Posts Tagged ‘ soundboard ’

Avey Tare: December 2, 2011 Knitting Factory – Flac and MP3 Downloads + Streaming Song

December 4, 2011
By


[photo courtesy of Melissa Neira]

Avey Tare (aka Dave Portner) has been a prime writer and performer for Animal Collective for more than a decade, and has participated in many other projects during that time. However, it wasn’t until late last year that the first proper Avey Tare solo album was released. Down There (Paw Tracks) is a very personal album, which related both in theme and sound a dark period in Avey’s life. At its release, he declared that these songs would not be performed live. But one year later, it was a bit of a surprise that an Avey Tare solo tour was announced. At Knitting Factory on Friday night, Avey performed an outstanding fifty-minute set. The show included four songs from Down There, and in the AnCo tradition, five new songs were featured. The set was played as a single suite, with each song naturally progressing into the next. Of the new songs “In Photographs” and “Slow Words” sound nearly complete and are very strong compositions. Its currently unclear whether these songs are contemplated for a new Avey Tare album or will be ultimately become Animal Collective songs. Of the Down There material, “Lucky 1” and “Laughing Hieroglyphic” were highlights, and we’re streaming the latter. At the conclusion of the set, Avey answered the encore chants by informing the crowd that although he had no more songs to play, he would return to NYC in the near future. Avey Tare’s current tour continues throughout this week and next with dates in the Midwest and three shows on the West coast.

I recorded this set with the DPA 4021s raised to eight feet on a pole in front of the soundboard booth and mixed with an excellent feed from the soundboard. Since the crowd was quite respectful during the music, the mix is about 70/30 in favor of the room mics and the quality is superb. Enjoy!

Stream “Laughing Hieroglyphic”:
[audio:http://www.nyctaper.com/A2020AnimalCollective8008/08.%20Laughing%20Hieroglyphic.mp3]

Direct download of complete show in MP3 files (HERE) or [HERE]

Download the Complete show in FLAC [HERE] or [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Avey Tare
2011-12-02
Knitting Factory
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2011-12-03

Setlist:
[Total Time 49:50]
01 Song For Jerome
02 Lucky 1
03 [new song “Sometimes”]
04 In Photographs
05 Oliver Twist
06 Slow Words
07 3 Umbrellas
08 Laughing Hieroglyphic
09 Death Raga
10 [applause]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Avey Tare, visit his Facebook page, and purchase Down There from Paw Tracks [HERE].

Real Estate: November 23, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 30, 2011
By


[Photo courtesy of Brian Stollery]

Another of the bands we make no secret of our love for is Real Estate.  Over the past three years that we have been following the band, we have watched the mature and develop sonically, culminating with their release of the new album Days on Domino Recording Company – their first for the tastemaking label. Days continues a run of good news for the band, who have continued to tour hard and earn accolades from critics and fans alike.  This show at Bowery Ballroom was the culmination of a two-month tour of Europe and the U.S., and it couldn’t have made for a better sendoff into the Thanksgiving holiday the following day.  The respectful, excited crowd cheered through the longest set of Real Estate’s that we have seen to date at 70 minutes, which covered almost every song on Days and their self-titled debut, plus their cover of Felt’s “Sunlight Bathed the Golden Glow”, a favorite on this tour.  In a market crowded with bands following others’ lead, Real Estate have distinguished themselves with a laid-back, unique sound that always surprises.  They have almost singlehandedly come to define their hometown of Ridgewood, New Jersey where three of the band members grew up together, and which has served up great music from the band’s fellow travelers and other unique talents like Julian Lynch and tour openers Big Troubles.  We closed out this show thankful not only for this great show, but for the band’s continuing support and future prospects.

I recorded this set with a combination of a soundboard feed by Kenny, the house engineer at Bowery Ballroom, and Schoeps MK22 “open cardiod” microphones.  The results are excellent. Enjoy!

Special thanks to Domino Recording Company and Real Estate for their hospitality and for their continued support of NYCTaper.

Stream the full set:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Real Estate
2011-11-23
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK22 (A-B, balcony, slightly LOC)>KCY>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mix down, balance)>Audacity (set fades, tracking, amplify and balance, very light EQ, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Easy
03 Beach Comber
04 Green Aisles
05 Municipality
06 Younger Than Yesterday
07 [banter]
08 It’s Real
09 Out of Tune
10 Wonder Years
11 Suburban Dogs
12 Kinder Blumen
13 Sunlight Bathed the Golden Glow [Felt]
14 Three Blocks
15 Fake Blues
16 All the Same
17 [encore break]
18 Suburban Beverage

If you enjoy this recording, we expect that you will PLEASE SUPPORT Real Estate, visit their website, and purchase Days from the Domino Records website [HERE].

Bardo Pond: November 19, 2011 Death By Audio – Flac and MP3 Downloads + Streaming Song

November 29, 2011
By


[iphone photo by acidjack]

Bardo Pond belongs to a select group of contemporary bands that are beyond categorization. Arguably their nearest contemporaries are Godspeed, but even that is an imperfect comparison. Bardo performs sweeping guitar based soundscapes, but within a song structure. At Death By Audio last weekend, the band performed a representative hour-long set to a modest but enthusiastic crowd. Along with 285 Kent, DBA has become a primary Brooklyn DIY venue with an upgraded sound system and excellent staff. The atmosphere was perfect for the Bardo show, as the relaxed approach and positive energy in the venue seemed to motivate the band. In fact, lead singer/flutist Isobel Sollenberger thanked the venue several times throughout the show. The highlight of the set was the finale, a thirteen minute version of “The Stars Behind”, which seems to encapsulate all that makes Bardo so compelling — melodic guitar intro, sweet vocals, and a slow-building powerful crescendo that crashes into an electronic outro. Its streaming below.

acidjack and I recorded this set by attaching a pair of DPA 4061 omnidirectional microphones to the low ceiling about ten feet in front of the stage, and mixed with a fine soundboard feed. The results are outstanding. Enjoy!

Stream “The Stars Behind”:
[audio:http://www.nyctaper.com/B2011Bardo0210/10.%20The%20Stars%20Behind.mp3]

This recording is now available to download in FLAC and MP3 at Archive.org [HERE].

Bardo Pond
2011-11-19
Death By Audio
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper and acidjack 2011-11-27

Setlist:
[Total Time 1:11:01]
01 [soundcheck jam]
02 Limerick
03 Just Once
04 Rumination
05 Tommy Gun Angel
06 Cracker Wrist
07 Isle
08 Fur
09 Don’t Know About You
10 The Stars Behind

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bardo Pond, visit their website, and purchase Bardo Pond from Fire Records here or their earlier releases from their Merch store [HERE].

Purling Hiss: November 18, 2011 Cameo Gallery – Flac and MP3 Downloads + Streaming Song

November 26, 2011
By


[photo courtesy is Scott Troyan]

There is something completely natural and unassuming about Mike Polizze’s approach to music. He’s recorded under the name Purling Hiss for the last several years, but recently recruited a band to perform live. Purling Hiss is all about no-nonsense guitar-centered hard rock. Polizze is from the Philadelphia school of long-haired guitar, which includes Kurt Vile and Adam Granduciel of The War On Drugs. The common characteristic (besides the hair) is that each of these artists is a fairly mellow and unassuming person off-stage who immediately crank the volume and the energy when the amps are turned on. Last week at Cameo Gallery, we saw Purling Hiss for the first time since they opened for Vile at Bowery last June. This time, the band headlined and performed an outstanding forty-five minute set that never let up. Polizze’s guitar was front and center from the outset and each song provided an opportunity to stretch out and flex the axe. We’re streaming “Passenger Queen”, which switched to overdrive about halfway through the six minute song and provided one of the many Polizze peaks.

I recorded this set with the Neumann’s raised on a pole eight feet high directly in front of the soundboard and mixed with a soundboard feed. The sound quality is superb. Enjoy!

Stream “Passenger Queen”:
[audio:http://www.nyctaper.com/P1160Purling1122/04.%20Passenger%20Queen.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Purling Hiss
2011-11-18
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-11-19

Setlist:
[Total Time 46:35]
01 Limerence
02 Lolita
03 Run From The City
04 Passenger Queen
05 The Hoodoo
06 Voices
07 [tech and tuning]
08 [untitled new song]
09 Don’t Even Try It
10 Been Teased
11 Almost Washed My Hair

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Purling Hiss, visit their Facebook page, and purchase Lounge Lizards from the Mexican Summer website [HERE], and their other releases from Woodsist Records [HERE].

William Tyler: November 16, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

November 25, 2011
By

Tyler Glass
[Photo by acidjack]

It seems about right to refer to William Tyler as an indie rock prodigy. Back when most guys his age were gawky college freshmen, the Nashville native was already playing with Lambchop. By age 21, he’d appeared on a Silver Jews record; two years later, he was laying down tracks with Will Oldham and Bonnie “Prince” Billy. Today he plays solo, as well as gigs with Lambchop, and he also has his own record label, Sebastian Speaks. In the somewhat rarified world of solo guitar players, Tyler is one of the most gifted and most recognizable for both his relative youth and his intense, uncharacteristic style. In giving his 2010 release, Behold the Spirit a “Best New Music”-worthy rating, Pitchfork’s Grayson Currin described Tyler’s style thus:

“Lambchop’s oeuvre should give you some hint as to what makes Tyler special. Just as Lambchop’s pan-American indie incorporates soul, rock, country and outsider music into one weirdly warped mold, Tyler integrates a dozen different approaches. He’s as comfortable with an electric as an acoustic, as accomplished conducting a long, coruscated drone as he is gliding through fingerpicked hymns. The English folk of Pentangle and the American hum of Tom Carter are clear references, as are Indian ragas and Appalachian ballads. Unlike the work of fellow polyglot Sir Richard Bishop, though, Tyler engages all of those muses at once, consistently folding them into surprising revelations.”

This PopGun Booking-sponsored show at Glasslands found Tyler dazed from coming straight from his flight but nonetheless ready to play and share new songs. The set featured only two Behold the Spirit numbers – “Missionary Ridge” and “Tears and Saints” – interspersed with new songs, classics and some hilarious storytelling (if you’re ever planning to play in Schwarzenburg, Germany, you might want to listen to Track 5 of this recording first). After playing the first three songs acoustic, Tyler switched to the electric for the final two numbers, including a 12-minute number from his 2008 record Deseret Canyon entitled “Crystal Palace, Sea of Glass”. Behold the Spirit is a lovely offering, even for those who may not be into many solo guitar albums, but seeing Tyler live is an entirely more elevated experience, a chance to grasp not just the what but the how of a great player like him.

I recorded this set with a soundboard feed provided by Josh, the house engineer of Glasslands, with some room ambiance from Schoeps MK22 “open cardiod” microphones. The sound quality is excellent. Enjoy!

Stream “Tears and Saints”
[audio:http://www.nyctaper.com/W1611WilliamTyler0211/06 Tears and Saints.mp3]

Direct download of MP3 files [HERE] | Direct download of the FLAC files [HERE].

Follow acidjack on twitter

William Tyler
2011-11-16
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK22>CMC6>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mix down, effects, limiting, levels)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Missionary Ridge
02 Waltz of the Circassian Beauties
03 [banter]
04 Terrace of the Leper King
05 [banter]
06 Tears and Saints
07 [banter]
08 Crystal Palace, Sea of Glass

If you enjoyed this recording, PLEASE SUPPORT William Tyler, visit his website, and purchase Behold the Spirit from Amazon or your favorite retailer.

Country Mice: November 16, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

November 23, 2011
By

country-mice.4
[photo by Maryanne Ventrice courtesy of Impose Magazine]

Yes, New York, we do have our very own homegrown answer to Alabama’s Drive-By Truckers, and they’re called Country Mice. They don’t celebrate Southern roots they don’t have (two bandmembers are from Lawrence, Kansas), sure, but the rootsy tinge to their sound, married to big, balls-to-the-wall major chord riffs, will draw immediate comparisons. Although I had enjoyed sets of theirs before, this PopGun Booking‘-sponsored show at Glasslands showcased a tight, confident and mature band ready to take things to the next level. This set, opening for the Nashville guitar wizard William Tyler, led off with some new songs before moving into material from their recent Kanine Records release Twister and continuing to mix those in with the non-Twister material.  After the already-packed house had screamed its approval for songs like “Morning Son” and “Bullet of a Gun”, the set crescendoed, appropriately, at the final number, “Festival” off of Twister. With Twister under their belts and more good ideas coming, Country Mice are sure to keep winning converts on both sides of the Mason-Dixon.

I recorded this set with Schoeps “open cardiod” microphones to give a wide, expansive soundstage, coupled with a soundboard feed by Josh at Glasslands. The sound is excellent. Enjoy!

Stream “Anne Marie”
[audio:http://www.nyctaper.com/C6111CountryMice2011/03 Anne Marie.mp3]

Stream “Festival”
[audio:http://www.nyctaper.com/C6111CountryMice2011/11 Festival.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Country Mice
2011-11-16
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22>CMC6>Naiant littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, light EQ, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Vermillion
02 Feathers
03 Anne Marie
04 Ghost
05 Morning Son
06 Great White
07 Bullet of a Gun
08 Wicked
09 A Name
10 Black Crow
11 Festival

If you enjoyed this recording, PLEASE SUPPORT Country Mice, visit their MySpace page, and purchase Twister from Amazon or your favorite online retailer.

Deer Tick: November 20, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Songs

November 22, 2011
By


[photo courtesy of Dan Meade from Gig Ape]

It was undoubtedly one of the most memorable concert experiences of my life — The Replacements at The Ritz in the Summer of 1986. The band was apparently riding high, touring on one of the greatest albums of the era Tim. The album was released in the Fall of 1985, and by the Summer of ’86 it established The Replacements as the foremost alternative band of the time. The motley crew of Midwest punks had matured into a powerful unit led by the increasingly confident Paul Westerberg and the rambunctious lead guitar of Bob Stinson. That night on East 11th Street, I entered the venue as the concert began with “Bastards of Young”, the lead track of side two of Tim. As inebriated as the band were the massive throngs of fans, one of whom leapt from the balcony into the slam-dancing front of the crowd. They weren’t called “mosh pits” yet. The concert is also legendary because Westerberg himself jumped into the crowd and broke his wrist, resulting in the cancellation of the balance of the tour and sending the band into a few month of hiatus. By the time the Replacements returned Bob Stinson had left the band, and things were never the same. But for that single manic and magic alcohol-fueled night in the Summer of 1986, The Replacements were the best band on the planet.

Twenty-five years later in the exact same venue (now called Webster Hall), I was fortunate to experience another magical night courtesy of one of today’s foremost heirs to the legacy of The Replacements — Deer Tick. The sold-out crowd was similarly exuberant, the alcohol flowed freely (and covered the stage by show’s end), and most special of all, Deer Tick played a picture perfect cover of “Bastards of Young” (streaming below). Fortunately, no limbs were broken in the process, although several guitars, keyboards and amps were smashed in the anarchy of the show and tour finale. We’ve seen Deer Tick cover Tim material before — their performance this Summer of “Waitress in the Sky” appeared on nyctaper in August [here]. But this time it was special, not only because of the incredible coincidence of location, but because Deer Tick has seemingly fully realized and embraced their position as the contemporary carriers of the torch for a particular musical approach and attitude. Just as the Replacements had little regard for the pretense and affectation of the bastions of “serious” rock music, Deer Tick’s approach has evolved into a group intent on making music that’s all about being young, living on the edge, drinking too much, and having a ball, all the while maintaining enough of a creative edge to guarantee that the music has staying power. John McCauley is equally comfortable performing a solo version of the bitter poignancy of John Prine’s “Unwed Fathers”, or Deer Tick’s mournful “Houston TX”, as much as he is smashing his guitar during “Let’s All Go To The Bar.” Similarly, while the Replacements cover is the take-away from this show, the encore set began with John Lennon’s tragic and painful “Mother” (also streaming below).

Of course, there is a cost to this approach. As the Replacements burned out far too soon, and suffered the wrath of their contemporary critics, one fears that Deer Tick may not be capable of continuing this peak level of performance. Already, the dinosaurs of indie criticism have unleashed the backlash. A creative writing school dropout named Ian Cohen published a hatchet job on the new Deer Tick album Divine Providence on Pitchfork, which was so utterly devoid of any honest understanding of the music (or music in general) and reeked of an agenda, that its hard to take the review seriously. Deer Tick doesn’t seem to have. And although Pitchfork hasn’t been a serious tastemaker to non-casual music fans in nearly a decade, there’s probably a lesson in there. Don’t let the magic get away so soon. Just as that 1986 night at The Ritz was the Waterloo for the best era of The Replacements, it all can end with a simple stage dive or taking your critics too seriously. By the end of ’86, Westerberg had fired Bob and sacrificed his creative edge for a big record deal. One can only hope that Deer Tick will stay with the excellent Partisan Records, and keep their energy, confidence and perspective. I suspect that if Ian Cohen was stroking his thesaurus in 1986, he would have panned Tim. I also suspect that John McCauley already understands all of this. At least I hope he does.

I recorded this set with the Neumann microphones mounted in the center of the soundboard booth at the balcony rail, and mixed with an excellent soundboard feed. Deer Tick’s front of house sound engineer for this tour was the excellent Melanie, who has also mixed in several local venues. Her mix on this night was simply superb and we’re extremely please with the quality of this recording. Enjoy!

Stream “Bastards of Young”:
[audio:http://www.nyctaper.com/D4545DeerTick3030/09.%20Bastards%20Of%20Young%20%5bReplacements%5d.mp3]

Stream “Mother”:
[audio:http://www.nyctaper.com/D4545DeerTick3030/25.%20Mother%20%5bJohn%20Lennon%5d.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deer Tick
2011-11-20
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-11-21

Setlist:
[Total Time 1:52:54]
01 The Bump
02 Easy
03 Baltimore Blues No 1
04 [guitar tech]
05 Main Street
06 Chevy Express
07 Walkin Out The Door
08 Ashamed
09 Bastards Of Young [Replacements]
10 [banter – Sunday]
11 Clownin Around
12 Funny Word
13 These Old Shoes
14 [banter – Hardy intro]
15 Hurts to Watch [Diamond Rugs]
16 Houston TX
17 Song About A Man
18 Unwed Fathers
19 Something to Brag About
20 Now Its Your Turn
21 Miss K
22 Something In The Way [Nirvana]
23 Not So Dense
24 [encore break]
25 Mother [John Lennon]
26 [banter – entertainment too]
27 Bring Me My Shotgun [Lightning Hopkins]
28 Mange
29 Let’s All Go To The Bar

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases including Divine Providence from the Partisan Records Store [HERE].

Mount Moriah: October 12, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Song

November 18, 2011
By


[photo courtesy of Joshua Trupin]

If you can tell much about someone from the friends they keep, then Mount Moriah has everything going for them. We saw the band open for The Rosebuds last month, the band has been joined at times by Brad Cook and Phil Cook from Megafaun and by Daniel Hart (who seems to play with only the best), and Mount Moriah will soon tour with The Hold Steady’s Craig Finn. But friendship aside, what really separates this band from the pack is talent — the superb songwriting of band leaders Heather McEntire and Jenks Miller that is brought to life by McEntire’s rich and emotive vocal style. Mount Moriah’s debut self-titled full length album showcases these talents in a strikingly well-produced set of eight songs, seven of which were performed at the Bowery show. We’ve chosen to stream “Plane”, a perfectly performed dirge that highlights the band’s many strengths. The current tour announcement promises more dates, which will with good fortune include a NYC show. A bit of advice — don’t miss it.

I recorded this set with the vocal-friendly DPA microphones mounted at our standard balcony rail position and mixed with a well-balanced soundboard feed. The results are outstanding. Enjoy!

Stream “Plane”:
[audio:http://www.nyctaper.com/M2110MountMoriah1122/03.%20Plane.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mount Moriah
2011-10-12
Bowery Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper 2011-10-26

Setlist:
[Total Time 45:26]
01 Only Way Out
02 The Letting Go
03 Plane
04 Social Wedding Rings
05 Reckoning
06 Hail, Lightning
07 [banter-false start]
08 Telling The Hour
09 [new song]
10 Lament

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mount Moriah, visit their website, and purchase their debut album at the Holidays For Quince Records webstore [HERE].

Sebadoh: November 11, 2011 Maxwell’s – FLAC and MP3 Downloads + Streaming Songs

November 14, 2011
By

sebadoh
[Photo by Chris Gersbeck for Fucking Nostalgic]

The age-old debate I have with myself about going to Maxwell’s, especially on a weekend: Will this show be worth waiting for the PATH at 3 a.m.?  The thing is, every time you talk yourself out of a Maxwell’s show, you’re probably wrong.  If I hadn’t hit this Sebadoh show in this intimate (and for Manhattan/Brooklynites, remote) venue – despite that they were down the street at Music Hall of Williamsburg the following night – I’d have missed out.  This freewheeling show felt like seeing Lou Barlow and the reunited band appear in your living room.  Lou in particular was relaxed and chatting with the crowd, clearly enjoying the chance to keep things loose.  It didn’t hurt any that Lou and the band had plenty of friends in the crowd, many of whom could be heard ribbing him throughout the show.  Oh, and did you know “Willing to Wait” from Harmacy was going to be Ross and Rachel’s breakup song on Friends?  Well, now you do.  And tonight’s show-closing rendition – perhaps to spite the “flat” recording of the song that Lou hated – was pure, magical rock n’ roll.

The band were once known as “lo-fi pioneers”, but like many of their contemporaries from the early 90s, they’ve developed into serious players (one of Lou’s anecdotes concerned the $1000 guitar he was playing).  This set was Springsteen-esque in its sprawl – the first 13 tracks occur in the first half-hour of the nearly two-hour set – but given their large catalog of two- and three-minute songs, Sebadoh had a lot of ground to cover.  While rockers like “License to Confuse” are always thrillers, it was the band’s slower numbers like “Dream”, the poignant “Soul and Fire” and the band’s classic “Together or Alone” that stood out, allowing Barlow’s lyrics to shine.  The set focused primarily on the band’s more hook-driven, lyrical numbers, rather than some of the Eric Gaffney-penned more punkish material, and to good effect.  Among the band’s records, Bakesale was particularly well-represented (and also was just re-released this year by Sub Pop), as was Bubble and Scrape, while their seminal III, the first with Jason Loewenstein, was mostly-ignored.  By the end of the set, it was hard to imagine a favorite Sebadoh song the band didn’t play at this show, and indeed, I can’t think of one.  The PATH trade ride home was a long one, but damn, it was worth it.

I recorded this set with the Schoeps supercardiod microphones and a soundboard feed from Mitch, a new FOH engineer at Maxwell’s, who did a flawless job with the house mix all night.  The results are truly outstanding, absolutely one of my finest recordings of the year, and by far the finest fan recording of this band I have ever heard – yes, it’s that good.  Enjoy!

Stream “Willing to Wait”
[audio:http://www.nyctaper.com/S1111Sebadoh2011/39 Willing to Wait.mp3]

Stream “Soul and Fire”
[audio:http://www.nyctaper.com/S1111Sebadoh2011/26 Soul and Fire.mp3]

Stream “Beauty of the Ride”
[audio:http://www.nyctaper.com/S1111Sebadoh2011/30 Beauty of the Ride.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is not active, email nyctaper for the FLAC files

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Sebadoh
2011-11-11
Maxwell’s
Hoboken, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (LOC, at SBD, DINa)>KCY>Littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>Audition (balance, mixdown)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro banter]
02 Too Pure
03 [banter]
04 On Fire
05 Skull
06 Rebound
07 Ocean
08 [banter]
09 Magnet’s Coil
10 [banter]
11 Shit Soup
12 Mind Reader
13 Got It
14 Love to Fight
15 Drag Down
16 [banter]
17 Dreams
18 The Freed Pig
19 License to Confuse
20 Sister
21 Dramamine
22 Crystal Gypsy
23 Careful
24 Bird In the Hand
25 [banter]
26 Soul and Fire
27 Two Years Two Days
28 Not A Friend
29 Together or Alone
30 Beauty of the Ride
31 Forced Love
32 Sixteen
33 [encore break]
34 Give Up
35 New Worship
36 Brand New Love
37 Not Too Amused
38 [banter]
39 Willing to Wait

If you enjoyed this recording, PLEASE SUPPORT Sebadoh, visit their website, and buy their official releases, including Bakesale, [HERE]

North Highlands: October 22, 2011 Cameo Gallery (CMJ) – Flac and MP3 Downloads + Streaming Song

November 9, 2011
By


[photo from North Highlands Facebook page]

North Highlands are one of Brooklyn’s most promising new indie-folk bands. Their 2010 Sugar Lips EP gave us a taste of their talent, as Brenda Malvini’s sweet vocals and keys are accompanied by a full band of accomplished musicians. In October, the band released their first full length album. Wild One is the full realization of those talents, as eleven-song album features infectious and expertly crafted melodies. At the Cameo Gallery on Saturday of CMJ week, North Highlands played in the middle of the bill but brought out a fine crowd for their 4 pm set time. The band’s short set featured five Wild One songs, and one apparent new song. We are streaming “Bruce” which features an irresistible hook that is spiced up with a nod to Springsteen’s “Dancing In The Dark”. North Highlands have two upcoming gigs, on November 17 at Shea Stadium and December 15 at Glasslands (PopGun Presents Holiday Party!).

I recorded this set in the same manner as the previous posts from this show. The vocal microphone was problematic for the first two songs so that the lead vocal levels are low, but ultimately reach the appropriate volume. With that caveat, enjoy!

Stream “Bruce”:
[audio:http://www.nyctaper.com/N2210NorthHighlands1020/05.%20Bruce.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

North Highlands
2011-10-22
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-11-07

Setlist:
[Total Time 25:27]
01 Steady Steady
02 Salty
03 Lion Heart
04 [new song]
05 Bruce
06 Roundhouse

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT North Highlands, visit their Facebook Page, and purchase their new album Wild One from their Bandcamp page [HERE].

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