Posts Tagged ‘ Tweezer ’

Phish: April 21, 2022 Madison Square Garden

April 25, 2022
By

When the Phish New Year’s run at Madison Square Garden was postponed, it was quite a large disappointment and a great inconvenience for tens of thousands of fans. The rescheduled dates corresponding to “4/20” was cute, sure, but the real gift was the ability to experience this special holiday week in April. For us, that meant we’d be attending and recording the first two nights, and frankly I couldn’t have been happier.

The Wednesday night show was recorded and we’ll post it later this week, but honesty this Thursday night show was so far superior that it earned the right to jump the line. This was, not hyperbolically speaking, a top five Phish experience for me personally.

The night began with a “Suzy” dedicated to the song’s main character who attended her first Phish show on this night. And what a version — energetic and fun, it propelled this first set to a nice momentum, with “Wolfman’s” and “Ghost” as the highlights. But the very best was yet to come.

Any show that packs Chalkdust, Tweezer, 2001, Maze, Hood, and Zero into a single set is naturally going to be a winner, but it was more than that. This was just top notch playing, crisp and inspired. The band locked into a glorious melodic jam that lasted for the final nine minutes of Tweezer and was such a peak that I hoped they’d never transition to another track. The Phish scholars can correct me, but I believe that this was just a spontaneous first-time creation by the band on the fly and represented for me the beautiful possibilities of any Phish performance. At this point, less than halfway through the set, the balance of the night was just gravy. And the band kept piling it on, as one highlight followed the next. I was certain that Hood was the set closer and would have been more than satisfied, but Phish was not letting up on this night and crashed into a crazy “Character Zero” that celebrated the magic of this special evening.

I recorded this set with the Schoeps cards from inside of the Taper’s Section, elevated behind the soundboard. The mix was dialed in for this show, and I’m really pleased with this recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Tweezer (with that amazing jam):

nyctaper · Phish – Tweezer (live at MSG Apr 21, 2022)

Phish
2022-04-21
Madison Square Garden
New York NY

Digital Master Recording
Tapers Section Behind Soundboard

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1 [Total Time 1:11:28]
01 Suzy Greenberg
02 46 Days
03 Plasma
04 The Man Who Stepped Into Yesterday
05 Avenu Malkenu
06 The Man Who Stepped Into Yesterday
07 Wolfman’s Brother
08 Esther
09 Ghost

Set 2 [Total Time 1:40:44]
10 Chalk Dust Torture
11 Tweezer
12 Also Sprach Zarathustra
13 Maze
14 About to Run
15 The Mango Song
16 Harry Hood
17 Character Zero
18 Tweezer Jam
19 Character Zero Reprise
20 [encore break]
21 A Life Beyond The Dream
22 Tweezer Reprise

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Phish: August 13, 2021 Atlantic City

August 17, 2021
By

Other than two stops for higher education, I’ve lived my whole life in New York State. This means that I have a complicated relationship with the State of New Jersey. Yes, I accept that there are beautiful sections of New Jersey — the lakes and mountains in the North of the State, the breathtaking scenes along the Delaware River in the West of the State, and of course the many wonderful beaches on the state-long Atlantic coast.

But with that beauty comes some ugliness. Each of the major towns along the coast have commercialized boardwalks, and while the music of artists like The Drifters, Bobby Rydell, and Bruce Springsteen have glorified life along the Shore, the boardwalks are mostly just depressingly seedy. What is particularly depressing about Atlantic City in particular is that a hundred feet north of the boardwalk across the entire expanse of the town is even worse. Sure, there are casinos — America’s most blatant and unabashed grift — but there are also countless empty stores, vacant lots, and lost souls.

The arrival of the traveling circus that is Phish tour took this carnie atmosphere to an entire other level. This was not just a culture clash, but a multi-layered appropriation of a socially and morally bankrupt city by an out of control bacchanalia that sucked the last vestige of pride from the town. When I left Friday night’s show and walked back to my sad motel, I traversed a balloon orgy — a never-ending row of nitrous tanks where the underbelly of local criminals fed an insatiable suburban youth with the hiss of an addictive but terribly fleeting high. These scenes played out before midnight, but I am told that the hiss of evil lasted at least until 3:30 am.

I don’t have any reason to know if Phish themselves know any of this. They very clearly should know because like it or not, their name and reputation are tied to these events. But the sad confluence of a decaying scene and a band at the top of their game is not lost among those of us who are there for the music. This is not the late-era 1990s Grateful Dead, whose decline as a band in many ways paralleled the disintegration of the “scene”. What is coming from the Phish stage are consistently excellent performances, and that is part of what makes so infuriating the dangerously cavalier behavior of those who are going to ruin this for all of us.

It was against this dark backdrop that Phish took the stage on Friday night and proceeded to reference New Jersey and the beach setting from note one and throughout. The show opening “Cars Trucks and Buses” is both a Phish song and the less traveled right three lanes of the split NJ Turnpike between exits 6 and 15. The set closing “Sand” was everywhere, including stuck to everyone by the end of the night. In between, the band played one of the most solid first sets of the tour, highlighted by a bouncy and driven “Blaze On”. The second set was equally strong, with a notable Trey solo in “Possum” and the always-welcome Hood. But the highlight of the evening for me was certainly the thirty-five minutes of “Tweezer > Bathtub Gin”. At 22 minutes, this Tweezer wasn’t a long as the version from earlier in the tour, but the jams were all precise and focused. This might be the best single song played this Summer by this band.

The oasis of chunky jams now over, the trek from the Missouri Avenue Exit One off the beach to quieter confines was both physically difficult and psychically draining. While it was impossible to avoid the utter anarchy of the overrun Boardwalk, there was always Saturday to hope for some measure of redemption.

I recorded this set with the Neumann hypercards from a very advantageous location at the soundboard cage, shielded from the ocean wind by the tent (along with some extra custom “windcutter” screens). The live mix was sublimely perfect and loud enough to rise above the crowd din. The resulting recording is superb and exceeds any expectations tempered by this difficult taping location. I’ll be playing this one loud for a long time to come, and I hope you do too. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream Tweezer > Bathtub Gin:

nyctaper · Phish – Live in Atlantic City August 13, 2021

Phish
2021-08-13
The Beach
Atlantic City NJ

Digital Master Recording
Tapers Section at Soundboard

Neumann KM-150 Hypers > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1 [Total Time 1:04:29]
01 Cars Trucks Buses
02 AC DC Bag
03 Blaze On
04 Wolfman’s Brother
05 I Didn’t Know
06 Funky Bitch
07 Rift
08 Sand

Set 2 [Total Time 1:30:40]
09 Tweezer
10 Bathtub Gin
11 Everything’s Right
12 Possum
13 Also Sprach Zarathustra
14 Rise Come Together
15 Harry Hood
16 More
17 [encore break]
18 Loving Cup

SUPPORT Phish: Website | Store

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