Posts Tagged ‘ soundboard ’

Death Blues: September 4, 2012 Glasslands – FLAC/MP3/Streaming

September 20, 2012
By


[Photos by acidjack]

Death Blues is the new project from the hypertalented drummer and percussionist Jon Mueller, who has joined a new cast of players to make some seriously inspired math/post-rock. Mueller’s bio includes work with members of Swans, Wilco, and Bon Iver; helping to found the bands Pele, Collections of Colonies of Bees and Volcano Choir; and work with Rhys Chatham, James Plotkin and many others. The level of output represented by his discography would be humbling to most musicians.

So enter Death Blues and their inaugural NYC show, which took place at Glasslands, possibly the best place in this city for such things. Death Blues incorporates Mueller’s relentless percussion with hammered guitars, a trio of vocalists, an upright bass, and additional percussion. The result is a melodic but gripping live experience, with the throat-singing of the vocalists carrying over Mueller’s polyrhythmic drumming. The nearest guidepost sound-wise here is probably late 80s/early 90s acts like Slint and June of 44, but with less commitment to traditional song structure. This five-song set of mostly-extended numbers (including the 14+ minute centerpiece, “Death Blues”) gave the Glasslands crowd a preview of what this group will be delivering with its forthcoming Hometapes debut, Death Blues. We can’t wait to see what else Mueller has in store.

We saw Death Blues play the Hopscotch Music Festival in Raleigh, North Carolina a few days later, and we hope to have a recording of that set from the person who recorded it available to share as well soon.

I recorded this set with Naiant X-X omnidirectional mics at the lip of the stage, plus a flawless soundboard feed by Josh, the house engineer.  The sound is outstanding, and one of my finest recordings of the year. Enjoy!

Stream “Impatience:

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

 

Death Blues
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 Impatience
02 [tuning]
03 Death Blues
04 Acceptance
05 Impermanence
06 Iron String

If you enjoyed this recording, PLEASE SUPPORT Death Blues, visit their website, follow them on Twitter, and purchase Death Blues when it becomes available from Hometapes later this year.

Six Organs of Admittance: September 6, 2012 Hopscotch Festival, Berkeley Cafe (Raleigh, NC) – FLAC/MP3/Streaming

September 19, 2012
By


[Photos by acidjack]

The guitarist Ben Chasny, who performs with various combinations of players as Six Organs of Admittance, was a late add to this year’s Hopscotch Music Festival lineup, and a welcome one. Chasny, a veteran of the psych rock behemoth Comets On Fire, plays with a variety of approaches on the guitar; though he has been branded “new folk” in some quarters, that label hardly encompasses the wide range shown on Chasny’s Six Organs output. His latest, Ascent, finds Chasny reunited with his Comets on Fire compatriots, with the heavier sound to go with the personnel. This set at Raleigh’s Berkeley Cafe barely touched on the new material, represented only by the propulsive “A Thousand Birds”, which gave way to a lovely rendition of the mellow “Light of the Light” from 2011’s Asleep On the Floodplain. The set’s highlight came at the end, when improviser-in-residence Chris Corsano joined Chasny for an extended take on “Above A Desert I’ve Never Seen” from Asleep on the Floodplain. (Thanks to the commenter below for that information).

I recorded this set with Schoeps MK41 microphones and a soundboard feed from the accommodating Berkeley house staff – particularly so since the venue had been flooded a few hours earlier!  The results are excellent. Enjoy!

Stream “Above A Desert I’ve Never Seen”:

Complete Show: Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Six Organs of Admittance
2012-09-06
Hopscotch Festival
Berkeley Cafe
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Audacity 3.0 (set fades, tracking, light DR compression, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Journey Through Sankuan Pass>Shelter From the Ash
02 Bless Your Blood>Wolves’ Pup
03 Elk River
04 A Thousand Birds
05 Light of the Light
06 [tuning]
07 Khidr and the Fountain
08 Lisboa
09 [banter/Corsano intro]
10 Above A Desert I’ve Never Seen [with Chris Corsano]

If you enjoyed this recording, PLEASE SUPPORT Six Organs of Admittance, visit their website, and purchase Ascent and their other official releases from Drag City [HERE]

Altos: September 4, 2012 Glasslands – FLAC / MP3 / Streaming

September 14, 2012
By


[Photos by acidjack]

Milwaukee’s Altos (formerly/sometimes known as Group of the Altos) are a tough band to fit comfortably on most stages. With twelve members, and a variety of strings, keys, upright bass, trumpets, guitars percussion and more, the band’s sound is anything but stripped down. Sonically, they belong alongside fellow big bands like Godspeed You Black Emperor! with their commitment to melodies and stretched-out song structures that eschew pop convention. But unlike their fellow-travelers from up north, Altos’ sound is a bit more folk-inflected (think Broken Social Scene) and considerably less apocalyptic. This 40-minute set at Glasslands, a warmup to an upcoming gig at Hopscotch Festival in North Carolina, consisted of a total of four songs, including three longer-form compositions and the tighter, more vocal-driven “Race” (streaming below).   The band deploys the large crew of players wisely, creating songs that are sonically dense, yet cohesive and spacious.

As with many bands arising from the Milwaukee scene right now, Altos have a Bon Iver connection, too – their eponymous current record was recorded at Justin Vernon’s April Base studio, and is available on vinyl and digital here (with an album cover that is, appropriately enough, composed of headshots of each of the 12 band members).

I recorded this set with new Naiant X-X omnidirectional microphones at the lip of the Glasslands stage, together with a soundboard feed provided by the head engineer Josh. The sound quality is truly outstanding. Enjoy!

Stream “Race”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Altos
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance)>FLAC ( level 8 )

01 Begong Ava, Bagong Hele
02 Race
03 Sing (for Trouble)
04 Never Named

If you enjoyed this recording, PLEASE SUPPORT Altos, like them on Facebook, and purchase their new LP, Altos, on vinyl or digital [HERE]

William Tyler: September 6 and 7, 2012 Hopscotch Festival (2 performances!) – FLAC / MP3 / Streaming

September 13, 2012
By


[Photo from the Three Lobed/WXDU show by Abby Nardo. All rights reserved.]

The Nashville-based guitarist William Tyler was everywhere during this year’s Hopscotch Music Festival. Much like improviser-in-residence Chris Corsano, festivalgoers might see Tyler pop onstage with any number of bands – and we saw his join several, including Megafaun and Hiss Golden Messenger, as well as his own Lambchop. But folks also know Tyler as a solo artist of some renown, especially after his 2010 full length, Behold the Spirit.  Tyler’s playing runs the gamut of influences, from American-style finger picking to Indian ragas, and any given show of his is likely to wow even the most seasoned veteran of the instrument.

I first saw Tyler last year at Glasslands,  and was excited to catch two additional sets at Hopscotch down in Raleigh, NC. The first, an intimate performance on a tiny upstairs stage of the Raleigh restaurant and bar Busy Bee, was a mostly-different setlist than the 2011 show we saw, and included the new song “Oahspe” from Tyler’s 2012 seven-inch release. Any chance to witness Tyler’s virtuosity on his instrument is a can’t-miss, so I was thrilled that my friend Cory Rayborn had managed to book Tyler as part of his Three Lobed Recordings/WXDU Day Show the following day at the Raleigh venue King’s Barcade. That shorter set reprised “Oahspe” plus “Crystal Palace, Sea of Glass”, “Tears and Saints” and “Impossible Truth”. Tyler was clearly among friends at the day show, which was full with like-minded musicians from various corners of the avant-Americana galaxy and beyond. I would not be surprised to find Tyler himself as a future “improviser in residence” given what we saw here.

I recorded the Busy Bee set with a very simple stereo recorder placed in front of Tyler onstage, and the Three Lobed/WXDU show with Schoeps MK5 microphones in the omnidirectional setting onstage, plus a soundboard feed provided by the outstanding engineers at King’s.  Both are excellent renditions of their respective performances. Enjoy!

Stream “Cult of the Peacock Angel” from Busy Bee:

Stream “Oahspe” from the Three Lobed/WXDU show:

Direct downloads:

Busy Bee MP3 files [HERE] | Busy Bee FLAC files [HERE]

Three Lobed/WXDU MP3 files [HERE] | Three Lobed/WXDU FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.


[Photo from Busy Bee by PJ Sykes]

William Tyler
2012-09-06
Hopscotch Music Festival
The Hive at Busy Bee
Raleigh, NC USA

Recorded and produced by acidjack

Tascam DR-40 (internal mics, onstage, ORTF)>24bit/48kHz WAV>Audacity (set fades, tracking, DR compression, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Tears and Saints
02 Impossible Truth
03 [banter]
04 Oahspe
05 Missionary Ridge
06 [banter]
07 Cult of the Peacock Angel
08 A Portrait of Sarah

________________________

William Tyler
2012-09-07
Three Lobed/WXDU Day Show
King’s
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage, split)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Oahspe
03 Tears and Saints
04 Impossible Truth
05 Crystal Palace, Sea of Glass

If you enjoyed this recording, PLEASE SUPPORT William Tyler, visit his website, and purchase Behold the Spirit from Amazon or your favorite retailer. Find more information about Three Lobed Recordings [HERE]

MMOSS: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

September 13, 2012
By


[Photos by acidjack]

We first checked in with the Dover, NH psych rockers MMOSS back in May, when they opened for Woods at 285 Kent. This show at the somewhat more “formal” Knitting Factory in Brooklyn gave the band an opportunity to wow Brooklyn audiences with a significantly more capable sound system, and the results show in this recording. As with the May show, the band played a five song set that ended with the mammoth “War Sux”, though this set swapped in their April single release, “Spoiled Sun”, which became another of our favorites immediately. With the addition of flute to the mix of organs and guitars, MMOSS has a distinctly retro vibe that puts them in good company with many 60s forebears, and their album i is, as we noted before, a collection of instant classics. “War Sux” was even more extended this night than at the last show, giving the band a chance to show off their jamming chops.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from the Knit’s engineer, Rob. The sound is excellent.  Enjoy!

Stream “Spoiled Sun”
[audio:http://www.nyctaper.com/M0505MMOSS1202/04 Spoiled Sun.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

MMoss
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, EQ, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Wonder
02 Another Day
03 Another Dream
04 Spoiled Sun
05 War Sux

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT MMOSS, visit their Bandcamp and Facebook pages, and purchase their album i from Burger Records [HERE].

Magic Trick: August 16, 2012 Mercury Lounge – FLAC / MP3 / Streaming

September 9, 2012
By


[Photos courtesy of Bleary Eyed Brooklyn]]

As avowed fans of The Fresh & Onlys, we were thrilled to get a chance to see their frontman Tim Cohen’s bedroom project, Magic Trick, come to life as a full band for a set at Mercury Lounge. While Cohen’s lo-fi solo efforts have their charms, the songs feel more fully-realized with a real band, outshining even the latest official release, Ruler of the Night. Cohen and the band took a rapidly-filling room through many of Ruler’s new numbers, as well as a few from his older catalog (all of which can be heard on his bandcamp page). Compared to the Onlys, Cohen’s Magic Trick material is a bit more subdued and has less over psychedelic overtones; these songs veer much closer to confessional singer-songwriting than Nuggets-era jams. What hasn’t changed is Cohen’s knack for hooks and compelling songwriting. “Same People” is one of those songs that will stick in your head for days, while “Weird Memory” has a similar appeal to Real Estate’s blissfully diffident stylings. The Onlys have a tour and new record on the way shortly, but Magic Trick deserves a look on its own.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed by Kevin of the Mercury Lounge.  The quality is excellent. Enjoy!

Stream “Same People”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Magic Trick
2012-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KC5>CMC6>Aerco MP-2 + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, additional EQ, balance, downsample)>FLAC ( level 8 )

Tracks
01 Torture
02 I Am Never Going to Die
03 Sunny
04 Ruby
05 Same People
06 Tunnel of Love
07 Weird Memory
08 Invisible at Midnight
09 I Say Your Name

If you enjoyed this recording, PLEASE SUPPORT Magic Trick, like them on Facebook, and buy Ruler of the Night directly from Hardly Art [HERE]

Jennifer Castle: August 1, 2012 Union Pool – FLAC / MP3 / Streaming

September 6, 2012
By


[photos by acidjack]

You may not have heard of Canadian singer-songwriter Jennifer Castle, who has a new album, Castlemusic, out on Flemish Eye Records in Canada and re-released by our own No Quarter, as well as two other titles out under the band name “Castlemusic”. But even if you haven’t heard of her, chances are, if you’re a fan of Canadian indie music, you’ve heard her. That is because Castle has collaborated with several high profile Canadian bands and artists, including Fucked Up, Constantines, and Doug Paisley. On her own, Castle writes intricate, compelling songs, with a lovely voice that easily stands on its own. This show at Union Pool, opening for Family Band, gave Castle a chance to perform some of her new material solo, and she made the most of it. Several of the Castlemusic songs, like “Powers” were standouts, along with a few that were (I think) new.

I recorded this set in the same manner as the Family Band recording, with Schoeps MK41 microphones and a soundboard feed.  This recording, which consists of only vocals and guitar, therefore favors the board feed, and the sound is excellent, although there are a couple instances of the vocal mic overpeaking during the first song. Enjoy!

Please correct any errors in the setlist if you know them.

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Stream the complete set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Jennifer Castle
2012-08-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KC5>CMC6>Sound Devices USBPre2 >> R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Down by the Water
02 You Don’t Have to Be
03 Sailing Away
04 Powers
05 Neverride
06 Bring Me My Friends
07 Tonight
08 Paper Woman

If you enjoyed this recording, PLEASE SUPPORT Jennifer Castle, like her on facebook, and purchase her records from No Quarter or Flemish Eye.

Sonny and the Sunsets: August 16, 2012 Mercury Lounge – FLAC / MP3 / Streaming

September 4, 2012
By


[Photos courtesy of Bleary Eyed Brooklyn]

Sonny & the Sunsets don’t make it entirely clear whether they want you to take them seriously. In the “yes” column you’ve got frontman Sonny Smith’s lifelong musicanhood and decade-long history of releasing records, many of which are of estimable quality. Smith’s latest, the aptly-titled Longtime Companion, arrives on 180-gram yellow vinyl and sounds like a well-worn LP you’ve had in your collection for years. An instant old friend, of sorts.

But then, you have to take into account a freewheeling show like their recent visit to Mercury Lounge, where a Smith, calling himself “El Borracho” (“the drunkard”), played a loose, at-times shambling set that offered up antics and anecdotes aplenty. Sonny comes off like a damaged Dylan, married to equal parts Robert Earl Keen and Todd Snider.  Country-rootsy on acid and Jameson, Sonny seemed thrilled to spend a significant chunk of the playing in the crowd, looking at his bemused band members onstage. Smith covered material from the three Sunsets albums, including the standouts “Dried Blood”, “My Mind Messed Up” and “Too Young To Burn”. Smith plays with the fearlessness of someone whose musical career hasn’t always gone easy; much like his music itself, he is raw and compelling. After about an hour of the band’s regular set, Sonny decided to take things into stranger territory, including a lengthy beat-esque piece about aliens. The set closed out with “Love Among Social Animals” and “Planet of Women”. Sonny may have his tongue planted firmly in cheek at times, but that’s ultimately part of his charm. As with his much-talked-about art piece “100 Records” where Sonny made, yes, 100 45s paired with various images, he is willing to take risks, and more often than not, they succeed.

I recorded this set with Schoeps MK41 microphones and a flawless soundboard feed from Kevin, the club’s head engineer.  The sound is excellent, though you will notice the emphasis on the soundboard increasing toward the end as the crowd gets chattier (read: more drunk).  Enjoy!

Stream “Dried Blood”
[audio:http://www.nyctaper.com/S8016Sonny2012/12 Dried Blood.mp3]

Stream “Too Young to Burn”
[audio:http://www.nyctaper.com/S8016Sonny2012/20 Too Young to Burn.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sonny & the Sunsets
2012-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KC5>CMC6>Aerco MP-2 + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown, parallel compression)>Audacity (set fades, tracking, amplify, additional EQ, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:18:05]
01 [Intro banter]
02 I See the Void
03 [banter1]
04 Bad Vibes and Evil Thoughts
05 [unknown1 “Shivers Down My Spine”]
06 Death Cream
07 [banter2]
08 Reflections On Youth
09 [banter3]
10 Sea of Darkness
11 [banter4]
12 Dried Blood *
13 [banter5]
14 My Mind Messed Up
15 [banter6]
16 Teenage Thugs (Cabezas Cortades)
17 [banter7]
18 [unknown2]
19 Heart of Sadness
20 Too Young to Burn *
21 [banter8]
22 [Martian Poem]
23 Love Among Social Animals
24 [banter9]
25 Planet of Women

If you enjoyed this recording, please support Sonny and the Sunsets, visit their website, and purchase Longtime Companion and their other releases directly from Polyvinyl [HERE]

Hurray For The Riff Raff: August 26, 2012 Mercury Lounge – Flac/MP3/Streaming

August 28, 2012
By


[photo courtesy of Joshua Brasted]

I’m thinking a lot about New Orleans right now. Hurricane Isaac has landed just west of the City on literally the 7th anniversary of Katrina. As New Orleans braces for the worst and all of us hope that the pumps and levees hold in their first major test, its comforting to listen to one of the best young bands the city has to offer. Hurray For The Riff Raff are surging on the momentum of their new album (Look Out Mama), a string of superb shows and some pretty heady media attention. On Sunday, the band returned to Mercury Lounge as the headliner and very impressively packed the joint on a Sunday night late show in late August. While they’ve always impressed us, going all the way back to 2008, its fair to say that HFTRR has never been better. Alynda is singing with strength and confidence and the musicians are incredibly tight. The set was heavy on Mama material but also featured four new songs, a couple of older numbers, and some really neat covers. We are streaming the Jimmie Dale Gilmore (via Flatlanders) classic “Dallas” which not only cemented the band’s alt-country bona fides but also featured vocals with Alynda showing great range and passion. With our thoughts and hopes for the safety of New Orleans on this night, we’re also streaming Hurray For The Riff Raff’s tribute to the city, “St. Roch Blues”. HFTRR will return to do more shows in Europe this Fall before returning to NYC for a special show in mid-October. More details to follow on the NYC date!

I recorded this set with the Sennheiser cards positioned in front of the soundboard and mixed with an excellent board feed. The large crowd on this night was extremely into the band and there’s almost no chatter that isn’t part of the show. We mixed the mics and the board at 50/50 leading to a really nice room feel to an otherwise outstanding recording. Enjoy!

Stream “Dallas [Flatlanders cover]”:

Stream “St. Roch Blues”:

Direct download of complete show in MP3 files (HERE)

Direct download location of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For The Riff Raff
2012-08-26
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-08-27

Setlist:
[Total Time 1:07:37]
01 [introduction]
02 Little Black Star
03 Never Never Knew [new song]
04 Look Out Mama
05 Slow Walk
06 Dallas [Flatlanders]
07 End Of The Line
08 Junebug Waltz
09 Ode to John and Yoko
10 Small Town Heroes
11 What’s Wrong With Me
12 Lake Of Fire
13 Be My Baby [Ronettes]
14 Time Is On My Side (Irma Thomas)
15 [encore break]
16 The St. Roch Blues
17 Born To Win

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

K-Holes: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

August 28, 2012
By


[Photos by acidjack]

For fans of 60s psych and garage rock, you’d be hard-pressed to find a Brooklyn band more compelling than K-Holes. This band’s style is no prettified nostalgia trip. As their name implies, K-Holes’ energy comes from a dark place; a song where they scream the refrain “We are rats!” ain’t exactly to be featured on the next Strokes record. The New York of the K-Holes is the grittier world of the early 80s, and their sound reflects it. As one of many bands that grew up around the dearly departed Monster Island, one of many gentrification victims of the last few years around here, they’ve gotten to live a little bit of it, too.

Besides the contrast in tone, this band also presents a different look and appeal than many of their peers. First, the band is a mixed-gender crew that consists of singer-guitarist Jack Hines, singer Vashti Windish, Hines’ wife Julie (whose uber-cool bass playing is perhaps the best visual in the band’s live show), drummer Cameron Michel and saxophonist Zumi Rosow. The male and female lead vocals, and Rosow’s sax flourishes, give the bands’ songs added depth and texture – and they also look a bit more exotic than, say, a trio of scruffy dudes.  But ultimately, it’s the songs that get a band noticed, and K-Holes have got a ton of good ones, spread across their latest record on Hardly Art, Dismania, and their eponymous first album. “Child”, which leads off Dismania and closed this Knitting Factory set, is one of those clarion call-style tracks that demands to be turned up to 11, and the live version was a standout. “Rats” and “Numb” (streaming below along with “Child”) were two more Dismania tracks that absolutely killed. But no need to take my word for it; K-Holes will be on the bill at the epic Ty Segall / Thee Oh Sees Show at The Wick/The Well on September 22, and after that they’ll be in Europe for all of our friends on the continent. Do yourself a favor and don’t miss them.

I recorded this set with a soundboard feed from Rob, the engineer at the Knitting Factory, and Schoeps MK5 microphones. Of my three recordings from this night (along with Night Beats), this is probably my favorite.  Enjoy!

Stream “Child”
[audio:http://www.nyctaper.com/K8600KHoles2012/10 Child.mp3]

Stream “Numb”
[audio:http://www.nyctaper.com/K8600KHoles2012/04 Numb.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

K-Holes
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, ROB, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 33:21]
01 Native Tongues
02 Gutter
03 Meat Man
04 Numb
05 Creatures of War
06 Acid
07 Mosquito
08 Rats
09 Swamp Fires
10 Child

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