Daytona: July 16, 2014 Glasslands – FLAC/MP3/Streaming Full Set

July 24, 2014
By


IMG_7487
[photos by acidjack]

Daytona, from Brooklyn but comprised by vets of the Chapel Hill, NC scene, may not have a direct connection to their titular state, but the name still fits. There’s an air of the beach about them, making their self-titled debut album a perfect summer listen. That’s true of the album in particular, whose wide-ranging influences, particularly in the form of Caribbean percussion, have drawn some not-unflattering comparisons to Vampire Weekend. Seeing them live at Glasslands last week, I was given a more rounded impression of their overall sound, which included new songs and a cover that don’t appear on the record. Playing in front of projected images in the pitch black, the band showed that theirs is more than good-time chill out music, even if that’s not the worst thing to be in the middle of summer. I was struck in particular by their cover of the classic song “That’s All Right” by Arthur Crudup (most famously adapted by Elvis Presley), to which vocalist/guitarist Hunter Simpson added a delicate wistfulness. Most importantly, the band carries off live what their very well-produced album (recorded in North Carolina by Ari Picker (Lost In the Trees) and mixed by Matt Boynton (MGMT, Hospitality) is trying to get across, which is an important test of any young band. We look forward to more good things from these guys in the future.

I recorded this set with the installed house recording rig and Josh Thiel’s customarily excellent soundboard mix. The light projector mounted near the mics caused a faint buzzing that can be heard during quiet passages, but other than that flaw, the quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the full set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

IMG_7488

Daytona
2014-07-16
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, alignment, mixdown, fades)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 New Foundation
02 That’s All Right [Arthur Crudup]
03 Mirror
04 Metropolitan
05 Ought To Be A Law
06 Undertow

If you enjoyed this recording, PLEASE SUPPORT Daytona, like them on Facebook, and buy their record from Ernest Jenning Records here.

Marah: July 12, 2014 Bowery Electric – Flac/MP3/Streaming

July 23, 2014
By

Marah by Henry Strauss
[photo by Henry Strauss - courtesy of Music Makes Life Better]

The current incarnation of the veteran band Marah is one of the most remarkable transformations in recent memory. Marah has been an accomplished roots/alt-country band throughout the late 90s and 2000s — they were on Steve Earle’s record label, Bruce Springsteen performed guest vocals on their 2001 album, they played Bonnaroo in 2006, and Jon Wurster once played drums in the band. But their last album was released in 2010, and after some personnel changes founder David Bielanko and only other remaining band member Christine Smith moved from NYC to rural Pennsylvania and began a unique project. Mountain Minstrelsy of Pennsylvania is a book published by folklorist Henry Shoemaker early last century that collected vernacular and folk song lyrics from the mountains of Pennsylvania. David and Christine put several of the songs to music and joined with local musicians from Millheim PA to record the songs in an old church with strictly vintage analog equipment. The album that resulted from these session Marah Presents Mountain Minstrelsy is simply a breathtakingly authentic recreation of 19th century American music and perhaps the most unique music we’ve heard all year.

However, the interesting elements of this project go deeper. It ends up that the local musicians recruited to play this music themselves are a remarkable story. Kai Schafft is a Professor at Penn State, a Doctor of Sociology with an expertise in rural cultures, and an expert in the music of Harry Smith — and one heck of a banjo player. Jimmy James Baughman is an accomplished upright bass player and a leader of local Central PA legends The Chicken Tractor Deluxe. Drummer Chris Rattie is a local PA legend who once flirted with mainstream success with a band called the The Rustlanders that recorded an album with legendary producer Don Was in LA. He currently fronts his own band Chris Rattie and The Brush Valley Rumblers. But the most amazing part of this band is Gus Tritsch, who is a ten year old boy. Gus is a prodigy in the truest sense of the word — his fiddle playing is beautiful and profound and his cigar-box guitar playing is crunchy and bluesy. He plays like a man of fifty and as Bielanko has noted, Gus is in the band simply because he was the best fiddle player in town.

Marah played its only scheduled NYC show with the Mountain Minstrelsy band on Saturday last at the Bowery Electric. If there were any doubts that the band could pull off this music in a live setting, those doubts were entirely extinguished during “A Melody of Rain” (streaming below), a standout track on the record that was given new life in a full band electric setting. But that was just the start. The band worked through much of the new album but also sprinkled in a nice selection of classic Marah material. Its was especially impressive to note that the Mountain Minstrelsy band seemed equally comfortable with the band’s older catalog, particularly Gus who added some sweet fiddle runs to songs like “Barstool Boys” (streaming below — listen to Gus’s mid-song solo) and “Walt Whitman Bridge”. And speaking of Gus, one of his contributions to the Minstrelsy album “Rattlesnake” became a twelve-minute wild blues jam and the kid played the cigar box to its pinnacle. This was one of those shows that no one wanted to end, including David who asked several times for “one more song”, and the venue graciously allowed Marah to break curfew — the band performed well beyond their allotted hour slot. David spoke fondly of his time in NYC, his promise to return soon, and he and Christine finished the night with a beautiful duet on “City of Lights”.

We expect that Marah will be back in NYC with the Mountain Minstrelsy band in the near future, perhaps this Fall. And we’d seriously warn any fans of America music to be wise and not miss this show. At NYCTaper we are fortunate to be able to see the band this coming weekend down in Camden NJ at the XPonential Festival.

I recorded this set with the Sennheiser Cards mounted in front of the soundboard booth about 15 feet from the stage and mixed with an excellent board feed mixed by house FOH Owen. There was one song “The Falling of the Pine” that was performed off-mic in the middle of the room and that presented a challenge, but otherwise the sound quality is superb. Enjoy!

Stream “A Melody of Rain”:

Stream “Barstool Boys”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request

Marah
2014-07-12
Bowery Electric
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:22:34]
01 [instrumental]
02 A Melody of Rain
03 Limb
04 Barstool Boys
05 The Catfisherman
06 The Falling of the Pine
07 [banter - come back]
08 Fever
09 The Old Riverman’s Regret
10 Bright Morning Stars
11 [banter - intermission]
12 Walt Whitman Bridge
13 Ten Cents at the Gate
14 Rattlesnake
15 Long Hot Summer
16 Santos de Madera
17 City of Dreams

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Marah, visit their website, and purchase Marah Presents Mountain Minstrelsy from the Merchandise link at their Website [HERE].

King Buzzo: July 14, 2014 The Wick – FLAC / MP3 / Streaming Songs

July 22, 2014
By

king-buzzo-5
[Photos courtesy of P Squared Photography]

For over 30 years, Buzz “King Buzzo” Osborne and the Melvins have made their own brand of heavy rock, ‘sludge’, an institution.  While that has had a huge influence on music, including helping birth the kinder, gentler ‘grunge’ genre, Melvins continue to stand apart from the crowd with a sound that is instantly recognizable.  When Buzzo decided to record and release his first acoustic album this year, the excellent ‘This Machine Kills Artists‘, it was definitely a departure from what he’s known for, but not completely unexpected from a performer who has been blazing his own trail for decades.  With Melvins being a favorite of ours and having appeared on this site several times, we were excited to hear that he was embarking on a solo tour in support of the new disc and relished the opportunity to catch his stop at The Wick, a new venue in the Bushwick area of Brooklyn.  Onstage with little more than an acoustic guitar, a microphone and his trademark hair, King Buzzo kicked his set off with the dramatic “Boris” and proceeded to keep the respectful Brooklyn crowd (aside from one overly enthusiastic attendee) in rapt attention for the next 75 minutes.  Peppered with anecdotes, observations and a hilarious story about Mike Patton, Buzz proved to be quite the raconteur.  His great combination of new songs, Melvins staples from their vast catalog and engaging, interactive banter made for a show that I could easily enjoy almost every night.

We recorded King Buzzo in the same manner as Mary Halvorson’s opening set with a stereo pair of Countryman B3 omni microphones placed onstage. While there is some ambient noise at times, the overall quality and clarity is excellent thanks to Buzzo’s sound engineer, Dave, and The Wick’s FOH, Joe. Enjoy!

Special thanks to King Buzzo, Joey Massa, Chris White, John Seroff and the staff at The Wick for making this recording possible and for their courtesy and cooperation.

Stream “Rough Democracy”:

Stream “We Are Doomed”:

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

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King Buzzo
Monday, July 14, 2014
The Wick
Brooklyn, NY, USA

Source: AUD > Countryman B3 > MM-CBM-Mini > Roland R-05 (WAV @ 24-bit/48kHz)
Lineage: R-05 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:15:47]
01. [intro]
02. Boris
03. The Ballad of Dwight Frye [Alice Cooper]
04. Suicide in Progress
05. [banter 1]
06. Dark Brown Teeth
07. Rough Democracy
08. Laid Back Walking
09. Drunken Baby
10. [banter 2 - Mike Patton]
11. Evil New War God
12. The Vulgar Joke
13. How I Became Offensive
14. [banter 3]
15. We Are Doomed
16. Hooch
17. Revolve

If you download this recording, we expect that you will PLEASE SUPPORT King Buzzo and Melvins, visit their website and Facebook page, and purchase ‘This Machine Kills Artists‘ at Amazon, iTunes, or your local record store.  And definitely go see Buzz and the Melvins live.  

Oneida: July 17, 2014 Glasslands – FLAC/MP3/Full Set Streaming

July 20, 2014
By

Photo by Greg Cristman | www.gregCphotography.com
[Photos by Greg Cristman]

With Oneida, you never have to worry about seeing the same show twice. Even if you’re hearing the same song — for example, the mammoth version of “Cedars” from this night’s show at Glasslands compared to the one we documented at the start of the year at the Knitting Factory – you won’t necessarily know it if you don’t pay close attention. As our review of the Knitting Factory show pointed out, at this point, referring to an Oneida show’s “setlist” is kind of missing the point. This band has long-since abandoned the conventional, which is why they continue to be a major draw in the underground scene in New York seventeen years in despite minimal blog hype and virtually no mainstream exposure. An Oneida show is an event, a celebration of what music can be when all of the downward pressures on creativity are cut.

Joining the band for this show, as he did at Glasslands last year, was James McNew of Yo La Tengo and Dump, whose bass playing mingled nicely with the swirling controlled chaos on the stage. Although technically a four-song “set”, this set had a similar structure, with a 40-minute sequence of “Cedars” into “Economy Travel” adding two shorter songs, “Cock Fight” and “You Get Brighter” (a 48-minute version of which appeared at the 2013 Glasslands show) to round it out. We expect to see some of these compositions whittled down to album length for a future release, but in a way that’d be a shame. This act’s sound cannot be contained on a few pieces of plastic, nor can their songs properly be culled to one right “version”. The beauty is in the expression of it at a given time on a given night–the very reason live recordings exist in the first place.

I recorded this set with a Schoeps MK5 and Schoeps MK8 capsule in the “mid-side” configuration on-stage to allow maximum adjustment capability to the stereo image, combined with a soundboard feed from Glasslands head of production Josh Thiel. The sound quality is quite simply phenomenal — one of the best recordings I think I can take credit for. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the full show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

Photo by Greg Cristman | www.gregCphotography.com

Oneida
2014-07-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (stage lip, M-S)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (Engineer: Josh Thiel)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 56:59]
01 [intro banter]
02 Cedars>
03 Economy Travel
04 Cock Fight
05 You Get Brighter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Woods: April 22, 2014 Baby’s All Right – FLAC/MP3/Full Set Streaming

July 17, 2014
By

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[photo from the May 16 Bowery Show by Sachyn Mital]

Before sharing their latest sounds at yet another blockbuster of a show at the Bowery Ballroom in May, which we recorded, Woods kicked off their tour with a more intimate show at the Williamsburg clubhouse Baby’s All Right, curated by our friends at BrooklynVegan. Meant to also celebrate the release of their latest album, With Light and With Love. If band founder, lead singer and guitarist Jeremy Earl had any concerns that this first outing with the new stuff might come off ragged but right, he needn’t have had them — at least about the “ragged” part. This show displayed the band’s now-familiar virtuosity and served as a preview of what was to come later in the tour. This night, as at Bowery, the band pulled off a tight segue of “Shining” into the classic jam song “Bend Beyond” that exited into “Size Meets The Sound”, proving that the more approachable sound of With Light and With Love felt right at home with the band’s earlier material. It is always a treat to catch a Woods show, but especially so in a club of this size; this is a band that fills and belongs in bigger venues, but hasn’t forgotten where they came from.

This set was recorded on the Baby’s All Right house multitrack and, as usual, the sound quality is outstanding. The full set is streaming below as well as FLAC and MP3 downloads as usual. Enjoy!

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Woods
2014-04-22
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Multitrack digital soundboard>Adobe Audition CS 5.5 (mix down, fades, compression, effects)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Leaves Like Glass
03 Full Moon
04 Cali In A Cup
05 Shining>
06 Bend Beyond>
07 Size Meets the Sound
08 Shepherd
09 Only the Lonely
10 Moving To the Left>
11 Twin Steps
12 With Light and With Love
13 [encore break music]
14 Green Is the Color [Pink Floyd]
15 Find Them Empty

If you download this recording from NYCTaper PLEASE SUPPORT Woods, visit their website, and purchase With Light and with Love from the Woodsist Records website [HERE].

Mary Halvorson: July 14, 2014 The Wick – FLAC/MP3/Streaming

July 15, 2014
By

mary-halvorson-10
[photos courtesy of P Squared Photography]

Mary Halvorson is a multi-talented, multifaceted musician who represents the best of the New York scene, which is to say that she seems to be everywhere all at once. A survey of her recent shows includes everything from more sedate jazz gigs at Cornelia Street Cafe, appearances with Tim Berne at the avant-jazz club Roulette, a show in the band People at Death By Audio, and of course, her current performances as opening act for Buzz Osborne aka King Buzzo of the Melvins, currently promoting his new solo album (that recording soon). As the New Yorker put it more succinctly, “she’s in tons of bands”.

While we have tried to feature many of the best-known current virtuoso guitarists on this site, this is a first appearance for Halvorson, a slight embarrassment to us given both her talent and how prolific she is. As this set at Bushwick’s The Wick demonstrated, she is a singular improviser who in a single set can cut across generations and genres. For this set, Halvorson chose to go the all-covers route, including songs by Ornette Coleman, Oliver Nelson, the bassist Chris Lightcap, and a host of other U.S. and international leading lights of jazz and guitar music. To their credit, Buzzo’s metal-minded audience understood what was going on, giving Halvorson her due. She deserves all that and more.

I recorded this set with a simplistic onstage rig of two small Countryman omnidirectional microphones split two and a half feet apart. While there is some ambient noise evident at points, the sound quality is excellent. Enjoy!

Stream “Platform” [Chris Lightcap]

Download the complete set: [MP3] | [FLAC]

mary-halvorson-13

Mary Halvorson
2014-07-14
The Wick
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Countryman B3 (onstage, split 2.5ft)>CA-UBB>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (effects, EQ)>Adobe Audition CS 5.5 (adjust levels, compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Sadness [Ornette Coleman]
02 Cheshire Hotel [Noël Akchoté]
03 Ida Lupino [Carla Bley]
04 Blood [Annette Peacock]
05 Cascades [Oliver Nelson]
06 [banter]
07 Someday My Prince Will Come [Frank Churchill]
08 Solitude [Duke Ellington]
09 Platform [Chris Lightcap]
10 Reflections [Thelonious Monk]

If you enjoyed this recording, PLEASE SUPPORT Mary Halvorson, visit her website, and buy records from her substantial discography, which isn’t available all in one place but can generally be purchased at Discogs.

mary-halvorson-16

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