Posts Tagged ‘ soundboard ’

Imperial Teen: August 17, 2012 Knitting Factory – Flac/MP3/Streaming

August 24, 2012

Imperial Teen have achieved something quite rare in pop music — the release of what is arguably their best album deep into the band’s existence. Its been fifteen years since the quartet formed from members of various other San Francisco bands. Their popularity reached its high-water mark with the 1998 single “Yoo Hoo” (streaming below), a song that received significant airplay and was featured in the black comedy classic Jawbreaker. Five years removed from their last album, and seemingly out of nowhere comes Feel the Sound (Merge), a brilliant pop album rich in melody and sweet boy-girl harmonies. “Runaway” (also streaming below) is the lead track on the album, and at Friday night’s show at Knitting Factory it was elevated to set-closing status. The song is chock-full of earworm melodies and is an early candidate for song of the year. At the Knit show, Imperial Teen worked through a nice run of the highlights of their catalog and mixed in half of Feel The Sound in an hour long set to a demographically mixed but faithful crowd. The band was called back for three encores and they seemed geniunely touched by the fervent support. The Knitting Factory show was Imperial Teen’s only Northeast performance on this tour, but I would expect their return over the next few months.

I recorded this set with the Sennheiser cards at the front left corner of the soundboard booth and mixed with an excellent board feed provided by the Knit’s head sound tech Rob. The sound quality is superb. Enjoy!

Stream “Yoo Hoo”:

Stream “Runaway”:

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Imperial Teen
2012-08-17
Knitting Factory
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (levels, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-20

Setlist:
[Total Time 1:01:15]
01 Ivanka
02 Sugar
03 You’re One
04 No Matter What You Say
05 All The Same
06 Million Dollar Man
07 Lipstick
08 Don’t Know How You Do It
09 Yoo Hoo
10 [banter- scientologists]
11 Butch
12 Runaway
13 [encore break]
14 Imperial Teen
15 Shim Sham
16 Water Boy

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Imperial Teen, visit their website, and purchase Feel The Sound from Merge Records [HERE].

Eidetic Seeing: August 9, 2012 Public Assembly – FLAC / MP3 / Streaming

August 23, 2012

By acidjack

[photos by acidjack]

For fans of heavy, psychedelic, experimental and improvisational rock, the current Brooklyn and NYC scene is an embarrassment of riches. To an illustrious list that includes White Hills, The Psychic Paramount, Oneida, Naam and many others (many of whom have been featured on this site), make sure to include the Brooklyn trio Eidetic Seeing in the canon. I first caught the band in their infancy, when they opened for White Hills at Cake Shop back in 2009. At the time, I was impressed, but clearly the band was just getting started. After releasing an EP that year, they laid down the until-recently vinyl only Drink the Sunin 2011. The absence of the record from the digital realm may have kept Eidetic Seeing a bit under the radar (it’s now available on their bandcamp page, and the vinyl is still featured at local record stores like Earwax and Academy), but they aren’t likely to stay that way for long.

This show at Public Assembly turned out to be an extra-special performance, as the band ran freeform through forty-five minutes of all-new material that they hope to lay down in the studio in the coming months. Several of these songs were newly-rehearsed, giving them a raw, exciting quality and giving the band members a chance to expand upon their ideas in real time. Mostly devoid of lyrics, at least for now, new songs like “Untitler” expand upon and extend the band’s palette, adding free jazz flourishes to guitarist Sean Forleza, drummer Paul Feitzinger, and bassist Danilo Randjic-Coleman’s dense, spaced-out stew. The songs flowed seamlessly from one to the next, with the highlight coming with the mid-set sequence of “Ashplant Blues” and “White Flight”, which gave Forleza a few vocal turns. Keep an eye on the band’s website for future shows in Brooklyn and beyond. These guys will melt your face if given the chance.

I recorded this set with Schoeps MK5 microphones in an optimal spot in the venue, coupled with a light amount of soundboard feed provided by the Public Assembly engineer, Theo. The house mix and room sound in the Public Assembly was outstanding on this night, and it is reflected in this recording. Enjoy!

Stream “Ashplant Blues”
[audio:http://www.nyctaper.com/E0078EideticSeeing0212/04 Ashplant Blues.mp3]

Stream “White Flight”
[audio:http://www.nyctaper.com/E0078EideticSeeing0212/05 White Flight.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eidetic Seeing
2012-08-09
Public Assembly
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mixdown, compress SBD, balance)>Izotope Ozone 5 (light EQ and exciter)>Adobe Audition CS 5.5 (amplify)>Audacity (tracking, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [crowd/intro]
02 Untitler
03 [interlude]
04 Ashplant Blues
05 White Flight
06 A Snake Whose Years Are Long
07 Frauleuse

If you enjoyed this recording, PLEASE SUPPORT Eidetic Seeing, visit their website, and purchase Drink the Sun in digital or vinyl format from their bandcamp page.

Pujol: March 15, 2012 SXSW at Longbranch Inn Impose Party – Flac/MP3/Streaming

August 16, 2012

By nyctaper

[photo by Eric Groom – courtesy of Impose Magazine]

Pujol announced today a show in NYC on October 11, 2012 at Mercury Lounge. We were fortunate to have captured a live performance of Pujol at SXSW in March, at the Impose Magazine party “Imposition” at the Longbranch Inn. Pujol is the recording project of Daniel Pujol from Nashville TN, and at SXSW the live band was a trio. Their set at Imposition was one of the most impressive of the bands that I had not previously seen. This was unselfconscious power punk with fine musicianship but which didn’t take itself too seriously. In the interim, Pujol has released their first proper album UNITED STATES OF BEING (Saddle Creek Records), and this set featured four numbers from the new record among a set of seven songs. We’re streaming “KEEPER Of ATLANTIS”, an older song that opened the set with a bang.

I recorded this set with the Sennheiser 8040s set up at the rear of the room and mixed with a board feed. Other than the mumble of crowd chatter apparent in between songs, this is an excellent recording. Enjoy!

Stream “KEEPER Of ATLANTIS”:
[audio:http://www.nyctaper.com/P1503Pujol1202/01.%20KEEPER%20Of%20ATLANTIS.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download of complete show in FLAC [HERE].

Pujol
2012-03-15
Long Branch Inn – SXSW
Impose Magazine’s Austin Imposition
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-15

Setlist:
[Total Time 22:52]
01 KEEPER Of ATLANTIS
02 [banter]
03 BUTTERFLYKNIFE
04 MAYDAY
05 HOW HIGH
06 [banter – water break]
07 DARK KNIGHT in SHINING ARMOR
08 [tuning]
09 REVERSE VAMPIRE
10 [banter – one more]
11 BLACK RABBIT

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Pujol, visit their website, and purchase their album UNITED STATES OF BEING from Saddle Creek Records [HERE].

Night Beats: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

August 14, 2012

By acidjack

[photo by acidjack]

Seattle’s Night Beats keep it simple. With a sound whose most obvious reference points are Roky Erickson-style Texas psych and garage rock, the three piece’s no-bullshit live show has gained an ever-increasing following. A look at who they’ve toured with – bands like the Black Lips, Black Angels, the Strange Boys and even Roky himself – tells their story pretty accurately. This show at Knitting Factory may have been on a Monday, but that didn’t slow down the dancing or thin out the crowd, who got to enjoy a very strong bill all night long (openers MMoss and K-Holes similarly killed it). The band continue to tour behind their 2011 self-titled debut LP on Trouble In Mind records, and this set featured a lot of it, including their current single, “Puppet On A String”. Luckily, the band also delved into what there is of a “back catalog”, in this case the 2010 H-Bomb EP, including that track as well as one of my favorites “They Came In Through the Window”. I’m pretty sure I heard some new songs (or at least, ones I couldn’t identify from the EP and album) as well. Though similar in sound, Night Beats eschewed the onstage antics some of their brethren like the Black Lips, which made for fewer flying bodies and beer cans, but one hell of a show.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from Rob, the engineer at the Knitting Factory. In true garage band form, the sound is raw, but an excellent representation of the night and a great listen. Enjoy!

Stream “They Came In Through the Window”
[audio:http://www.nyctaper.com/N8006NightBeats0212/04 They Came In Through the Window.mp3]

Stream “Puppet On A String”
[audio:http://www.nyctaper.com/N8006NightBeats0212/01 Puppet On A String.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Night Beats
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, ROB, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 39:06]
01 Puppet On A String
02 Ain’t Dumbo
03 Shadows in the Night
04 They Came In Through the Window
05 The Other Side
06 War Games
07 [unknown1]
08 H-Bomb
09 [unknown2]
10 [unknown3]
11 Little War in the Midwest

If you enjoyed this recording, PLEASE SUPPORT Night Beats, like them on Facebook, and purchase their record directly from Trouble In Mind Records [HERE]

The War On Drugs: July 21, 2012 Mulcahy’s Wantagh NY – Flac/MP3/Streaming

August 13, 2012

By nyctaper

[photo by Patrick Barthel]

The Shine A Light Music Festival took place a few weeks back, and we’ve already posted the Luna reunion (here). As our regular readers are aware, The War On Drugs is one of my favorite current bands. The addition of this set to the site is by no means an afterthought, but the result of a discovery. Due to technical problems, I had written this recording off as a non-post, but after a re-listen and re-evaluation this week, the sound quality is far above what I expected. The show was also something special. The War On Drugs arrived early at the gig and had already soundchecked by the time I got there and set up. The band was interacting and mingling with all of the members of the Tommy Brull Foundation for several hours before their set, so that by the time they took the stage The War On Drugs felt like they were playing to friends. The show contained a nice mix of their material, but also some entertaining banter, a “guest” guitarist, and even some gentle ribbing of nyctaper.

I recorded this show with the Sennheiser 8040’s on-stage and running through the snake and mixed with a board feed. Unfortunately, there was a problem with the phantom power of the mics, so this set is the straight board feed. Its not optimal for sound quality, but its certainly a good listen. Enjoy!

Stream “Coming Through”:

This recording is now available for download in FLAC and MP3 at Archive.org [HERE].

War On Drugs
2012-07-21
Shine A Light Festival
Mulcahy’s
Wantagh, NY USA

Digital Master Soundboard Recording

Soundboard > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-11

Setlist:
[Total Time 1:16:58]
01 Best Night
02 Coming Through
03 [banter – Dylan email]
04 Baby Missiles
05 Your Love Is Calling My Name
06 The Animator
07 Come To The City
08 [banter – Chris Mullin]
09 I Was There
10 [banter]
11 Brothers
12 [banter – Neil]
13 Taking the Farm
14 Black Water Falls
15 A Needle in Your Eye No 16

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The War On Drugs, visit their website, and purchase their latest album Slave Ambient from Secretly Canadian Records [HERE].

Sean Rowe: July 21, 2012 Mercury Lounge – FLAC / MP3 / Streaming

August 10, 2012

By acidjack

[Photos by acidjack]

Sean Rowe has that kind of deep, bone-shaking voice that sticks with you; the dark, harrowing type that gives voice to a thousand souls. Born and raised in upstate New York, Rowe has been kicking around there for awhile, doing his thing in local bars and clubs, playing to whoever will listen. In a welcome development, ANTI Records picked him up a few years ago and re-released his first solo album, Magic. Since then, he has enjoyed a wider audience, and this show at Mercury Lounge found Sean on the cusp of his second ANTI release, The Salesman and the Shark, which drops at the end of this month. Joined onstage by Sarah Pedinotti from Railbird on keys, Rowe showcased several new songs from Salesman as well as some truly classic covers.

Magic reflected Rowe’s other main passion, being a naturalist, and was the result of 24 days spent foraging in the wilderness. Based on what we were previewed at this show, Salesman will be another dramatic artistic statement, with songs like “Joe’s Cult” evoking some of rock and folk’s most cherished vocalists. You can imagine Rowe sharing the stage with any number of great artists: Tom Waits, Bob Dylan, Steve Earle, Johnny Cash, were he still with us. Rowe’s baritone has a timeless, evocative quality, and that made his covers at this show as memorable and true as his originals. Because everything has to have a label to hang it on, PR people have taken to calling this “alt-folk”, and maybe, as the work of an accomplished woodsman with a love and respect for the outdoors, that makes some sense. But I don’t think Rowe is trying to be the “alternative” to anything; his music is classic, as well as relevant. Although, in fairness to the “alt” tag, he had a bit of fun with us at the end with his cover of the Violent Femmes’ “Gone Daddy Gone” – an 80s staple that, like Rowe’s own music, wears awfully well.

Rowe will be performing two NYC shows in September – on the 19th at Mercury Lounge, and on the 20th at Brooklyn Bowl.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed from Kevin, the head engineer at Mercury. Like the Field Report recording from this same night, it is outstanding in quality. Enjoy!

Stream “Joe’s Cult”
[audio:http://www.nyctaper.com/S2107SeanRowe2120/04 Joe’s Cult.mp3]

Stream “Jesus Gonna Be Here [Tom Waits]”
[audio:http://www.nyctaper.com/S2107SeanRowe2120/07 Jesus Gonna Be Here.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Sean Rowe
2012-07-21
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and Johnny Fried Chicken Boy
Produced by acidjack

Soundboard + Schoeps MK41>CMC6>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown)>Izotope Ozone 5 (various)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Flying
02 Bird On A Wire [Leonard Cohen]
03 [banter]
04 Joe’s Cult
05 [banter]
06 The Walker
07 Jesus Gonna Be Here [Tom Waits]
08 To Leave Something Behind
09 Gone Daddy Gone [Violent Femmes]

If you enjoyed this recording, please support Sean, visit his website, and pre-order The Salesman and the Shark from ANTI Records [HERE].

Port St. Willow: July 30, 2012 Glasslands – Flac and MP3 Downloads + Streaming Song

August 8, 2012

By nyctaper

[photo by wagz2it – courtesy of aheartisaspade blog]

Port St. Willow is Nick Principe’s solo project and this past year he returned to the East coast from Portland after having grown up in the New York area. He is a childhood friend and early collaborator with Peter Silbermann from The Antlers, and while there are similarities in the music of the two bands, there are also very divergent styles between the two old friends. Last Monday at Glasslands, Port St. Willow opened the secret Glasslands show. Their set was relatively short and consisted of six of the eleven songs from the May 2012 self-release Holiday. The album is a remarkable collection of atmospheric mood pieces, but live with the addition of a drummer the songs take on an immediate feel. At Glasslands, the duo took time to develop each song with a gentle lead-in evolving ultimately into a full-on symphonic crescendo. Port St. Willow is poised to move to the next level — it would hardly be surprising if an established indie label picked up Holiday for wider release. And given the talent for songcraft and live performance, we expect that this band will be a regular on NYCTaper for years to come.

I recorded this show in the same manner as the Antlers set, and the sound quality is outstanding. Enjoy!

Stream “Five Five Two Five”:
[audio:http://www.nyctaper.com/P3007PortStWillow1202/04.%20Five%20Five%20Two%20Five.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download of complete show in FLAC files [HERE].

Port St. Willow
2012-07-30
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Studio Projects LSD2 (XY Cardioid) > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-08-05

Setlist:
[Total Time 36:24]
01 Amawalk
02 On Your Side
03 Corners
04 Five Five Two Five
05 Tourist
06 North

If you download these recordings from NYCTaper we expect that you will PLEASE SUPPORT Port St. Willow, and visit the Bandcamp page to purchase Holiday [HERE].

Family Band: August 1, 2012 Union Pool and April 5, 2012 Bell House – FLAC/MP3/Streaming

August 7, 2012

By acidjack

[Photo courtesy of Feast of Music]

To see pure love personified as rock n’ roll, witness Jonny Ollsin, playing guitar in the thick of the Union Pool crowd last Wednesday as he looked up at his wife, Kim Krans, singing “Grace & Lies” to close out Family Band‘s set (see blurry image below). There were no corny faces or swooning poses from either; Krans, eyes cast down toward her husband as she sang, barely acknowledged him as he played. She didn’t need to; Krans and Ollsin’s bond is their music. This “Family Band” is nothing like the Osmonds or Jackson 5, but that turns out to be the perfect name for a band led by a family for whom music is its language, love its glue.

I first came across Ollsin and Krans at a Backyard Brunch Session last year (recording [HERE]). Then, they played as a three-piece with Scott Hirsch on pedal steel, sans drums, and despite being in the blazing July heat, the band had an obvious nocturnal vibe. Krans’ dusky, haunting vocals come against a downtempo backdrop of moody guitar and pedal steel. They joked then that their style was “death prom”, and while Family Band’s sound is dark, it is also beautiful.

The band’s second album, Grace & Lies, released this week on one of my favorite Brooklyn labels, No Quarter, represents the fullest realization to date of the band’s sound. The album contains contemplative love songs like “Moonbeams” and slow burners like “Lace”, as well as more chilling fare like “Again” and “Night Song”. This show was styled as an album release party, and there is already much for Krans, Ollsin and Hirsch to celebrate, including a favorable Pitchfork review and positive notice from around the blogosphere. This set – this time with a drummer in tow – took us through much of the album, with perhaps its standout sequence coming in the middle as an extended version of “Night Song” segued into “Rest”. While Krans, an accomplished visual artist, had never written a song prior to this band, Ollsin is a lifelong musician and composer whose prior bands included the thrash bands S.T.R.E.E.T.S. and Children. Ollsin’s metal influences come through a bit in the brooding riff that anchors “Night Song”; even at its slower tempo, there is an edge to his playing that is unmistakable. As the band closed the show with that lovely rendition of “Grace & Lies”, I thought about how many “family bands”, based on lies and manipulation, have failed throughout pop music history. Ollsin and Krans’ graceful, honest effort seems sure to shatter that mold.

I recorded this set with Schoeps MK41 microphones and a customized board feed from the Union Pool house engineer Bob. As a bonus, we are also offering nyctaper’s recording of Family Band back in April at the Bell House ‘for the Brain Cave Festival, where they previewed many of these songs. Both recordings are of excellent quality. Enjoy!

Stream “Moonbeams” from Union Pool:
[audio:http://www.nyctaper.com/F0723FamilyBand0211/02 Moonbeams.mp3]

Stream “Rest” from the Brain Cave Festival:
[audio:http://www.nyctaper.com/F0723FamilyBand0211/06 Rest.mp3]

Stream “Night Song” from Union Pool:
[audio:http://www.nyctaper.com/F0723FamilyBand0211/05 Night Song.mp3]

Download the MP3 files: [Union Pool] | [Brain Cave Festival]

Download the FLAC files: [Union Pool] | [Brain Cave Festival]

Follow acidjack on Twitter

Family Band
2012-08-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (Compression on SBD, align)>Izotope Ozone 5 (EQ and effects)>Audition (parallel compression)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Again
02 Moonbeams
03 Ride
04 [banter]
05 Night Song>
06 Rest
07 Your Name
08 Lace
09 Grace & Lies
________________________
Family Band
2012-04-05
Brain Cave Festival
Bell House
Brooklyn, NY USA

Recorded by nyctaper
Produced by acidjack

Soundboard + Sennheiser MKH-8040>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (DR compression on soundboard, mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, mixdown, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [Brain Cave intro]
02 Again
03 Ride
04 Moonbeams
05 Your Name
06 Rest
07 Night Song

If you enjoyed this recording, PLEASE SUPPORT Family Band, visit their website, and purchase Grace & Lies from No Quarter Records [HERE]

The Antlers: July 30, 2012 Glasslands Gallery – Flac and MP3 Downloads + Streaming Songs

August 1, 2012

By nyctaper

[photo courtesy of Chad from The Artistree.fm – full set here]

The Antlers “secret” show at Glasslands Gallery on Monday was announced in the morning and sold out within a few minutes. For a band that sold out the 1200-capacity Webster Hall the last time they played New York, The Antlers took the opportunity of this small surprise gig to play for an extremely worthwhile charitable effort. Charitywater.org is an organization that provides safe and clean drinking water to developing nations, and this concert raised more than $4000 for the cause. The Antlers also treated the crowd to a run-through their brand new four-song EP Undersea (Anti Records). The EP represents the continued maturity in the songwriting talents of this superb band, as each of the four tracks are less lyrically driven and more intense sonic atmospheric pieces. That’s not to say that Peter Silberman’s voice doesn’t soar at several points during the EP, but this is a band that has taken the studio like a fish to water and the results are astounding. At Glasslands, the EP was performed straight through and the live setting offered some challenges, but the band was prepared and the songs flowed naturally. We are streaming “Crest” from the EP. The balance of the set consisted of selected tracks from Hospice and Burst Apart, songs that continue to mature and develop as live performances. After a profound “Dog To Sleep”, the band returned for two encores the final of which was a brilliant “Wake”, which we are also streaming below. The Antlers will be on tour for the next several months, but return to NYC for a gig at the newly arrived ATP Festival on September 22.

I recorded this set utilizing our installed recording rig at Glasslands, the Studio Projects LSD2 mics and an excellent board feed. The sound quality of this recording is superb. Enjoy!

If you download this recording, we ask that you further the cause and visit the website to contribute to charitywater.org [HERE].

Stream “Crest”:
[audio:http://www.nyctaper.com/A3398Antlers3200/04.%20Crest.mp3]

Stream “Wake”:
[audio:http://www.nyctaper.com/A3398Antlers3200/20.%20Wake.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE]

The Antlers
2012-07-30
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Recorded and Produced
by nyctaper
2012-07-31

Setlist:
[Total Time 1:40:10]
01 Drift Dive
02 Endless Ladder
03 [banter – home]
04 Crest
05 [banter – Undersea]
06 Zelda
07 [banter – charitywater.org]
08 Rolled Together
09 Parentheses
10 No Widows
11 Atrophy
12 [banter – monsters]
13 Shiva
14 Two
15 Hounds
16 [banter – thanks]
17 Putting The Dog to Sleep
18 [encore break]
19 I Don’t Want Love
20 Wake

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Undersea from their site [HERE].

Friend Roulette: May 6, 2012 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

July 27, 2012

By acidjack

[photo by acidjack]

Friend Roulette are one of those complex, artsy, hard-to-categorize bands that prove their mettle live. This set is now a couple of months old, but on repeat listens, I kept coming back to it as something people needed to hear. At times, what comes off as lush, whimsical chamber pop on their available bandcamp releases comes across as a different animal live; songs like “I’m Sorry You Hit Your Head” come across heavy and dark, as frantic strings alternate with downbeat guitar riffs. Other concoctions like “Hi, Hello” – available (along with “I’m Sorry You Hit Your Head”) on a lovely 10″ vinyl EP from Goodnight Records – maintain more of their album sound, their many layers rendered expertly. As with a lot of bands with a more technical aspect to their sound, Friend Roulette rewards the dedicated listener. These songs ask you to dig deep, to pay attention.

As far as live shows in New York are concerned, a dedicated listener in this city can’t do much better than an early-side show at Mercury Lounge on a Sunday – the sound is always flawless, and the crowds are – well, let’s face it, they’re less drunk than average. Friend Roulette took the stage with absolute confidence and shined on both newer and older material from their catalog. With the band in the studio working on a full-length LP, we expect to see great things from them in the future. They have a number of other local shows on tap next month, including August 4 at Rippers (Rockaway Beach), August 5 at Cake Shop, and August 12 at Piano’s.

I recorded this set with Schoeps MK5 microphones, the classic EAA PSP2 preamp on loan from hi and lo, and a soundboard feed from the Mercury staff. The results are excellent. Enjoy!

Stream “I’m Sorry You Hit Your Head”
[audio:http://www.nyctaper.com/F5006FriendRoulette2012/04 I’m Sorry You Hit Your Head.mp3]

Stream “Hi, Hello”
[audio:http://www.nyctaper.com/F5006FriendRoulette2012/06 Hi Hello.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Friend Roulette
2012-05-06
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>EAA PSP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ)>Audacity (adjust levels, set fades, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Fucked Up [omitted at artist request]
02 On Her Own Tonight [omitted at artist request]
03 Golden
04 I’m Sorry You Hit Your Head
05 Or, Berlin
06 Hi, Hello
07 Lie

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