nyctaper Recordings

concert discussion and free flac downloads

Silver Triplets of the Rio Hondo: June 2, 2026 Tubby’s Kingston, NY

July 27, 2026
By

One of my least favorite things about being the “music guy” in various circles is when I have to try to explain what something sounds like. When you talk with other obsessives, it’s easier; you can talk about specific moments on obscure records or eras of labels to evoke an idea or feeling. But for people without that vocabulary, I generally find myself trying to lean on broad terms or genres, and it always feels like I’m short-changing someone’s vision. Portland’s Silver Triplets of the Rio Hondo seem to recognize this problem and have saved me the hassle by referring to themselves as “ranch house exotica” or “Sci-fi roadhouse for dissociatives.” Both of which feel accurate. 

I was unfamiliar with this band prior to looking over Tubby’s schedule for June. It took all of about 45 seconds of previewing their 2022 record, “Luminous Dial” to know I wanted to catch this show. The listener is immediately dropped into a very stylized and psychedelic version of a western film score. The recordings have the required drench of reverb but are made all the more interesting with curious samples and found sounds that seem to come from nowhere and everywhere and make for a very enjoyable headphone ride. 

The live show was similar. Reverb-soaked vocals courtesy of William Slater that invoke the spookiest version of Mexican poncho-wearing Clint Eastwood backed with Christopher Cook’s superb Tele playing. Big shout out to drummer Haven Multz Matthews for keeping the train on the tracks; there is a lot going on in these songs, and with no traditional rhythm section he is solely responsible for keeping it organized. It’s not easy to have things sound equally appropriate for Bakersfield or a basement avant-garde show. 

The Triplets mentioned they have new studio material on the horizon. You can get a taste via the lead single “Your Love” at their Bandcamp, as well as a version played this evening below. And while you’re over at their Bandcamp, why not grab their 2022 debut, “Luminous Dial? Keep an eye on their instagram for updates on the new record! 

I recorded this front eh usual spot in the back with the Scheops MK22’s and board feed from FOH engineer Wil.  I had to make some decisions while mixing to feature the room mic or the samples which came from the board feed more heavily. My default is always to lean towards the room sound which I did here.  The result is a stronger presence of vocals, drums and telecaster over some of the sampling but overall I think the sound is very good. Enjoy 

Download and stream from the Live Music Archive:

Silver Triplets of The Rio Hondo
2026-06-02
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil Wright, for the board patch!

Recorded and produced by kliked for nyctaper.com

  1. Intro
  2. Low Rise Flame
  3. Diamond teeth
  4. Buried in the Sky
  5. Polly
  6. Your Love
  7. The Road
  8. Searchin’
  9. Dangerous Creeping Moonlight
  10. Florida Sharpe
  11. Welcome to my World*
  12. Silver Sparrow

*written by Winkler/Hathcock

Support this excellent artist!
https://silvertripletsoftheriohondo.bandcamp.com/
https://www.instagram.com/silvertriplets/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

M. Geddes Gengras: July 2, 2026 Tubby’s Kinston, NY

July 6, 2026
By

M. Geddes Gengras is a musical polymath.  Maybe you know him from his time with Akron/Family.  Or maybe from his work with The Congos. Or maybe you’ve seen him DJing. Or maybe…you get the idea.  He is always around doing something. But tonight we got to see him just be Ged.

This show was the release party for his excellent new record “Guest List” which was just released on the also excellent Hausu Mountain records. This album finds Ged accepting the role of “leader” in as much as anything this cosmic can be led.  A stacked line up of musicians take Ged’s compositions and filter it through their own lens before being fully assembled, and synthesized, by Ged himself. The result is a deeply personal excursion through all realms of psychedelic music.

For the live show he assembled a serious wrecking crew of Hudson Valley regulars.  Nick Malken and Ben Seretan on guitar, Jared Ashdown on sax, Otto Hauser and John Thayer on Drums. This ensemble was given extreme freedom to take these compositions to the headiest places possible.  You can find traces of the psychedelic tonal perfection of Tortoise living inside the deep weirdness of a ‘73 “Darkstar” giving way to something that could have been a B side on “ The Orb’s Adventures beyond the Ultraworld”. Like I said, heady shit.  I dare you to make it through “Motore” while maintaining a firm grasp on space and time.

This was recorded from my usual spot by the soundboard with Scheops MK22s and a really great mix by FOH engineer Wil. The separation on the synths is a pretty wild ride with headphones.  Highly recommended. However you listen to it, do it loud!

Download and stream on the live music archive!

M Geddes Gengras
2026-07-02
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil Wright, for the board patch!

Recorded and produced by kliked for nyctaper.com

  1. All the Light
  2. The List Is Millions Long
  3. Motore
  4. Little Tonshi
  5. “The Weather”
  6. In A Silent Way

M. Geddes Gengras – Synths
Ben Seretan – Guitar
Jared Ashdown – Sax
John Thayer – Drums
Nick Malken – Guitar
Otto Hauser – Drums

Record release party for Ged’s new album “Guest List”.

Support this excellent artist!
https://mgeddesgengras1.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

The Messthetics with James Brandon Lewis: May 4, 2026 Tubby’s (Kingston, NY)

June 12, 2026
By

Picture courtesy of Nico11104

The Messthetics are, in theory, a jazz band.  The center of the band consists of Joe Lally on Bass and Brendan Canty on drums. I’m not going to lean too heavily into the whole Fugazi thing; that’s on you to already know, but I will say that any rhythm section that has operated together for 40 years is serious shit. Rounding out the band, a quintet in this incantation, are Anthony Pirog on guitar and James Brandon Lewis on Sax, both capable of simultaneously summoning Angels and Demons on every note. So while this is, in theory, a jazz band, in reality, it is an absolute monster musical force that you can not avoid.

After some brief housekeeping by Brendan, the set started with “Deface The Currency,” the title track on their new LP (Impulse), where this band’s terrifying force and precision is immediately put on display. Over the course of the evening, we were treated to all the songs from Deface The Currency and several from their previous outing with Lewis, 2024’s aptly titled The Messthetics and James Brandon Lewis.

This was not a show that lacked for highlights, but if I had to point out a couple, I’d point out the transition out of “Asthenia” and its build into “Fourth Wall”. By the time Pirog’s guitar solo started, it seemed very plausible that Tubby’s tiny live room might explode. The energy in the room hit genuine nuclear meltdown levels when we were treated with the second face-melting version of Sonny Sharrock’s “Many Manions” of the night.  Two bands, two versions of “Many Mansions.” JFC!

I recorded this from the usual spot in the back with the Schoeps MK22s and an excellent board feed from Tubby’s house engineer, Wil.  The sound quality is excellent.  Play loud!

Download and stream from the live music archive:

The Messthetics
2026-05-04
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil Wright, for the board patch!

Recorded and produced by kliked for nyctaper.com

  1. Intro
  2. Deface The Currency
  3. That Thing
  4. 30 Years of Knowing
  5. Gestations
  6. Emergence
  7. Boatly
  8. Rules Of The Game
  9. Asthenia > Fourth Wall
  10. Universal Security
  11. Clutch
  12. Serpent Tongue (Slight Return)
  13. Banter
  14. L’Orso
  15. Many Mansions *

*Sonny Sharrock

Joe Lally: Bass
Brendan Canty: Drums
Anthony Pirog: Guitars
James Brandon Lewis: Tenor Sax

Support this excellent artist!
https://themessthetics.bandcamp.com/album/deface-the-currency

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Doug Shaw: January 14, 2023 Tubby’s (Kingston, NY)

June 8, 2026
By

I first met Doug Shaw on May 13, 2022, when he played Tubby’s on a bill with Prison and Weak Signal. It takes something special to play solo, introspective acoustic guitar music in a room full of people there to see massive, overdriven, electric guitar music from the likes of Paul Major and Mike Bones. But that’s what this set was, captivating and transporting. He came up to me after the show and asked about getting a copy of the recording. He said he had felt really good on stage and was really happy with the performance, and that he might want to do something with it, so I gave him my email address and never heard from him again.

Eight months later, Doug was back at Tubby’s.  This time, he was opening for Garcia Peoples.  Tom introduced us, and he immediately started talking about the recording from back in May, and I promised to reach out to him again. From that point on, for the rest of the night, Doug was basically my best friend.  It was like we had spent decades hanging out in bars and venues together.

After the show, I gave him my cell phone number. I had a feeling email wasn’t present enough for him, and that the immediacy of text might be more effective. And for the next four months, we exchanged texts – a lot of texts. They were alternatively hilarious, sweet, and frustrating. He was hesitant about releasing it for reasons I didn’t fully understand. I had mixed the set back in May and found it incredibly powerful. There were vague concerns about the amount of reverb on the vocal, whether anyone would listen, and whether it was worth it.

Somewhere in here, I recognized a pattern I’ve known in other artist friends. Undeniable talent that had a hard time getting out of its own way to let people see it. I stuck with it and kept texting him. I even remixed it at least 3 different times and, full disclosure, one of the mixes had no changes, just to see if it mattered.  I don’t remember which version of what mix finally stuck, but on May 5, 2023, he released it as “Sleepy At Tubby’s”.

And then I never heard from Doug again.

In the past few days, as memories of Doug have poured in, I have come to realize that in similar situations with friends I’ve known a long time, I wouldn’t have been as persistent about seeing this recording released.  I would have prompted them a couple of times, then moved on, assuming they were “just not into it”. It saddens me to think of the things the world has been denied just because a friend didn’t try a little harder. 

It’s clear that Doug didn’t lack for people who loved him. But no one is immune to wanting to feel loved.  Maybe I should have sent a random text to say hi or see if he was going to be coming back up to Kingston to play. Maybe I should do that now, with all the people I love who I haven’t spoken to in a while.  Maybe we all should.

The recording below is the set Doug played on January 14, 2023, opening for Garcia Peoples. This is the first time anyone not in the room that night will have heard it.  I present it to all of Doug’s friends and family with love and gratitude for the art he shared with the world, and as a lasting document for future generations to discover.

Safe travels, Doug.

Download and stream for the Live Music Archive:

Doug Shaw
Tubby’s
Kingston, NY
2023-01-14

Source: MBHO 440 + SDB > MixPre3 > SD (24/48) > Adobe Audition/izotope > Audacity > FLAC (lvl8)
Recorded and produced by kliked

Thanks to Tubby’s FOH engineer, Wil, for the patch!

  1. Requiem For Rashad
  2. Harmonizer > ???
  3. Cheated Death/Smoking Ghost
  4. The Chalice
  5. Apparitions Clear
  6. Come Smoke
  7. Alliance [Robert Wyatt]

RIP Doug Shaw

Opening for Garcia Peoples

Thanks to Jesse Jarnow and Andy Cush for the setlist help.

Support this excellent band:
https://highlifehighlife.bandcamp.com/album/sleepy-at-tubbys

Support the venues bringing you interesting music:
https://www.tubbyskingston.com/music-calendar

Juma Sultan’s Aboriginal Music Society: April 18, 20026 Tubby’s

June 5, 2026
By

Juma Sultan is a musician, composer, archivist, educator, and proud resident of New York’s Beautiful and Historic Hudson River Valley. He has played with the likes of Pharaoh Sanders, Archie Shepp, and, probably most famously, Jimi Hendrix during the Woodstock concert. On this night, he and his fantastic ensemble were in the back room of Tubby’s as part of Bicycle Day double bill with Owsley’s Owls.

The type of music the Aboriginal Music Society plays is often called “World-Beat Garage Jazz,” which makes sense.  Rhythms and textures from all over the globe coalesce into a beautiful groove. This feels and sounds very New York to me; a true melting pot. It sounds like a sidewalk in any neighborhood where cultures have fused. 

The set started with “Sundance” from the very limited Whispers from the Archive LP, giving us all a glimpse into the relaxed and very soulful grooves we would be spending the next hour swimming in. These are long-form pieces, with no rush to finish, and band members are given the chance to stretch their legs. The set ended with a beautiful take on Pharoah Sanders “The Creator Has a Master Plan.” The sun was shining, and this is perfect music for a beautiful spring day.

I also wanted to take a minute to recognize and hip you to Juma’s work as a taper and archivist.  He spent much of the 70’s documenting the very vibrant loft jazz scene in NYC. A portion of this archive has been released on the always excellent Emerite Records and also served as the primary source material for Michael Heller’s book “Loft Jazz: Improvising New York in the 1970’s.”

I recorded this from the usual spot at the soundboard with the Schoeps MK22s and a really nice board feed from FOH engineer Nic Panken.  Enjoy!

Download and stream from the Live Music Archive:

Juma Sultan’s Aboriginal Music Society
2026-04-18
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Nic Panken, for the board patch!

Recorded and produced by kliked

  1. Sundance
  2. Shaking the Blues
  3. Circles
  4. The Dance
  5. The Creator Has a Master Plan

Support this excellent artist!
https://jumasultan.org/
https://eremiterecords.bandcamp.com/album/father-of-origin

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Yr Knives: May 4, 2026 Tubby’s

May 8, 2026
By

Yr Knives are the best band you’ve never heard of. You’ve definitely heard of the players in the band, but unless you’re a Chicago-area native, you’ve probably never heard the music. They haven’t played much outside of the Chicago area and, aside from a tour-only CD at the merch desk, currently have no recorded output. But when a band like The Messthetics hand-selects a group to open an East Coast run, you should probably pay attention.

Yr Knives is essentially a supergroup made up of a few of Chicago’s best: Andrew Trim and Brian Sulpizio on guitars, Douglas McCombs on bass, and Quin Kirchner on drums. Readers of this site may recognize Quin and Brian from their work with Ryley Walker, and everyone knows Doug’s work. This project, however, is truly better than the sum of its parts.

I had never heard of these guys before this show and, honestly, didn’t even know there was going to be an opening band for The Messthetics. It’s always a good sign when venue staff start telling you the opening band is good—but when the sound guy tells you the opening band is really good, you’d better pay attention. Opening with “Double A (Start Yr Singing),” the band’s thesis became apparent: tightly orchestrated guitar parts layered over a wide-reaching, free-roaming rhythm section. Did I mention the guitars sound HUGE, too? Giant and overdriven, with interwoven parts that had people bobbing their heads immediately. The set closed with a ripping version of Sonny Sharrock’s “Many Mansions.” Unbelievable.

While speaking with the guys after the set, I was happy to learn they have a debut record finished that will be coming out on Western Vinyl later this year. I’m super excited to see what these compositions turn into with full studio treatment. Sadly, this run of shows is over, but maybe this recording will get them on your radar for the next one.

I recorded this from my normal spot in the back with the Schoeps MK22s and an excellent board feed from Tubby’s FOH engineer Wil, who had the room sounding great all night. If you listen real closely at the end of the recording, you might even hear me turn to Wil and say, “That was fucking good!”; followed by Wil replying, “Yeah, I told you it would be.” Always trust the sound guy.

Download and stream from the Live Music Archive here!

YR Knives
2025-05-04
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil Wright, for the board patch!

Recorded and produced by kliked for nyctaper.com

  1. intro
  2. Double A (Start Yr Singing)
  3. Trimnopedie
  4. Yr Water
  5. These Chords
  6. Fear & Trimbling
  7. Stretch Bath
  8. Many Mansions *

*Sonny Sharrock

Yr Knives is:
Douglas McCombs – Bass
Andrew Trim – Guitar
Quin Kirchner – Drums
Brian Sulpizio – Guitar

Support this excellent artist!
https://yrknives4u.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

FACS: February 11, 2026 Tubby’s

February 16, 2026
By

Sure we were disappointed when our old favorites Disappears called it quits. But fortunately most of the group reformed as FACS and leaned even further into experimental impulses of Disappears. FACS sound something like a constellation of Wire fronted by Mark E Smith. I could throw out more comparisons but FACS deserve to stand on their own even from their erstwhile band.

So here we are a decade later from seeing Disappears do Low at Baby’s All Right and FACS have quite a few albums under their belt on Trouble in Mind (RIP). The latest is Wish Defense, released last year and about half of which they played for a sold-out crowd at Tubby’s last week. “North America Endless”—which, let’s take a moment for that title!—is a non-album 7” they released with a Eurythmics cover on the b-side. (I love a band committed to releasing standalone singles.) In addition to songs from the back catalog, it sounds like there some new ones in this set so I hope some more good things are coming from FACS. I promise to not wait another decade to catch them live.

I recorded this from my usual spot in the back with a pair of MBHOs set up in DIN stereo configuration, combined with a board feed from FOH Nic. The sound is excellent!

Download and stream from the Live Music Archive!

FACS
2026-02-11
Tubby’s
Kingston, NY

Recorded and produced by Eric PH

Soundboard (engineer: Nic) + MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 2.4.2 > FLAC

Tracks [49:46]

  1. Lock and Key
  2. A Room
  3. North American Endless
  4. Returning The Gift
  5. When You Say
  6. Zero Year
  7. Darling of Time
  8. Wish Defense
  9. Desire Path
  10. Parallel Lives
  11. Sometimes Only

Support this excellent artist!
https://wearefacs.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Bitchin Bajas: December 9, 2025 Tubby’s

December 12, 2025
By

Once a year, the Bajas come to Tubby’s, and every time, it’s one of the best nights of the year.

Every Bitchin’ Bajas track carries the chance of being lost forever inside its all-encompassing tones and zones. There are many reasons for this. Part of it is the illusion of time all of their compositions take on; it’s not a question of “has this been a minute or an hour?” It’s a question of “does that matter?” Another reason is the impossible pure tones that their synths ensconce the listener in. Yet another reason, and one that’s not often discussed, is the sound system.

Anyone who has seen Bitchin’ Bajas is familiar with the mad scientist’s tangle of cables and tables full of gear. What you may not realize is that they run this through their own sound system, which they carry on tour and operate live from the stage while playing. It seems like a wholly impossible task. I once asked Cooper how they manage it, and he said, “You just do it.”

I’m happy to report that the Bajas sound system is sounding better than I’ve ever heard it. After the show, Cooper mentioned that they had done significant work on it before this tour. Cracking things open and really putting in the solder time. It is incredibly loud and impossibly crystal clear. Absolutely no sound is out of place or unpleasant, with zero unintentional distortion or buzzing. When they stop playing, it’s dead quiet. The results of their modification would make Owsley proud.

This East Coast run finds them fresh off tour dates with kindred spirits Stereolab and supporting their excellent new record, “Inland Sea.” They played the entirety of the album as well as a few classics from “Baja Fresh”. They also played a new song, “Ajami,” which is currently only available on “Live! Grout?“, a tour-only 12” recorded with an entirely analog signal chain.

East Coast heads have three more tour dates to catch the Bajas before they take a short break and then head to the West Coast in February, followed by a trip to Europe in April. Don’t miss a chance to have your temporal load rearranged by this sound system!

I recorded this from my usual spot in the back with Scheops MK22s. The sound is incredible!

Download and Stream from the Live Music Archive!

/

Bitchin Bajas
2025-12-09
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

  1. Ajami
  2. Keji Dreams
  3. Jammu
  4. Circles on Circles
  5. Reno
  6. Skylarking
  7. Graut

Support this excellent artist!
https://bitchinbajas.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Orcutt Shelley Miller: November 6, 2025 Tubby’s

November 18, 2025
By

Are you a punk that’s struggling to accept your interest in improvisational music? Are you a hippy who’s realizing pretty much every jam band is boring? Orcutt Shelley Miller may be just the thing for you!

Just over a year ago, EricPH beautifully captured one of the first East Coast Orcutt Shelley Miller shows. With some additional material under their belt and a new record to promote, we get to check in with them again.

This trio, to me, is the definition of a supergroup.  Bill Orcutt, Steve Shelley, and Ethan Miller have been involved in some of the most respected, creative, and daring music of the last 35 years. I’m not going to try and sell you on their past accomplishments because that would be absurd.  You know these bands, or at least you damn well should know these bands.

An interesting aspect of this project is that it isn’t just three beloved musicians playing together; the sum turns out to be greater than its parts. In power trio form, you get to see the best of what they all have to offer.  Miller’s bass lines bounce in and around Orcutt’s absolutely fire-breathing leads while Shelley somehow manages to keep the things on the tracks. Interesting side note: 30+ years into being at the bleeding edge of creative guitar playing, Bill Orcutt has finally started using pedals! There’s a lot of upside potential here!

This was a really fun night with lots of friends in attendance, so it’s no surprise that I completely forgot to take a picture.  What was a surprise was that, collectively, among the 7 of us in attendance, we only managed to get two photos. That’s a testament to how engaging the show was.

I recorded this from my usual spot in the back with a set of Schoeps MK22s. I opted not to mix in the board feed and instead focused on the live feel of the room.  This was made quite easy by Tubby’s FOH engineer Wil, doing a killer job mixing the room. The sound is excellent!

Download and stream from the Live Music Archive!

Orcutt Shelley Miller
2025-11-06
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

recorded and produced by kliked

  1. A Star Is Born
  2. LA Funeral
  3. Unsafe At Any Speed
  4. Untitled
  5. Four-door Charger
  6. Long Island Wedding

Support this excellent artist!
https://orcuttshelleymiller.bandcamp.com/album/orcutt-shelley-miller

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Minami Deutsch: October 1, 2025 Tubby’s

November 13, 2025
By

It’s been nearly six years to the day since I last saw Minami Deutsch. That night, they were opening for Kikagaku Moyo at the wonderful—but now sadly closed—Burlington, VT venue, Arts Riot. The band’s name translates to “South Germany,” so the krautrock analogies were impossible to avoid. But what I found then, and what still holds true now, is that this is much more than Neu! worship; this is a band that has drunk deeply from all corners of German avant-psychedelia and found ways to keep its 60+ years of tradition fresh.

Regardless of subgenre, when you speak about this musical movement, it always comes back to the motorik beat and its undeniable propulsion of both the music and the listener. Try listening to this recording without significant head-nodding—I dare you. For reference, check out the moment around 3:30 on “I’ve Seen a U.F.O.” when, after a significant build-up, the band drops into the beat with intention. The collective release was palpable. A fun bonus game: listen to the crowd reactions and meltdowns when they finally bring that monster of a jam to a close.

The band was also jamming on some new material during this tour, two of which we’ve captured here. I particularly enjoyed the first of those (track 4 on this recording), which finds them deep inside the soaring dual-guitar harmonies you may remember from Agitation Free. We need more bands influenced by Agitation Free.

Reviews from everyone I know who saw this tour are the same: this was one of the best sets of the year. They have some Euro dates coming up, so hopefully our friends on the other side of the pond have a chance to catch them soon.

I recorded this from the back with Schoeps MK22s and a nice board mix from Tubby’s FOH engineer, Wil. The sound is excellent!

Download and stream from the Live Music Archive!

Minami Deutsch
2025-10-01
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubyy’s FOH engineer, Wil, for the board patch!

recorded and produced by kliked

  1. Futsu Ni Ikirenai
  2. Grumpy Joa
  3. Can’t Get There
  4. Jam/New song
  5. I’ve Seen a U.F.O.
  6. Jam/New song
  7. Tunnel

Support this excellent artist!
https://minamideutsch.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

SUPPORT NYCTaper




Email

Email nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.