Posts Tagged ‘ Three Lobed ’

Bardo Pond: February 17, 2018 Union Pool

March 6, 2018
By

If Williamsburg venue Union Pool is better-known among the GenZ semi-grownups that populate the nabe’s bars these days, don’t tell the people who crowded the room for the Bardo Pond show on this snowy Saturday night — many of us grinning as the hookup-seeking set turned away from door not only by the “SOLD OUT” sign but also the deep noise emanating from behind it.

Bardo Pond is one of those bands that will always cast a deep but not wide net, nestling in the psyche of those able and open to embracing them. Their massive oeuvre — their latest and misleadingly titled Volume 8 is far from only their 8th record — attests to fans’ insatiable desire for what they’re into. Tonight’s set, short on number of songs but long on jams, was anchored by a sprawler from the new album, “And I Will” along with some recent tour favorites. The night capped with a longtime band classic, “Tommy Gun Angel,” putting an exclamation point on the idea that whatever other fleeting things might pass on that Saturday night in that room, this band always leaves echoes long after they’ve left the building.

I recorded this set with Lesley’s house PA feed together with Schoeps MK5 cardiod microphones. The sound is excellent. Enjoy!

Stream and download the complete show (and donate to the band) from our bandcamp page:

Bardo Pond
2018-02-17
Union Pool
Brooklyn, NY

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (at SBD, PAS)>KC5>CMC6 + Soundboard (engineer: Lesley)>>Sound Devices MixPre6>2×24/48 WAV>Adobe Audition CC (align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify)>FLAC ( level 8 )

Tracks
01 Kali Yuga Blues
02 Out of Reach
03 My Eyes Out
04 Under the Pines
05 And I Will
06 Tommy Gun Angel

SUPPORT BARDO POND: Website | Buy Volume 8

Gunn-Truscinski Duo: January 9, 2018 Union Pool

January 15, 2018
By


[Photo via @taswaim]

Until the surprise announcement of Bay Head from Gunn-Truscinski Duo last year, it seemed like these guys may never put out another record together. Their last platter, Ocean Parkway, was released back in 2012 and besides a very special gig for the Three Lobed Sweet Sixteen, the pair had been awfully quiet for a long time. Fortunately for us Bay Head picks up right where they left off, proving that when Steve Gunn and John Truscinski get a room together, it’s a rare magic that results. And speaking of rare, the duo aren’t doing many shows together in support of the record, but we were lucky enough to capture this set from Union Pool last week. Old classics “Bahn Mi Ringtones” and “Ocean Parkway” brought back memories of Zebulon gigs past, while new songs “Sugar,” “Seagulls for Chuck Berry,” and “Gunter” were captivatingly fresh.

If you’re in LA, be sure to grab tickets for their show with Body/Head.

And if you’re in Brooklyn, Union Pool has another free show scheduled for this Tuesday, Jan. 16, with the inimitable Sir Richard Bishop headlining.

I recorded this from our usual spot with MBHOs combined with a board feed courtesy of FOH Doug. The sound is terrific. Enjoy!

Download the complete show: [FLAC/MP3]

Gunn-Truscinski Duo
2018-01-09
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO MBP603/KA200N > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [44:42]
01. Bahn Mi Ringtones
02. Sugar
03. [tuning and talking]
04. Seagulls for Chuck Berry
05. [raccoons]
06. Ocean Parkway
07. [tuning]
08. Gunter

Steve Gunn: guitar
John Truscinski: drums

Buy Bay Head, Ocean Parkway, and Sand City via Three Lobed

Nathan Bowles Trio: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

October 16, 2017
By

It’s an article of faith that artists who are friends of Three Lobed Recordings always bring their best for the label’s annual Hopscotch day show showcase, co-sponsored with Durham’s WXDU. Nathan Bowles, a multi-year veteran of the event, outdid himself this year, choosing to use this platform to debut his new trio with Casey Toll on double bass and Rex McMurry on drums. Although this was the trio’s very first show, you wouldn’t necessarily have known it, as Bowles and the new band added new heft to what were originally his solo songs (“Blank Range”) as well as coming out strong with new ones (one untitled, one known as “Freshfaced”). Bowles’ current music has already redefined and expanded the notion of modern banjo music, but the trio promises to push things even further, offering the opportunity to head in directions he hasn’t yet contemplated in other groups in which he participates, such as the Black Twig Pickers. For one, these songs feel a bit more like rock songs, with McMurry’s drumming pushing a faster tempo and an overall heavier direction, particularly on the new song. “Freshfaced.” Seeing Nathan Bowles is always a treat — and it’s something we do as often as we can — and this trio only adds to the anticipation of what he’s up to next. Bowles has a few shows around the southern U.S. this month, so go have a listen if you can.

I recorded this set with Evan Lamb’s house mix, plus an additional soundboard feed of the banjo, together wtih Schoeps MK4V microphones onstage, and AKG 460 cardiod mics hung over the audience. The sound quality is excellent. Enjoy!

Nathan Bowles Trio
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>KCY>Z-PFA>AKG 460/CK61 (FOB, DFC)>(24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Blank Range
02 [untitled for now]
03 Freshfaced

SUPPORT NATHAN BOWLES: Pay to download this recording | Website | Bandcamp | Paradise of Bachelors

Long Hots: September 8, 2017 Three Lobed Records/WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 15, 2017
By

I can’t even give you a link to Long Hots on the Internet, because there ain’t one. But maybe you’ve heard of such bands as Rosali, Hothead, and Spacin‘. Ah, right, now you get the idea. So named for a kind of hot pepper, I assure that this band is prepared to bring the fire. My now-annual journey to the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree is never complete without a total surprise, and seeing “Philadelphia’s most anticipated band” playing their third-ever show was certainly one of them. These women didn’t spend a long time onstage, but they used their fifteen minutes well, handing us two doses of feral guitar shredding and general disrespect for the integrity of our eardrums. This band played their fourth show, the following night, with Purling Hiss, so if you didn’t figure out the RIYL on this one, I can’t help you. Head over to bandcamp, throw these powerful women some love, and make sure some more Long Hots is in your future.

I recorded this set with a combination of onstage Schoeps MK4V microphones and several soundboard channels from house engineer Evan Lamb. The sound quality is excellent. Enjoy!

Long Hots
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>Z-PFA>>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 They Do What We Want
02 One Chip Over the Line

SUPPORT THESE MUSICIANS: Rosali | Spacin‘ | Hothead

Bardo Pond: November 18, 2016 Union Pool

December 14, 2016
By


[photo by Greg Cristman for BrooklynVegan. Used with permission.]

Despite being from nearby Philly, Bardo Pond don’t make it to New York nearly as often as I would like. Or maybe my version of “often” is too frequent. Either way, the band continue to prove their vitality and consistency into their third decade. This show at Union Pool began with one of their more recent favorites of mine, “Kali Yuga Blues” from Peace on Venus, but spread across the spectrum of the band’s career, from the Lapsed classic “Straw Dog” to several brand-new songs that haven’t made their way onto official releases yet.  Of the new ones, it was my first time hearing, “My Eyes Out,” a heavy, relatively fast-burning scorcher of a tune. It’s equally hard to deny the band’s new more exploratory number, “Moment to Moment,” which closed out this show for fourteen mind-bending minutes. If there was any regret about this show, it was that the show’s tight timetable meant that it couldn’t go on longer. Judging by the band’s appearances this year, they are feeling more artistically vital than ever, and ready to prove it. Hope to see them again soon.

I recorded this set with a soundboard feed from Union Pool engineer Robert (which fades in after about 50 seconds), together with Schoeps MK4V microphones. The only other flaw in the sound is the hiss of the smoke machine, but it’s less a true flaw than “atmospherics.” Overall, the sound is excellent. Enjoy!

Stream and download this recording from our bandcamp page – pay what you want (all $$ to Bardo Pond)

Bardo Pond 
2016-11-18
Union Pool
Brooklyn, NY USA

Exclusive download hosted at  nyctaper-official.bandcamp.com
Recorded and produced by acidjack

Soundboard (engineer: Robert) + Schoeps MK4V (at SBD, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:31]
01 Kula Yuga Blues
02 Taste
03 Be A Fish
04 Two Planes
05 Crossover
06 Out of Reach
07 Straw Dog
08 My Eyes Out
09 Under the Pines
10 Moment to Moment

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

Daniel Bachman: November 22, 2016 Trans-Pecos

December 8, 2016
By

bachman-pecos_jeremy-wright
[photo by Jeremy Wright]

Of all the ultra-talented musicians that have graced the pages of this site, Daniel Bachman is perhaps the most gifted performer of them all. With no accompaniment, no pedals, no significant amplification and really just his hands, an acoustic guitar and a slide, Daniel is capable of creating whole symphonies of modern mountain blues. As one of the foremost contemporary purveyors of “American primitive guitar” music, Daniel has taken the mantle from such luminaries as Leo Kottke, John Fahey and Peter Lang and advanced the genre to a twenty-first century model.

This year saw the release of Daniel Bachman’s self-titled album on Three Lobed Recordings — a record that received a healthy dose of highly positive reviews and for Daniel, further recognition of his proficient musical output. We were fortunate to be able to present Bachman’s NYC album release show at a venue that fit the vibe of his show perfectly, Trans-Pecos. This show took place on a relaxed Tuesday night and as the substantial crowd filtered in, Daniel mingled among the fans, and when he took the stage it was as if he were playing for a room full of friends. The performer’s ease with people was apparent from his on-stage demeanor, but at the instant he began to play the room fell silent with attention and Daniel’s intensity was clear. Bachman worked through an hour-long set that felt much shorter in large part because its easy to get lost in the music of this artist. The set touched on his recent output and included about half of the new album. As we’ve indicated in the multiple times that Daniel Bachman has appeared on this site, this is a performer not to miss when he comes to town. We hope to be able to bring him back and present another night like this magical one last month at Pecos.

Daniel is currently booking a European tour for the Spring, but dates are not yet announced. His next performance is an annual Holiday show in Fredericksburg Virginia, info here.

I recorded this set with the Schoeps cards mounted at the front of the stage and mixed with a board feed provided by our friend Joe who did a great job with sound on this night. The result is a superb recording. Enjoy!

Download and Stream this Recording from our Bandcamp page:

Daniel Bachman
2016-11-22
Trans-Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard [Engineer Joe Jeffers] + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:01:59]
01 Untitled I
02 Bells
03 Watermelon Slices On A Blue Bordered Plate
04 The Flower Tree
05 Wine And Peanuts
06 [tuning]
07 Song For The Setting Sun I
08 Song For The Setting Sun II
09 Old Country Rock
10 [banter – false start]
11 Orange County Serenade
12 Untitled II

Support Daniel Bachman: Website | Facebook | Buy Daniel Bachman from Three Lobed [HERE]

MANAS: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

September 23, 2016
By

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We were floored by Tashi Dorji‘s performance at Hopscotch Music Festival last year, so it seemed almost inevitable that the relentless guitar improviser would somehow become part of our favorite of the weekend’s events, the the annual Three Lobed / WXDU Day Show at King’s, the following year. This very special show featured the band MANAS, which is normally a collaboration between Dorji and Thom Nguyen on drums. For this show, the band was joined by Tyler Damon on an additional drum kit. Like Dorji’s solo work, many MANAS performances are fully improvised, and this was no exception. This twenty-five minute performance rose and fell, with the tinkling percussion that began it giving way to Dorji’s initial guitar meditations before exploding into a furious, expanding universe of sound. Dorji’s performances have a way of hitting you differently the more times you listen to them; he has a way of producing a tangle of emotions with his instrument. This performance began the day, and set a high bar for what was to come. It was work to be admired, and in true Three Lobed tradition, that made you think.

I recorded this set with Brad Womack’s soundboard feed together with Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

MANAS
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6 + Soundboard (engineer: Brad Womack)>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Band:
Tashi Dorji – Guitar
Thom Nguyen – Drums
Tyler Damon – Drums

PLEASE SUPPORT MANAS: Bandcamp | Dorji-Damon Collaborations | Feeding Tube Records | New Body Tapes | Korper Leib

Bachman-Toth Band: September 9, 2016 Three Lobed/WXDU Day Show, King’s, Raleigh, NC

September 15, 2016
By

bto-schwentker
[photo courtesy of David Schwentker]

If the Watery Love set was the volume plateau of the Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival, the joint appearance by longtime site faves James Toth aka Wooden Wand and Daniel Bachman was undoubtedly its whimsical peak. This day happened to not only be one of the consistent musical highlights of the year, but also it was Toth’s birthday, so he and Bachman were probably in a celebratory mood. Whatever the reason, reality was that this combination of players had never existed before — Bachman, Toth, Forrest Marquisee on guitar, and Ian McColm on drums — and they hadn’t even soundchecked. What would happen was a mystery to everyone, even to some degree the people on the stage.

However much the 20+-minute drone-ified version of Black Sabbath’s “War Pigs” that emerged was or wasn’t planned, the outcome felt like more than a mere lark. As with everything these players do, this was done with spirit, turning this into one of those off-the-cuff, daring improvisational moments that have come to define what is always the highlight of this music festival. There’s not much more to say about it than that — listen to it and you’ll understand.

I recorded this set with Brad Womack’s soundboard feed and Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC] [Note: the files need to be re-tagged with the correct band name]

Stream the complete set:

Bachman-Toth Band 
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 War Pigs [Black Sabbath]

Support these artists: Daniel Bachman website / facebook | Wooden Wand website bandcamp

Watery Love: September 9, 2016 Three Lobed / WXDU Day Show, Hopscotch Music Festival, King’s (Raleigh, NC)

September 13, 2016
By

img_1497

“We’ve arrived at the volume plateau of the day” Three Lobed‘s Cory Rayborn said as he introduced the Philly “supergroup” Watery Love, taking the stage at the annual Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival. Rayborn wasn’t lying–the band came out of the gate with the loud-as-fuck blast of “Ned’s Dreamcatcher” and didn’t let up from there. As we were streaming the show live on Duke University radio station WXDU, the team handling that end of the business had to work overtime to “bleep” vocalist Richie Charles’ (of Richie Records) dirty words back to PG-13. Indeed, this was dirty, cuss-spitting, fire-breathing, bad-ass scuzz rock and it was not to be stopped, by outdoor sunshine or otherwise. But while any group of yahoos can stand up and make noise, what sets Watery Love, and this particular performance, apart is that these guys hang together so well, playing well and turning all of that energy into something deceptively cohesive.

This was a perfect wake-up call on a day with a very wide palette of artists, and regulars Charles and Max Milgram (guitar) had arrived equipped with extra firepower in the form of Purling Hiss‘ Mike Polizze and Ben Leaphart, together with harplist/multi-instrumentalist Mary Lattimore (possibly the day’s MVP, or at least, the person who played with the most different bands) on bass, drums and keys, respectively. Watery Love has been a band since 2008, but their performances, especially outside of Philly, have been sporadic, and their recorded output is equally limited. Seeing them is a treat, and the energy they expect is equal to the moments they inhabit. There were many very, very fine performances on this day, but this might be the only one that had even the people in the back howling with glee like teenagers. Whatever it is these guys have, make sure you try to catch some of it.

I recorded this set with King’s engineer Brad Womack’s house mix, plus an additional soundboard channel, and Schoeps MK4V microphones onstage. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Watery Love
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ned’s Dreamcatcher
02 Sweat Powers
03 Die With Dignity
04 A Condom

PLEASE SUPPORT Watery Love: Facebook | Bandcamp

Enemy Waves: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

August 30, 2016
By

IMG_2141

It’s a rarer and rarer thing these days to discover a truly local phenomenon, especially in rock(ish) music, where even if a band doesn’t tour nationwide, their music can become the province of bloggers in Sydney and Tokyo even if their music is made in a basement in Anaheim. Well, Enemy Waves remain, for the most part, such a phenomenon, a band whose experimental prowess and musical bona fides haven’t yet overcome the fact that, to put it bluntly, these guys have a few other things going on in life. When we saw these guys do the Hopscotch Music Festival in 2014, we were blown away; the addition of Thurston Moore was an easy bonus.

This show featured a couple of songs from the Hopscotch outing, plus a couple of new numbers. Once again, the band showed how adept they are at improvisation, one of many reasons why they belonged at the Threelobed Sweet Sixteen Spectacular (other sets here). While the band’s recorded output remains minimal to date, hopefully a set like this is an invitation for people to encourage them to do more (maybe even on Three Lobed(?)). As with everything that went on during this day-long extravaganza, this set was special, in this case, as a fairly rare chance to catch a band whose name should be (much) more widely known.

I recorded this set in the same manner as the other sets of the day, with multiple soundboard channels, Schoeps MK22 microphones onstage, and MBHO cardiod microphones in the crowd. The sound quality is excellent. Enjoy!

Download the complete show: [FLAC/MP3/ALAC]

Stream the complete show: 

Enemy Waves
2016-03-26
Three Lobed Sweet Sixteen Spectacular
Kingís
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro-Cory Rayborn]
02 Bleechie
03 [unknown1]
04 [unknown2]
05 [banter/tuning]
06 Radiant III

If you enjoyed this recording, please support Enemy Waves by visiting their bandcamp page.

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