Posts Tagged ‘ Three Lobed Recordings ’

Nathan Bowles: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 5, 2016
By

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[photo courtesy of Eric PH]

Nathan Bowles has made in appearance in all kinds of bands connected to Three Lobed Recordings in one way or another, from Pelt to the Black Twig Pickers to Hiss Golden Messenger to Steve Gunn‘s band to his own fine work. And that’s not even solely as a banjo player, either; Bowles is an accomplished drummer, as his work with Gunn in particular has shown. As essential as he has been to the greater Three Lobed family, it was of course an honor to have him for the label’s sixteenth birthday party.

Originally slated to be a bit of a reprise of his 2014 duo performance with Daniel Bachman here at King’s in Raleigh, NC, this set ended up being a special kind of Bowles solo show, as he tried out some new material slated to appear on his forthcoming album on Paradise of Bachelors. The thirteen-minute “I Miss My Dog,” which Bowles recently performed at Pickathon, is as powerful a statement as he has made musically, and furthers the notion that his command of this instrument is not about some kind of “revival” but rather a true evolution. You have only to listen to the short and sweet “Burnt Ends Rag” that came after it to understand what a talent Bowles is, and why we’ll be so fortunate to see him in so many different settings in the years to come.

I recorded this set in the same manner as the other recordings of the day, with a soundboard feed from engineer Justin Perrachon and a combination of onstage and audience mics. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the set (minus banter tracks):

Nathan Bowles
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Words Spoken Aloud
03 [tuning/banter]
04 I Miss My Dog
05 [banter2]
06 Burnt Ends Rag

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

Sunburned Hand of the Man: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 3, 2016
By

sunburned-schwentker
[photo courtesy of David Schwentker]

This was our second North Carolina journey with Sunburned Hand of the Man, having witnessed the awesome spectacle that was their 2014 Three Lobed Recordings / WXDU day show at Hopscotch. Like the recent show in New York City that we caught at Union Pool, this night at the Three Lobed Recordings Sweet Sixteen Spectacular found the out/noise collective taking more of a song-based approach. Which isn’t to say, in any way, that this was somehow a “traditional” performance; like anything Sunburned and many things Three Lobed, this performance celebrated the experimental and the expeditionary, with those American flags in the backdrop an ironic comment on the freak flags that these artists so willfully fly. Once again, we got to witness a furious version of “The Jaybird,” but other than that and “Double Purity,” this was an entirely different performance than at Union Pool. It meant something for a band of Sunburned’s underground stature to be here alongside such a diverse array of Three Lobed veterans, from Nathan Bowles’ forward-looking Appalachian banjo performance to Steve Gunn’s solo guitar set to Mary Lattimore and Elysse Thebner’s ambient harp and keyboard set. Among all that great music, perhaps nobody more than Sunburned (and OK, Bardo Pond) stood for all the heads in the audience, the unique gathering of the like-minded that this label has brought together. Once again, it was a divine thing.

I recorded this set in the same manner as the other performances of the day, with 8 channels of combined soundboard feed from engineer Brad Womack, onstage microphones, and audience microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show:

Sunburned Hand of the Man
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 + MBHO 603a/KA200N (FOB, DFC, PAS)>> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Pail Thief
03 Double Purity
04 The Jaybird
05 Mistrial
06 Extraordinarily Heavy Heart

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Gunn-Truscinski Duo: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

April 20, 2016
By

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[photo courtesy of David Schwentker]

Though his solo career has been the (very successful) focus of late, many of us were first exposed to the virtuosic guitar playing of Steve Gunn via his perfect pairing with the drummer John Truscinski. The duo produced a pair of outstanding albums on Three Lobed RecordingsSand City and the masterstroke Ocean Parkway, each with an indelible connection to desert blues, Indian ragas, American folk, and psychedelia. By our count, though, their last live shows doing this music were in 2012, including the Hopscotch Music Festival and 285 Kent shows that appeared on this site.

That made it especially exciting to experience the group’s return to a stage where we’ve seen them before — at King’s in Raleigh, NC. This time, we were celebrating the sixteenth anniversary of Three Lobed Recordings, and in a sense, the reissue of both of the duo’s albums by the label this year. Building on Gunn’s dynamic afternoon solo set, the pair gifted us three songs filled with precise interplay and hypnotic guitar work. Gunn dug deep on the guitar work during “Ocean Parkway” and “Banh Mi Ringtones,” the latter’s signature melody leading the pair into an explosive, noisy jam that iced the cake for those of us who love seeing these two play together about equally to our love for Gunn’s solo outings. After “Banh Mi” wound back to its subtler beginnings, the pair closed with “Wythe Raag” from Sand City, which managed to evoke both the namesake Brooklyn street and legendary musical style for which it’s named. That number likewise came in the three parts, building to another sprawling noise climax before its mystical, melodic closing. As Gunn prepares to tour his new record, we hope these two will find time to continue to work together — it’s something not to be missed.

I recorded this set as with the other sets from the day, with a combination of multiple soundboard channels from engineer Brad  Womack’s feed, together with onstage Schoeps MK22 mics and mounted MBHO mics in the center of the room. The sound quality is simply phenomenal. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Gunn-Truscinski Duo
2016-03-26
Three Lobed Sweet Sixteen Spectacular
Kingís
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Ocean Parkway
03 [tuning]
04 Banh Mi Ringtones
05 Wythe Raag

PLEASE SUPPORT Gunn-Truscinski Duo, visit Steve Gunn’s website, and purchase the new Ocean Parkway/Sanc City re-release and their other releases directly from Three Lobed [HERE]

Steve Gunn: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

April 8, 2016
By

gunn-schwentker
[photo by David Schwentker]

In case you live under a rock, Steve Gunn is a pretty big deal in the independent music world. Along with working with Kurt Vile, he’s released a sprawl of killer records, from his duo work with John Truscinski, to his collaborations with Hiss Golden Messenger, Mike Cooper and the Black Twig Pickers, to his work with GHQ, to his singer/songwriter solo work. There is no version of Steve Gunn that isn’t great, that isn’t able to worm its way into your brain and stick there, and maybe make you think in the process.

Like Bardo Pond, Gunn is another artist that Three Lobed Recordings has been aligned with for a long time, and the fact that Steve would take the stage twice at the Three Lobed Sweet Sixteen Spectacular, in celebration of the label’s sixteenth anniversary, says what you need to know about his commitment right back. If (as it would seem) Gunn will prove to be one of the Three Lobed alumni with the greatest popular appeal, it won’t be because he’s abandoned the spirited, inventive and challenging style of playing that early fans have always cherished. The proof of that lies in this single set from King’s, as Steve closed out the morning portion of the day with just three long songs. Sure, “Old Strange” is a bit easier to hum along to than GHQ’s “Four Trees,” but it’s still fifteen freaking minutes long, as played here, with the lyrics and the chorus almost afterthoughts amidst the guitar work that almost makes you forget there’s just one of him up there. That doesn’t discount one of Gunn’s other most-loved and longest epics, “The Lurker (Extended),” which graced the Not the Spaces You Know, But Between Them boxed set on Three Lobed, and arrived in stunning form here. He closed with “Mr. Franklin,” another relatively uncommon number in his current tour repertoire, and readied himself for the second half of this day, when he would join John Truscinski for their first duo set in several years (that recording coming soon).

You owe it to yourself to hear where Steve is going next — preorder Eyes on the Lines here, and check out the new single “Conditions Wild” on YouTube.

I recorded this set in the same manner as the other recordings from the day, with Schoeps MK22 open cardiod microphones onstage, MBHO microphones in the audience, and a multichannel soundboard feed from Justin Perrachon. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Steve Gunn
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro-Cory Rayborn and Steve Gunn]
02 Old Strange
03 [banter/tuning]
04 The Lurker (Extended)
05 [banter/tuning2]
06 Mr. Franklin

SUPPORT Steve Gunn: Website | Three Lobed Recordings | Paradise of BachelorsPre-Order the New Album

Bardo Pond: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

April 6, 2016
By

bardo-schwentker
[photo by David Schwentker]

Sixteen years ago, longtime rabid music fan and newly minted law student Cory Rayborn came up with an audacious, maybe even ridiculous idea: He would press a ten-inch containing some unreleased Bardo Pond material and sell it for money. Anyone who knows much about the economics of record labels, or the vagaries of vinyl production — especially in the vinyl-challenged year 2000 — knows that usually translates to “lose a bunch of money and piss off a bunch of customers in the process.” But a funny thing ended up happening: First there was that Bardo record, Slab, of which the 500-LP run would go on to sell out. Not but another couple releases in came Purposeful Availment, an 8-CD series that also featured Bardo Pond.  Then there was TLR-012, an LP of Bardo Pond playing with Tom Carter, followed in short order by the Cypher Documents CD. Then another CD series, Modern Containment, found Bardo back on Three Lobed, with their Adrop CD. There are more than ten others since, right up to 2014’s Shone Like A Ton and Refulgo releases and their contribution to the Parallelogram series last year. Out of Three Lobed Recordings‘ 117 total current releases, the Philadelphia-based band makes up not only the largest percentage of the label’s releases, but they’re the label’s original reason for being.

Since that first 10″, Three Lobed has grown, but its original mission hasn’t changed. The label has kept things willfully weird, releasing everything from Bardo Pond’s feedback-soaked psychedelia to the drone/free jazz sounds of Glacial (Lee Ranaldo, David Watson and Tony Buck), to the Parallelogram contribution from Alan Bishop, Bill Orcutt and Chris Corsano, capped with its brain-damaged cover of Cream’s “Politican,” to the delicate guitar work of Danny Paul Grody, to his work with Hiss Golden Messenger and Steve Gunn. Both the Three Lobed name and its iconic logo suggest not just an expanded but an integrated, functioning mind, and at the root of all those seemingly disparate releases has been Rayborn’s, a font of curatorial taste. In his mind, all of these radically different sounds belong together, and in his presentation of them, he connects the dots.

So it meant a great deal, to Rayborn personally and to the followers of the Three Lobed experience, for Bardo Pond’s evening set to close out the marathon of music that was the “Sweet Sixteen Spectacular,” and for them to do with a sprawling, career-spanning set that represented their first return to North Carolina in thirteen years. “Kali Yuga Blues” began the night, with Isobel Sollenberger’s moan floating above the guitar haze. After another Peace on Venus number the setlist went twenty years back to 1996’s Amanita for “Be A Fish” before hurling into what may have been the first live performance of their Parallelogram contribution, “Screens for a Catch (Fur Bearing Eyes)”. Along with four new songs, the band threw in one of the very oldest — “Absence” from Bufo Alvarius — followed by another older number, “Straw Dog,” from Lapsed. Drug references by the band are as prolific as its catalog, and by this point in the evening, even the sober among this crowd had probably lost their sense of time. The set’s, and the night’s, spiritual peak came during the new song “Moment to Moment,” a twelve-minute deep dive into the band’s vision, with each of us led through the deep bed of guitar by Sollenberger’s flute, her voice howling ahead into the void.

There was no encore, but one wasn’t needed after the last song, “Tommy Gun Angel,” whose lyrics about rejoining the primordial ooze, melting away like the snow, gave a long-eyed perspective to the proceedings. Every little contribution makes up part of a larger one, a few more positive ions added to the charge of existence. You never know where a dorm room dream like putting out a ten inch record for one of your favorite bands might take you. It might end up something just for you and the smallest group of friends. Or it might be something great.

I recorded this set with four soundboard channels from King’s engineer Brad Womack, together with Schoeps MK22 microphones onstage and MBHO microphones hung from the ceiling in the middle of the room. Save for a one-second glitch during the first song, the sound quality is outstanding. Enjoy!

Download the complete show from its page on the Live Music Archive: [MP3] | [FLAC]

Stream the complete show

Bardo Pond
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Kali Yuga Blues
03 Taste
04 Be A Fish
05 Screens for A Catch (Fur Bearing Eyes)
06 Two Planes
07 [banter]
08 Crossover
09 Out of Reach
10 Absence
11 Straw Dogs
12 Pine Trees
13 Moment to Moment
14 [tuning]
15 Everyman
16 Tommy Gun Angel

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

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Chuck Johnson Band: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

March 29, 2016
By

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Chuck Johnson has been on this site numerous times, most recently for his work supporting Blood Moon Boulder last year at Union Pool. With his newest album, Velvet Arc, Johnson decided to go with a full band, which is a departure from his recent solo guitar work, but not an overall catalog that stretches back to various NC-based bands (Shark Quest, Idyll Swords, etc.). What emerges on the record is a bottom-heavy, bluesier strain of tunes that makes you long to see them live.

This very special performance at King’s in Raleigh, North Carolina, one of ten separate sets in honor of the sixteenth anniversary of Three Lobed Recordings, was a rare, one-off appearance of Johnson performing these songs (plus “Florets,” from Johnson’s soundtrack work) with a full band. Rather than the West Coast-based band that recorded Velvet Arc, Johnson collaborated with longtime NC compatriots, including Mike Gangloff and Nathan Bowles (of Pelt and numerous other projects), Bob Wall, and Nathan Golub. Johnson describes the set as “loose” in his intro, but that may be a bit of modesty, as these longtime players gelled from the get-go on “Florets” before delving into Velvet Arc‘s leadoff track, “As I Stand Counting.” You may have heard Chuck Johnson before, but you’ve never heard him quite like this. With the full complement of musicians on fiddle and additional guitars, we were able to hear Velvet Arc’s various turns at American experimentalism as they were meant to be played.

Johnson noted, toward the end of the set, that Raleigh was where he was born, and the day and night’s entire slate of performances, culled from artists who have been all over the Three Lobed roster during the past 16 years, felt like a homecoming, with the out-of-towners joining and re-joining locals who have touched their lives over the decades. Three Lobed is responsible for some of Johnson’s finest releases, including Crows In the Basilica, plus earlier CDs of Idyll Swords, and this set (like many during the event) acted as both a bit of a thank-you as well as a taste of what’s yet to come on this small label whose influence has always outstripped its low-key style.

I recorded this set with the benefit of a full 8 tracks, including audience microphones, onstage microphones, and several feeds of onstage instruments, courtesy of King’s engineer Brad. The sound quality is outstanding. Enjoy!

Chuck plays a very special solo set tonight in New York along with Lee Ranaldo (solo acoustic) and Ancient Oceans at Trans-Pecos. Get tickets here.

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream and download the complete show on our bandcamp page:

Chuck Johnson Band
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Florets
03 [tuning]
04 As I Stand Counting
05 Roadside Auspice
06 Middle Water
07 [banter]
08 Anamet
09 [banter2]
10 Velvet Arc

Band:
Chuck Johnson
Mike Gangloff
Nathan Bowles
Bob Wall
Nathan Golub

Support Chuck Johnson: Visit his website | Buy Velvet ArcBuy his Three Lobed releases.

Matt Valentine: February 7, 2016 Trans-Pecos

February 9, 2016
By

Matt Valentine

This past Sunday, those of us with little interest in the big game joined Matt Valentine for an afternoon of warbly space-psych at Trans-Pecos. Valentine is perhaps best known as one-half of MV/EE with partner Erika Elder, but lately he’s been dropping some heavy solo outings, most notably last year’s excellent double-LP, Midden Mound. (Though I’ll note that MV’s solo career hasn’t slowed the duo down at all—last year also saw the release of two killer companion MV/EE joints, Alpine Frequency and Alpine Tenement.) But back at Trans-Pecos, Valentine treated us to a set culled mostly from Midden Mound with a couple exceptions. “Anji Variations” is Valentine’s take on the Davy Graham/Bert Jansch song “Angie.” That one’s a b-side from the “Before It’s Gone” single. “Ave B” is a Tower Recordings song from way back when, and if you’re a long-time New Yorker you’ll appreciate his story about playing the Mercury Lounge on a Super Bowl Sunday bill with Chavez. Speaking of way back when, I’ll use this opportunity to mention that it was this very room in which I first saw MV/EE perform, back when bands played in the kitchen of the old Silent Barn. It was a pummeling show, with Valentine and Elder joined by Mick Flower and Chris Corsano (later collected on No Floor Tour). And while this solo set from MV is something of a quieter sort, and performed on a stage instead of a kitchen floor, the spirit of the music is the same.

I recorded this set from the stage lip combined with a board feed from Trans-Pecos FOH, Ned. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Matt Valentine
2016-02-07
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ned) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [47:48]
01. Freeware
02. [banter]
03. Jeremiah Red
04. Virtual
05. [banter]
06. Ave B
07. [banter]
08. Anji Variations
09. [banter]
10. Shine a Ton > Black Sun > Shine a Ton

Support Matt Valentine: Facebook | Buy MV/EE and MV solo records from their blog

Michael Chapman: October 9, 2015 Tompkins Square 10th Anniversary (Rough Trade NYC)

November 3, 2015
By

20151010-MichaelChapman-1
[photos by Jill Harrison]

The English folk artist Michael Chapman is a true survivor (as one of his album titles suggests), with a 30+ album catalog spanning six decades. From Rainmaker, his 1969 debut, to today, Chapman has explored both more traditional folk and rock music as well as contemporary and jazz guitar, bringing his unique, emotional style of playing to each. Reissue labels like Seattle’s Light in the Attic are furiously re-releasing Chapman’s early catalog, giving fans access to a body of work that belongs in the hands of any devotee of his styles. Chapman’s most recent release of new music, Fish, came out on the Tompkins Square label, and the 74-year old singer captivated the audience for the label’s 10th anniversary show at Rough Trade NYC.

Even with such a massive catalog, this set still managed to feature material that’s only seen the light of day on the live circuit, such as the opener “Two Trains.” There was the song “Fahey’s Flag,” too, a tribute to the American guitar great, who of course Chapman knew personally. That followed with a new vocal track that remains as-yet untitled, followed by another very special treat — “Another Story,” which appears on the forthcoming Parallelogram box set by Three Lobed Recordings (sharing an LP with Hiss Golden Messenger, I might add). Chapman closed with 2000’s “Shuffleboat River Farewell,” followed by the Spanish-inspired tune “La Madrugada,” which first appeared on 2002’s Americana II. The whole of this performance was deeply affecting, notable both for its breadth and intensity. Chapman’s not just a fully qualified survivor, but an innovator at his art.

I recorded this set with Dustin Myer’s soundboard feed combined with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set (minus banter tracks):

Michael Chapman
2015-10-09
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Dustin Myers) + Schoeps MK4V (PAS, FOB)>KC5>CMC6>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression, limiter)>Izotope Ozone 5 (EQ, imaging, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Two Trains
02 [banter1]
03 Caddo Lake
04 [banter2]
05 Fahey’s Flag
06 [unknown]
07 [banter3]
08 Another Story
09 Shuffleboat River Farewell
10 [banter4]
11 La Madrugada

If you enjoyed this recording, PLEASE visit Michael Chapman’s website, buy Fish from Tompkins Square, and buy his other releases here.

Chuck Johnson: August 2, 2015 Union Pool – FLAC/MP3/Streaming

August 13, 2015
By

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Chuck Johnson has soared in recent years, with three landmark solo guitar LPs this decade alone. The latest, Blood Moon Boulder, continues the corvid-based theme of 2013’s Crows In the Basilica, and has been hailed in some quarters as his finest achievement yet. It’s hard to argue with that analysis watching Chuck perform on a recent Sunday night at Union Pool to a dedicated crew of serious music fans, who huddled around Chuck as he played both lap acoustic and stand-up electric pieces. As is sometimes pointed out, Johnson is a latecomer to solo guitar, having spent much of his 90s career in bands in Chapel Hill, NC (including Shark Quest, Idyll Swords, and Spatula). You wouldn’t know it from the calculated virtuosity of his three records, evident in his mastery of the slide guitar on “Corvid Tactics.” Crows are a clever, calculating bird, able to adapt and learn over time. Their ability for forethought sets them apart — something that might also be said of Johnson, whose pieces have a habit of leading to unexpected places, shifting gears in ways non-obvious but utterly rewarding. As a special treat, Johnson played an untitled new number mid-set, before playing a favorite melody of “A Slender Thread” into “Dissevered” to close things out. Do yourself a favor and check out Blood Moon Boulder as well as Chuck’s previous releases — the live recording is no more than a taste of how good he can sound.

I recorded this set with a soundboard feed from Kevin Mazzarelli, together with Schoeps MK41V microphones to provide a bit of ambiance. Some noise reduction was used to eliminate DI buzz, and there are a few short bursts of cell phone interference. Overall, however, the sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Chuck Johnson
2015-08-02
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS)>KCY>Z-PFA>>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, noise reduction on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Corvid Tactics
02 On A Slow Passing In Ghost Town
03 Silver Teeth in the Sun
04 [untitled]
05 [banter]
06 A Slender Thread>Dissevered

If you enjoyed this recording, PLEASE SUPPORT Chuck Johnson, visit his website, and buy Blood Moon Boulder from Scissor Tail Records here and his other records here

Steve Gunn: January 11, 2015 Rough Trade – FLAC/MP3/Streaming Full Set

January 15, 2015
By


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[photos by Jill Harrison]

One of the very best songs on Steve Gunn‘s Way Out Weather is a song inspired by Steve’s former noisy neighbor. In lesser hands, such banal subject matter might result in a bit of a dud. But Gunn turns the humble beginnings of “Milly’s Garden” into something wonderful and universal, a meditation on unease and the desire to move on. We last saw Gunn at Rough Trade in October, with his full band in tow, so this was a very different, but equally special kind of performance. Celebrating the first anniversary of the once-troubled (by noise complaints, at least) venue, Gunn played this gig solo but left the songs’ guitar explorations. Again, in lesser hands, a ten-plus minute “Old Strange” as a solo opener might not work — but Gunn’s kickoff to the night was magical. Poking fun at his trademark relaxed demeanor, Steve warned the Sunday afternoon crowd at the outset that they might fall asleep, but the house gave him their rapt attention, hanging on words shorn of everything surrounding them but his lone guitar. Gunn was in fine form, making us laugh in between songs that he played with dead-serious intent. To put an exclamation mark on the evening, Gunn closed with “Lurker”, which first debuted on the Three Lobed Recordings boxed set and was a treat as a full-band version back in October.

Since its inception, Rough Trade has been a valuable add to a neighborhood whose venues are depleting rapidly. Even if its surroundings may be fancier than the DIY spots that came before it, hosting an artist like Steve Gunn for your anniversary show proves that the Rough Trade folks intend to remain a credit to what this neighborhood was.

I recorded this set with Schoeps MK41 microphones and a soundboard feed from house engineer Kyle Lawrence. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Steve Gunn
2015-01-11
Rough Trade (1st Year Anniversary)
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (FOB/DFC/PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kyle Lawrence)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, harmonic exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 57:47]
01 [intro banter]
02 Old Strange
03 Shadow Bros
04 Water Wheel
05 [banter2]
06 Wildwood
07 [banter3]
08 Way Out Weather
09 [banter4]
10 Milly’s Garden
11 [banter5]
12 Lurker

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and buy his albums, all of which have “buy” links here.

2015-01-Rough_Trade-Steve_Gunn-2

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