Dirty Dishes: June 6, 2017 Alphaville

June 20, 2017
By

Since hosting them at our CMJ show a few years back, Dirty Dishes have continued to grow steadily, as Jenny Tuite and her bandmates continue to develop a reputation around their adopted home in New York (via Boston and then California). Following on their 2015 full length, Guilty, the band have released a trickle of new material since. “All of Me,” from last year, kicked off this show at Alphaville, and its heavy, dirge-like sound was an instant favorite. The band wears their early-mid-90s influences proudly, and what they share with those bands is a keen sense of the dynamics at work in that music, and the sense of controlled abandon that made that style compelling in the first place. If this wasn’t the longest show on record, it was more than enough to remind us what we liked so much about this band in the first place, and to leave us hoping for more from them in 2017.

I recorded this set with Schoeps MK4V in a mobile rig right in the middle of the room. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Dirty Dishes
2017-06-06
Alphaville
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (DIN, FOB, DFC)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Adobe Audition CC (limiter, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 All of Me
02 Guilty
03 Blur
04 Red Roulette
05 Thank You Come Again
06 Stolen Apples
07 Learn Obey

SUPPORT Dirty Dishes: bandcamp | website

Robert Millis: May 17, 2017 Park Church Co-op

June 12, 2017
By

It’s no secret that Sublime Frequencies publishes some of the most interesting, far-flung music and books out there, much of that due to the extraordinarily tireless work of compiler and artist Robert Millis. His latest book is Indian Talking Machine, which chronicles Millis’ hunt for 78s in India in words and pictures. Millis is also responsible for an impressive catalog of music of his own, both solo and with Climax Golden Twins. Most recently, Abduction put out the album The Lonesome High, which includes “Marvelous Fool” and the traditional “The Drowsy Sleeper,” both of which he performed last month at Park Church Co-op. (As an aside, that album also includes “Notes on a Scandal” which he performed a couple years ago at Union Pool.) Also in this set is “Continental,” a Climax Golden Twins song from 2007’s 5 Cents a Piece. The finale, “Abstraction,” is a long ambient piece that perfectly encapsulates the intersection of Millis’ two passions, combining his guitar with, in his words, “a mixture of field recordings I have made, 78rpm record samples, and a few other oddities—put together to interact with my effects and the guitar pick up in interesting ways.”

I recorded this with the room mics set up ORTF at the stage lip, combined with a board feed from Park Church engineer Jasno Swarez. It sounds excellent. Enjoy!

Download the complete show: [MP3/FLAC]


Robert Millis
2017-05-17
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard > Roland R-26 + AKG C480B/CK61 (ORTF, stage lip) > Zoom F8 > 2 x WAV (24/48) >  Audacity 2.0.5 (align, mixdown, tracking, tagging) > FLAC (24/48, level 8)

Tracks [35:18]
01. The Drowsy Sleper [traditional]
02. Continental [Climax Golden Twins]
03. Marvelous Fool
04. Abstraction

3-4 copyright Robert Millis, 2017

Support Robert Millis: Website | Facebook | Buy Robert Millis music via Forced Exposure

Ween: June 6, 2017 Brooklyn Steel

June 11, 2017
By

Our friend Chris Davis from “Team Dirty South” came north to capture this show for NYCTaper, and he reports:

Ween @ Brooklyn Steel on June 6, 2017 – A Team Dirty South/NYCTaper Joint

After some mild subway misdirection, an uber dropped me off at Brooklyn Steel exactly at 7:00. I was surprised to find a long line well around the corner. In Charleston, music fans show up an hour late for everything. This was my first indication that this Brooklyn Ween crowd was hungry and eagerly anticipating this two-night run following the band’s reuniting just last year. Conversation around me in line was entirely Ween focused: a spirited Brooklyn Bowl-Las Vegas February run discussion, Sunday’s Baltimore setlist review and expectations for the evening. Clearly, this crowd was excited and ready for a rock show.

The line moved quickly and in about 10 minutes I was getting patted down at the entrance. My recording gear seemed to be understood; however the microphone stand was a source of confusion. Luckily, the NYCTaper crew had rolled out the red carpet and I knew exactly who to ask for. Another taper and I waited patiently until Anthony, the venue manager came over. Anthony had seen the likes of us before; and quickly instructed us on how Brooklyn Steel wants it done. No worries, Anthony was very accommodating and friendly, and instantly we were inside hoisting mics and pressing buttons.

Wow. This crowd was ravenous. Fans started screaming around 8:00 and didn’t stop. The place erupted when Ween took the stage around 8:30. Meandering slowly into “The Stallion”, then launching into “You Fucked Up”; this crowd knew the gloves were off and we were all in for a serious “all ages” Ween show! The set was richly scattered with Ween favorites (or classics if you can say that about the Ween catalog): “Transdermal”, “Push the Daisies”, “Roses are Free”, things were moving on and the Ween crowd was fully engaged. I heard very little crowd chatter and the recording reflects it. The band continued on through a twisty “HIV Song” and a rocking “Spinal Meningitis”. About halfway through the set, Gene pulled out the acoustic and announced “this is the first time we’ve ever played this”, and tuned into the opening chords of “Among His Tribe” off the 2003 Quebec album. What a surprise! As if not to take themselves or the moment too seriously, Ween followed quickly with “Piss Up a Rope”. The room would erupt again when the band announced a “nice party jam” and led us through David Bowie’s “Let’s Dance”; a cover recently performed in Baltimore after a 6 year absence since New Years 2011. Immediately following, we were treated to the first live version of “Seconds” since summer 2002. The band lit the room up again with a super-funky “Going Gets Tough”, then winded things down with “Someday”. After a nearly 5-minute encore break; Ween gave us a Gene-less “Fiesta”, with Gene returning to the stage to shut things down with “The Mollusk”. The band left the stage at 10:42, following a few mentions of “tomorrow night”. Ween certainly left this crowd engaged and primed for another show!

I was a quick Uber back to Manhattan by 11:15, with a Shake Shack burger and a bottle of cabernet delivered to my hotel room, only in NYC for this Team Dirty South taper!

Download this Recording from Archive.org [MP3] / [FLAC-24] [FLAC-16] and stream below:

Ween
Brooklyn Steel
Brooklyn, NY
June 6, 2017 [Tuesday]

****Team Dirty South Recording****

source: Peluso cecm6/ck41 [pas] -> Sound Devices MP-2 -> Tascam DR-680 [24/48]
location: dfc / light booth railing / stand @ 9′
transfer: DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar

One Set:
01 – intro
02 – The Stallion Pt 1
03 – You Fucked Up
04 – Transdermal Celebration
05 – I Gots A Weasel
06 – Golden Eel
07 – The Argus
08 – Push th’ Little Daisies
09 – Big Jilm
10 – Roses are Free
11 – Did You See Me?
12 – Exactly Where I’m At
13 – Mutilated Lips
14 – The HIV Song
15 – Spinal Meningitis
16 – Among His Tribe*
17 – Piss Up A Rope
18 – Pork Roll Egg And Cheese
19 – Dr. Rock
20 – Object
21 – Buckingham Green
22 – Happy Colored Marbles
23 – Mister Richard Smoker
24 – Let’s Dance
25 – Seconds**
26 – The Goin’ Gets Tough From The Getgo
27 – It’s Gonna Be A Long Night
28 – Someday
29 – crowd

Encore:
30 – Fiesta
31 – The Mollusk

*first time played
**first time since 8/22/2002

#descorchados2017!

PLEASE Support Ween: Website | Store | Facebook

Ween: June 7, 2017 Brooklyn Steel

June 9, 2017
By

For the second night of Ween‘s run at shiny new venue Brooklyn Steel, the band continued to reiterate what has made them such a cult favorite. As a newcomer to the band, I can’t claim to be any kind of expert in the ins and outs of the setlists, but if you’re curious what has made them one of the more welcome “reunions” of recent years, I can offer some thoughts. First, the musical diversity of the band’s sound has long been well-known, mixing bar-room rock, punk, psychedelia, country, new wave, funk and more. Though the recent accumulation of Phish fans to their ranks has been talked about, the more logical touch points for understanding this band are willfully-weird bands like the Butthole Surfers and the Meat Puppets, who similarly can’t be pigeonholed into a genre so much as a vibe. Second, in Ween’s case, there’s a brand of outrageous humor at work in many of their songs, of a kind that prompts debate on the Internet over the funniest Ween songs. Whether or not songs like “Deez Nutz” or “Bananas and Blow” are your thing doesn’t necessarily determine whether you have to like or dislike the live show, just as some Phish get more turned on by the Gamehendge element than others. Personally, I was more fired up about songs like the sprawling 1994 jam “A Tear for Eddie,” or 1990’s Butthole Surfers-esque “Licking the Palm for Guava” (also dedicated here to Gibby Haynes).

Since I know fairly little about the band, I decided to consult a long time fan on the show to get his take. In his read, compared to the previous Brooklyn Steel show, this was a relatively sedate affair, focusing more on the band’s country sound and skipping some of what this fan deemed “essential” Ween songs such as a classic cover, or any of “Dr. Rock,” “Spinal Meningitis (Got Me Down),” “Push the Little Daisies,” “You Fucked Up,” “Golden Eel,” and “Buckinham Green” — all of which made it into the first night setlist.  Along with the “A Tear For Eddie” that I did, he pointed out that “Mushroom Festival In Hell” and “I’ll Be Your Johnny On the Spot” as highlights.

Wherever you are in your Ween fandom, you can’t deny that they’re as hard working a band as they come. When they promised “an evening” with them, we got one, a full two hours and ten minutes of mostly uninterrupted playing that fired up the slam-packed Brooklyn Steel floor. I have no doubt that the show was ten times more engaging for those better acquainted with the inside jokes and the general band lore, but based on this performance, I’d be up for finding out more.

Finally, if you haven’t been to Brooklyn Steel yet, know that longtime sufferers of its predecessor will finally have a mid-large venue for more popular bands that offers a full view of the stage from almost every place in the room. We’ve already enjoyed a few shows here so far, and look forward to many more. As always thanks to the professional staff of Bowery Presents for making our presence there feel both safe and welcome.

I recorded this set from the “taper’s section” with Schoeps MK41V microphones. The sound quality is excellent. Enjoy!

Night one was also recorded and will be posted soon.

Download the complete set from its home on the Live Music Archive: [MP3] | [FLAC]

Ween
2017-06-07
Brooklyn Steel
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, PAS)>KCY>Z-PFA>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (fades, compression, limiter)>Izotope Ozone 5 (EQ, effects)
>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 2:10:07]
01 Chocolate Town
02 Tried and True
03 Birthday Boy
04 Help Me Scrape the Mucus off My Brain
05 [banter1]
06 Take Me Away
07 Fat Lenny
08 Cold & Wet
09 Boys Club
10 [banter2]
11 Nan
12 Gabrielle
13 Bananas and Blow
14 My Own Bare Hands
15 A Tear for Eddie
16 [banter3]
17 Licking the Palm for Guava
18 Mushroom Festival in Hell
19 I Can’t Put My Finger on It
20 [banter4]
21 Baby Bitch
22 Flutes of Chi
23 [banter5]
24 I Saw Gener Cryin’ in His Sleep
25 I’ll Be Your Jonny on the Spot
26 [banter6]
27 Learnin’ to Love
28 Deez Nutz
29 Polka Dot Tail
30 [tuning]
31 Drifter in the Dark
32 Powder Blue
33 Hey There Fancypants
34 [encore break]
35 Don’t Shit Where You Eat
36 What Deaner Was Talkin’ About

Support Ween: Website | Store

Horse Lords: June 4, 2017 Sunnyvale

June 8, 2017
By


[photo by nyctaper]

Last Summer during a heat wave we hosted a show headlined by Horse Lords at Trans-Pecos and it was a glorious night of cool air and even cooler music. EricPH “found” this band for the site in 2015, but by 2016 their Northern Spy album Interventions put them on the map for all of us. Horse Lords is comprised of four superb musicians with not only music-school skills but the touch and timing to play incredibly intricate music in complete sync with each other. They combine the best parts of prog, jazz and math rock into extended suites in the live setting that inspires repeated listens.

On Sunday night at Sunnyvale, Horse Lords brought out the diehards and there are now quite a few of these enlightened folks. The crowd wasn’t overwhelming, but those who were there were all-in — the band’s peaks and valley and twists and turns had the entire crowd hanging on for dear life. The set was culled primarily from Interventions but also included one extended older cut to finish the set. From my vantage point at the front of the stage, it was a quite an impressive image of four musicians instinctively in tune with each other. Horse Lords are a band not to be missed, and we will continue to follow this outstanding group.

Horse Lords are currently on a short midwest tour which visits Toronto, Cleveland and Chicago beginning tonight through Friday. All dates and venues here.

I recorded this set with the Schoeps cards mounted at the front of the stage and mixed with an excellent board feed. The mix of the two sources compliments perfectly and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Horse Lords
2017-06-04
Sunnyvale
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 58:42]
01 Truthers
02 Toward the Omega Point
03 Intervention II
04 Time Slip – Intervention III
05 Bending to the Lash
06 Wildcat Strike

Please support Horse Lords: Facebook | Bandcamp | Tumblr

Chris Forsyth & the Solar Motel Band: April 6, 2017 Trans-Pecos

June 1, 2017
By

Chris Forsyth’s appearance at Trans-Pecos a couple months ago heralded that most important of musical happenings: the possibility of a new release. With their latest No Quarter release The Rarity of Experience a proven success win fans, Forsyth and the Solar Motel Band used this intimate stage to show off some of their latest attractions. After hitting the ground running with “High Castle Rock,” we heard three new numbers in a row, including “History and Science Fiction” and “Mistaken the Bottle” (which we first heard at Union Pool back in late 2016) plus a new as-yet-unnamed (to us, anyway) number. When you add in “Dreaming In the Non-Dream I-II,” you’ve got a set chock-full of new material that continues to expand on Forsyth’s unique guitar vision, which blends a rock fan’s appreciation for shredding (he named a song after “Cocksucker Blues,” after all) with a Deadhead’s appreciation for sonic exploration, thematic variation, and little details. It’s always a treat to see Chris and the band, and we’ll be sure to keep you posted on what’s next.

I recorded this set with onstage Schoeps MK5 microphones into a warm-sounding Aerco preamp, plus a soundboard feed. The sound quality is excellent. Enjoy!

Stream and download the complete set on our bandcamp page:

Chris Forsyth & the Solar Motel Band
2017-04-06
Trans-Pecos
Queens, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (onstage, DFC, XY)>KCY>Aerco MP-2 + Soundboard >> Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.0.3>FLAC ( level 8 )

Tracks
01 High Castle Rock
02 American History and Science Fiction
03 [new1]
04 Mistaken The Bottle
05 The First Ten Minutes of Cocksucker Blues
06 Dreaming In the Non-Dream I-II

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

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