nyctaper Recordings

concert discussion and free flac downloads

Oneida: February 27, 2015 The Bowery Ballroom – FLAC/MP3/Streaming

March 5, 2015
By

Oneida
[Photo courtesy of Andrew Day Studio]

When Heraclitus philosophized that (to paraphrase Plato’s account) you can never step into the same river twice, I’m absolutely convinced he was referring to the Oneida song “The River.” (That song notably also alludes to Heraclitus’ metaphor.) No matter how many times I see Oneida—and I’m assuredly approaching Deadhead-like devotion—I greet every new show announcement with overwhelming enthusiasm because I know I’m going to see a different Oneida than I saw last, or the time before, or the time before that, and so on all the way back to a bitter-cold, late-night set at Market Hotel over five years ago. Whether it’s new songs, covers, or old favorites, Oneida never play the same song twice. The proof is right here in NYCTaper’s immense archive.

Playing at The Bowery Ballroom, a more polished venue than they’ve played recently here in NYC, Oneida offer up another unique, invigorated set. They open with “Cedars” and instead of segueing into “Economy Travel” as they’ve done lately, they play a different new song, title so far unknown, that debuted last October. That’s followed by a twenty-minute jam, ostensibly a cover but I suspect not entirely a literal one. Their staggering version of This Heat’s “S.P.Q.R.” makes another welcome appearance and then the set concludes with what may be the most enthusiastic “Up With People” I’ve ever witnessed.

Oneida are about to embark on a rare European tour, paired with the O-side project, People of the North, who explore the harsher realms of Oneida’s sound. If you’re out that way, you owe it to yourself.

I recorded this set from our usual location in the venue, with the AKG’s clamped to the balcony just left of the soundboard, plus a board feed from Bowery FOH Kenny. The sound and performance are spectacular. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oneida
2015-02-27
The Bowery Ballroom
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kenny) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, Tape Exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [54:09]
01. [Intro]
02. Cedars
03. [New Song]
04. [Unknown Cover]
05. S.P.Q.R. [This Heat]
06. Up With People

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, buy A List of the Burning Mountains from Jagjaguwar, and buy People of the North’s new one over at Thrill Jockey.

Diane Cluck: February 17, 2015 Trans Pecos – Flac/MP3/Streaming

March 4, 2015
By

Diane Cluck Pecos 2
[photo courtesy of Terri Wise]

Ever since we captured Diane Cluck‘s inspired performance at Joe’s Pub in early 2013, I’ve been trying to work with Diane on a show. This NYCTaper Presents event at Trans Pecos was the culmination of that desire and frankly it could not have gone any better. On a cold Tuesday night in Ridgewood Queens, Diane, Jeffrey Lewis and their curated opener Kid In The Attic filled up Pecos and each performer delivered an outstanding set. This was the final night of Diane and Jeff’s East Coast tour and the night had a celebratory feel. Diane’s setlist featured a nice career-spanning selection of material with an emphasis on her newest and perhaps most consistently excellent release Boneset. After the main set when Diane asked for requests and a sharp fan asked for “The Turnaround Road”, the off-the-cuff version became my own personal highlight of the set. We are streaming it below. Afterwards, Diane was joined by Jeff for three songs before closing the show with perhaps her most well known song “Sara”. We thought that the show was over at that point but the still-packed crowd gave the performer an enthusiastic ovation and Diane returned for an encore. Diane Cluck will not be performing in the US until the Fall, but she will be on an extensive European tour in April and throughout May, dates here.

I recorded this set with the Schoeps cards on a stand at the front of the stage and mixed with a board feed. I didn’t raise my live levels enough during this set so that when the levels were boosted in post there are some artifacts of the process — mainly some hiss at quieter moments. Otherwise, the sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “The Turnaround Road”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Diane Cluck
2015-02-17
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Angus] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:03:31]
01 Heat from Every Corner
02 Love You This Much
03 Maybe a Bird
04 Heartloose
05 [banter – Kid in the Attic]
06 Mystery Over Mind
07 Far Too Witchy
08 Trophies
09 Grandma Say
10 Not Afraid To Be Kind
11 Why Feel Alone
12 [banter – drive]
13 The Turnaround Road
14 [Jeffrey Lewis intro]
15 Travel Light
16 The River
17 [banter – thanks]
18 Perigee Moon
19 Sara
20 [encore break]
21 Macy’s Day Bird

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Diane Cluck, visit her website, and purchase Boneset from her Store [HERE].

Grooms: February 17, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 3, 2015
By

IMG_8271

Many bands are forced to admit that their best album was probably their first. Grooms can take pleasure in having just released their high watermark four albums in. That album, Comb the Feelings Through Your Hair, marries their sense of melody and pop appeal to a level of musical skill befitting a band that has stayed together long enough to see personnel come and go, but emerge stronger in the process. A three-piece, Grooms manage to make their music rhythmically complex (thanks in no small part to drummer Steve Levine, who recently enjoyed notoriety on TV’s Better Call Saul) without overcomplicating it, and that works especially well live. Watching the three men onstage, you more appreciate how their arrangements leave room to feel what each player is doing.

This show at Music Hall of Williamsburg, on a bill shared with A Place to Bury Strangers (that set here), celebrated the new record’s release, but didn’t park the setlist there. Starting with a rapid succession of new songs, Grooms then dug back in to 2013’s under-toured Infinity Caller and even their debut Rejoicer, the band gave us a sense of the continuity in their music as well as some of the new ideas percolating in Comb the Feelings. While the album itself is the band’s best-produced to date, adding lush electronics to the band’s guitar-bass-drums mix, the live versions proved that the record isn’t just a success on that account. Songs like the title track are more than just well put together; they’re just good songs. Grooms were one of many bands tied to Death By Audio (including A Place to Bury Strangers), and now, like their scene itself, they will enter a different phase. So far, it’s working for them.

I recorded this set with Schoeps MK41 microphones in the soundboard cage. The sound quality is quite good for a straight audience recording. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream “Comb the Feelings Through Your Hair”

Grooms
2015-02-17
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ, imaging)>Adobe Audition CS 5.5 (adjust levels)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 37:30]
01 Bed Version
02 Comb the Feelings Through Your Hair
03 Infinity Caller
04 [banter1]
05 Grenadine Scene From Inside
06 Doctor M
07 Lion Name
08 Foster Sister
09 [banter2]
10 Cross Off

If you enjoyed this recording, PLEASE SUPPORT Grooms, visit their Facebook page, and buy Comb the Feelings Through Your Hair here.

This Will Destroy You: February 27, 2015 Saint Vitus – FLAC/MP3/Streaming/Video

March 1, 2015
By

IMG_8333

This Will Destroy You, of San Marcos, TX, just crossed the decade mark as a band last year, with the excellent record Another Language. In the broad sense, they share company with the dynamic instrumental bands that get lumped together as “post-rock” — Mogwai, Explosions In the Sky, Caspian, etc. But if this two-night stand of shows presented by BrooklynVegan at Saint Vitus proved anything, it’s that they don’t let labels stop them. Saint Vitus, best-known as NYC’s destination for the heaviest of heavy music, made a good fit for the band, as they led off with the thunderous “Little Smoke” that pummeled us from start to finish. TWDY may not be a black metal band, but their sonics are definitely toward the darker end of the spectrum, a kind of soundtrack to the end of the world.

But just when you think you’re going to get nothing but 80 minutes of soft-loud dynamics and blaring guitars, TWDY changes things up. Bursts of electronics seep in, between the ratcheting drumbeats and the mournful guitars of “A Three-Legged Workhorse”. Or there’s “Grandfather Clock”, basically a full-on IDM track, followed by the texturally dense standout track from Another Language, “Dustism”. But if the band proved there was more to them than just getting loud, when they were loud, they made it count, as on the climax to “Black Dunes” or “There Are Some Remedies Worse Than The Disease”. This show ran a touch longer than the previous night’s effort, closing with the ironically-titled “Quiet”. This burner of a Friday night show had been anything but.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed of the mix by TWDY’s engineer (if you have his name, please give him a shout out). As with everything at Saint Vitus, the sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Video of the complete show:

This Will Destroy You
2015-02-27
St. Vitus
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (LOC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineers: Nick + TWDY’s engineer (please provide name if you have it))>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (harmonic exciter, EQ, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:23:24]
01 Little Smoke
02 A Three-Legged Workhorse
03 War Prayer
04 Burial On the Presidio Banks
05 Grandfather Clock
06 Dustism
07 Black Dunes
08 There Are Some Remedies Worse Than the Disease
09 Communal Blood
10 [banter]
11 New Topia
12 Quiet

If you enjoyed this recording, PLEASE SUPPORT This Will Destroy You, visit their website, and buy Another Language here.

M.C. Taylor & Friends: January 18, 2015 NARAL NC Benefit, The Pinhook (Durham, NC) – FLAC/MP3/Streaming

February 27, 2015
By

hgm2015-01-18
[Screen shot from this YouTube video by Dan Schram]

DONATE TO NARAL PRO-CHOICE NORTH CAROLINA HERE

M.C. Taylor, aka Hiss Golden Messenger, had a hell of a 2014. Among his accomplishments — signing with Merge Records, who released Lateness of Dancers to critical acclaim; appearing on Letterman; touring the U.S. and Europe extensively; serving as de facto lead vocalist for the Songs: Ohia and Magnolia Electric Co. tribute shows in honor of Jason Molina; and producing and appearing on Alice Gerrard‘s Grammy-nominated Follow the Music. After being everywhere in 2014, Taylor inaugurated 2015 back on his home turf, with an extravaganza of a show that combined a bunch of his recent activities into one wild ride of an evening. As Hiss Golden Messenger now tours as a full unit, Taylor decided to bill this as “M.C. Taylor and Friends” rather than the band name; the night’s main lineup included some, but not all, of HGM’s touring component. This special show was a benefit for NARAL Pro-Choice North Carolina, who have been leading the ongoing fight for choice in North Carolina.

After kicking off with a couple of Poor Moon classics, the “friends” started to come out in force. Gerrard joined Taylor for three numbers, including a cover of Merle Haggard’s “You Take Me For Granted”. Then it was Phil Cook‘s chance at the vocal mike, a turnabout from his normal role in HGM. The lucky crowd then got a second look at Taylor’s collaboration on the Songs: Ohia / Magnolia Electric Co. material, which was first debuted in the Triangle last January. Magnolia Electric Co.’s Jason Groth came up onstage for those three songs, including perhaps Molina’s finest number, “Final Transmission.” Then it was back to HGM for a bit, until the night’s final number, Taylor’s first known cover of Bob Dylan’s “Knockin’ On Heaven’s Door,” shown on the video above.

This performance was recorded by my friend and prolific Triangle-area recordist Dan Schram, whose video is showing below. Dan kindly provided me the audio files, to which I applied a little additional mastering and mixing “sparkle”. The sound quality is outstanding. We hope you enjoy it, and more importantly, that you will support the cause for which the music was made, NARAL Pro-Choice North Carolina.

Download the complete show: [MP3] | [FLAC]

Stream and download individual tracks:

Watch “Knockin’ On Heaven’s Door” on YouTube:

M.C.Taylor and Friends
2015-01-18
NARAL NC Benefit
The Pinhook
Durham, NC USA

Recorded by Dan Schram
Produced by acidjack

Soundboard + Rode NT5>Tascam DR-680>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, reverb on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Call Him Daylight [Hiss Golden Messenger]
03 [banter1]
04 Blue Country Mystic [Hiss Golden Messenger]
05 [banter2]
06 Get Up and Do Right [Alice Gerrard]*
07 [banter3]
08 Follow the Music [Alice Gerrard]*
09 You Take Me For Granted [Merle Haggard]*
10 If I Play With Fire [Alice Gerrard]*
11 [banter4]
12 Leave It There [Charles A. Tindley]
13 Ain’t It Sweet [Phil Cook]&
14 [banter5]
15 What Comes After the Blues [Magnolia Electric Co.]^
16 [banter6]
17 Talk To Me Devin, Again [Magnolia Electric Co.]^
18 Farewell Transmission [Songs: Ohia]^
19 [banter7]
20 Southern Grammar [Hiss Golden Messenger]
21 [encore break]
22 Knockin’ On Heaven’s Door [Bob Dylan]

Band:
M.C. Taylor – vocals, guitar
Kyle Keegan – drums
Brad Cook – bass
Matt Douglas – saxophone

* w/ Alice Gerrard – vocals
& w/ Phil Cook – vocals, guitar
^ w/ Jason Groth

If you enjoyed this recording, PLEASE SUPPORT NARAL Pro-Choice North Carolina. You can buy Hiss Golden Messenger’s records from Paradise of Bachelors and Merge Records, as well as HGM’s online store.

Helmet: February 21, 2015 Bowery Ballroom – FLAC/MP3/Streaming Songs

February 26, 2015
By

Helmet-5
[Photos from the February 18th show courtesy of Brian Reilly for Bowery Presents]

It was a few decades ago that a friend of mine happened to spin Helmet’s landmark ‘Betty‘ album for me and set the hook for my enthusiasm for this band.  Now touring to honor the 20th anniversary of this record, these dates include a front-to-back playing of it as well as a second set drawing from their vast catalog of songs.  In a day and age where a number of bands are doing this, the kicker is that ‘Betty‘ is an amazing album and easily made it onto my personal list of “desert island discs” some time ago.  The second of three very sold-out NYC area shows (the recording from the Saint Vitus gig is HERE) found Helmet firing on all cylinders.  Frontman Page Hamilton has surrounded himself with a roster of superb musicians (drummer Kyle Stevenson, guitarist Dan Beeman and bassist Dave Case) and these concerts showcased a very well rehearsed and tight group that obviously have the chops to play anything you can throw at them.  In addition to fielding a few crowd requests, Helmet dug out some deep cuts including “Impressionable”, “Repetition” and fan-favorite, “Sinatra”.  In a nutshell, they sounded fantastic and more than lived up to the legacy of this material.

With Helmet’s soundman, Rubes, at the board with assistance from Bowery Ballroom’s FOH, Kenny, the venue’s sound on this night was, as we’ve come to expect, great.  Combining our microphones with the soundboard feed that Page asked us to use, our recording is excellent.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Helmet, Brian and Chad at Maine Road, and Kieran and the staff at Bowery Ballroom for making this recording possible and for their courtesy and cooperation.

Stream “Rollo”:

Stream “Give It”:

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Helmet-7

Helmet
Saturday, February 21, 2015
Bowery Ballroom
New York, NY, USA

Source: Milab VM-44 Links + SBD > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC (level 8)
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:40:20]
01. Wilma’s Rainbow
02. I Know
03. Biscuits for Smut
04. Milquetoast
05. Tic
06. Rollo
07. Street Crab
08. Clean
09. Vaccination
10. Beautiful Love
11. Speechless
12. The Silver Hawaiian
13. Overrated
14. Sam Hell
15. [band intros / banter1]
16. (High) Visibility
17. Role Model
18. FBLA II
19. [banter2]
20. Welcome To Algiers
21. Birth Defect
22. Broadcast Emotion
23. Unsung
24. [banter3]
25. White City
26. Impressionable
27. [banter4]
28. Give It
29. [encore break / Sinatra intro]
30. Sinatra
31. [banter5]
32. Repetition
33. In the Meantime

If you download this recording, we expect that you will PLEASE SUPPORT Helmet, visit their website and Facebook page, and purchase their official releases and merchandise [HERE] at Amazon, iTunes, or your favorite record store or retailer.  And definitely go see Helmet live.

Helmet: February 22, 2015 Saint Vitus – Flac/MP3/Streaming

February 25, 2015
By

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[photos courtesy of unartignyc – his excellent video below]

Helmet is taking a look back this tour and celebrating the 20th anniversary of their seminal album Betty beginning each show by playing the album straight through. On Sunday night the band added a special wrinkle by playing a small club the size of which they haven’t played in years. As Page Hamilton noted at the first break in the action, the “first Helmet show ever” was played at a club very similar in style, location and size to Saint Vitus — the late great Lauterbach’s in Brooklyn. For a time in the 80s and 90s, Lauterbach’s was the place for punk, hardcore and metal in the “outer boroughs”. And out it was, all the way in the South Slope on Prospect Avenue. And like the long gone venue, Helmet themselves are a product of that era in Brooklyn. As the band’s founder and only remaining original member Hamilton was a known quantity in music circles when Helmet formed in 1989, but there was a period when places like Lauterbach’s were their venues of choice. Helmet would go on to play a vast arragy of huge venues in the 1990s. While Saint Vitus in 2015 is an established and well-respected home for heavy music, its nice to see that Page has a sense of history — respect enough for the band’s legion of fans — to return to his roots and come “full circle” as he described. For this set, Helmet ripped through Betty in forty-five minutes staying pretty close to the album’s sound. The final half of the show has varied throughout this tour and on Sunday we got some rare oldies and of course the hits. I was particularly impressed with the raging extended version of “Driving Nowhere” which gave Page a chance to stretch out and display his guitar chops. We are streaming that track below. The Betty tour continues in the US and Canada through the end of March, dates here.

I recorded this set with the Schoeps mounted in front of the soundboard and mixed with a feed that Page earlier in the week had encouraged us to use. The sound quality is superb. Enjoy!

We also recorded the Bowery Ballroom show on Saturday and that will be coming very soon.

Download the Complete show [MP3] / [FLAC]

Stream “Driving Nowhere”:

Stream “Biscuits for Smut”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links

Helmet
2015-02-22
Saint Vitus
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:49]
01 Wilma’s Rainbow
02 I Know
03 Biscuits for Smut
04 [banter Lauterbach’s]
05 Milquetoast
06 Tic
07 Rollo
08 Street Crab
09 Clean
10 Vaccination
11 Beautiful Love
12 Speechless
13 The Silver Hawaiian
14 Overrated
15 Sam Hell
16 [intros – Pariah story]
17 It’s Easy To Get Bored
18 So Long
19 Renovation
20 [banter – the ghost]
21 You Borrowed
22 Diet Aftertaste
23 Bad Mood
24 Driving Nowhere
25 [banter – bass player]
26 FBLA
27 Unsung
28 On Your Way Down
29 [encore break]
30 Iron Head
31 In the Meantime

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Helmet, visit their website, and purchase their official releases, including Betty, directly from their web store [HERE] or from your favorite online retailer.

Mind Over Mirrors: February 5, 2015 Union Pool – FLAC/MP3/Streaming

February 24, 2015
By

Mind Over Mirrors

Since 2007, Mind Over Mirrors has been the solo outlet for Jaime Fennelly’s explorations with an Indian pedal harmonium processed through analog electronics and synthesizers. With the recent cassette release of The Voice Calling on Immune Recordings, Fennelly is joined by vocalist Haley Fohr, better known as Circuit des Yeux. At Union Pool, the duo played in near darkness, set up on the floor rather than on the stage, with Fennelly and Fohr facing inwards towards an impressive array of electronics. The crowd gathered around close as the room became a tight fit with the bulk of gear arranged mid-floor. The dark stillness punctured only by the swirling rhythms of Fennelly’s harmonium and Fohr’s ritualistic vocal paroxysms, the subtle glow of electronics and the occasional clinking of glasses at the bar. The three songs, all off of The Voice Calling, are played as a single piece, one subtly transmuting into the next. Performed live, each song eclipses its recorded counterpart’s length as if expanding to fill its new, larger container and seeking out new spaces to inhabit. The setting necessitates a hyper-acuteness to the experience and at the set’s conclusion there is a collective release of held breath as the tension between harmonium and voice resolves. It’s unclear if the collaboration between Fennelly and Fohr is intended to be long-term or whether it’s a one-off experiment; but either way, the results both live and on the album are compelling.

I recorded this set with the AKGs clamped to the balcony combined with a board feed from Union Pool FOH Leah. The sound is excellent. Enjoy!

Mind Over Mirrors just completed a tour with Daniel Bachman and their next scheduled performance is at the Levitation Festival in Chicago, March 13–14.

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mind Over Mirrors

Mind Over Mirrors
2015-02-05
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [36:19]
01. Motioning
02. Whose Turn Is Next
03. Calling Your Name

If you enjoyed this recording, PLEASE SUPPORT Mind Over Mirros. Visit their website, their Bandcamp page, and buy The Voice Calling from Immune Recordings.

Felice Brothers: February 7, 2015 Brull Foundation Benefit – Flac/MP3/Streaming

February 23, 2015
By

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[photo by Austin Jensen]

After the tour-de-force performance by Strand Of Oaks to open the Tommy Brull Foundation Benefit, any band might be hesitant to follow such a set. But Felice Brothers were the perfect style of band to do it. The intensity and poignancy of the Strand Of Oaks set was a great way to start the show, but for the Felice’s set it was truly party time. As the Foundation’s stage announcements made clear, the Brulls not only enjoy raising money for good causes but they also like to have a good time. And for the Felice Brothers raucous set it was easy to have some fun. The band played a lengthy set of material from throughout their career including five songs from 2014’s Favorite Waitress, and a crazy Neil Young cover to close the night. We were particularly impressed with the version of “Cus” (streaming below) and the ultra-rare “Ruby Mae” that featured some added lyrics that sounded like an old traditional folk song. The Felice Brothers are currently on a 3-week tour in Australia, and we’d encourage our friends down under to catch their highly entertaining set.

I recorded this set in the exact same manner as the Strand Of Oaks set and the sound quality is equally superb. Enjoy!

If you download this recording, you should donate the Brull Foundation. This particular show was a benefit to fund a special needs playground in Rockville Centre and to continue contributions to Camp Anchor.

Download Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Stream “Cus’s Catskill Gym:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links

Felice Brothers
2015-02-07
Tommy Brull Foundation Benefit
Cannon’s Blackthorn
Rockville Centre NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Billy] + On-Stage Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:29:56]
01 Meadow of a Dream
02 White Limo
03 Run Chicken Run
04 Cumberland Gap
05 You’re All Around
06 Saturday Night
07 Honda Civic
08 Cus’s Catskill Gym
09 Whiskey In My Whiskey
10 [banter – good people]
11 Take This Bread
12 Silver In The Shadow
13 Lion
14 Back In The Dancehalls
15 Frankie’s Gun
16 Hey Hey Revolver
17 Where’d You Get The Liquor
18 Penn Station
19 Ruby Mae
20 The Mating of the Doves
21 [encore break]
22 Marie
23 Cherry Licorice
24 Rockin’ in the Free World [Neil Young]

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Nathan Bowles: February 12, 2015 Union Pool and January 31, 2015 Silent Barn – FLAC/MP3/Streaming

February 22, 2015
By

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An canny, skilled and unpretentious kind of player, Nathan Bowles is nonetheless important not because of how he plays, but what he plays. There’s no shortage of banjo music circulating these days — the jam-band scene is filled with bands playing their own pabulum and covering the classic rock hits with the instrument, using it to deliver a little authenticity from the extra twang. Bowles’ career is the exact opposite of all of that — not only does he bring a new style and sound to Appalachian music, but he has an intrinsic knowledge of what a worthy song is, whatever its era.

First as a member of legendary Pelt, the multi-instrumentalist helped to make drone-based music that changed the conversation about what “folk” could be. With the Black Twig Pickers, he and his bandmates have gone deep into American history, both excavating and elevating lost and under-appreciated old-time music. Fitting, then, that his solo work, in particular 2014’s Nansemond, does some of both, giving us traditional Appalachian and Piedmont string music that’s infused with the sound and spirit of the modern avant-garde. Though “solo” in name, Nansemond is a full-band effort, allowing Bowles to produce tunes like the album’s bookends, “Sleepy Lake Bike Club” and “Sleepy Lake Tire Swing” that weave rich guitar textures around his virtuosic banjo work.

These sets at Union Pool and Silent Barn were true solo affairs, with Bowles the support act for Joan Shelley and Elisa Ambrogio, respectively. In front of two crowds that couldn’t have been more different, Bowles performed sets that delivered the full range of what’s meaningful about Nansemond. Both were all-Nansemond affairs that included the “Sleepy Lake” pieces and his straightforward medley of “Jonah and the Whale” and “Poor Liza Jane”. At Union Pool we got “Moonshine Is the Sunshine”, closer to the former numbers in tone, while at Silent Barn, Bowles added something more experimental to the reportoire, with Chuckatuck”, a song in which Tom Carter’s guitar work figures prominently on the record. You could’ve heard a pin drop among the Union Pool crowd, who Nathan thanked, almost baffled, for how respectful they were. If playing for the younger crowd at Silent Barn — who’d already been treated to a couple of punk bands — represented an uphill climb, Bowles didn’t show it; if anything, the spare arrangement of “Chuckatuck”, extended by three minutes versus the album version, ought to go down as one of that song’s best takes.

The Union Pool set was recorded with a soundboard feed from the house engineer Rob together with my Schoeps MK41 supercardiod microphones, while Eric PH recorded the Silent Barn gig with a straight soundboard feed from the engineer Mike, with only a tiny amount of his AKG 480 cardiods mixed in.

Download the Union Pool show [FLAC] | [MP3]

Download the Silent Barn show [FLAC] | [MP3]

Stream the Union Pool show:

Stream the Silent Barn show:

Nathan Bowles
2015-02-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Rob) + Schoeps MK41 (PAS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, compression, mix down)>Izotope Ozone 5 (effects, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sleepy Lake Bike Club
03 [banter1]
04 Moonshine is the Sunshine [Jeffrey Cain]
05 [banter2]
06 Jonah and the Whale [traditional] / folk medley
07 [banter3]
08 Sleepy Lake Tire Swing
____________________________________________________

Nathan Bowles
2015-01-31
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Mike) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [45:13]
01. Sleepy Lake Bike Club
02. [banter/tuning]
03. Jonah/Poor Liza Jane
04. [banter/tuning]
05. Sleepy Lake Tire Swing
06. [banter/tuning]
07. Chuckatuck

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

nathanbowles2015-01-31silentbarn

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