Posts Tagged ‘ WXDU ’

Nathan Bowles Trio: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

October 16, 2017
By

It’s an article of faith that artists who are friends of Three Lobed Recordings always bring their best for the label’s annual Hopscotch day show showcase, co-sponsored with Durham’s WXDU. Nathan Bowles, a multi-year veteran of the event, outdid himself this year, choosing to use this platform to debut his new trio with Casey Toll on double bass and Rex McMurry on drums. Although this was the trio’s very first show, you wouldn’t necessarily have known it, as Bowles and the new band added new heft to what were originally his solo songs (“Blank Range”) as well as coming out strong with new ones (one untitled, one known as “Freshfaced”). Bowles’ current music has already redefined and expanded the notion of modern banjo music, but the trio promises to push things even further, offering the opportunity to head in directions he hasn’t yet contemplated in other groups in which he participates, such as the Black Twig Pickers. For one, these songs feel a bit more like rock songs, with McMurry’s drumming pushing a faster tempo and an overall heavier direction, particularly on the new song. “Freshfaced.” Seeing Nathan Bowles is always a treat — and it’s something we do as often as we can — and this trio only adds to the anticipation of what he’s up to next. Bowles has a few shows around the southern U.S. this month, so go have a listen if you can.

I recorded this set with Evan Lamb’s house mix, plus an additional soundboard feed of the banjo, together wtih Schoeps MK4V microphones onstage, and AKG 460 cardiod mics hung over the audience. The sound quality is excellent. Enjoy!

Nathan Bowles Trio
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>KCY>Z-PFA>AKG 460/CK61 (FOB, DFC)>(24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Blank Range
02 [untitled for now]
03 Freshfaced

SUPPORT NATHAN BOWLES: Pay to download this recording | Website | Bandcamp | Paradise of Bachelors

Chuck Johnson: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

October 1, 2017
By

As a multitalented musician — a soundtrack composer, rock guitarist, and solo guitarist, among other things — it was nonetheless an exciting turn when the Bay Area (by way of NC) artist Chuck Johnson released Balsams, an album of pedal steel compositions that invented what Pitchfork rightly deemed a new genre unto itself: “country post-rock.” This being the annual Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree at King’s in Raleigh, NC, Johnson did the only-partly-expected, playing a Balsams track, “Riga Black,” but reworking the original into an extended ambient meditation. There’s an undeniable grace and peace to the work that melded perfectly with the afternoon’s inclusive, forward-looking vibe. We never miss a chance to see Chuck in action, and Balsams is yet another evolution the career of a gifted and visionary artist.

I recorded this set with Schoeps MK4V microphones onstage plus a soundboard feed of Evan Lamb’s house mix. The sound quality is outstanding! Note: If you purchased an earlier version (before 10/1/2017) of this from bandcamp, go back and snag this version, as it has been re-mastered to remove some glitches from the original.

Chuck performs at the Ambient Church in Brooklyn this Friday with Windy & Carl. Check it out.

Chuck Johnson
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Schoeps MK4V (onstage, DFC)>KCY>Z-PFA + Soundboard (engineer: Evan Lamb)>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC

(align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Riga Black

PLEASE SUPPORT Chuck Johnson: Buy this recording via the bandcamp link above, and buy his other recordings on his bandcamp page | Buy Balsams via an independent retailer

Dorji-Toth Duo: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 27, 2017
By


Tashi Dorji and James “Wooden Wand” Toth are both favorites of ours, each having performed some spectacular sets of music that we’ve featured in the past (and more to come). Dorji is a modern day avant-guitar master, while Toth — best known for his Wooden Wand songwriting — can move fluidly through several genres, as comfortable in singer-songwriter mode as he is with the way out. This Three Lobed Recordings / WXDU Hopscotch day show set featured the two men doing more of the latter, as the two men wove together a one-of-a-kind ambient noise improvisation. The mysterious box you see Toth in front of in the picture is the Octatone, a rare, handmade instrument by Forrest Marquisee of Virginia-based Forest Floor Studios, which you can learn more about here (watch a YouTube demo here). You can’t have one of these legendary day shows without a spiritual out performance, and this collaboration was that highlight for us this year. The connection between these players was such that this creation didn’t even start with a roadmap; what you hear is the organic evolution of two music minds in the act of creation. It’s a special moment not to be repeated, and it’s part of why I never miss a Friday at King’s in the early weeks of September.

I recorded this set with Evan Lamb’s house mix plus Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Tashi and James play at Black Iris in Richmond on October 21. Check it out if you’re in the area!

Tashi Dorji / James Jackson Toth
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Schoeps MK4V (onstage, DFC)>KCY>Z-PFA + Soundboard (engineer: Evan Lamb)>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Tashi Dorji – Guitar
James Jackson Toth – Octatone

SUPPORT TASHI DORJI AND JAMES TOTH: Pay to download this recording (click the bandcamp link above), and buy stuff from them: Wooden WandTashi Dorji

Purling Hiss: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 19, 2017
By


[photo by Paul Spanbauer]

As longtime members of the Purling Hiss bandwagon, we’re always excited to see this band play live, and even more excited by the big-time reception those live shows usually get. That was the story here at the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree, where the Hiss set found the room at its most-packed point of the day, and for good reason. Mike Polizze and his current cast of co-conspirators (Ben Leaphart on drums, Pat Hickey on bass) brought the full amount of heat to the King’s stage on this sunny mid-afternoon, kicking off with the classic PH tune “Mercury Retrograde” before venturing into a long-haired rock version of Spacemen 3’s “Walking With Jesus.” It was the best kind of cover, abandoning the melodic, low-tempo Brit-psych of the original to boil the song to its rawest essence. After that, we headed into the deep Hiss catalog for “Run From the City” and “Almost Washed My Hair” (2009 and 2010 respectively) before the band sprung a final goodie, a song so new that it doesn’t yet have a name. What we do know about the song is, not-shockingly, it’s a fusillade of hard-charging guitars and ecstatic vibes. Like most things Purling Hiss, it rocks.

I recorded this set with Evan Lamb’s soundboard feed, together with Schoeps MK4V microphones onstage. The sound is excellent. Enjoy!

Purling Hiss
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage, DFC)>KCY>Z-PFA>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Mercury Retrograde
02 Walking with Jesus [Spacemen 3]
03 Run From the City
04 Almost Washed My Hair
05 [untitled]

Purling Hiss:
Mike Polizze – Vox/Guitar
Ben Leaphart – Drums
Pat Hickey – Bass

If you enjoyed this recording, PLEASE SUPPORT Purling Hiss, like them on Facebook, and buy their latest records from Drag City.

Rosali: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 18, 2017
By


[courtesy of Three Lobed’s Instagram]

It just wouldn’t make sense to have a talent like Rosali Middleman, who performs as Rosali, show up for a Three Lobed Recordings / WXDU Hopscotch day show and NOT do double duty. So after tearing shit up with the Long Hots earlier in the day, Rosali took the stage again to play her own material, including songs from her forthcoming second LP. Her 2016 debut, Out of Love, arrived like a confident tailwind in a year that was a veritable sea of tumult, and it’s worth revisiting it if you missed it then. This full-band set (featuring Nathan Bowles on drums, Paul Sukeena on guitar, and Dan Provenzano on bass) beefed up certain songs like the key Out of Love opener, “Good Life” as well as making a first (for many of us, at least) showing off new songs like “If I Was Your Heart” and “Dead and Gone.”

These Three Lobed / WXDU day shows tend to have a way of revealing themselves, with the internal logic of the order of (often) wildly divergent styles of bands evident only once you’re standing in the room. Such is the case with Rosali’s position near the end of the day. “Rise To Fall” is a new song of hers, and while certainly the emotional and musical highlight of Rosali’s set, it may also have been that for the whole day, as Middleman’s voice soared over the thick zone of guitars. It felt like an affirmation of all that is right about this day, every year, as a band that had started their set with a measured country-folk number was suddenly blowing the doors off the place with a huge rock song. These shows also have a way of veering from the intellectual to the contemplative to the delightfully weird, but somewhere, there’s always the urgent, throbbing heart, and for me, that was this moment. Stay tuned to Rosali’s bandcamp to find out more about the forthcoming album version.

I recorded this set with fellow taper Randy’s ceiling mounted AKG 460s together with the house mix by Kings’ Evan Lamb. The sound quality is excellent. Enjoy!

Rosali
2017-09-08
Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+AKG 460/CK61 (FOB, DFC)>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 If I Was Your Heart
02 Good Life
03 Hangin
04 Dead And Gone
05 Blind Bird
06 Rise to Fall

SUPPORT ROSALI: bandcamp | Facebook

Long Hots: September 8, 2017 Three Lobed Records/WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 15, 2017
By

I can’t even give you a link to Long Hots on the Internet, because there ain’t one. But maybe you’ve heard of such bands as Rosali, Hothead, and Spacin‘. Ah, right, now you get the idea. So named for a kind of hot pepper, I assure that this band is prepared to bring the fire. My now-annual journey to the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree is never complete without a total surprise, and seeing “Philadelphia’s most anticipated band” playing their third-ever show was certainly one of them. These women didn’t spend a long time onstage, but they used their fifteen minutes well, handing us two doses of feral guitar shredding and general disrespect for the integrity of our eardrums. This band played their fourth show, the following night, with Purling Hiss, so if you didn’t figure out the RIYL on this one, I can’t help you. Head over to bandcamp, throw these powerful women some love, and make sure some more Long Hots is in your future.

I recorded this set with a combination of onstage Schoeps MK4V microphones and several soundboard channels from house engineer Evan Lamb. The sound quality is excellent. Enjoy!

Long Hots
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>Z-PFA>>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 They Do What We Want
02 One Chip Over the Line

SUPPORT THESE MUSICIANS: Rosali | Spacin‘ | Hothead

Bill Nace: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

October 14, 2016
By

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Bill Nace‘s reputation among noise aficionados is a well-deserved one, with him having collaborated with the likes of Okkyung Lee, Chris Corsano, Thurston Moore, Kim Gordon, and Paul Flaherty. If his work with Gordon in Body/Head is his best known, that still means Nace’s experimental guitar work still resonates with a relatively specific (but dedicated) portion of the music-loving population. Among a diverse bill, perhaps Nace’s appearance most drove home what sets Three Lobed Recordings apart even from its brethren among small labels.  On a day that spanned Watery Love’s scuzzy hardcore to Meg Baird and Mary Lattimore’s delicate folk, Nace’s set nonetheless stood out as a testament to music’s outer boundaries. The abstract, hypnotic and deeply felt composition that Nace wove on this afternoon was one of those things that leaves each listener open to interpret it how they wish; for me, a reward of this type of music is the way that it forces the listener to decide what it is, rather than interpret more direct expressions like lyrics. While sometimes a recording cannot fully capture what it meant to experience something live at the time, I submit that this is almost the reverse — on headphones, in a car or some other enclosed, personal space, this set is even better to engage with.

I recorded this set with Schoeps MK4V microphones onstage and Brad Womack’s house mix. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Bill Nace
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

PLEASE SUPPORT BILL NACE — Buy his other records here and get Body/Head material here.

MANAS: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

September 23, 2016
By

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We were floored by Tashi Dorji‘s performance at Hopscotch Music Festival last year, so it seemed almost inevitable that the relentless guitar improviser would somehow become part of our favorite of the weekend’s events, the the annual Three Lobed / WXDU Day Show at King’s, the following year. This very special show featured the band MANAS, which is normally a collaboration between Dorji and Thom Nguyen on drums. For this show, the band was joined by Tyler Damon on an additional drum kit. Like Dorji’s solo work, many MANAS performances are fully improvised, and this was no exception. This twenty-five minute performance rose and fell, with the tinkling percussion that began it giving way to Dorji’s initial guitar meditations before exploding into a furious, expanding universe of sound. Dorji’s performances have a way of hitting you differently the more times you listen to them; he has a way of producing a tangle of emotions with his instrument. This performance began the day, and set a high bar for what was to come. It was work to be admired, and in true Three Lobed tradition, that made you think.

I recorded this set with Brad Womack’s soundboard feed together with Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

MANAS
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6 + Soundboard (engineer: Brad Womack)>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Band:
Tashi Dorji – Guitar
Thom Nguyen – Drums
Tyler Damon – Drums

PLEASE SUPPORT MANAS: Bandcamp | Dorji-Damon Collaborations | Feeding Tube Records | New Body Tapes | Korper Leib

Bachman-Toth Band: September 9, 2016 Three Lobed/WXDU Day Show, King’s, Raleigh, NC

September 15, 2016
By

bto-schwentker
[photo courtesy of David Schwentker]

If the Watery Love set was the volume plateau of the Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival, the joint appearance by longtime site faves James Toth aka Wooden Wand and Daniel Bachman was undoubtedly its whimsical peak. This day happened to not only be one of the consistent musical highlights of the year, but also it was Toth’s birthday, so he and Bachman were probably in a celebratory mood. Whatever the reason, reality was that this combination of players had never existed before — Bachman, Toth, Forrest Marquisee on guitar, and Ian McColm on drums — and they hadn’t even soundchecked. What would happen was a mystery to everyone, even to some degree the people on the stage.

However much the 20+-minute drone-ified version of Black Sabbath’s “War Pigs” that emerged was or wasn’t planned, the outcome felt like more than a mere lark. As with everything these players do, this was done with spirit, turning this into one of those off-the-cuff, daring improvisational moments that have come to define what is always the highlight of this music festival. There’s not much more to say about it than that — listen to it and you’ll understand.

I recorded this set with Brad Womack’s soundboard feed and Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC] [Note: the files need to be re-tagged with the correct band name]

Stream the complete set:

Bachman-Toth Band 
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 War Pigs [Black Sabbath]

Support these artists: Daniel Bachman website / facebook | Wooden Wand website bandcamp

Watery Love: September 9, 2016 Three Lobed / WXDU Day Show, Hopscotch Music Festival, King’s (Raleigh, NC)

September 13, 2016
By

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“We’ve arrived at the volume plateau of the day” Three Lobed‘s Cory Rayborn said as he introduced the Philly “supergroup” Watery Love, taking the stage at the annual Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival. Rayborn wasn’t lying–the band came out of the gate with the loud-as-fuck blast of “Ned’s Dreamcatcher” and didn’t let up from there. As we were streaming the show live on Duke University radio station WXDU, the team handling that end of the business had to work overtime to “bleep” vocalist Richie Charles’ (of Richie Records) dirty words back to PG-13. Indeed, this was dirty, cuss-spitting, fire-breathing, bad-ass scuzz rock and it was not to be stopped, by outdoor sunshine or otherwise. But while any group of yahoos can stand up and make noise, what sets Watery Love, and this particular performance, apart is that these guys hang together so well, playing well and turning all of that energy into something deceptively cohesive.

This was a perfect wake-up call on a day with a very wide palette of artists, and regulars Charles and Max Milgram (guitar) had arrived equipped with extra firepower in the form of Purling Hiss‘ Mike Polizze and Ben Leaphart, together with harplist/multi-instrumentalist Mary Lattimore (possibly the day’s MVP, or at least, the person who played with the most different bands) on bass, drums and keys, respectively. Watery Love has been a band since 2008, but their performances, especially outside of Philly, have been sporadic, and their recorded output is equally limited. Seeing them is a treat, and the energy they expect is equal to the moments they inhabit. There were many very, very fine performances on this day, but this might be the only one that had even the people in the back howling with glee like teenagers. Whatever it is these guys have, make sure you try to catch some of it.

I recorded this set with King’s engineer Brad Womack’s house mix, plus an additional soundboard channel, and Schoeps MK4V microphones onstage. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Watery Love
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ned’s Dreamcatcher
02 Sweat Powers
03 Die With Dignity
04 A Condom

PLEASE SUPPORT Watery Love: Facebook | Bandcamp

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