nyctaper Recordings

concert discussion and free flac downloads

Guerilla Toss: July 16, 2016 Out In The Streets Festival

July 23, 2016
By

13819805_10154205843030631_308307502_n
[photos by Dean Keim]

Guerilla Toss has been my white whale for the last year or so. There have been multiple missed connections when for one reason or another I was not able to record a local set, the most frustrating of which was when a massive snow storm resulted in the cancellation of their January show at Market Hotel. But I persisted and when the excellent Out In The Streets Fest announced that Guerilla Toss would be slated to play on a Saturday afternoon with an otherwise packed bill, we were there.

The music of Guerilla Toss is an amalgamation of styles, the most resonant for me being the influence of Remain In Light-era Talking Heads. But what strikes most about the band live is that the musicians are phenomenally skilled at their craft — something quite apparent even before I learned that the band formed at the New England Conservatory of Music. While kinetic vocalist Kassie Carlson is the center of the focus on stage, the rhythm section of tribal drummer Peter Negroponte and Greg Albert’s meaty bass guitar are crucial to the sound and drive the live presentation. The music’s color is provided by the impressive varied keyboard work of Sam Lisabeth and the atmospheric guitar of Arian Shafiee. At Out In The Streets Fest on the border of Queens and Brooklyn on the grounds of the historic Onderdonk House, Guerilla Toss performed a nice cross section of their already extensive discography, two apparent new songs (“Can I Get the Real Stuff” and “Betty”), and a fairly obscure Tom Waits cover in a too-short thirty minute set that was both long on energy and compelling for all of the right reasons. I suspect that Guerilla Toss will be regulars on NYCTaper moving forward and we’re excited to track their progress — fate willing.

Guerilla Toss next play in NYC at the Summer’s End Festival at Aviv on September 3.

[edit] Just caught this: Guerilla Toss now have been added to the Oneida show at Secret Project Robot on July 30.

I recorded this set with the outdoor-friendly Neumann large diaphragm mics mixed with an excellent board feed provided by FOH Cliff. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Guerilla Toss
2016-07-16
Out in the Streets Fest
Onderdonk House
Queens NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper

Setlist:
[Total Time 31:39]
01 Polly’s Crystal
02 Can I Get the Real Stuff
03 Club Kids
04 367 Equalizer
05 Earth Died Screaming [Tom Waits]
06 Diamond Girls
07 TV Spell
08 Betty Dreams of Green Men

Support Guerilla Toss: Bandcamp | Facebook | DFA Records Page

13819506_10154205836595631_948579491_n

Big Ups: July 16, 2016 Out In the Streets Festival

July 21, 2016
By

IMG_0760

Big Ups is one of the very best live bands in New York right now. At the core of that has to be the kinetic-but-controlled performance of vocalist Joe Galarraga, who reminds at times of a skinny Henry Rollins with a sense of humor. Mugging for the crowd, twisting his body into unusual positions, he never loses sight of the music or the message being delivered, which he propels at you in spoken word that rises at the right moments to scream. Brendan Finn (drums), Amar Lal (guitar) and Carlos Salguero (bass) make that performance possible, with controlled dynamics that pay as much attention to the softer interludes as to their songs’ frequent climaxes. Having seen these guys twice in 2014, promoting their first album Eighteen Hours of Static, and been blown away each time, we were eager to see where they’d gone from there.

The band’s 2016 record, Before A Million Universes, advances the conversation both lyrically and musically. At this performance at the Out In the Streets Festival, the band’s growth was evident in the current-album numbers “Contain Myself,” “Hope for Someone,” and “National Parks,” as well as a new piece that explores the soft/loud dynamic even further. On this sweltering, thunderstorm-pocked afternoon, the band commanded a friendly crowd who clearly knew them well, and made the most of the thirty minutes’ time allotted. The band’s music may be darker in tone, but Galarraga doesn’t let that get in the way of having a laugh with the crowd, or pulling faces that fall on the lighter side of serious. Even with the sun shining, by the time the set reached the band’s most straightforward hardcore number, “Goes Black,” we were all living in his world, and there was nothing else around.

In a crowded festival season, Out In the Streets is a perfect, smaller-scale local standout, with a tent to shield the bands and the music part of the crowd in the middle of Ridgewood’s historic Onderdonk House’s ample backyard, ringed with vendors, lounge chairs and picnic tables, and (not to be underestimated) plenty of bathrooms. The lineup, of course, reflected that ethos, with many of the best local acts (including Big Ups and, coming soon, Guerilla Toss) that Brooklyn fans see year-round at clubs like Shea Stadium and Baby’s All Right. It was one of those days that brought together like-minded people in a comfortable, manageable way — and gave us yet another serious jones for more Big Ups.

nyctaper and I recorded this set with his Neumann TLM-102 large-diaphragm microphones and an excellent house mix by Cliff Ribeiro. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream our favorite tracks from the show (hear them all on my Soundcloud page):


Big Ups
2016-07-16
Out In the Streets Festival
Onderdonk House
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Neumann TLM-102 (FOB, DFC, PAS) + Soundboard (engineer: Cliff Ribeiro)>Sound Devices 744T>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix
down, compression)>Izotope Ozone 5 (light EQ, exciter, image)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Contain Myself
02 Hope for Someone
03 Not Today
04 Wool
05 [new song]
06 T.M.I.
07 Goes Black
08 National Parks

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their websitelike them on Facebook and buy Before A Million Universes from Exploding In Sound.

SAVAK: June 11, 2016 Union Pool (Unblinking Ear Northside Showcase)

July 19, 2016
By

SAVAK

Local favorites SAVAK just released their excellent first LP, Best of Luck in Future Endeavors. We had seen a preview back in January and thankfully Unblinking Ear brought them back to Union Pool for their Northside showcase. This afternoon set literally picks up where the album leaves off with a few new songs like “They Are Bones,” “I Don’t Want To Be Defended,” “Loma Prieta,” and “Sick of War.” Like in January, Greg Vegas joins in on saxophone for a few numbers and I’m honestly surprised we didn’t hear cries of “more saxophone!” from the crowd. No further dates currently scheduled for SAVAK, but I’m sure we’ll likely see them again soon promoting this record that will justifiably end up on some 2016 best-of lists.

I recorded this set from our usual location at Union Pool, the room mics combined with a board feed from FOH Kevin. I mixed those down and then Sohrab provided some additional mastering. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

SAVAK
2016-06-11
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH
Additional mastering by Sohrab Habibion

Soundboard (engineer: Kevin) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:01]
01. Alive in Shadows
02. Drop the Piece
03. Reaction
04. They Are Bones
05. Knock Don’t Run
06. I Don’t Want To Be Defended
07. Loma Prieta
08. This Currency Exchanged
09. Sick of War
10. Early Western Traders

Buy Best of Luck in Future Endeavors via Comedy Minus One
• • Connect with the band at their Website and on Facebook

Downtown Boys: June 24, 2016 Market Hotel

July 18, 2016
By

downtown-boys20
[photo by Chona Kasinger – originally posted at Bandcamp Daily]

Its been a very discouraging year for forward-looking people. Tonight begins the tacky celebration of the nomination of a vulgar racist xenophobe of a major political party for President of the United States. Its as if for the next three days, forty percent of the country will be giving a massive middle finger to people of color, and anyone with a conscience and a sense of justice feels helpless.

The question then becomes what can we do. If you’re a group of young multicultural people from Providence Rhode Island, you form a punk band with a message — that hatred and xenophobia are things of the past and we, a “bi bilingual political dance sax punk party” are here, and we are the future. Downtown Boys are certainly a breath of fresh air in this toxic world. The band’s themes of inclusion and acceptance within the realm of punk (with a sax!) isn’t particularly a new idea, but add in bi-lingual lyrics and LGBT elements, and the idea of the perfectly integrated musical act becomes closer to realization. That the band executes their message with energy and commitment makes their music all the more compelling.

The Downtown Boys show at Market Hotel was one of those nights that won’t soon be forgotten. The band’s increased popularity brought out a truly diverse crowd, and given the Market’s goal of providing a community of musical performances of diverse styles and backgrounds, the band represented an inspiring coupling of ideals. In 2015 Downtown Boys signed with the most excellent Don Giovanni Records and released Full Communism to universally positive reviews. Its an encouraging development for the band that their call for human rights is reaching a larger and more accepting audience. At the Market, the set saw the performance of most of Full Communism, a few older tracks, and what I believe are six new songs that hopefully portends a 2016/2017 new album from Downtown Boys.

Downtown Boys return to NYC for a show at Studio at Webster Hall on September 16.

I recorded this set with the installed AT mics mixed with an excellent board feed. The sound is live and raucous and in the moment and totally excellent. Enjoy!

Download Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Downtown Boys
2016-06-24
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 52:08]
01 Future Police
02 Haz Algo
03 Wave of History
04 Tonta
05 One Hundred Percent Inheritance Tax
06 Santa
07 Maldito
08 [Poder intro]
09 Poder Elegir [Los Prisioneros]
10 Callate
11 It Can’t Wait
12 Slumlord Sal
13 [banter – power]
14 Clara
15 Lola
16 Dancing In The Dark [Springsteen]
17 Cost of Living
18 [banter – thanks]
19 Break A Few Eggs
20 Monstro

Support Downtown Boys: Bandcamp | Facebook | Don Giovanni Records Page

Ryley Walker: May 13, 2016 “A Day at the Market” (Market Hotel)

July 15, 2016
By

ryley-walker-6
[photos by PSquared Photography]

“A Day at the Market” is really a simple concept for an intimate performance in a quintessential setting. Some of our favorite performers will play the Market Hotel during the daylight with unamplified acoustic guitars in front of a select audience. The first installment of what we anticipate will be a long-running series featured the inimitable Ryley Walker.

This show took place on a Friday afternoon, and as you can tell from the rumbling train and siren audible early in this recording, the Market Hotel’s unique location was very much a part of the proceedings. And that’s how it was intended. One of the charms of this unique venue is the placement of the huge window behind the stage that makes the audience feel as if the performer is playing virtually on the J/M Myrtle-Broadway subway platform. And the intimate nature of the event made it easy to understand why we selected Ryley Walker for the debut of A Day at the Market — his immense talents and likeability are quite intense when it feels like its just you and him in the room.

Ryley played all new songs at this event, offering us a preview of his new album Golden Sings That Have Been Sung, which will be released on August 19 on Dead Oceans Records. Of the nine songs on the album, six were performed (along with one unreleased track). Ryley was accompanied only by stand-up bass player Anton Hatwich, so that these are pared-down versions of the new album and this recording is a fine accompaniment to the official release.

More great news to report — Ryley Walker will return (with full band) to the Market Hotel for a proper night time show on November 3 and tickets are now available [HERE].

I recorded this set with four strategically placed microphones. I utilized the installed audio technica cards mounted in the center of the room combined with two schoeps cards on a stand in the front of the stage. While obviously the wholly acoustic setting allowed for the ambient sounds to be heard, overall this recording is exactly how it should be — full spectrum clear sound of a special event in a special setting. Enjoy!

ryley-walker-9

At some point, when we can figure out how to properly edit it, we will have a complete upfront video from this show.

Sorry no downloads of this one.

Stream the Complete Show:

Ryley Walker
2016-05-13
Market Hotel
Brooklyn NY

Digital Master Recording
Four Channel Audience Matrix

Schoeps CCM4u Cardioids + Audio Technica 4051 > Roland R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 46:11]
01 The Halfwit In Me
02 Shaking Like The Others
03 The Great And Undecided
04 Grand Old Trout – Age Old Tale
05 The Roundabout
06 Sullen Mind
07 Funny Thing She Said

SUPPORT Ryley Walker: Website | Facebook | PreOrder Golden Sings

ryley-walker-12

Kohoutek: May 13, 2016 Saint Vitus

July 13, 2016
By

Kohoutek
[photos courtesy of Kohoutek]

Kohoutek are a long-running, loose collective improvisational psych band from Washington, DC and Philadelphia. While the extended Kohoutek family is massive, their core members are Scott Verrastro, Craig Garrett, Scott Allison and Vic Salazar. These guys don’t get out together too much these days owing to geographical differences, but they’ve lately seen some increased activity due to their most recent release, Curious Aroma. We caught up with Kohoutek opening for Dead Meadow a few months back and got lost in this explorative jam that starts off slow and tentative before finding its groove a few minutes in. After about a half hour the band eases things out with their noisier side. If this recording has you curious, Kohoutek have a gig this upcoming weekend, Saturday July 16, at their Philly headquarters—check here for more details.

I recorded this set from our usual location at Saint Vitus. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Kohoutek
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [28:21]
01. Live at Saint Vitus

• Buy Curious Aroma from Forced Exposure in the US, and MIE in the UK.
• • Connect with the band at their Website
• • • Check their Facebook for updates

Dead and Company: July 3, 2016 Boulder CO

July 6, 2016
By

IMG_2726
[photo by hiandlo]

It was exactly a year ago when all of the surviving members of the Grateful Dead played their last shows together in Chicago. “Fare Thee Well” was a goodbye of sorts, but it certainly wasn’t the end of their careers or the end of the music. Later that year, the formation of “Dead and Company” brought together Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart with pop star John Mayer. The combination appeared odd at first, but Mayer seems to have dedicated himself to not only learning the material but adapting to the ebb and flow of a traditional Dead show. The band’s second full tour came through Colorado on Saturday and NYCTaper veteran hiandlo was out in the region on vacation and caught the show.

Our readers who have followed our coverage of various “post-Dead” bands know that we have two pet peeves among the various good and bad aspects of these bands — we can’t stand the mindless aping of Jerry Garcia’s style by various guitarists employed to fill his shoes, and cringe at the simply unlistenable vocals of Phil Lesh. Fortunately, Dead and Company have neither of those two issues. John Mayer’s guitar playing borrows heavily from classic rock and blues oeuvres, but it has always been his own. Mayer isn’t copying Garcia when he plays Dead songs, he’s placing his own stamp on the music and that makes all the difference.  And vocally, although Bob Weir has aged quite a bit, the combination of his still-formidable vocals with Mayer and keyboardist Jeff Chimenti provides Dead and Company with solid singing that never reaches the cringworthiness of Lesh.

At this Boulder show, the band got off to a slow start, literally. Weir’s pacing is still painfully behind, so that “Stranger” was at times like playing a 45 record at 33. But fortunately the band kept it up after that and the tempo was never really an issue after the opener. The first set highlights included a sweet “Bird Song” with shared vocals, and Mayer’s take on “Speedway”, which allowed his blues roots to shine. The second set’s highlight was a really quite moving version of “He’s Gone” with “Smokestack” sandwiched in the middle. And although the band did offer a fairly truncated “Dark Star” out of “Space”, there were some out-there moments that made the trip worthwhile — reminding us that while this current incarnation isn’t ever going to be the Grateful Dead, Dead and Company is serving the music well and keeping the spirit alive.

Dead and Company continue to tour throughout this month, dates here.

hiandlo recorded this set from a prime front of board location with the “open card” Schoeps caps and the sound quality is simply superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Dead And Company
2016-07-03
Folsom Field
Boulder CO

Digital Audience Master
Recorded FOB Dead Center

Schoeps MK22 (STC-22) > KC5 > CMC6 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by hiandlo
Produced by nyctaper

Set 1
[Total Time 1:08:20]
01 Feel Like A Stranger
02 Next Time You See Me
03 Samson and Delilah
04 West LA Fadeaway
05 Bird Song
06 New Speedway Boogie

Set 2
[Total Time 1:43:53]
07 China Cat Sunflower
08 I Know You Rider
09 He’s Gone
10 Smokestack Lightning
11 He’s Gone Reprise
12 Let It Grow
13 Drums – Space
14 Dark Star
15 Morning Dew
16 [encore break]
17 Brokedown Palace
18 US Blues

Support Dead and Company: Website | Merch | Grateful Dead Music

Govt Mule: June 3, 2016 Mountain Jam

July 5, 2016
By

2016-MountainJam-GovtMule-4
[photos by Jill from For The Love of Brooklyn]

Now in its 12th year, Mountain Jam has established itself as a destination event for a wide variety of artists from a large array of styles. And yet over those dozen years, festival co-founder Warren Haynes has performed with Govt Mule for every single year — generally in the featured spot on Friday or Saturday night. This year, the Mule played the headline set on Friday after an abbreviated set by Wilco (here).

Since its his weekend, Haynes’ Govt Mule was unlimited in their time to play and performed a nearly three hour set that went late into the night. On display were the standard special aspects of the Mule Mountain Jam sets, including special guests, extended jam segments, and a plethora of covers. For this particular show, the highlight was most certainly when the Mule was joined by Marcus King and the horn section from his band for a blistering version of the Tower of Power classic “What Is Hip” that spanned a full seventeen minutes of superb multi-genre jamming.

Warren Haynes is currently on tour playing solo shows in Europe before returning to the US for several nights with the Garcia Symphonic Celebration before Govt Mule returns to touring in the Fall. All dates here.

I recorded this set in the same manner as the Wilco set and the quality is equally outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Govt Mule
2016-06-03
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:42:12]
01 Sweet Leaf [Black Sabbath]
02 Yer Blues [Beatles]
03 Thorazine Shuffle
04 Funny Little Tragedy
05 Rebel Rebel [Bowie]
06 Larger Than Life
07 Kind of Bird
08 Captured
09 Stage Fright [The Band]
10 Hunger Strike [Temple of the Dog]
11 Dear Mr Fantasy [Traffic]
12 Hunger Strike Reprise
13 Painted Silver Light
14 Frozen Fear
15 Dyer Maker [Zeppelin]
16 Mule
17 What Is Hip [Tower of Power]
18 Hope She’ll Be Happier [Bill Withers]
19 Game Face
20 Mountain Jam
21 Game Face Reprise
22 I’m a Ram [Al Green]
23 [encore break]
24 Soulshine

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Govt Mule, visit their website, and purchase their official releases from the Mule Store [HERE].

2016-MountainJam-GovtMule-5

Matchess: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 30, 2016
By

Matchess
[Photos By Rocketman]

You may have not heard of Matchess before, but chances are you’ve listening to music from Whitney Johnson for a while now. She’s accumulated some impressive credits playing with her like-minded Chicago neighbors Ryley Walker, Circuit Des Yeux, and Bichin Bajas, not to mention her band Verma who have got a few records out on Trouble in Mind. Meanwhile, Johnson has been releasing a steady stream of solo work under the alias Matchess: Seraphasta was released in 2013 on highly respected tape label Digitalis and was then reissued by Trouble in Mind, who also put our her second record Somnaphoria. Just this past May, she switched to Austin label Monofonus Press for her latest album, The Rafter. Matchess combines vocals, synthesizers, tape loops, and live viola into textural, ambient songs. Her compositions are anything but grounded, sounding more like something sighted or visited in outer space. Among other appearances at Northside Festival, including one with Grouper, Matchess joined in for the Monofonus Press showcase, giving us all a respite from the heavier fare with her quieter, but challenging, set.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Matchess
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [24:42]
01. Mi Ti Ra
02. The Need of the Greatest Wealth
03. But Their Chains
04. Aweh
05. Melts Into Air

Buy The Rafter via Monofonus Press
• • Buy Somnaphoria via Trouble in Mind
• • • Check tour dates, etc. at the Matchess Tumblr

Dead Meadow: May 13, 2016 Saint Vitus

June 27, 2016
By

Dead Meadow
[photos courtesy of P Squared Photography]

For many of us who grew up on indie rock, Dead Meadow was our introduction to psych/stoner/metal/whathaveyou, owing to a few early aughts tours with the likes of Stephen Malkmus and Sleater-Kinney (among others), and putting out records on indie-rock-label-of-record Matador. In those opening slots, Dead Meadow’s long, plodding nods seemed out of place—it’s only years later that the connected headspace between acts has become obvious. Dead Meadow is among the best at what they do and I’m sure many a thirty-something psych-freak owes at least some of their formative taste to the band. We last caught up with Dead Meadow in 2014 at the Bowery Ballroom, and the intervening couple years saw another change of drummers. But the core of the band and what they do is still there, the proof being this career-spanning set they cooked up for the second of a two-night stand at Saint Vitus.

I recorded this set from our usual location in the venue with a board feed from Dead Meadow’s FOH (if anyone knows his name, please let us know so we can credit him). The sound is outstanding, and you’re guaranteed to enjoy this one!

Download: [MP3/FLAC]

Stream:

Dead Meadow
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:24:49]
01. [Intro]
02. Greensky Greenlake
03. Babbling Flower
04. To the One
05. Mr Chesty
06. Golden Cloud
07. Let It All Pass
08. What Needs Must Be
09. Good Moanin’
10. Keep Your Head
11. Rains in the Desert
12. Sleepy Silver Door
13. At Her Open Door

• Visit their Website
• • Shop the Dead Meadow store (once they’re back from touring)
• • • Connect with the band on Facebook

Dead Meadow

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.