Posts Tagged ‘ williamsburg ’

Umphrey’s McGee: September 9, 2011 Brooklyn Bowl – FLAC / MP3 Downloads + Streaming Song

September 12, 2011
By

Umphreys BBowl
[still from this video]

If you look at the bands I generally post about on this site, most of them tend to fall pretty far from the “jam band” category.  But you can’t really be in the hobby of taping without being aware of this rich, diverse and somewhat pejoratively-titled genre, and the Chicago band Umphrey’s McGee are one of the rising stars of the scene.  So, three of us – hi and lo, Johnny Fried Chicken Boy, and myself – hit up UM’s final show at Brooklyn Bowl, the culmination of a five-night stand at the venue that has rapidly become a staple for improvisationally-minded bands when they come through the NYC area (a trend even picked up on by the review of Thursday’s show in The New York Times).  It being a Friday night, fans came ready to party, and UM rewarded with two full sets of their staple extended numbers as well as their usual offerings of fun covers like Van Halen’s “Hot For Teacher”, all backed by an outstanding light show.

The vibes from the band and crowd were all good, although the Brooklyn Bowl PA was oddly not very loud (good for conversation, bad for music).  Still, you couldn’t deny the virtuosity of the band, whose dense musical explorations often turned in unexpected directions, led by their dueling guitarists Brendan Bayliss and Jake Cinninger.  UM are known for a heavier sound that references prog-metal acts like King Crimson, Yes, Pink Floyd and Iron Maiden (and if you closed your eyes during a few parts, Metallica) that sets them in a unique position between the traditional funk/bluegrass/folk sound of some of the older bands in the scene and the “rocktronica” sound that has gained popularity of late.  Heady instrumentals like “Push the Pig” demonstrate that intersection of prog and “jam” music perfectly, combining a funky groove with a proggy guitar sound.  And, it should be mentioned, as a live experience, these guys just throw a hell of a party.  The three of us stumbled out of the show happy, for sure.

The band’s recent blitz of NYC was to promote their new record, Death By Stereo. Although it was largely ignored at this show, there are some amazing packages available if you buy DBS online, including the opportunity to tune into all-request webcasts where the band will play fan requests, band favorites, and acoustic and solo material.

Three of us recorded this show from one of the usual taping spots in the venue with our mic stand as high as it would go (about 15′) to avoid crowd chatter, using three sets of high-end mics and a variety of similarly high-end pre-amps.  Although the somewhat low PA volume meant a few chatterers here and there weren’t completely drowned out, and the venue’s layout presents certain sonic limitaitons, hi and lo’s outstanding post-production mix of these three sources has produced a recording that captures the sound and feel of the show perfectly.

Stream “Nemo”:
[audio:http://www.nyctaper.com/U8709Umphreys1192/um2011-09-09.nemo.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Umphrey’s McGee
Brooklyn Bowl
Brooklyn, NY, US
2011-09-09

Digital Master Audience Recording
Recorded and produced for nyctaper.com

Recordist : hi and lo, acidjack, and Johnny Fried Chicken Boy
Location : Right side on-stand, ~ 30 yds
Source : Schoeps MK5 > CMR > PFA > PSP-2 + Schoeps MK41 > CMC6 > Oade M248 + DPA 4021 > Sound Devices MixPre >> Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab v5 (fades/dither/+11dB gain), Izotope SRC/Dither
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 ( level 8 ) with TLH v2.6.0 (Build 168)

Tracklist:

Set I

01. Jazz Odyssey
02. Prowler
03. Words
04. All In Time
05. Push the Pig
06. Nemo
07. Pay the Snucka
08. Hot For Teacher [Van Halen]
09. Wizard Burial Ground

Set II

10. Divisions > “Jimmy Stewart” > Divisions
11. Bridgeless
12. Eminence Front [Townshend]
13. Hurt Bird Bath
14. America the Beautiful [Bates/Ward]
15. Soul Food I
16. 1348
17. (Encore Call 1)
18. Front Porch
19. (Encore Call 2)
20. All In Time

Running Time: 2:44:13

We expect that you will PLEASE SUPPORT Umphrey’s McGee, visit their website, go see them on tour, and purchase Death By Stereo directly from their online store [HERE]

Skeletons: August 25, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

September 9, 2011
By

skeleteons2011-08-25best
[photo by acidjack]

Originally a solo project of Chicago native Matt Mehlan, Skeletons‘ lineups change frequently, but their commitment to challenging, engaging post-rock does not. Skeletons are reflexively described as “experimental”, but that tag ignores Mehlan’s proclivity for making music that can be as catchy as it is complex. This show at Glasslands, courtesy of PopGun Booking, kicked off with “More Than The One Thing,” a feel-good tune whose combination of tribal, global sounds with pop songcraft brings to mind acts like Vampire Weekend and Here We Go Magic, and followed, as it does on the band’s latest record, with the similarly catchy “Wal-Mart and the Ghost of Jimmy Damour.”

But in case anyone was worried that Skeletons were bowing to the college-rock set, Mehlan took the show in a radically different direction, with a combined 22-plus minute combination of the free jazz referencing “Paint Over It” which segued directly into “Grandma”, with its engaging lead guitar and propulsive beat. “Thank you for making it through that,” Mehlan joked at the end of that mini-epic, but he needn’t have apologized for what was, in my view, the highlight of the set.  One of Mehlan’s greatest strengths is his ability to change directions rapidly and weave disparate elements into a cohesive whole, and this combination spoke to that fusion element perfectly.

I found some songs, in particular the first two, slightly more accessible (meaning, poppy) than their versions on the band’s latest record, People, which is released on the Oberlin-based Shinkoyo.  That may also owe to the fact that this show was played by the band’s leanest lineup – Mehlan also enjoys playing shows as the “Skeletons Big Band”, which gives him a much more expansive sonic palette to play with.  While People was well represented at this show, it is worth delving into Skeletons’ back catalog as well, including the excellent Lucas, which was released on Ghostly International in 2007 (and represented at this show by the melancholy slow-burner “Push ‘im Out”).  I’ll be looking forward to Skeletons’ next show – hopefully with the big band!

I recorded this set with a perfect soundboard feed combined with the DPA microphones and an analog preamp.  The sound quality is outstanding. Enjoy!

Stream “Grandma”:
[audio:http://www.nyctaper.com/S2508Skeletons2011/05 Grandma.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Skeletons
2011-08-25
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Oade M248 + Soundboard>>Edirol R-44>2x24bit 48kHz WAV>Audition (mix down, effects)>Audacity (set fades, tracking, EQ, amplify and balance)>FLAC ( level 8 )

Tracks
01 More Than The One Thing
02 Wal-Mart and the Ghost of Jimmy Damour
03 Paint Over It
04 Grandma
05 [banter]
06 No
07 Push ‘im Out
08 [encore break]
09 Lil’ Rich

We hope you enjoy this recording. We also hope that you will PLEASE SUPPORT Skeletons by buying People and their other excellent releases from Shinkoyo [HERE]

Wavves: June 18, 2011 McCarren Park – Flac and MP3 Downloads + Streaming Song

September 7, 2011
By


[Photo courtesy of MaryAnne Ventrice]

We have covered Wavves from the very beginning — their first NYC show at Market Hotel was featured on NYCTaper. Their sets at Mercury, Bowery, and Knitting Factory followed, and this Summer we were fortunate to capture Nathan Williams’ latest incarnation of the band at McCarren Park in front of 5000 people in a set opening for Guided By Voices as part of the Northside Festival. While the crowd was a mix of younger Wavves fans, local Williamsburg music fans, and folks who undoubtedly were old enough to have seen GBV in the 90s, Wavves did get a pretty universal positive reception. The set consisted primarily of straightforward and tight renditions of the material from the first two albums. At its best, Wavves is the kind of power punk that even grizzled music fans like the GBV faithful can appreciate, and apparently did, as Wavves set went off without a single indication of impatience for the much anticipated headliner. Nathan and Wavves have parted company with Fat Possum Records, and will release a self-distributed EP in two weeks, entitled Life Sux.

We recorded this set with the Neumann microphones mounted dead center in front of the soundboard about 50 feet from the stage, and mixed with a finely mixed soundboard feed. The sound quality is excellent. Enjoy!

Stream “Linus Spacehead”:
[audio:http://www.nyctaper.com/W2206Wavves2990/05.%20Linus%20Spacehead.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wavves
2011-06-18
McCarren Park
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 44.1kHz wav file > Soundforge (dither, level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded by nyctaper and acidjack
Produced by nyctaper
2011-09-06

Setlist:
[Total Time 37:17]
01 Friends Were Gone
02 Idiot
03 Wavves
04 King of the Beach
05 Linus Spacehead
06 No Hope Kids
07 Super Soaker
08 So Bored
09 Green Eyes
10 Bug
11 [banter]
12 Take On The World
13 To the Dregs
14 Post Acid

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wavves, visit their website, and purchase their first two releases from Fat Possum Records [HERE], and preorder their new EP Life Sux (due on September 20) [HERE].

Minerva Lions: August 7, 2011 BBS at the Richardson – FLAC and MP3 Downloads + Streaming Songs

August 29, 2011
By

minerva-lions-13
[photo by Dominick Mastrangelo]

After a great set by Teletextile at the temporarily-related Backyard Brunch Sessions at The Richardson, Minerva Lions played an inspired set that showed off their soulful side, and debuted a new song to boot. The band has a classic, but updated sound that incorporates elements of folk, alt-country and rock; if you hear a little Wilco in them, that’s not such a bad thing. Lead vocalist Jared Samuel has a compelling, easy to like voice that can deliver laid-back phrasing, as on the opener “Megrims”, as easily as the deep blues of their cover of “Bring It On Home to Me” by Sam Cooke. Songwriting, as ever, is key, though, and Minerva Lions are on point there, too, with songs that are instantly memorable. Even in a four-song set, we saw several sides of the band stylistically, with the organ-dominated songs like the newly-debuted “You & Yr Arrow” giving a very different vibe than the more straight-ahead guitar sounds of songs like “Megrims.” Even without the backyard, Minerva Lions gave us a lovely, all-American music experience for a warm summer afternoon.

hi and lo and I recorded this set with six strategically placed high-end microphones. The recording is excellent. Enjoy!

Stream “Bring It On Home To Me [Sam Cooke]”:
[audio:http://www.nyctaper.com/M8007MinervaLions2011/04 Sam Cooke.mp3]

Stream “You & Yr Arrow” [Exclusive new release!]:
[audio:http://www.nyctaper.com/M8007MinervaLions2011/05 You & Yr Arrow.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Minerva Lions
2011-08-07
BBS at the Richardson
Brooklyn, NY USA

Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

AKG C 414 B-XLS>Sound Devices USBpre2 + Schoeps Mk41>CMR>EAA PSP2 + DPA 4021 >> Tascam DR-680 (24/48)>Audition (mixdown, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 Megrims
03 For R.A.
04 Bring It On Home To Me [Sam Cooke]
05 You & Yr Arrow
06 If I Didn’t Care

If you enjoyed this recording, PLEASE SUPPORT Minerva Lions, like them on Facebook, and check out their bandcamp page, where you can download more of their songs.

The War On Drugs: August 19, 2011 Cameo Gallery – Flac and MP3 Downloads + Streaming Song

August 22, 2011
By

08192011_WarOnDrugs-10
[photo courtesy of Cory Smith and The Line Of Best Fit Blog]

The War On Drugs released Slave Ambient this past week. Its an album that’s been in the works for a couple of years, since the 2008 release of their excellent Secretly Canadian Records debut Wagonwheel Blues. But in a way, its an album that’s been waiting much longer for its release. The band’s leader Adam Granduciel incorporated some older songs into the album and spent many months tweaking the mixes, reworking arrangements, and perfecting what will undoubtedly become one of 2011’s best albums. When we recorded The War On Drugs in January, the new songs were beginning to take shape, but when the album versions were released, the positive developments were striking. On Friday at Cameo Gallery, The War On Drugs performed a superb ninety-minute set that consisted primarily of Slave Ambient material — eight of the album’s twelve songs were played. Of the new songs, the second-slotted “Baby Missiles” was particularly tight and focused and we’re streaming it below. Other highlights included the jammed transition from “It’s Your Destiny” into “I Was There”, and the eighteen-minute encore of “A Needle In Your Eye #16” with an extended guitar and sampled-driven ambient jam. The War On Drugs will be touring throughout the Fall. While they are on a current East and Midwest swing, they will tour Europe in September, and return to the US in October.

I recorded this set with the Neumann microphones mounted in the center of the room in front of the soundboard booth and raised to 12 feet. The room mics were mixed with a mono board feed to accentuate the vocals, and the sound quality is superb. Enjoy!

Stream “Baby Missiles”:
[audio:http://www.nyctaper.com/W1008WOD2101/02.%20Baby%20Missiles.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The War On Drugs
2011-08-19
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-08-22

Setlist:
[Total Time 1:26:47]
01 Best Night
02 Baby Missiles
03 [banter]
04 Comin Through
05 Your Love Is Calling My Name
06 Come To The City
07 [banter2]
08 Brothers
09 It’s Your Destiny
10 I Was There
11 Arms Like Boulders
12 [banter3]
13 Black Water Falls
14 [banter4]
15 Buenos Aires Beach
16 [encore break]
17 A Needle In Your Eye No 16

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The War On Drugs, visit their website, and purchase their new album Slave Ambient from Secretly Canadian Records [HERE].

Teletextile: August 7, 2011 BBS at the Richardson – FLAC and MP3 Downloads + Streaming Song

August 19, 2011
By


[Photo by Dominick Mastrangelo]

The Backyard Brunch Sessions made a rare move indoors on a recent Saturday for this excellent performance by Brooklyn’s own Teletextile, due to the threat of rain. We couldn’t have asked for a better indoor setting (or one with better drinks) than Williamsburg’s best cocktail bar, The Richardson, in its intimate downstairs parlor. As light shined through windowed glass doors to the street and attendees ate white gazpacho, Teletextile showed off the avant-pop chops of frontwoman Pamela Martinez (wearing some unmistakable headwear) and her band. Mixing in unusual instruments like a full-sized harp and an accordion, this mostly-acoustic set focused on the band’s recent EP, Reflector. Martinez led off with a solo number, “Heartquake” which had her voice trilling to the upper registers at its peak, then sinking effortlessly back to a whisper. After that head-turning beginning, the band continued with strong material, including “What If You” and its companion song, “What If I” from Reflector, that showed off their basic chops as well as their unique perspective.

hi and lo recorded this set with a variety of high-end microphones placed around the room. The results are excellent. Enjoy!

Stream “What If I”:
[audio:http://www.nyctaper.com/T1202Teletextile8888/05 What If I.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Teletextile
2011-08-07
Backyard Brunch Sessions at the Richardson
Brooklyn, NY USA

Recorded by hi and lo and acidjack for nyctaper.com
Produced by acidjack

Source: AKG C 414 B-XLS>Sound Devices USBpre2 + Schoeps Mk41>CMR>EAA PSP2 >> Tascam DR-680 (24/48)>Audition (mixdown, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Intro
02 Heartquake (solo)
03 What If You
04 The Lark
05 What If I
06 [banter]
07 Distant Places

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Teletextile, visit their website, visit their MySpace page, and purchase their CDs and merch from the Store at the Teletextile website [HERE]

Sonic Youth: August 12, 2011 Williamsburg Waterfront – FLAC / MP3 Downloads + Streaming Songs

August 16, 2011
By

SONY DSC
[Photos courtesy of “Anonymous”]

Sonic Youth long ago reached that rare point in an artist’s career when they can do exactly whatever they want, whenever they want.  Two great  examples happened last week: a day after they released two incredible tracks on the glowingly-reviewed vinyl-only retrospective box set by the North Carolina imprint Three Lobed Recordings, the band dropped into the radically revamped Williamsburg waterfront and its row of luxury condos and played a set of older and rarely-played cuts.  Albums that have gone almost-untouched on recent tours saw the light of day: “Brave Men Run,” “Ghost Bitch” and (the more-commonly played) “Death Valley ’69” from Bad Moon Rising were on the menu.  Dirty – regarded, rightly or wrongly as the band’s most “commercial” record – wore its age well on an extended “Sugar Kane” and the infectious “Drunken Butterfly,” with Kim spinning round the stage like a madwoman twenty to thirty years her junior.  “Starfield Road,” from the relatively unappreciated Experimental Jet Set, Trash and No Star, made the cut, alongside classics like “Kill Yr Idols” (originally from the Kill Yr Idols EP) and “Cotton Crown” (from Sister).  Late-period material similarly seemed at home; “What We Know” sounded just as vital among these gems as it has at recent shows where the band played almost exclusively new material.  And, for good measure, the band’s second encore (of three) was the title track to Thurston’s mid-90s solo effort, Psychic Hearts.  Other than their deep-as-shit discography, Sonic Youth don’t feel like a “classic” band, with energy, enthusiasm and intensity that could put most crews of 22-year-olds to shame.  They can carry a show and rule the night anywhere in this city – be it United Palace, Terminal 5, Music Hall, or an outdoor stage facing the bright lights of Manhattan.

The show wrapped with the feral noise squall of “Inhuman,” as Moore howled at the soulless towers of steel and glass and the band’s immense blasts of feedback threatened to shake the junk to its foundations.  A lot in this world feels built on a shaky foundations these days.  Some artists have the power to remind you that some things still are real, and good, and right.  Fifty years from now, those architectural monstrosities will probably be rubble.  Sonic Youth will be a monument to their era.

Johnny Fried Chicken Boy and I recorded this set with multiple mobile rigs that were mixed together after the show (thanks to page for the help with the sync).  Hours of post-processing work have gone into making this recording sound as good as possible, given the limitations of recording an outdoor show, our location in the venue, and the enthusiasm of the crowd.  It is by no means our best capture of Sonic Youth (see the links to Terminal 5 and Music Hall above for those), but it is by far the most interesting setlist we have recorded for the site.  Samples are included, and all files are tagged for easy importing into your favorite music software.  Enjoy!

Direct download of the complete show in MP3 [HERE]

Direct download of the complete show in FLAC [HERE] or [HERE]
If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Stream the full set

Follow acidjack on twitter

Sonic Youth
2011-08-12
Williamsburg Waterfront
Brooklyn, NY, USA

Recorded by Johnny Fried Chicken Boy and acidjack
Produced by acidjack

Source 1: DPA 4061>Church Audio CA9200>Sony PCM-M10 (24/44.1)
Source 2: Audix 1280c>Church Audio “active” cables>SP-SPSB-8>Edirol R-09 (24/48)
Mastering: 2x24bit WAV>Audition (resampling, EQ, effects)>Audacity (sync sources, mix down)>Audition (EQ)>Audacity (tracking, set fades, amplify and balance, smooth peaks, reduce clapping)>FLAC ( level 8 )

Tracks
[Total Time 1:33:00]
01 Brave Men Run
02 Death Valley ’69
03 Cotton Crown
04 Kill Yr Idols
05 Eric’s Trip
06 Sacred Trickster
07 [banter]
08 Calming the Snake
09 [banter]
10 Starfield Road
11 I Love Her All the Time
12 Ghost Bitch
13 Tom Violence
14 [banter]
15 What We Know
16 [banter]
17 Drunken Butterfly
18 [encore break 1]
19 Flower
20 Sugar Kane
21 [encore break 2]
22 Psychic Hearts
23 [encore break 3]
24 Inhuman

PLEASE SUPPORT Sonic Youth, visit their website, and purchase their official releases from the Store at their website [here].  If you wish to buy their two latest tracks, “Out & In” and “In & Out”, check out the 4xLP box set Not the Spaces You Know, But Between Them on Three Lobed Recordings [HERE]

The Psychic Paramount: July 26, 2011 Union Pool – FLAC and MP3 Downloads + Streaming Song

August 15, 2011
By

Psychic Paramount UP
[still from this video]

New York crowds are notoriously, almost epically jaded. As much as bands love the exposure of America’s largest city and cultural capital, they also tend to be dispirited by the “show me” attitude of crowds that have seen it all before. Being from Brooklyn themselves, The Psychic Paramount must know this all too well – which is why they pulled out all the stops at Union Pool on a recent Tuesday night to deliver a jaw-dropping set that was one of the most incredible I have seen this year. Cloaked for the duration in thick billows of smoke, their set, culled primarily from their latest release, II, left the crowd in awe at the vortex of sound coming from this three-man band. I don’t know that I have been to another show this year that had as many audience members actually talking about the show when it was over – and stark silent during. These instrumental songs seethe with emotion; even staring into shadows in the smoke, you can’t help but be moved by them. It doesn’t hurt, of course, that they are rendered by players of obvious talent and technical skill – bassist Ben Armstrong and guitarist Drew St. Ivany first met in the now-defunct art-noise-jazz band Laddio Bolocko, a less rock n’ roll but no less compelling outfit, and drummer Jeff Conaway is (as in most three pieces) the glue that gives the band its propulsive, driving sound. Bands like TPP are the artists that live shows were made for – even this fine recording cannot capture their brilliance. Mark your calendars, folks – their next show is September 3 right here in Brooklyn at a free show at the Aviator Sports Complex with White Hills, Pictureplane, Wise Blood and others, and after that, our friends in the UK can catch them at the always-legendary ATP Nightmare Before Christmas. Do it. They’ll blow your mind.

I recorded this set with both the DPA microphones set up in our usual spot in the venue, and a soundboard feed. At the band’s request, only the microphone portion is being used, as they felt it provided a more natural, balanced sound. Enjoy!

Special thanks to Will of Union Pool for having us, and Devin for the soundboard feed and stellar house mix!

Stream “Ddb”:
[audio:http://www.nyctaper.com/P2607PsychicParamount2011/tpp2011-07-26unionpool_acidjack-02.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

The Psychic Paramount
2011-07-27
Union Pool
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Edirol R-44 [Oade Concert Mod]
Position: Balcony, DFC, ORTF
Mastering: 24bit/48kHz WAV>Audacity (set fades, tracking, smooth peaks, amplify and balance)>FLAC Level 8

Tracks [Total Time 44:08]
01 Intro/Sp
02 Ddb
03 N6>Isolated
04 X-Visitations
05 Gamelan

PLEASE SUPPORT The Psychic Paramount, visit their website, and buy II directly from No Quarter records [HERE]

Widowspeak: August 2, 2011 Glasslands and June 30, 2011 285 Kent – FLAC/MP3 Downloads + Streaming Songs

August 11, 2011
By

widowspeak-brooklyn.3
[Photo by Daniel Doherty courtesy of Impose Magazine]

The folks over at PopGun Booking have a deserved reputation for putting some of the best up-and-coming acts on the Glasslands stage months and years before the wider public notices. When I saw Widowspeak back in March, they were a very new band with almost no recorded output, but they were already very much on their game as performers, with many great songs already in the hopper. Almost five months later to the day, and the band was back at Glasslands celebrating the release of their self-titled debut record on the hot Brooklyn imprint Captured Tracks.  The band’s set was if anything more confident and polished than the March show, and unsurprisingly featured more songs, including the newer tracks “Gun Shy”, “Hard Times”, “Half Awake” and a new number I could not identify by name (just bought the album this morning). “Half Awake,” being performed live for the first time, is one of the most somber tunes in the band’s catalog, but it is beautiful in its bleakness.

We also caught another great performance from the band back in June, presented by Brooklyn promoter ToddP at the DIY venue 285 Kent next door. This set sounds fantastic, and although a bit shorter than the Glasslands set, has many of the band’s strongest songs, including the standout new single “Gun Shy”. I’m also a sucker for the band’s cover of Chris Isaak’s “Wicked Game,” which they played at the show I saw back in March, and is also the b-side of the “Gun Shy” single.

The 285 Kent set was recorded with Neumann microphones and a soundboard feed from an ideal location in the venue that avoided a lot of the chatter going on. The Glasslands recording was made with perfectly situated Schoeps microphones and a great soundboard feed from Derek, but there is a light buzzing emanating from an onstage monitor that is captured in the board feed. With that caveat (and a bit of crowd chatter during a few songs), that recording is also excellent. Enjoy!

Stream “Gun Shy” from 285 Kent:
[audio:http://www.nyctaper.com/W3030Widowspeak0211/09 09 Gun Shy.mp3]

Stream “Hard Times” from Glasslands:
[audio:http://www.nyctaper.com/W3030Widowspeak0211/05 Hard Times.mp3]

Stream “In the Pines” from 285 Kent:
[audio:http://www.nyctaper.com/W3030Widowspeak0211/01 In The Pines.mp3]

Download the 285 Kent MP3s [HERE]

Download the Glasslands MP3s [HERE]

Download the Complete show in FLAC [Glasslands] / [285 Kent]

Widowspeak

Glasslands show:

2011-08-02
Glasslands
Brooklyn, NY USA

Recorded by hi and lo and acidjack for nyctaper.com
Produced by acidjack

Equipment: Soundboard + Schoeps Mk5 (cardiod)>EAA PSP2 >> Tascam DR-680
Position: Center post, ORFT, 8ft up
Mastering: 2x24bit/44.1kHz WAV>Audition (effects, mix down)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 39:50]
01 [intro]
02 In the Pines
03 Burnout
04 [unknown]
05 Hard Times
06 [unknown]
07 Nightcrawlers
08 Harsh Realm
09 Yellow Light
10 Half Awake
11 Gun Shy
12 Ghost Boy

285 Kent show:

2011-06-30
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-08-04

Setlist:
[Total Time 33:27]
01 In The Pines
02 Burnout
03 [unknown]
04 Yellow Light
05 Harsh Realm
06 Nightcrawlers
07 Hard Times
08 [banter]
09 Gun Shy
10 Wicked Game [Chris Isaak]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Widowspeak, visit their MySpace page, and purchase their newly-released LP from Captured Tracks.

The Loom: June 19, 2011 Public Assembly (Northside) – Flac and MP3 Downloads + Streaming Song

August 9, 2011
By


[Photos courtesy of Jill of fortheloveofbrooklyn photoblog]

We have been extolling the virtues of The Loom for three years now, and lately others have followed, including The New York Times, Paste Magazine and The New Yorker. The band has played four shows that we have presented, including most recently our Northside Festival show earlier this Summer. Their set at Northside featured some new material, songs which continue the strength of this band — harmonies, superb instrumentation, and fine songwriting. We were heartened to learn that The Loom should be announcing some exciting news in the near future that will assure a wider audience for them and finally see the release of Teeth, their first full-length record and an album that will cement their position among the best of today’s Americana music. We have selected “The Middle Distance” to stream below. At Public Assembly it was an energetic performance of one of the best tracks from Teeth. The Loom will next be performing at the Daytrotter Barnstorming tour that will come to upstate Ghent New York later this month.

I recorded this set with the DPA microphones mounted above the soundboard room, and mixed it with a board feed. The sound quality is excellent. Enjoy!

Stream “The Middle Distance”:
[audio:http://www.nyctaper.com/L0505Loom1111/03.%20The%20Middle%20Distance.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

The Loom
2011-06-19
Public Assembly
Brooklyn, NY USA

Digital Master Four-Track Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-08-03

Setlist:
[Total Time 30:37]
01 Snowed In
02 Song for the Winter Sun
03 The Middle Distance
04 Like Lamp Glow
05 For the Hooves that Gallop
06 Morning Song / Mountain Song

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Loom, visit their website, purchase their official releases from the links at their site, and keep an eye out for their new album.

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