Other Day to understand that they are a young band of uncommon musical ambition and scope. They play a brand of rhythmically complex art-punk that incorporates elements of the “math rock” sound that rose to prominence in the 1990s, while still maintaining a great ability to make melodies you might hum. Formed in Montreal during a period of civil unrest by a group of young men mostly from somewhere else, their songs brim with disaffection as well as hope, a sort of post-OWS sensation that no matter how difficult things may seem, a way forward still exists. The album title, then, says a lot about where they are philosophically.

As a live band, Ought more than do their recorded output justice. They took the stage at Bowery Ballroom in a relatively quiet pre-CMJ week and stormed through most of their album plus a new song. The whole band has significant musical chops; drummer Tim Keen deserves a lot of the credit for keeping things tight, just as Tim Keeler’s sneering vocals give a memorable voice to the band’s vision. Listening to the eight songs live, some of which got the extended treatment (especially “Forgiveness”) it was striking how single-worthy almost every one of these tracks was, as well as how distinct each song was from the other. Pitchfork’s very positive review rightly pointed out that Ought’s more immediate style made them an odd bedfellow with the roster they share with Godspeed You Black Emperor and Colin Stetson, but I think Constellation Records knows what they’re up to. If the label’s goal is to cull the very best of the band’s adopted city, putting ambition at the forefront of any particular genre, then Ought fit right in. These guys are going places. And if you want to watch them do it, catch some of their upcoming tour dates, including Washington, DC tonight and Purchase, NY tomorrow.

I recorded this set in our usual manner for the venue, with Schoeps MK5 cardiod microphones and a soundboard feed from Bowery legend Kenny. The sound quality is outstanding. Enjoy!

Direct download of full set: [MP3] | [FLAC]

Stream the full set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

IMG_7915

Ought
2014-10-14
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny (house) and Ought engineer (name?)>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Today More Than Any Other Day
02 The Weather Song
03 Clarity!
04 Habit
05 Pleasant Heart
06 Forgiveness
07 [banter1]
08 Gemini
09 Beautiful Blue Sky

If you enjoyed this recording, PLEASE SUPPORT Ought, like them on Facebook, and buy their releases from Constellation Records.

Ryley Walker: September 6, 2014 Hopscotch Music Festival, Fletcher Opera Theater, Raleigh, NC (FLAC/MP3/Full Set Streaming)

October 15, 2014
By


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[Screen capture by Dan Schram]

Maybe that whole “old soul” saw is lame. Does a man need to have aged many decades to have lived hard, or to have seen the world through enough other people’s eyes? Does a man need to have suffered the physical indignities of age for his voice to be mournful? Is twenty-four too young to really know evil, to make heartbreak sound believable? Ryley Walker is that age. Define it by whatever trope you must, but Ryley Walker performs with a rugged grace and gut-wrenching, soul-searching level of realness that don’t come to men his age all that often. He sat down, at the rightmost end of a semicircle on Fletcher Opera Theater’s broad stage, as the final act to play there during this Hopscotch Music Festival. By the time he got up I felt a way that I hadn’t quite since seeing Hiss Golden Messenger take that same stage with a large band two years before. I don’t put any artist in the company of HGM lightly, but there I believe Ryley sits. He’s that good, the real deal, all of the great things it’s even possible to be when you’re sitting on just one album of “this kind” of material (Ryley’s previous work fell more to the experimental/noise end of the spectrum).

That LP, All Kinds of You, just arrived on Tompkins Square this April, but that material has new company in the incredibly strong output which dominated this set. Walker led off with a new song, followed by his first single, “The West Wind”, before heading into the gorgeous “Primrose Green”. Walker has already earned comparisons to Bert Jansch and Tim Buckley, and his current sound has a classicism to it that makes that fair. Walker huddled in his chair like an older man, taking long breaks between songs to get his tuning right, maybe set his head straight for the next song. Walker sings with depth, in a way that makes each song seem like it takes its own reserve of him. Away from the mic, he’s as amiable as a person comes; faced with his songs he’s transformed. These are songs that operate at some remove from even updated versions of traditional sounds; they seem almost unconcerned with modern flourishes. Kudos belong to Walker’s band, too, which includes a killer roster of players who give these songs not only shape but a live fluidity that makes them all the more special.

But don’t take our word for it. Walker will be appearing at CMJ on Friday, October 24 at an Aquarium Drunkard-sponsored showcase at Rough Trade. Don’t miss it, as the lineup contains many veterans of this site as well as special new bands.

We owe a large dose of gratitude to North Carolina-based taper Larry Tucker for recording and contributing this outstanding capture, made with Peluso American-made cardiod microphones and a soundboard feed. The quality is outstanding. Enjoy!

Direct download of full set: [MP3 (faster)] [MP3 (permanent)] | [FLAC]

Stream the full set

Ryley Walker
2014-09-06
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by Larry Tucker

Peluso CEMC6-CK4 (Room center hung from balcony rail)>Fostex FR2-LE @ 24/48 + Soundboard> Edirol R09-HR @ 24/24>Adobe Audition (Mixing)>Izotope Ozone 5 (multi-band compression>lower sample rate> CD Wave>Flac

Tracks
01 Summer Dress
02 The West Wind
03 Primrose Green
04 Hide In the Roses
05 Love Can Be Cruel
06 On the Banks of the Old Kishwaukee
07 Same Minds
08 Sweet Satisfaction

Band:
Ryley Walker – vocals, guitar
Ben Boye – keys
Anton Hatwich – bass
Brian Sulpizio – electric guitar
Frank Rosaly – drums
Jeb Bishop – trombone on final song

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy his records here.

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