Posts Tagged ‘ soundboard ’

Jump Into The Gospel: February 18, 2012 Pianos – Flac and MP3 Downloads + Streaming Song

February 24, 2012
By

Jump Into The Gospel are poised to step up to the next level. When we saw them back in June their melodic pop showed significant potential, but the Jump Into The Gospel breakout gig took place a couple of weeks back when they impressed those who came to see them open for Cloud Nothings at The Studio at Webster Hall. Last week at Pianos, I saw them again and the development of the band was striking. Lead singer Louis Epstein has mastered his stage manner and the band, which includes members of Holy Ghost and The Drums, is tighter and more focused. The thirty minute set included several numbers from the upcoming Gospel EP, due in March. At times, the music resembles the frenetic pop of Of Montreal and at others there is a definite neo-80’s sound more fitting a Captured Tracks band. The question is which type of pop band that Jump Into The Gospel is destined to be. Either way, it won’t be long before Jump Into The Gospel has moved on from smaller venues into a larger spotlight.

I recorded this set with a board feed mixed with the Neumann microphones centered in front of the soundboard booth, and the sound quality is excellent. Enjoy!

Stream “Start A Following”:
[audio:http://www.nyctaper.com/J2206JumpGospel1122/05.%20Start%20a%20Following.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Jump Into The Gospel
2012-02-18
Piano’s
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced by nyctaper
2012-02-20

Setlist:
[Total Time 30:17]
01 [introduction]
02 Flagship
03 St John
04 Photovoltaic
05 Start a Following
06 Madness
07 Untitled
08 Humvee Mansion
09 2012

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Jump Into The Gospel, visit their facebook page, and purchase their debut EP from their Bandcamp page [HERE].

Fantasmas: February 1, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

February 23, 2012
By


[Photos by acidjack]

Fantasmas are the Brooklyn-based brainchild of Kam Tambini, who along with Austin Formica (guitar), Avi Bajpai (drums) and Adam Glaser (bass/vox) craft aggressive post-punk that adds a melodic element to their distortion-soaked sound.  Tambini hails from Peru, so the band’s set at Glasslands opening for Grandfather appropriately kicked off with a Spanish-language track, “La Maga” before drilling the inspired “Dead Days”, that gave me fond memories of many mid- to late-80s U.S. and British post-punkers.  The band also did an inspired cover of Thurston Moore’s “Hang Out” that left no doubt where their allegiances lay.  Fantasmas have a 7″ available on bandcamp for now, but be on the lookout for their future releases and shows in the area.

I recorded this set in the same manner as the Grandfather recording, but had a bit more to work with in terms of the board feed.  The results are excellent.  Enjoy!

Stream “Dead Days”
[audio:http://www.nyctaper.com/F0012Fantasmas2012/02 Dead Days.mp3]

Stream “Hang Out [Thurston Moore]” 
[audio:http://www.nyctaper.com/F0012Fantasmas2012/05 Hang Out.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Fantasmas
2012-02-01
Glasslands
Brooklyn, NY USA

Exclusive download offered at nyctaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (wide cardiod, DFC) + Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (mixdown, EQ, mastering, downsample to 44.1kHz)>Audacity (tracking, amplify and balance, set fades, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 La Maga
02 Dead Days
03 Static
04 Burn Out
05 Hang Out [Thurston Moore]
06 Panic Girl
07 Blind Children (Shake)
08 No Soul

If you enjoyed this recording, PLEASE SUPPORT Fantasmas, check out their 7″ on bandcamp, like them on Facebook and go to their shows!

D. Charles Speer & the Helix: February 8, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Song

February 22, 2012
By


[Live at Glasslands in April 2011. Photo courtesy of EardrumNYC]

Warming us up for Howlin’ Rain’s set of modern classic rock two Wednesdays ago at Brooklyn Bowl was another band led by a musician of varied talents that draws its inspiration from an earlier time.  D. Charles Speer & the Helix frontman Dave Shuford is also a player in No Neck Blues Band, the avant-garde New York-based improvisational collective that traffics in free jazz, experimental folk and noise rock, but the Speer clan travels the seemingly more familiar territory of country and Americana, albeit with their own dynamic style.  Don’t call it alt-country – a term that now connotes suburban rock more than serious musical development.  What Shuford and Co. are serving up is something else, incorporating Shuford’s experimental background, Southern roots (he is from Atlanta) and literary talent.  If you don’t listen carefully, you could miss the shifting time signatures in one number, or that someone is using a Greek bouzouki to carve out an Appalachian riff in another, or that canny biblical reference. If you do listen carefully, you will discover a band that is anything but conventional, taking traditional Americana and making it weird again.  This set at Brooklyn Bowl was hardly the best attended Speer set I’ve seen, nor is this venue the proper setting – a giant multipurpose bowling alley/restaurant/bar/music venue is kind of the opposite of a place to focus on music’s subtleties – but the band did a bang-up job anyway, with an eight-song set that jumped around the band’s catalog, including their 2011 release, Leaving the Commonwealth on Thrill Jockey.  They are the type of band whose live and recorded experiences are very similar; Shuford’s deep, slightly mournful baritone (think David Berman, but deeper) isn’t the sort of thing you augment with studio trickery, and the band’s chemistry onstage is natural and deeply satisfying.  This recording leans fairly heavily on the nicely-balanced soundboard feed provided by the Brooklyn Bowl house team, both in order to minimize the sounds of bowling and to give the listener an almost album-like experience of this band.

hi and lo and I recorded this set with the aforementioned soundboard feed and Schoeps MK41 supercardioid microphones. The results are excellent. Enjoy!

Stream “Furze”
[audio:http://www.nyctaper.com/D0028DCharlesSpeer2012/speer2012-02-08bbowl_acidjack-05.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

D. Charles Speer & the Helix
2012-02-08
Brooklyn Bowl
Brooklyn, NY USA

Exclusive download offered at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Soundboard + Schoeps MK41>KCY>littlebox>Tascam DR0680>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Razorbacked
02 [new]
03 Days in the Kitchen
04 Le Grand Cochon
05 Furze
06 Gravedigger
07 Freddie’s Lapels
08 Leaving the Commonwealth

If you enjoyed this recording, PLEASE SUPPORT D Charles Speer & the Helix, visit their website, and purchase their records directly from Thrill Jockey [HERE]

Howlin’ Rain: February 8, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

February 14, 2012
By


[Photos by acidjack]

Ethan Miller, the founder and frontman of Howlin’ Rain, knows his history.  Were it still the 1970s, the Humboldt County native and his band could have held their own with any of that era’s West Coast greats.  These days, some of the era’s dinosaurs may still roam, but among current acts, Howlin’ Rain have the mantle almost to themselves.  The band wear their influences proudly; as Miller put it to Rolling Stone, “Everyone dabbles in the history books to get their licks… We use the same roads and highways. But the weather, lights, cars and people, they’re never quite the same.”  Miller previously honed his chops in the psychedelic rock outfit Comets on Fire, who released their last record in 2006, the same year that Miller launched Howlin’ Rain’s outstanding self-titled debut.  Howlin’ Rain retains some of its predecessor’s psychedelic influences, and penchant for stretched-out songs, but focuses more on a melodic, classic rock style that takes full advantage of Miller and the band’s considerable talents.

This show at Brooklyn Bowl, the second of two local shows after a night at Mercury Lounge over in Manhattan, found the band and openers D. Charles Speer & the Helix playing material from the band’s forthcoming record to a moderately-sized but fired-up crowd ignoring the league night going on in the bowling portion of the room.  This gave plenty of opportunities for bowling jokes, sure, but by mid-set, bowling had fallen by the wayside, and Howlin’ Rain owned the room.  It’s no wonder that The Russian Wilds, their new album that dropped today, has been receiving ecstatic reviews – while some other classic-sounding bands (ahem, a certain duo who shall remain unnamed) have taken to putting out records that go through the motions, The Russian Wilds is the sound of a band that is still hungry and still getting better.  They kicked off this show with “Self Made Man” from that record, an eight-minute rocker that says all you need to know about the scale and scope of Miller’s ambitions.   Things only picked up from there, as the band displayed its versatility and its ability rock on songs like “Cherokee Werewolf”, “Dark Side” and “I Want To See the Bright Lights Tonight”.  The combination of the band’s throwback sound and the rock n’ bowl venue felt like a time machine of sorts – and that was a time machine I’d like to be in.

hi and lo and I recorded this set with two pairs of Schoeps microphones – MK5 cardiods and MK41 supercardiods – plus a soundboard feed provided by Brooklyn Bowl.  Thanks to Peter Costello for his hospitality.  Enjoy the recording!

Download MP3 and FLAC via the Live Music Archive.


Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Howlin’ Rain
2012-02-08
Brooklyn Bowl
Brooklyn, NY USA

Exclusive download at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Soundboard + Schoeps MK41>KCY>littlebox + Schoeps MK5c>NBox cables>PFA>PSP2 >> Tascam DR-680 (MK41 and SBD) + Edirol R-44 [Oade Concert Mod] (MK5)>6x24bit/48kHz WAV>Audacity (clock sync channels, mixdown, tracking, set fades, light EQ, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time approx 78min]
01 intro>Self Made Man
02 Phantom In the Valley
03 [banter]
04 Cherokee Werewolf
05 [banter]
06 Can’t Satisfy Me Now
07 [banter]
08 Strange Thunder
09 Dark Side
10 Dancers At the End of Time
11 Calling Lightning Pt. 2
12 [encore break]
13 I Want to See The Bright Lights Tonight
14 Roll On The Rusted Days

If you enjoyed this recording, PLEASE SUPPORT Howlin’ Rain, visit their website, like them on Facebook, and purchase The Russian Wilds directly from their site or from your favorite retailer.

EULA: February 2, 2012 Cameo Gallery – FLAC and MP3 Downloads + Streaming Songs

February 12, 2012
By


[Photos by acidjack]

Brooklyn’s EULA have been on a tear lately, just having wrapped up a slew of local shows that brought them to many of my favorite venues (and some newer ones like Big Snow and NXL LVL).  It was hard to pick the perfect time and place to see them with so many good options, but Cameo Gallery seems to have a been a great choice.  The stage wasn’t overlit, the sound was spot-on, and the band, well, they were on fire.   EULA’s sound updates the classic three-chord postpunk of the riot grrl era, recalling classic bands like Bikini Kill, Le Tigre and Sleater-Kinney.  Frontwoman Alyse Lamb does her predecessors proud with a confident vocal delivery and equally strong guitar attack; she comes off in her role like a combination of Kathleen Hanna and Debbie Harry (the band has a pretty mean Blondie cover, I hear).  But this band is more than a great frontwoman; they’re a tight group of musicians capable of delivering uptempo rapid-fire bursts of quality postpunk.

This set focused on the band’s latest record, Maurice Narcisse, and the contrast between the more raw live versions and the studio versions – with their additional flourishes – is a positive one, with things to like about each.  On record, the band comes across a bit more poppy – a song like “Wake Up” shows the contrast – whereas live their punk influences predominate, especially on songs like “Honor Killer”.  They closed this show with a scorcher, the early tune “Fight Riff” from their Language of Threat EP.

EULA have one more Brooklyn show this month, at Shea Stadium on February 24, before heading out of town for a bit.  They will return to NYC on March 22 at Zebulon.

I recorded this set with a soundboard feed from the Cameo engineer and Schoeps MK22 “open cardioid” microphones.  The results are excellent.  Enjoy!

Stream “Maurice Narcisse”
[audio:http://www.nyctaper.com/E2020EULA2012/07 Maurice Narcisse.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

EULA
2012-02-02
Cameo Gallery
Brooklyn, NY USA

Recorded and produced by acidjack
exclusively for NYCTaper.com

Schoeps MK22>KCY>littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, light EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 intro/Above the Weather
02 Dirty Hands
03 Housewolf
04 Wake Up
05 Texas Stampede
06 Honor Killer
07 Maurice Narcisse
08 Rosie the Riveter
09 Fight Riff

If you enjoyed this recording, PLEASE SUPPORT EULA, visit their website, and purchase Maurice Narcisse directly from their bandcamp page.

Food Will Win the War: January 11, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Song

February 10, 2012
By


[Photo by Ken Grand-Pierre.  See his Flickr stream here]

Food Will Win the War may have been opening for the Lemonheads on this night, but they put a headliner-level of intensity into their set of acoustic folk-rock, and were rewarded with a mostly full house to do it.   They are one of those big, “musical” bands that puts thought as well as energy into their performances, using their fairly large (six) number of players and diverse instrumentation to produce finely-honed, thoughtful arrangements.  Yes, as rock music goes, they are about the furthest possible thing from “garage” as possible – and more power to them.

Luckily, FWWTW got the memo early on that being real students of music and having musical talent are not enough; they also know that performing and having great songs is essential.  Frontman Rob Ward is not only a good lyricist but a good-humored and entertaining bandleader, and his bandmates follow suit.  Their new record, A False Sense of Warmth, contains plenty of memorable tunes, many of which were played during this set. (including two of my favorites, “Shatter Today” and “Closer To Water”)  The band also served up a judiciously-chosen cover in Peter Gabriel’s “Sledgehammer”, which they delivered with their own stylistic twist.

The band will be gigging outside of NYC for their next few dates – February 15, at the Northern Liberties Festival in Philadelphia; March 30th, at the Nowadays Indie Music Festival in Bethlehem, PA; and April 28th at ChesterFest at Chester College in Chester, NH – but expect to see them back in town for the summer.

I recorded this set in the same manner as the Lemonheads recording, with Schoeps MK22 “open cardiod” microphones and an excellent soundboard feed.  The quality is outstanding.  Enjoy!

Stream “Shatter Today”:
[audio:http://www.nyctaper.com/F1110FoodWillWin0211/03 Shatter Today.mp3]

Stream “Sledgehammer [Peter Gabriel]”:
[audio:http://www.nyctaper.com/F1110FoodWillWin0211/05 Sledgehammer.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Food Will Win the War
2011-01-11
Knitting Factory
Brooklyn, NY USA

Recorded and produced by acidjack
Exclusively for nyctaper.com

Schoeps MK22 (ROC, DIN)>KCY>littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )

Tracks
01 Down
02 Clock All Day
03 Shatter Today
04 Big Yellow
05 Sledgehammer [Peter Gabriel]
06 Chesapeake
07 Thickly
08 The Astronaut Song
09 Style
10 Closer to Water
11 Chester Street

If you enjoyed this recording, PLEASE SUPPORT Food Will Win the War, visit their website, like them on Facebook, and purchase A False Sense of Warmth either on iTunes digitally or via this link for a hard copy.

Blouse: January 31, 2012 285 Kent – Flac and MP3 Downloads + Streaming Song

February 8, 2012
By


[photo courtesy of Dominick Mastrangelo]

Captured Tracks is on quite an impressive run. The label began as a small Brooklyn boutique a couple of years ago — “CT-01” is the Dum Dum Girls EP Yours Alone. Even at slightly more than 100 actual releases, Captured Tracks has managed to nurture some of the brightest bands around these days, including Widowspeak, Wild Nothing, Hoop Dreams and Beach Fossils. Another superb Captured Tracks discovery was on display at 285 Kent last week. Blouse is a quartet from Portland whose debut album was released in late 2011 on the label. The album has a transformational feeling — its as if I’m driving late at night listening to WLIR or WHFS in 1985 and song after song of new Factory Records artists are being played. The guitar work, keyboards and lead bass are all heavily influenced by such period sounds as New Order, Cocteau Twins and Siouxsie. At 285, the band performed a tight forty-minute set that consisted of nearly the entire album and their debut single. In the live setting, Blouse retained the influences but the overall sound is more raw and less atmospheric than the album. In a way, this was an opportunity for the songs themselves to shine and the band’s talent to be featured. Blouse rose to the occasion and clearly this is a band with much potential and the chops to realize it. And they’ve picked the right label to make it happen.

I recorded this set with the DPA cardioid microphones mounted on a pole 10 feet from the stage, and mixed it with a feed from the soundboard. Overall, the instrumental mix is pretty solid, although the vocals are occasionally buried in the effects. With that caveat, enjoy!

Blouse will perform at the Captured Tracks Showcase at SXSW on March 17. The Facebook page for that event is [here].

Stream “Into Black”:
[audio:http://www.nyctaper.com/B3101Blouse1202/09.%20Into%20Black.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Blouse
2012-01-31
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-02-04

Setlist:
[Total Time 40:02]
01 Controller
02 Shadow
03 Time Travel
04 Firestarter
05 White
06 They Always Fly Away
07 Fountain in Rewind
08 Videotapes
09 Into Black

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Blouse, visit their website, visit their artist page at the Captured Tracks website, and purchase their debut album from the Captured Tracks website [HERE].

Larkin Grimm: February 2, 2012 Rock Shop – Flac and MP3 Downloads + Streaming Song

February 7, 2012
By


[photo by nyctaper]

In the two years since we last checked in with Larkin Grimm, much has happened in her life. When we recorded her at Knitting Factory in December of 2009, Larkin had a set of excellent new songs and a new album was expected soon. But Larkin received a wonderful gift in the interim — a baby boy. She also parted ways with Young God Records in a split that does not seem to be completely amicable. But in a fashion consistent with her incredible life story, Larkin persevered. This week her new album is out, and the self-released Soul Retrieval is the album we have been waiting for. The record features an abundance of Larkin’s strengths — her rich voice and the mystical nature that makes her so compelling. At Rock Shop on Thursday, Larkin Grimm celebrated the CD’s release with a special hometown show. She opened the show with two solo songs before being joined by her band. The trio worked through much of the new album, a couple of older songs, and then were joined by the entire Cuddle Magic band for the final two numbers. The show ended with the opening track from the album “Paradise and So Many Colors”, a terrific ensemble version that we’re streaming below.

I recorded this set with the Neumann microphones positioned in front of the soundboard, and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Stream “Paradise and So Many Colors”:
[audio:http://www.nyctaper.com/L2712Larkin2992/14.%20Paradise%20and%20So%20Many%20Colors.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Larkin Grimm
2012-02-02
The Rock Shop
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-02-04

Setlist:
[Total Time 44:21]
01 Hello Pool of Tears
02 Dirty Heart Dirty Mind
03 [banter – Apollo and Marsyas]
04 The Butcher
05 Lying in a Pool of Milk
06 I Am Not Real
07 [banter – Hafiz]
08 Be a Great Burglar
09 All The Pleasures In The World
10 [banter – cats]
11 Mino Minou
12 [intro Cuddle Magic]
13 The Road Is Paved With Leaves
14 Paradise and So Many Colors

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Larkin Grimm, visit her website, and purchase Soul Retrieval from the links at her website [HERE].

Hospitality: February 3, 2012 Glasslands Gallery – Flac and MP3 Downloads + Streaming Song

February 5, 2012
By


[photo courtesy of Maryanne Ventrice]

On nyctaper, we take pride in recognizing the talent and potential of bands long before they hit it big. We have had a nice little track record and the results are archived in five years worth of posts on this site. But we’re also perfectly willing to admit when we miss one entirely. Two and a half years ago, I recorded Hospitality at Littlefield but did not post it on nyctaper, because, well, I did not see the band’s potential. This week Hospitality released their debut album on Merge Records and I’ve had it on constant play. The album is a superb collection of brilliant pop songs, with elements of British folk pop, twee, and American indie. The main features are intelligent lyrics, irresistible hooks and tight musicianship. I met the band at that Littlefield show, and it was clear that they are modest and authentic people — the kind of band that you like to root for. Out of curiosity, I went back and listened to the 2009 recording, and sure enough I just completely missed Hospitality’s appeal. They were great back then, just not quite as tight. At the record release show at Glasslands on Friday night, the buzz from their outstanding new release resulted in a packed sold out show. A poorly-timed visit from the NYC Health Department caused a lengthy delay to the start of their set, but the crowd seemed calm and patient and Hospitality were thoughtful enough to inform their followers of the situation on their twitter feed. Once the show began, it was clear that buoyed by the recent acclaim and a supportive local crowd, the band worked through the entire new album (and two new songs!) with confidence and a lot of energy. Hospitality welcomed a horn section for the last two songs of the set, including “Friends of Friends” which we’re streaming below. When the song ended, I turned to acidjack and predicted that they will play that very song on Fallon, Letterman or Leno within the next couple of months. I hope I finally get one right with Hospitality.

Acidjack recorded this show with his AKG microphones on cardioid setting and mounted on the projector ledge about fifteen feet from the stage. The excellent upfront audience recording is mixed with a superb soundboard feed from house FOH Josh, and the sound quality is superb.

Stream “Friends of Friends”:
[audio:http://www.nyctaper.com/H20312Hospitality1212/12.%20Friends%20of%20Friends.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hospitality
2012-02-03
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + AKG C 414 B-XLS (Cardioid setting) > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by acidjack and nyctaper
2012-02-04

Setlist:
[Total Time 42:40]
01 [introduction]
02 The Right Profession
03 The Birthday
04 The Drift
05 Betty Wang
06 Eighth Avenue
07 Julie
08 Sleepover
09 Liberal Arts
10 Monkey
11 [banter]
12 Friends of Friends
13 All Day Today
14 [encore break]
15 Argonauts

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Hospitality, visit their Facebook page, visit their artist page at Merge’s website, and purchase their debut album from the Merge Records website [HERE].

Low Roar: January 19, 2012 Pianos – FLAC and MP3 Downloads + Streaming Song

January 30, 2012
By


[Photos courtesy of Matthew Eisman.  See more of his excellent work HERE.]

I’ve always been a rock music guy.  And if it can rupture eardrums and upset my equilibrium just by listening to it, I’m usually in my happy place.  That’s why I was surprised to find Low Roar’s debut album with its haunting melodies so intriguing.  Having already drawn comparisons to the mellower offerings of Radiohead, Jeff Buckley and Sigur Rós in reviews, I also heard flashes of Brian Eno in that first listen.  The band’s backstory is no less interesting.  Formerly of Oakland’s Audrye Sessions, frontman and songwriter Ryan Karazija pulled up stakes in San Francisco and moved to Iceland where he began this project and recorded the tracks.  Much as I really liked it, I was left wondering how well this music would translate to a concert setting.  My concerns were unfounded as the songs, beautiful as they are on record, were stunningly gorgeous when played live.  Joined on stage by Júlíus Björgvinsson, Ryan’s magnificent hymn-like vocals and the duo’s brilliantly understated musicianship fleshed even more nuance out of the studio material and expanded on it.  Suffice to say, I’m looking forward to the next chance I get to see Low Roar.  If their music is to your tastes and you have an opportunity to catch them, I suggest you run, don’t walk, to go see them, too.

Recording in small clubs always has its challenges and this night at Pianos was no exception: chatty patrons, an adjoining bar with its accompanying noise, and a feedback spike early in the set.  All that aside, venue engineer, Ofer, did a superb job in both his house mix and the soundboard feed he provided for us to blend with our microphones.  The resultant capture is excellent and we hope you like what you hear as much as we did.  Enjoy!

Special thanks to Low Roar and Bryan Vaughan at Indigenous Promotions for making this recording possible, and to the staff at Pianos for their courtesy and cooperation.

Stream “Just A Habit”:
[audio:http://www.nyctaper.com/L9110LowRoar1022/Low_Roar_-_Just_A_Habit.mp3]

Direct download of the complete show in MP3 [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Low Roar
Thursday, January 19, 2012
Pianos
New York, NY, USA

Source: SBD + AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC Level 8
Pianos house engineer: Ofer Tiberin
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 38:51]
01. Intro > Friends Make Garbage (Good Friends Take It Out) > Low Roar
02. Just A Habit
03. Give Up
04. Rolling Over
05. Help Me > Dalalæða

If you download this recording, we expect that you will PLEASE SUPPORT Low Roar and their related projects, visit their Facebook page, and purchase their official releases at the Tonequake Records shop [HERE], at iTunes or at Amazon.  And definitely go see their shows.

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