nyctaper Recordings

concert discussion and free flac downloads

The War On Drugs: September 19, 2017 Terminal 5

September 21, 2017
By


[screen capture from this video]

This is what the “next level” looks like. On the heels of the release of their 2017 major-label debut, A Deeper Understanding, The War On Drugs showed up for a two-night stand in New York, first at a packed Terminal 5, to be followed by a sold-out Central Park Summerstage on this Friday night. If the band’s Radio City show in 2015, right after they signed with Atlantic Records, portended what was to come, here we were, in the thick of the actual next step. I won’t retell the story from that 2015 post, but it’s worth a read if this is your first time with a War On Drugs recording from this site.

Being on a major label, or selling out lots of bigger shows, doesn’t signify whether a band is “good” or not, or worthy or not, of course. In fact, this part of the process can be a nasty trap for many musicians — anyone who knows anything about Nirvana or a zillion other bands can tell you that. But in the case of this band, the product of years of hard work, with a wide-open, intricate sound that screams for a bigger stage, it’s the right result, and it’s one that validates Adam Granduciel’s songwriting efforts in particular. Granduciel is the perfect vehicle for big-tent lyrics, writing songs that are both personal and universal, and the sound he has developed is of a piece with that. Beginning with Lost In A Dream, and continuing in a major way with A Deeper Understanding, War On Drugs albums have a precise, densely arranged, melodic sound with an almost otherwordly sheen to it. Of course, what’s funny about that is that it’s so unusual today. If you grew up in the 1980s, or listen to much music from that era, having albums that sounded good was table stakes for even cult-favorite bands. Studio budgets, and album sales, were different then. Many fewer bands show up these days with fourteen instruments credited to a single track — nearly half of them, in many cases, played by Adam Granduciel.

To reference the 1980s, and stalwarts like Tom Petty and Springsteen in particular, is not to malign this band at all. If anything, this show at Terminal 5 underscored that The War On Drugs are rightful heirs to that personal-yet-massive rock style. Like the best of their forebears, The War On Drugs are also able to translate their studio sound to the stage. Perhaps in a nod to many of the newer fans in the audience (one of us got asked if we first heard of the band on NPR), this set focused exclusively on the last two albums, and the band was so dialed-in they could very well have been playing the album over the PA. Of course, that would have deprived us of the added guitar pyrotechnics, and the joy of realizing, for the umpteenth time, that even in 2017, a band comprised of talented musicians of limited gimmickry but exceptional live performing skills can still make it big, can still mean something to people who these days are more accustomed to “musical precision” coming from an Ableton Live setup.

In this broad-reaching survey of the band’s last two albums, the band’s other most remarkable quality — consistency — was evident, to the point that it’s almost impossible to focus on a highlight. But for me, The War On Drugs song that will always best-represent this evolution in the band’s journey is “Under the Pressure,” which so elementally captures both Granduciel’s mindset in the making of Lost In A Dream, but also in many ways the enormous weight of the band’s current success. It’s another of those songs with specific meaning to its author that is also able to capture an almost-universal anxiety among its listeners. To see a band that we personally have liked and supported for so long reach this point — not only making it to this proverbial “next level” but thriving against the pressure — is a special and rare thing. To hear, even in the relatively few snippets of stage banter on this night, how they remain the same people who played in tiny bars ten (or even six) years ago, is rarer still. I have to acknowledge, briefly, that I realize this band doesn’t “need” the support of a website like this, but their treatment of us as fans, both in the past and today, says a lot. We appreciate it.

We each recorded this set from our usual location directly at the soundboard, acidjack’s with Schoeps MK41V microphones and nyctaper’s with Neumann KM150s. The sound quality of each is excellent, and both versions are offered here. Enjoy!

Special thanks to The War On Drugs, their management, and the Terminal 5 staff for allowing us to record the show. 

Download the nyctaper Neumann version of this show at Archive.org [HERE] [MP3] / [FLAC]

Download acidjack’s Schoeps version: [MP3] | [FLAC]

Stream acidjack’s version here:

Stream nyctaper’s version here:

The War On Drugs
2017-09-19
Terminal 5
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, DFC)>KCY>Z-PFA>Sound Devices MixPre6 (24/48)>WAV>Adobe Audition CC>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 In Chains
02 Pain
03 An Ocean Between the Waves
04 Strangest Thing
05 Holding On
06 Red Eyes
07 Knocked Down
08 Nothing To Find
09 Up All Night
10 You Don’t Have To Go
11 Burning
12 Eyes to the Wind
13 [encore break]
14 Under the Pressure
15 Clean Living
16 In Reverse

************************

The War On Drugs
2017-09-19
Terminal 5
New York NY

Digital Master Recording
Recorded at Soundboard Booth

Neumann KM-150s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:47:30]
01 In Chains
02 Pain
03 An Ocean Between the Waves
04 Strangest Thing
05 Holding On
06 Red Eyes
07 Knocked Down
08 Nothing To Find
09 Up All Night
10 You Don’t Have To Go
11 Burning
12 Eyes to the Wind
13 [encore break]
14 Under the Pressure
15 Clean Living
16 In Reverse

PLEASE SUPPORT THE WAR ON DRUGS: Buy A Deeper Understanding from their website

Purling Hiss: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 19, 2017
By


[photo by Paul Spanbauer]

As longtime members of the Purling Hiss bandwagon, we’re always excited to see this band play live, and even more excited by the big-time reception those live shows usually get. That was the story here at the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree, where the Hiss set found the room at its most-packed point of the day, and for good reason. Mike Polizze and his current cast of co-conspirators (Ben Leaphart on drums, Pat Hickey on bass) brought the full amount of heat to the King’s stage on this sunny mid-afternoon, kicking off with the classic PH tune “Mercury Retrograde” before venturing into a long-haired rock version of Spacemen 3’s “Walking With Jesus.” It was the best kind of cover, abandoning the melodic, low-tempo Brit-psych of the original to boil the song to its rawest essence. After that, we headed into the deep Hiss catalog for “Run From the City” and “Almost Washed My Hair” (2009 and 2010 respectively) before the band sprung a final goodie, a song so new that it doesn’t yet have a name. What we do know about the song is, not-shockingly, it’s a fusillade of hard-charging guitars and ecstatic vibes. Like most things Purling Hiss, it rocks.

I recorded this set with Evan Lamb’s soundboard feed, together with Schoeps MK4V microphones onstage. The sound is excellent. Enjoy!

Purling Hiss
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage, DFC)>KCY>Z-PFA>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Mercury Retrograde
02 Walking with Jesus [Spacemen 3]
03 Run From the City
04 Almost Washed My Hair
05 [untitled]

Purling Hiss:
Mike Polizze – Vox/Guitar
Ben Leaphart – Drums
Pat Hickey – Bass

If you enjoyed this recording, PLEASE SUPPORT Purling Hiss, like them on Facebook, and buy their latest records from Drag City.

Rosali: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 18, 2017
By


[courtesy of Three Lobed’s Instagram]

It just wouldn’t make sense to have a talent like Rosali Middleman, who performs as Rosali, show up for a Three Lobed Recordings / WXDU Hopscotch day show and NOT do double duty. So after tearing shit up with the Long Hots earlier in the day, Rosali took the stage again to play her own material, including songs from her forthcoming second LP. Her 2016 debut, Out of Love, arrived like a confident tailwind in a year that was a veritable sea of tumult, and it’s worth revisiting it if you missed it then. This full-band set (featuring Nathan Bowles on drums, Paul Sukeena on guitar, and Dan Provenzano on bass) beefed up certain songs like the key Out of Love opener, “Good Life” as well as making a first (for many of us, at least) showing off new songs like “If I Was Your Heart” and “Dead and Gone.”

These Three Lobed / WXDU day shows tend to have a way of revealing themselves, with the internal logic of the order of (often) wildly divergent styles of bands evident only once you’re standing in the room. Such is the case with Rosali’s position near the end of the day. “Rise To Fall” is a new song of hers, and while certainly the emotional and musical highlight of Rosali’s set, it may also have been that for the whole day, as Middleman’s voice soared over the thick zone of guitars. It felt like an affirmation of all that is right about this day, every year, as a band that had started their set with a measured country-folk number was suddenly blowing the doors off the place with a huge rock song. These shows also have a way of veering from the intellectual to the contemplative to the delightfully weird, but somewhere, there’s always the urgent, throbbing heart, and for me, that was this moment. Stay tuned to Rosali’s bandcamp to find out more about the forthcoming album version.

I recorded this set with fellow taper Randy’s ceiling mounted AKG 460s together with the house mix by Kings’ Evan Lamb. The sound quality is excellent. Enjoy!

Rosali
2017-09-08
Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+AKG 460/CK61 (FOB, DFC)>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 If I Was Your Heart
02 Good Life
03 Hangin
04 Dead And Gone
05 Blind Bird
06 Rise to Fall

SUPPORT ROSALI: bandcamp | Facebook

Long Hots: September 8, 2017 Three Lobed Records/WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 15, 2017
By

I can’t even give you a link to Long Hots on the Internet, because there ain’t one. But maybe you’ve heard of such bands as Rosali, Hothead, and Spacin‘. Ah, right, now you get the idea. So named for a kind of hot pepper, I assure that this band is prepared to bring the fire. My now-annual journey to the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree is never complete without a total surprise, and seeing “Philadelphia’s most anticipated band” playing their third-ever show was certainly one of them. These women didn’t spend a long time onstage, but they used their fifteen minutes well, handing us two doses of feral guitar shredding and general disrespect for the integrity of our eardrums. This band played their fourth show, the following night, with Purling Hiss, so if you didn’t figure out the RIYL on this one, I can’t help you. Head over to bandcamp, throw these powerful women some love, and make sure some more Long Hots is in your future.

I recorded this set with a combination of onstage Schoeps MK4V microphones and several soundboard channels from house engineer Evan Lamb. The sound quality is excellent. Enjoy!

Long Hots
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>Z-PFA>>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 They Do What We Want
02 One Chip Over the Line

SUPPORT THESE MUSICIANS: Rosali | Spacin‘ | Hothead

Diet Cig: September 8, 2017 Bowery Ballroom

September 14, 2017
By


[photos by Joe Saturday]

Its hard for me to imagine that someone exists who actually doesn’t like Diet Cig. The duo exudes such positive energy and real enthusiasm for their music that it’s infectious in a live setting. This is not world-changing music, but two-minute pop song relatable slices of life. When Pitchfork assigned an intern whose last piece was likely in an Annandale creative writing class to review Diet Cig’s most recent album, the result was a tragically misdirected hit piece that managed to be both tone-deaf and indicative of a wider problem with publications like Pitchfork. Sometimes music doesn’t have to have a larger meaning and when the writer savages the musicians for failing to meet a false standard, it says more about the writer’s inadequacies than anything the music set out to achieve. To paraphrase Billy Bragg, Diet Cig don’t want to change the world, they’re just looking to sing some pop songs.

At Bowery Ballroom on Friday night, the band played to a sold-out crowd and all of the good vibes coming from the stage were returned all night. This was a crowd in love with the band for all the right reasons. Sure, lead singer Alex Luciano opened the set by declaring that all of the band’s show are safe spaces and later she gently chided the dancers in front to keep it fun and not too physical, but it was more than that. Luciano played a wireless guitar on a nearly bare stage — drummer Noah Bowman was set up to the far left — in order to be able to dance, run, jump and literally never stop moving throughout the set. Her unbridled ebullience drove the hour-long set from start to finish, to the point where the briefest of breaks were only to catch her breath. Diet Cig performed just about every song they’ve ever recorded — from their debut EP and a double-sided single on Father/Daughter Records, and all but one song from their first album I Swear I’m Good At This released this year on Frenchkiss. The show also featured the debut performance of the song the band wrote for the Amazon tv show “American Girl” called “Together We Can Conquer Whatever”. When the band returned to play their very first recorded track “Harvard” as an encore, it brought me back to the initial time I heard a pre-release promo of that very track. The song made me smile that day and a few years later, this Bowery show did it again many times over.

Diet Cig has a handful of US dates remaining before they spend much of the Fall touring throughout Europe, all dates here.

I recorded this set in our usual manner in this venue, Schoeps from the front of the balcony mixed with a board feed. Other than a few bits of static from Alex’s wireless guitar, the sound quality is very representative of the set with bundles of energy and non-stop movement. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Diet Cig
2017-09-08
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 51:00]
01 [introduction]
02 Sixteen
03 Bite Back
04 Leo
05 Dinner Date
06 [banter – slumber party]
07 Cardboard
08 Sleep Talk
09 Breathless
10 [banter – rollercoaster]
11 Scene Sick
12 Pool Boyz
13 Apricots
14 Maid of the Mist
15 [Tummy intro]
16 Tummy Ache
17 Blob Zombie
18 [Conquer intro]
19 Together We Can Conquer Whatever
20 Link in Bio
21 Bath Bomb
22 Barf Day
23 [encore break]
24 Harvard

PLEASE SUPPORT Diet Cig: Website | Frenchkiss Records Page | Father/Daughter Records Page | Bandcamp

Sunburned Hand of the Man: August 28, 2017 Rough Trade NYC

September 12, 2017
By

Sunburned Hand of the Man are such a disparate psychedelic force (with over 100 releases to their name) that you can’t ever guarantee what’s going to come out of them. For this set, we got a ten-person band on the stage of Rough Trade NYC to play a four-part improvisation that the band referred to as the “Blizzard of Zoz.” Compared to some of the sets we served up to you last year, the “Blizzard of Zoz” was a bit more of a groove-driven affair, expanding over 42 mind-melting minutes from a low drone into a tight groove, then heading into freakout territory. Don’t worry, these sets were plenty noisy, too. The intensity of the proceedings was maximized by the Mad Alchemy liquid light show going on behind the band, which absorbed us all through the end.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a soundboard feed from Noel Ford, engineer of Dinosaur Jr. and several other bands. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Sunburned Hand of the Man
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Noel Ford)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC (align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Blizzard of Zoz Pt 1
02 Blizzard of Zoz Pt 2
03 Blizzard of Zoz Pt 3
04 Blizzard of Zoz Pt 4

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Doug Tuttle: August 28, 2017 Rough Trade NYC

August 31, 2017
By

Doug Tuttle, originally known as a member of the New Hampshire psych voyagers MMOSS, is now three albums deep into his journey as a solo artist. What he has proven across those three records, including his latest, Peace Potato, is how adept he is with melodic songcraft, with Chilton-esque hooks and an acid-washed, classic sound that matches his multilayered vocals perfectly. What this live show at Rough Trade NYC established, though, was that Tuttle remains a serious instrumentalist, capable of leading those earworm hooks into florid, all-out jams. Adding to the inspiration on this night was the truly incredible liquid light show courtesy of Mad Alchemy, whose work set the perfect generational and visual tone for what was going on onstage. If one had to pick some highlights from the night, my votes would go to a snappy version of “Bait the Sun” from Peace Potato, “Lasting Away” from Doug’s self-titled first album, and the night’s mind-bending conclusion, as “Turn This Love” segued into a twelve-minute untitled jam that was both the set’s most cosmic of all.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a feed of engineer Dustin Myers’ house mix. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC]

Doug Tuttle
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Dustin Myers)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC
(align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks [Total Time: 1:24:31]
01 A Place for You
02 Leave Your Body
03 Where You Plant Your Love… Is Where It Grows
04 Time Will Show the Wiser
05 E Kraut
06 [tuning]
07 Bait the Sun
08 Can It Be
09 All You See
10 Lasting Away
11 Falling to Believe
12 C Firebrand Jam
13 [tuning2]
14 It Calls On Me
15 Saturday-Sunday
16 Painted Eye
17 Turn This Love>
18 jam

SUPPORT Doug Tuttle: like him on facebook and buy his records directly from Trouble In Mind or, head on over to his bandcamp

A Place To Bury Strangers: July 16, 2017 Out In The Street Festival

August 28, 2017
By


[photo by nyctaper]

It was ten years ago when A Place To Bury Strangers broke. It was during that small window of time when blogs were tastemakers and willy-nilly determined random band flavors of the month. Except when it came to APTBS, their talent and depth were hard to get wrong. This was a band whose intensity was clear and whose ability to project a wall of sound was magnified by Oliver Ackermann’s world class pedal business. The Death By Audio pedal company pre-dated and survived the venue of the same name and the electroncic wizardry and meticulous and inventive craft propelled noise makers of all shapes and sizes, but none more directly than APTBS.

The second day of the annual Out In The Streets Fest was headlined by APTBS and the band came prepared. Before doors even opened for the day, Oliver spent several minutes playing with gadgets in the middle of the floor and he and bassist Dion Lunadon did some neat improv. Hours later in the pitch dark APTBS began their sonic assault and did not let up for the better part of an hour. The band last released an album in 2015 (Transfixiation on Dead Oceans) and several of those songs were featured in the set. But there also seemed to be a handful of newer songs that may feature on an upcoming release. At least it seems that APTBS is gearing up for recording and working out the material on the road — their packed tour schedule cuts through most of Europe through September, October and part of November (dates here). This band still very much has the intensity that first brought them into prominence and this set was our confirmation of that fact. We’ll be back when they return to the US.

I recorded this set with the Neumann large diaphragm cardioids mounted in the center of the floor in front of the soundboard and mixed with an excellent feed from the board. This set was intensely loud and the band was plentiful in its use of effects, so there are some moments where the mix is rough, but overall this is an excellent representation of a tremendous set. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

A Place To Bury Strangers
2017-07-16
Out in the Streets Fest
The Well
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 42:44]
01 [intro]
02 We’ve Come So Far
03 [unknown 1]
04 Deadbeat
05 Drill It Up
06 [unknown 2]
07 Situations Change
08 Ocean
09 Never Hold Back
10 [unknown 3]
11 [unknown 4]
12 [unknown 5]

(Any help with titles of songs marked unknown would be much appreciated)

PLEASE SUPPORT A Place To Bury Strangers: Website | Dead Oceans Page | Store

Tyvek: August 26, 2017 Union Pool (Summer Thunder)

August 27, 2017
By

Tyvek took an uncharacteristically long break from recording between 2012’s On Triple Beams and last year’s Origin of What, but of course it was worth the wait. If you haven’t picked that one up yet, here’s your official reminder. It’s more of the raw energy you’ve come to expect from Tyvek, whose live performances also haven’t slowed down a bit in the last ten-plus years since “Frustration Rock” made them the biggest little punk band from Detroit. Tyvek is literally the most fun you can have watching a band do their thing, but throw in a mid-70s August day in Union Pool’s backyard and you’re in rock and roll heaven. Tyvek and the packed crowd sent off 2017’s Summer Thunder series in the finest form.

I recorded this set with acidjack’s Schoeps MK22’s set up right in front of the band, combined with a board feed from our man, Doug. The sound is raw—turn this one up for full effect!

Download: [MP3/FLAC]

Tyvek
2017-08-26
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + Schoeps MK22 (ORTF, OS) > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [31:59]
01. Tip to Tail
02. Real Estate & Finance
03. Can’t Exist
04. Girl on a Bicycle
05. Choose Once
06. Gridlock
07. Underwater Too
08. Frustration Rock >
09. Origin of What
10. Wayne County Roads
11. Give It Up

FacebookBuy Tyvek records from In the Red

Honey: June 24, 2017 Union Pool (Summer Thunder)

August 24, 2017
By

Brooklyn’s no-frills, full-throttle Honey are longtime NYCTaper favs. We’re used to seeing the band playing dank DIY spaces, but this outdoor sunshine day show as part of Union Pool’s Summer Thunder series literally throws some light on the band. Crisp and clear upfront sound only manages to highlight their gritty garage punk. Paired up with Sunwatchers in an opening slot for the likeminded Feral Ohms, this is a ferocious set clocking in at under nineteen minutes—perfect for Honey to get the job done. Their new album New Moody Judy hits record stores everywhere via Wharf Cat Records on September 29th and this is just the primer you need.

I recorded this with the mics set up on stage, combined with a board feed courtesy of Union Pool engineer Doug. It sounds excellent. Enjoy!

Download: [MP3/FLAC]

Honey
2017-06-24
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + AKG C480B/CK61 (ORTF, OS) > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [18:40]
01. Dream Come Now
02. Wage Agreement
03. New Moody Judy
04. Hungry
05. Power

Preorder New Moody Judy via Wharf Cat Records

Support nyctaper

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