Posts Tagged ‘ williamsburg ’

Soft Black: January 21, 2011 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Song

February 27, 2011
By


[Photo courtesy of Kevin Serra for Kevchino]

Our previous experiences with Soft Black had been more intimate experiences than this show at the massive Brooklyn Bowl – first there was the Gaza Benefit Show this summer, followed by their short but outstanding set at the NYCTaper Unoffiicial CMJ Show in October. As the band gets ready to release their new album The Witching Hour – the product of two full years of songwriting and playing – this set opening for Shilpa Ray and Her Happy Hookers (also recorded) gave frontman Vincent Cacchione and the band a chance to show off their new songs in front of a wider audience. Cacchione’s songs carried perfectly in the larger setting – with vocals that remind me a bit of a punk Dylan with better elocution, Soft Black songs are the kind that stick in your head immediately. Kicking off the set with the haunting “I’m Not Afraid Of You” from The Witching Hour, this ten-song set gave us rocking renditions of older songs like “The Lions” as well as song we had not heard before like “The Man With the Midas Tongue”. The band is putting the finishing touches on The Witching Hour before officially releasing it to the wider world, and the record is sure to prove worth the wait.

We recorded this set in the same manner as the Shilpa Ray recording, balancing the recording heavily toward the soundboard feed to minimize the bowling and other crowd noise. The result is excellent. Enjoy!

Stream “Heaven Is A Place You Go”:
[audio:http://www.nyctaper.com/S0087SoftBlack2010/13 Heaven Is A Place You Go.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Soft Black
2011-01-21
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > Audacity (tracking, tagging)>FLAC ( level 8 )

Recorded by nyctaper and produced by nyctaper and acidjack
2011-02-25

Tracks [Total Time 35:03]
01 Intro
02 I’m Not Afraid of You
03 The Man With the Midas Tongue
04 The Earth is Black
05 The Flesh of the Sky
06 I Am An Animal
07 The Girl Who Ate Her Own Heart
08 banter
09 The Lions
10 [unknown]
11 banter
12 I Was Born Drenched In Mud
13 Heaven Is A Place You Go

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Soft Black, visit their website, and purchase their records and merchandise directly from their online store here.

Tristen: February 23, 2011 Knitting Factory – Flac and MP3 Downloads + Streaming Song

February 24, 2011
By


[photo by nyctaper]

Tristen Gaspadarek has been writing and performing her heartfelt country-tinged songs for nearly half of her twenty-six years, and her intrinsic wisdom-beyond-years is evident in the strength of her writing. Tristen and The Ringers performed a tight forty-five minute set at Knitting Factory last night that featured much of the material from her new album Charlatans At The Garden Gate released last week on American Myth Records. It is an album that chronicles the power and destructive nature of love seen through the weary eyes of experienced world traveler. The most stark recitation of the struggle is featured in the relationship-with-an-addict number “Baby Drugs”, which can be streamed below. Tristen is one of those seriously talented artists who we expect big things from in the near future, and Charlatans is the likely conduit to that success. Tristen’s current tour wraps up with three more dates this week, before she heads to SXSW, and then continues throughout the country during April and May.

I recorded this set with the four microphone rig from our standard location in this venue and the sound quality is excellent. Enjoy!

Stream “Baby Drugs”:
[audio:http://www.nyctaper.com/T2302Tristen1120/06.%20Baby%20Drugs.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Tristen
2011-02-23
Knitting Factory
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Booth

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-02-24

Setlist:
[Total Time 45:10]
01 Save Raina
02 Special Kind of Fear
03 Doomsday
04 [banter]
05 Battle of The Gods
06 Baby Drugs
07 [banter2]
08 Queen
09 Avalanche
10 Matchstick Murder
11 Eager For Your Love
12 Heart And Hope to Die
13 The Ringer

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Tristen, visit her website, and purchase Charlatans At The Garden Gate from the American Myth Records website [HERE].

Woods: February 4, 2011 Monster Island Basement – Flac and MP3 Downloads + Streaming Songs

February 7, 2011
By


[photo by PP]

Friday night’s Woods show at Monster Island was billed as an acoustic duo, but soon evolved into a near full band Woods show. Jeremy and Jarvis were originally scheduled to perform the entire set together, but were ultimately joined by Lucas, and Matt and Alex from Real Estate/Ducktails. The set’s unique nature was further enhanced by the fact that the band performed seven new songs among a 13-song show. Opening with two pieces of new material presented a challenge for the young-ish and packed-in crowd, but after the band began to play in earnest, they received full attention. The crowd was rewarded with a stunning ten-minute “Bend Beyond” (streaming below), which has taken on the role of Woods jam piece during recent sets. The four new songs performed in the middle of the set were quiet minor-chord folk numbers, but thereafter “Born to Lose” (also streaming below), began quietly and developed into a seven minute full band psychedelic jam. The set closed with two familiar numbers, and despite calls for an encore the lateness of the hour required that the band call it a night. Woods will continue with two final shows in their tour with Ducktails, tonight in Philadelphia and Tuesday in Baltimore, before heading to Europe for much of March.

I recorded this set with the Neumann microphone mounted on a pole fifteen feet from the stage, and mixed with a feed from the board. There was some minor hiss in the system and in the PA that is evident during quieter moments, but its not distracting to this overall excellent recording. Enjoy!

Stream “Bend Beyond”:
[audio:http://www.nyctaper.com/W2206Woods2990/03.%20Bend%20Beyond.mp3]

Stream “Born To Lose”:
[audio:http://www.nyctaper.com/W2206Woods2990/12.%20Born%20To%20Lose.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Woods
2011-02-04
Monster Island Basement
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-02-05

Setlist:
[Total Time 53:19]
01 Pushing Onlys
02 I’m Not Gone
03 Bend Beyond
04 [tuning]
05 Be All Be Easy
06 Rain On
07 To Clean
08 Get Back
09 Pick Up
10 Wouldn’t Waste
11 Say Goodbye
12 Born To Lose
13 Suffering Season
14 Blood Dries Darker

If you email nyctaper for access to these recordings, we expect that you will PLEASE SUPPORT Woods, visit their website, and purchase their official releases, including their latest At Echo Lake from Woodist Records [HERE].

The Hold Steady: January 31, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

February 3, 2011
By


[The Hold Steady at Music Hall on January 30. Photos courtesy of Joshua Sarner and Prefix Magazine]

Eight years ago to the day, The Hold Steady took the stage at Music Hall of Williamsburg – then a much-less-luxurious venue called Northsix in a similarly less luxurious (or luxury-condo-fied) Williamsburg – for their first gig. To hear Craig Finn tell it, that the band celebrated their eighth anniversary in the same spot was a happy coincidence. Whether by coincidence or calculation, I suspect that first Music Hall show had a good bit in common with this one. “What’s up, Brooklyn? We’re The Hold Steady, and we’re gonna have a really good time tonight!” was Finn’s opening proclamation, and I would bet his first opening ever was much the same. Because, although their songwriting has grown more expansive, along with their critical acclaim and the size of their fanbase, The Hold Steady has always been one of the world’s greatest bar bands. The band’s appeal is democratic and uncomplicated: penetrating lyrics you can understand (that are also good enough to wow rock critics); crowd-participating, fist-pumping anthems; outstanding musicianship; and a frontman in Finn who appears to be having the best time of anybody there. This second show of two nights at Music Hall was all about momentum. Breaks between songs were almost non-existent; ditto crowd banter. Finn & Co. worked so hard through this nearly 100-minute set, it could have been a Springsteen show. In terms of the setlist, the band’s latest, Heaven Is Whenever, was well-represented along with Stay Positive, but so was the band’s first record, the less-noticed Frenchkiss Records release, Almost Killed Me, including on a beautifully paced encore that began with the pensive “Positive Jam”, followed by “Southtown Girls” (from Boys and Girls in America) and concluding with an extended version of “Most People Are DJs”. Although it was a Monday night, the crowd was fired up and slam dancing, about as sweaty as Finn himself. I would like to think that whoever attended that first Hold Steady gig would have done the same. If not, they should have: The Hold Steady are a hard-working rock band that is damned hard to deny. Show me someone else who can put on this kind of show – and get this kind of response – on a Monday, and I’ll show you rock royalty.

I recorded this set from about halfway to the stage from the left balcony. The mics were aimed directly at the left stack to maximize direct sound, and the results speak for themselves. Check out the streaming songs below, and enjoy!

Stream “Stevie Nix”:
[audio:http://www.nyctaper.com/H6589HoldSteady1192/17 Stevie Nix.mp3]

Stream “Positive Jam”:
[audio:http://www.nyctaper.com/H6589HoldSteady1192/22 Positive Jam.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

The Hold Steady
2011-01-31
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Microtech-Gefell MG210>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: Left balcony, pointed at left stack
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, flac)

Tracks [Total Time 1:35:17]
01 Intro
02 Ask Her For Adderall
03 The Swish
04 Magazines
05 Rock Problems
06 Hurricane J
07 Cattle and the Creeping Things
08 Barfruit Blues
09 The Sweet Part of the City
10 Same Kooks
11 Sequestered in Memphis
12 Barely Breathing
13 Lord, I’m Discouraged
14 Constructive Summer
15 Chips Ahoy!
16 Stuck Between Stations
17 Stevie Nix
18 First Night
19 Ascension Blues
20 Slapped Actress
21 [encore break]
22 Positive Jam
23 Southtown Girls
24 Most People Are DJs

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Hold Steady, visit their website, and purchase their official releases from the links at their website [HERE].

Shilpa Ray: January 21, 2011 Brooklyn Bowl – Flac and MP3 Downloads + Streaming Songs

January 23, 2011
By


[photo courtesy of Carly Sioux]

In a venue that sometime can feel like an advertisement for attention deficit disorder, on Friday night Shilpa Ray used her tremendous stage energy to cut through the Brooklyn Bowl distractions to deliver an outstanding set. With Jack White and a sixteen person entourage bowling in one corner, sports fans watching the Knicks on the large screen tv in another corner, and the floor of the venue filled with the persistent din of chatter, the venue did not offer an easy task for the live performers. But it was the night of her CD release party, and Shilpa was not to be denied. As she opened the set with “Beating St. Louis”, her powerful voice cut through the din and demanded attention. The show was propelled by seven straight songs before Shilpa came up for a breath after “Stick It To The Woman”, by which time she had the rapt attention of at least the front half of the crowd. The set consisted of the entire new album — Teenage & Torture was released Tuesday on Knitting Factory Records, with some older material sprinkled in. The encore segment began with a musically perfect cover of Pink Floyd’s The Wall anthem “In The Flesh” (streaming below) and continued with a cover of Red Kross. The show’s closing song was an extended version of “Genie’s Drugs” that ended the night on another high note.

I recorded this set with the hypercard Neumanns on a 14 foot stand from in front of the soundboard and mixed with a well-balanced feed from the board. The mix is 2/3 board, since the audience recording is marred by the high volume of the persistent din of the crowd. Overall, the final result is an excellent recording. Enjoy!

Stream “Venus Shaver”:
[audio:http://www.nyctaper.com/S2101Shilpa1102/Venus%20Shaver.mp3]

Stream “In The Flesh” (Pink Floyd cover):
[audio:http://www.nyctaper.com/S2101Shilpa1102/In%20The%20Flesh%20%5bPink%20Floyd%5d.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Shilpa Ray and Her Happy Hookers
2011-01-21
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-01-23

Setlist:
[Total Time 1:15:01]
01 Beating St. Louis
02 Heaven In Stereo
03 Venus Shaver
04 Erotolepsy
05 Pop Song For Euthanasia
06 Requiem In A Key I Don’t Know
07 Dames A Dime A Dozen
08 Stick It To The Woman
09 [banter]
10 Liquidation Sale
11 [banter2]
12 [new solo song]
13 Hookers
14 [banter3]
15 The Chelsea Clinic Physical
16 [encore break]
17 In The Flesh [Pink Floyd]
18 Neurotica [Red Kross]
19 [banter4]
20 Genie’s Drugs
21 [outro]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Shilpa Ray and Her Happy Hookers, visit their website, and purchase the new album Teenage & Torture from Knitting Factory Records [HERE].

Matt Douglas: January 9, 2011 Pete’s Candy Store – FLAC and MP3 Downloads + Streaming Songs

January 20, 2011
By


[iPhone 4 photo by acidjack]

I have known the Raleigh, NC-based singer and songwriter Matt Douglas, best known for his work with The Proclivities and his new band with the singer-songwriter Caitlin Cary, The Small Ponds, since we were high school kids, so it is fair to say that I am not impartial when it comes to his music. A multi-talented musician who excels on multiple instruments including sax and guitar, Douglas has spent most of his life as a teacher and student of music. Matt’s songs draw on a range of musical influences, including Hungarian folk music, which you may not pick up right away in what on their surface are classic American songs with rock, folk and country influences. I was thrilled to have a chance to catch up with Matt on this short solo tour of small venues, where he played material he wrote for both of his current bands, as well as a cover of Etta James’ “My Heart Cried.” These stripped-down gigs have a way of accentuating excellent songwriting (or exposing bad songwriting) rapidly; the lyrical and stylistic diversity of these songs told me that Douglas has earned his place on this journey will both skill and dedication. Two new songs early in the set, the country-inflected “Two of a Kind” and “Plexiglass Coffin” are expected to be released on a Matt Douglas solo record sometime this year. Wherever he is, and whomever he is playing with or for, expect Douglas to continue to expand his musical universe.

Matt has two NY-area shows coming up in February – first on February 12 at Terminal 5, where he plays horns with Josh Ritter & The Royal City Band, and then on February 16 at one of our favorite venues, Rock Shop, which is a Small Ponds gig.

I recorded this set with the tiny DPA 4061 omnidirectional mics clipped to either sides of a chair directly in front of the stage. The sound quality is excellent. Enjoy!

Stream “Ray of Sunshine”:
[audio:http://www.nyctaper.com/M9010MattDouglas0211/mattdouglas2011-01-09pete’s_acidjack-02.mp3]

Stream “Two of a Kind”:
[audio:http://www.nyctaper.com/M9010MattDouglas0211/mattdouglas2011-01-09pete’s_acidjack-04.mp3]

Direct download of entire set in MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Matt Douglas
2011-01-09
Pete’s Candy Store
Brooklyn, NY USA

An acidjack master recording
Recorded and produced for nyctaper.com by acidjack

Equipment: DPA 4061 (Coresound “HEB”)>Sony PCM-M10 (24/44.1)
Position: Center, 1ft from stage
Mastering: 24bit/44.1kHz WAV>Audacity (tracking, smooth peaks, light compression, set fades)>FLAC ( level 8 )

Tracks [Total Time

1. Intro
2. Ray of Sunshine
3. banter
4. Two of a Kind
5. banter
6. Plexiglass Coffin
7. banter
8. Charlatan
9. banter
10. My Heart Cried
11. Handguns & Dancing Shoes
12. banter
13. Pauline
14. banter
15. Gypsy Cards

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Matt Douglas, visit his website, and purchase the latest Small Ponds record here or on iTunes.

Austra: December 4, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

January 20, 2011
By


[Photo by acidjack with iPhone4 with Hipstamatic]

Toronto’s Austra came to town with one of that music scene’s current favorite sons, Diamond Rings, who referred to them later that night as “my favorite band.” This set at Glasslands gave many of us our first taste of a band that is likely to get big in a hurry, as they just signed to the UK’s famed Domino Records just a few days ago (with a new record on the way this spring), and have embarked on an extensive European tour. The brainchild of well-known Toronto-based vocalist Katie Stelmanis (Autra is actually her middle name), Austra play dreamy leftfield pop at home in the current moment; those searching for references might think about a band like The Knife; I also hear a less poppy, less histrionic bit of a band like Florence and the Machine as well (listen to “Lose It” for the reference). The centerpiece of the band’s sound is unquestionably Stelmanis’ powerful vocals, which soar above the driving electro beats. Expect to see Austra again stateside for SXSW, and look out for a video from them next month!

I recorded this set from the same location as the Diamond Rings recording, and other than some isolated crackling from the house system, the sound is outstanding. Enjoy!

Stream “Lose It”:
[audio:http://www.nyctaper.com/A1204Austra2010/Austra-LoseIt.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Austra
2010-12-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, ROC, mics roughly DIN
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Darken Her Horse
02 Lose It
03 The Villain
04 The Choke
05 Beat and the Pulse
06 Spellwork

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Austra, like them on Facebook, and purchase their releases directly from Domino Records here.

Julian Lynch: January 7, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Song

January 11, 2011
By


[Photos by Eloy Anzola. Check out his website here and his Flickr stream here]

To those who spent last Friday night avoiding the winter weather, burrowing into the couch and watching Winter’s Bone or similar winter-related Oscar bait: You blew it. The critically acclaimed Ridgewood, NJ-based guitarist and songwriter Julian Lynch, whose latest record Mareearned raves this year, gave an outstanding performance that put his axe skills front and center. Mare is a reasonably sedate work, and it incorporates a range of instrumentation that reflects Lynch’s background in ethnomusicology (which he still studies at the University of Wisconsin). To the weather-braving crowd at Music Hall of Williamsburg, Lynch gave us a more guitar-driven band, with focused, tight solos, some increased tempos (witness the sped-up “Just Enough,” one of my favorite Mare tracks) and one mind-blowing jam on “Travelers.” Nonetheless, the show retained the mellow feel of Lynch’s recorded material, as well as its outstanding variety of sonic textures and rhythms, referencing at various times drone, folk, country, pop and rock. Coming off of a major performance at ToddP‘s New Year’s Eve show, headlining Music Hall was another worthy notch in Lynch’s belt.

I recorded this set from the balcony with the Schoeps microphones. The sound quality is excellent. Enjoy!

Stream “Just Enough”:
[audio:http://www.nyctaper.com/J7100JulianLynch0211/02 Just Enough.mp3]

Stream “Travelers”:
[audio:http://www.nyctaper.com/J7100JulianLynch0211/07 Travelers.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Julian Lynch
2011-01-07
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Right balcony, mics on extension arm, pointed at stacks
Mastering: 24bit/48kHz WAV>Audacity (set fades, tracking, light EQ, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Terra
02 Just Enough
03 Nen Vole
04 Stomper
05 Rivers
06 Back
07 Travelers
08 Mare
09 [tuning]
10 Rancher

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Julian Lynch, visit his website and bandcamp page and purchase his official releases from Olde English Spelling Bee.

Our Top 25 Concert Moments of 2010 (with MP3 Download and Streaming Songs)

December 31, 2010
By

We were treated to a lot of amazing music this year, and the site has continued to grow. This year, we reached our 600th recording posted since 2007 – a pretty incredible number considering that this is only the fourth year of the site.  As a final New Year’s treat to our readers, we thought we would share a “mixtape” with you of some of our favorite concert moments of 2010.

Out of the two hundred-plus shows that we saw, we selected 25 moments that we thought were particularly memorable (among the shows we recorded, at least). There is a wide range of music, styles and artists represented: folk, rock, Scandinavian pop, punk and much more. There are new bands who are just breaking into the mainstream, as well as mainstream acts continuing to perform at a high level. The only consistent theme is that these artists all touched us in some way, giving performances that stayed with us long after the last notes were played.

The following list is in no particular order. Links to download the entire compilation, as well as selected numbers streaming, are below.

Want to keep up with the latest concert updates and recordings on the site? Follow @nyctaper and @acidjacknyc on Twitter.

Download the entire mixtape [HERE]

1. Built to Spill – “Carry The Zero” – September 20, 2010 Rocks Off Concert Cruise. This show was nuts – on a boat, with a tiny main floor, with a crowd that was loud, drunken and rowdy, and a veteran band doing what they do best. We saw Built to Spill a ton of times over the past two years, but this show was the clear standout. [audio:http://www.nyctaper.com/2010Best20/BTS-CarryTheZero.mp3]

2. Oh Land – “Lean On Me” – November 8, 2010 Brooklyn Bowl. We first saw this young Danish artist play Brooklyn Bowl back in July. Although she was still getting comfortable with her new material, her talent and unique stage presence were already on display. After seeing her again at the Backyard Brunch Sessions, we caught her again a month later at Brooklyn Bowl. Her evolution blew us away – displaying newfound poise and confidence, designer clothing and a new percussionist, Nanna dominated the stage. Though many of her songs lend themselves to dancing, I have always been partial to this more precious number. She may now be the face of Missoni, but Oh Land is far, far more than a pretty face. [audio:http://www.nyctaper.com/2010Best20/OhLand-LeanOnMe.mp3]

3. John Vanderslice – “The Parade” – October 21, 2010 Mercury Lounge. On the night after our Unofficial CMJ Day Party at Cake Shop, we caught one of our favorite acts, the inimitable songwriter John Vanderslice at Mercury Lounge. John has always been a supporter and friend of the site, but we were especially gratified by his heartfelt intro to this song when he thanked nyctaper from the stage. [audio:http://www.nyctaper.com/2010Best20/JV-TheParade.mp3]

4. The Dirty Projectors – “As I Went Out One Morning [Bob Dylan]” – September 11, 2010 Terminal 5. After this band blew us away at the tail end of 2009, we were thrilled that Johnny Fried Chicken Boy was able to catch their show at the massive Terminal 5. This Dylan cover was among many special songs played during another show that wowed us with its musical skill. [audio:http://www.nyctaper.com/2010Best20/DirtyProjectors-AsIWentOutOneMorning.mp3]

5. Pavement – “Fight this Generation” – September 19, 2010 Williamsburg Waterfront. Pavement‘s return was probably my personal musical highlight of the year – nobody ever thought it would happen, and when it did, they were exactly as nonchalant about the whole thing as you would expect. Everything went right at their first NYC show in ten years, and the irony of Pavement – an iconic band for Generation X – playing “Fight This Generation” on the Williamsburg waterfront to an entirely new generation of fans was perfect. This loose, jammy rendition killed, too. [audio:http://www.nyctaper.com/2010Best20/Pavement-FightThisGeneration.mp3]

6. Superchunk – “Digging For Something” – September 19, 2010 Music Hall of Williamsburg. While I was checking out Pavement, nyctaper was down the street taking in an equally amazing performance from another 90s indie darling, Superchunk. Supporting their first new album in almost a decade, Superchunk gave us even more than we could have imagined when special guest John Darnielle joined them for this number. [audio:http://www.nyctaper.com/2010Best20/Superchunk-DiggingForSomething.mp3]

7. John Roderick w/ Nada Surf – “The Commander Thinks Aloud” – March 26, 2010 Bell House. Nada Surf‘s multi-night series of full album performances had many memorable moments, but my favorite of all came from John Roderick of The Long Winters, the opening act at the Bell House/The Weight Is A Gift show. With Nada Surf as his backing band, Roderick capped off his acoustic set by tearing through a fully electric version of this big number that showcases Roderick’s unique voice. You can stream and download this song, and the entire show, on the Live Music Archive [HERE].

8. Natureboy – “I’ll Keep It With Mine” – May 15, 2010 Piano’s. This show was a special day for us, as we celebrated the third anniversary of the site with some of our favorite bands. Natureboy drew a strong crowd as our first act of that evening, and they made our night by performing, our request, their cover of this Dylan-via-Nico classic.[audio:http://www.nyctaper.com/2010Best20/Natureboy-KeepItWithMine.mp3]

9. Fucked Up – “Son the Father” – February 18, 2010 Maxwell’s. I had the pleasure of seeing Fucked Up three times this year, and each show was awe-inspiring. Damian “Pink Eyes” Abraham is a punk rock showman without parallel: on the mic, he is extremely hardcore; in between songs, he chats up the crowd like each person is his best bud. “Son the Father” is one of the band’s best songs, and it was at about this point during the Maxwell’s show that (as has to be the case at every Fucked Up show) all hell broke loose. [audio:http://www.nyctaper.com/2010Best20/FuckedUp-SonTheFather.mp3]

10. The Black Keys – “Same Old Thing” – July 28, 2010 Terminal 5. There was a huge response to our post of The Black Keys‘ show at Terminal 5, and for good reason – it is an excellent recording of a band that is rapidly ingratiating itself with the mainstream. This song is a four-piece version of this song, with Leon Michaels on keyboards and Nick Movshon on bass. [audio:http://www.nyctaper.com/2010Best20/TBK-SameOldThing.mp3]

11. Panda Bear – “Song For Ariel (Guys Eyes)” – September 11, 2010 Governor’s Island. On the same day as the epic Dirty Projectors show back in Manhattan, Panda Bear was giving a magical performance on Governor’s Island that blew our minds both for the incredible quality of the sound (which did not always receive such good reviews for other shows) and the clarity and focus of the performance. This guitar-heavy and reworked version of this song was one of many highlights of an amazing show that also featured some new songs. [audio:http://www.nyctaper.com/2010Best20/PandaBear-SongForAriel.mp3]

12. Soft Black – “I’m Not Afraid of You” – August 7, 2010 A Backyard in Bushwick. This whole show was a testament to the power of the local music community and the DIY spirit of the moment. Soft Black were supposed to be playing on a rooftop elsewhere in the ‘hood as part of a benefit show for the people of the Gaza Strip. That show was shut down by the cops three acts in, while it was still light outside. But instead of giving up and calling it a night, the fans and bands rallied to move the show to one of the musicians’ backyard. Soft Black dedicated this haunting song, with its defiant refrain, to a kid who got arrested when the police shut down the rooftop show. The song itself is quite dark, but the moment was joyful, and powerful, in a way that I will never forget. [audio:http://www.nyctaper.com/2010Best20/SoftBlack-I’mNotAfraidOfYou.mp3]

13. Real Estate – “Reservoir” – June 25, 2010 Music Hall of Williamsburg. Real Estate is another band that has wowed us both with their consistent playing as well as their respect for their fans. We had seen them open for labelmates Woods a number of times, but this time, they found themselves as the headliner of the Woodsist showcase at the Northside Festival. This showcase was one of the best experiences of the entire Northside Festival, but Real Estate’s set in particular stood out, as the more mature band showed off some new songs, including the excellent “Reservoir.” Download the entire set [HERE].

14. Maps & Atlases – “Solid Ground” – August 12, 2010 Mercury Lounge. I caught Maps & Atlases back in 2009 touring behind their previous record, the EP You, Me and the Mountain. I liked what I saw – the unusual combination of freak folk and math rock, vocalist Dave Davison’s vocals, the dual percussionists – but they didn’t seem quite there yet. For one, while I liked their sound, I wasn’t completely blown away by the songs. That all changed with the release of this year’s Perch Patchwork, which was one of my favorite records of the year, and a massive leap forward artistically. For this show, the band was greeted by a spirited crowd literally screaming for more, and in particular, this song (you can hear a drunk dude yelling “Solid Ground!” in between every other song on the set before they finally play it). When the band finally played the song, the payoff was huge, and the jam at the end clinches it. After an outstanding set, Maps broke down their gear and put some chairs and drums in the center of the floor and played an acoustic set for those willing to wait. The performance was not only the most improved of any band that I saw this year, but also one of the flat-out best. It didn’t hurt any that the recording came out flawlessly, too. Download the entire set [HERE]. [audio:http://www.nyctaper.com/2010Best20/M&A-SolidGround.mp3]

15. Holly Miranda – “I’d Rather Go Blind [Etta James]” – May 26, 2010 Bowery Ballroom. A Bowery Ballroom headlining gig has become a barometer of a band’s success these days – for a New York band on their way up, there is your time on the scene before Bowery, and your time after, and after, things are never the same. This show represented Holly Miranda’s Bowery breakout, and she treated the event with the reverence due it as she ripped off a lengthy set representing her latest record The Magician’s Private Library, and played two covers, including this jaw-dropping rendition of an Etta James classic. [audio:http://www.nyctaper.com/2010Best20/HollyMiranda-RatherGoBlind.mp3]

16. Wilco – “Thank You, Friends” – April 2, 2010 Wellmont Theatre. The challenging acoustics of this venue did not deter Wilco from delivering one of the most epic sets we have seen of theirs (well over three hours long). This Big Star cover played tribute to their singular frontman, singer and songwriter Alex Chilton, who sadly passed away this March. Alex and his many contributions to rock music will be dearly missed. [audio:http://www.nyctaper.com/2010Best20/Wilco-ThankYouFriends.mp3]

17. Sharon Van Etten – “One Day” – October 8, 2010 Rock Shop. It is no secret that this site has been a huge booster for Sharon Van Etten, and we are thrilled to see her career taking off in a big way (you can hear one of her songs, “I Fold” in the closing sequence in a recent episode of the Showtime series The Big C). In the two shows she played at Rock Shop this year, Sharon’s maturity and outstanding songwriting made us fall in love with her music all over again. [audio:http://www.nyctaper.com/2010Best20/SVE-OneDay.mp3]

18. Woods – “Bend Beyond” – May 13, 2010 Abrons Arts Center. In a music scene that is strong but fragmented, Woods have emerged as bi-coastal scene godfathers of sorts, in the way that Sonic Youth have been for a generation. The Woodsist label, for which the band is the anchor, has produced a roster of like-minded acts from the East and West Coasts that share a common affinity for the psychedelic, folk-influenced sound the label is known for. While they have been building a formidable presence with the label, Woods themselves have evolved far beyond the “freak folk” tag into a full-blown indie rock jam band of sorts, turning four-minute album tracks into epics that showcase their virtuosity on their instruments. This show, featuring the band backed by the Joshua Light Show, was especially sprawling, and never moreso than on this nearly twenty minute “Bend Beyond.” This show proved that this was a very different band than the act I saw opening for Dungen in 2009 – that band was a great “freak folk” act, if you will. This band is legendary. [audio:http://www.nyctaper.com/2010Best20/Woods-BendBeyond.mp3]

19. Spoon – “Car Radio” – September 13, 2010 Cake Shop. After we caught their set opening for Arcade Fire at Madison Square Garden, we weren’t sure we would have another chance to record Spoon this year. But then along came this secret show at Cake Shop, a live video recording for “Nobody Gets Me But You,” that proved to be one of the most exciting and intimate performances we saw all year. These guys remember where they came from (Austin) and we trust that they will never stop being one of the most consistent, most fan-friendly acts in the country. Download the entire set [HERE].

20. The Loom – “The First Freeze” – October 10, 2010 Backyard Brunch Sessions. We enjoyed many of the Backyard Brunch Sessions sets we saw this summer and fall, but perhaps none more than this performance by our friends The Loom, who proved that great musicians do not need extra amplification or trickery to make powerful music. Set up in a humble backyard in Bushwick, rocking a homemade bass made out of a washtub, they wowed us with their modern, folk-influenced sound. This song was my favorite of all, not least of which because of the added humor of some rowdy neighbors making noise in the background (who cannot be heard on the recording) – making a bunch of noise right before this (the quietest song of the set) song began. Once it got going, it was the most mesmerizing vocal performance of the day. [audio:http://www.nyctaper.com/2010Best20/Loom-FirstFreeze.mp3]

21. Yo La Tengo – “Little Eyes” – December 7, 2010 Maxwell’s. If you have read this site once in December, you know that Yo La Tengo’s 2010 Hanukkah shows have been our main focus this month. These eight nights of unique setlists, special guests, and fan camaraderie at one of our favorite venues in the city, Maxwell’s, are some of the best nights of the year every time that YLT decides to do them. This song, from the Summer Sun album, is an expanded version augmented by the guitar wizardry of the legendary Nels Cline, who joined the band for most of this night’s set. Although we loved the December 5 show featuring Mission of Burma, this show on the 7th turned out to be our favorite of them all – a perfect balance of the band’s harder and softer dynamics that showcased them at the height of their powers. [audio:http://www.nyctaper.com/2010Best20/YLT-LittleEyes.mp3]

22. Bear In Heaven – “Lovesick Teenager” – November 19, 2010 Music Hall of Williamsburg. Bear In Heaven was another band that stepped up in a big way in 2010. A year’s worth of touring took what had been a great album act but somewhat uneven live band and turned them into the juggernaut that we witnessed at Music Hall of Williamsburg. Whereas previous shows had always faced technical limitations (primarily with respect to sound), everything was perfectly dialed in for this show, with the Music Hall sound system delivering crystal clear sound and a light show that dazzled the sold-out crowd. Not but twelve months ago this band was playing the cozy Zebulon down the street. This show was obviously this band’s “Bowery moment.” [audio:http://www.nyctaper.com/2010Best20/BearInHeaven-LovesickTeenager.mp3]

23. The Joy Formidable – “Austere” – January 12, 2010 Pianos. Whereas a Bowery Ballroom show tends to cement a band’s status in the scene, Pianos is Manhattan’s best incubator. Shows there tend to capture the nervous energy of bands trying to make their break who know that this could be it. We are pleased to say that since this show, The Joy Formidable did make it in a big way (including their own Bowery moment), playing tons of NY-area shows (almost all of which we saw) and bringing their music to new fans each time. Their massively loud sound is probably better suited a bigger venue, but we loved this Pianos show best of them all (and our recording sounded great). [audio:http://www.nyctaper.com/2010Best20/TFJ-Austere.mp3]

24. The National – “Terrible Love” – December 8, 2010 Maxwell’s. Though it borders on heresy (and is not an opinion shared by all who work on this site), I was not an instant convert to The National‘s critically acclaimed High Violet. I didn’t hate the album, but after a three year break from recording, I was not sure what I should expect from the band. High Violet didn’t grab me in the way that earlier records like Alligator did, and it didn’t help that I first saw the songs live in the sonically deficient Terminal 5, where the sound was so poor that even The National’s sound engineer commiserated with us about the venue’s challenges. Luckily, I was given a second chance at this rare set opening in the (relatively) tiny Maxwell’s for Yo La Tengo on the final night of their Hanukkah shows. This time, in this intimate setting, the subtle beauty of the High Violet songs shone through, especially on the set’s closer, this fantastic rendition of “Terrible Love.” [audio:http://www.nyctaper.com/2010Best20/National-TerribleLove.mp3]

25. We Were Promised Jetpacks – “It’s Thunder and It’s Lightning” – February 15, 2010 Knitting Factory. I went to this show on a lark, having never heard this Scottish trio before. Apparently I had missed the memo, as the Knitting Factory was so packed I was literally crushed against the soundboard. In the best of ways, We Were Promised Jetpacks are what I like to call Scotland’s answer to U2 – their songs rely on anthemic riffs and vocalist Adam Thompson’s throaty choruses. The band worked this crowd into a froth, the energy seething through the room, as Thompson belted out song after song in a way that could have melted the ice outside. In a show full of them, this song was a particularly stirring anthem. [audio:http://www.nyctaper.com/2010Best20/WWPJ-Lightning.mp3]

Special thanks to all of the artists, management, labels, photographers and other music sites that have supported NYCTaper this year. And of course, a huge thank you to our readers, who we hope to continue to provide with high-quality, artist-sanctioned recordings, reviews and photos throughout 2011. Happy New Year!

Diamond Rings: December 4, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 19, 2010
By


[photos by acidjack with iPhone4 and Hipstamatic]

The man who I anointed the male Lady GaGa (followed by Pitchfork co-opting the comparison in their review of Special Affections) after he played the NYCTaper 2010 CMJ Show was at it again on a Saturday night early this month, and he remains on a roll. Glasslands has had some especially strong rosters lately, in part thanks to the efforts of PopGun Booking, and this was no exception, with ArpLine, Austra and Body Language also on the bill. But the tall, blonde man from Toronto was clearly the main draw. Don’t think that a one-man act cannot put on a rock-n-roll show; John O’Regan (Mr. Diamond Rings himself) gave that the lie big-time as he danced, played guitar, spazzed out, and rocked out all over the stage. If this is what he is capable of with no backup of any kind on the Glasslands stage, he might just be scary at the next level; even at this show, a creepy guy in the front was photographing his shoes and (from where I was sitting, at least) his crotch. But you can’t fault people for getting a little creepy – the sexual energy of O’Regan’s set is undeniable, and unlike really anything crossing most indie rock stages these days. He vamps, he flaunts, he owns the place. And O’Regan is about to gain a much wider audience for his music, too, as he begins at tour as the opening act for Robyn (tour dates here). She’d better be ready, or O’Regan just might blow her off the stage.

I recorded this set with a soundboard feed from the Glasslands staff and the DPA microphones. Other than some light distortion on the board feed during one track, the sound is outstanding. Enjoy!

Stream “Play By Heart”:
[audio:http://www.nyctaper.com/D1807DiamondRings2211/DiamondRings-PlayByHeart2010-12-04.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Diamond Rings
2010-12-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to balcony, ROC, ORTF
Mastering: 2x24bit/48kHz WAV>Audition (apply compression to soundboard track)>Audacity (split soundboard track, copy right channel, mixdown, set fades, tracking, balance, downsample)>FLAC ( level 8 )

Tracks
01 Play By Heart
02 On Our Own
03 banter
04 Wait and See
05 Something Else
06 banter
07 You & Me
08 It’s Not My Party
09 banter
10 All Yr Songs

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Diamond Rings, visit the website, visit the MySpace page, and purchase Special Affections from the Secret City Records [HERE].

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