Mind Over Mirrors: May 4, 2017 Union Pool

May 10, 2017
By

Mind Over Mirrors contains multitudes. We’ve seen Jaime Fennelly’s Indian pedal harmonium-based project evolve over the past few years, from a 2015 set at Union Pool with Haley Fohr for The Voice Calling, to a solo set at Littlefield last year, and now a dramatic full-band celebration of the Mirrors’ Paradise of Bachelors debut, Undying Color. Squeezing themselves onto Union Pool’s modestly-sized stage, Fennelly and crew performed a few tracks off Undying Color, vividly recreating the album’s complexity live, while adding an untitled synth piece and the self-explanatory “Gongs.” For the record, that’s Janet Beveridge Bean on drums, gong, and vocals; Jim Becker on violin, vocals, and percussion, and Jon Mueller also on drums and gong. While you may be wondering where Mind Over Mirrors will go next, Fennelly already has an answer for you: this lineup has just announced a two-night performance of a new piece titled “Bellowing Sun” at the Museum of Contemporary Art in Chicago for next April. In the meantime, Undying Color is one of the most compelling albums released this year and this live set will make a nice companion to it.

I recorded this from our usual outpost at Union Pool, combined with a board feed courtesy of the venue’s FOH, Doug, and touring engineer, Nick. This represents one of our finest pulls from Union Pool. Enjoy!

Download: [MP3/FLAC]

Stream:

Mind Over Mirrors
2017-05-04
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Nick) + AKG C480B/CK61 > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [41:49]
01. Restore & Slip
02. untitled
03. To the Edges
04. Gongs
05. Gravity’s Wake

Band:
Jamie Fennelly
Janet Beveridge Bean
Jim Becker
Jon Mueller

• Website
• • Buy Undying Color and other Mind Over Mirrors recordings via Bandcamp 

Brokeback: May 4, 2017 Union Pool

May 9, 2017
By

It doesn’t take too much digging to trace the cartography of Americana in Brokeback or their new album, Illinois River Valley Blues. For it’s in Illinois that Doug McCombs finds a microcosm of the American west and there the influence of the Spanish countryside. Outside Murphysboro, IL is home to the Little Grand Canyon; meanwhile, “Andalusia, IL,” the song, would clearly have you recall both the south of Spain and its like-named Illinois counterpart. Within the songs, the map gets folded in ways that bring the two Grand Canyons together, that position Andalusia, IL somewhere in the Spanish region. Roads are traced on guitar strings; routes and motifs are circuitous and repeating. Brokeback always take the back roads.

I recorded this from our usual outpost at Union Pool, combined with a board feed courtesy of the venue’s FOH, Doug, and touring engineer, Nick. The sound is excellent. Enjoy!

Brokeback continue their tour with a Chicago gig later this month and then off to the west coast. Check tour dates via Thrill Jockey.

Download: [MP3/FLAC]

Stream:

Brokeback
2017-05-04
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Nick) + AKG C480B/CK61 > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [38:44]
01. The Canyons of Illinois
02. Rise, Fernanda, Rise!
03. Ride Ahead and Light the Way For Me
04. Spanish Venus
05. Andalusia, IL
06. Ursula
07. Cairo Levee
08. Night Falls on Chillicothe

Band:
Douglas McCombs: guitar
James Elkington: guitar, harmonica
Pete Croke: bass
Areif Sless-Kitain: drums

• Buy Illinois River Valley Blues and other Brokeback albums via Thrill Jockey

NYCTaper Upcoming Schedule: Spring/Summer 2017

May 9, 2017
By

We will be celebrating our 10th anniversary on May 11, but there’s no NYCTaper Presents show to go along with that, unfortunately. Meanwhile, we’ll just keep taping and posting shows until this thing runs it course, whenever that might be.

Caveat: Below is the updated schedule. We expect to attend and record these events. However, circumstances will prevent some of these from being done, and others will be added in the meantime. Feel free to make suggestions or point out shows we missed or invite us to your shows!

Schedule:

Meat Puppets / Mike Watt / Grant Hart:
May 10, 2017 Brooklyn Bowl

North Mississippi Allstars:
May 11, 2017 Bowery Ballroom NYC

Overlake:
May 12, 2017 Mercury Lounge NYC

Drag Sounds:
May 13, 2017 Our Wicked Lady BK

Sir Richard Bishop / Robert Millis:
May 17, 2017 Park Church Co-Op BK

Real Estate:
May 17, 2017 Brooklyn Steel BK

Ty Segall / Purling Hiss:
May 18, 2017 Warsaw BK (permission pending)

Wrekmeister Harmonies:
May 20, 2017 Saint Vitus BK

Animal Collective:
May 23, 2017 Brooklyn Steel

Horse Lords:
June 4, 2017 Sunnyvale BK

Ween:
June 6, 2017 Brooklyn Steel BK

Downtown Boys:
June 9, 2017 Saint Vitus BK

Thursday / Jeff Rosenstock / PUP / Tony Molina:
June 11, 2017 McCarren Park BK (permission pending)

Kurt Vile:
June 23, 2017 Brull Foundation Benefit, Rockville Centre NY (permission pending)

Palm:
June 23, 2017 Baby’s All Right BK

Daniel Bachman:
June 30, 2017 Baby’s All Right BK

Waxahatchee:
July 15, 2017 Warsaw BK

Phish:
July 22, 2017 Madison Square Garden NYC

Phish:
July 29, 2017 Madison Square Garden NYC

Phish:
August 4, 2017 Madison Square Garden NYC

Thee Oh Sees:
September 10, 2017 Warsaw BK

Moon Duo: April 27, 2017 Rough Trade NYC

May 7, 2017
By


[Photo by Dean Keim]

If psychedelic music aims to be transportive, then Moon Duo’s destination looks something like a Village nightclub featuring the Exploding Plastic Inevitable. Sanae Yamada’s synths swirl together with Riply Johnson’s guitar while drummer John Jeffrey plays with motorik precision. Hypnotic visuals play a game of hiding and showing the musicians. Moon Duo play songs for the dark and urban, and naming their recent two-volume album Occult Architecture underscores the time and place of their music. Song titles like “The Death Set,” “Creepin’,” and “Cult of Moloch” tell you this setting shouldn’t be comforting. Capping off the set is a cover of those most-sinister Stooges: “No Fun” gets washed in synth flourishes while Johnson does his best Iggy. The psychedelic sixties are here.

I recorded this from the soundboard cage with the AKG’s set up in DIN stereo configuration, combined with a board feed courtesy of FOH Terry Mattson and Moon Duo’s touring engineer. The sound is spectacular. Enjoy!

Moon Duo will be back on May 20th to celebrate Sacred Bones’ 10 Anniversary at Greenpoint Terminal Warehouse.

Download the complete show: [FLAC/MP3]

Stream the complete show:

Moon Duo
2017-04-27
Rough Trade NYC
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + AKG C480B/CK61 (DIN, DFC) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging, dither, downsample) > FLAC (16/44.1, level 8)

Tracks [1:11:40]
01. The Death Set
02. Cold Fear
03. Creepin’
04. White Rose
05. Free the Skull
06. I Been Gone
07. Free Action
08. Sevens
09. Cult of Moloch
10. [encore break]
11. Goners
12. No Fun [The Stooges]

Website
• • Bandcamp

Widespread Panic: April 21, 2017 Wanee Festival (Live Oak, FL)

May 4, 2017
By

Perennial Southern-rock favorites Widespread Panic have always been better than they had to be. If you go to many festivals that involve like-minded bands, you could be forgiven for getting one bluesy-sounding rock band confused with another. After the deluge of classic rock covers that comes your way, few of these groups really distinguish themselves, but they all get the applause.

Widespread has long been a different animal. Sure, the underlying vein of bluesy-rockness is there, as are some choice covers. But Widespread isn’t just playing the familiar — especially on their best nights, it’s their transcendent playing of both the familiar and their originals that makes them so special. If the Allman Brothers’ “Mountain Jam” or Talking Heads’ “Heaven” is one you’ve heard before, fine, but it’s hard to argue with the Widespread treatment of it, particularly the former. Here at Wanee Festival, Widespread were probably the main draw for a significant portion of the crowd, and they acted like they knew that, playing a finely-honed two-hour set that headed deep into the jam zone during an epic sequence of “The Last Straw”>”Mountain Jam”>”Impossible”>”Big Wooly Mammoth”>”Christmas Katie” and finally “One Kind Favor.” If there’s any upside to the reduced touring of Widespread Panic these days, it’s the fact that it makes each individual show a bit more special.

I recorded this set with Schoeps MK4V microphones in a centered “forward of the board” position. If not quite as good sounding as the Trey Anastasio and Bob Weir sets, the sound quality is nonetheless excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Widespread Panic
April 21, 2017
Wanee Music Festival
Peach Stage
Spirit of the Suwannee Music Park
Live Oak, FL

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC)>KC5>PFA>Zoom F8>24/44.1kHz WAV>Adobe Audition CC>Isotope Ozone 5>Audacity 2.0.3 (amplify, track, downsample)>FLAC ( level 8 )

Tracks
01 Ain’t Life Grand
02 Love Tractor
03 Cease Fire >
04 Heaven [Talking Heads]
05 Little Kin >
06 Junior
07 Party At Your Mama’s House >
08 Stop Breakin’ Down Blues
09 Tall Boy
10 The Last Straw >
11 Mountain Jam* >
12 Impossible >
13 Big Wooly Mammoth > Jam >
14 Christmas Katie >
15 One Kind Favor >
16 Saint Ex
17 Imitation Leather Shoes
[encore break removed]
18 Blackout Blues
19 End Of The Show

* with Marcus King on guitar

SUPPORT Widespread Panic: Website | Store

Leftover Salmon: April 20, 2017 Wanee Festival, Mushroom Stage (Live Oak, FL)

May 2, 2017
By

Much as I have been known to harsh on the classic rock coverin’ ways of jam band festival denizens, it’s hard to argue with Leftover Salmon covering Neil Young songs on 4/20 at Wanee Festival. This set, held on the Mushroom Stage, featured faithful renditions of some of Young’s best and lesser-known songs reinterpreted in the Salmon’s modern bluegrass style. As you’d imagine, some things were a better fit than others, but “Old Man” in particular went off like a champ. “Down by the River” closed things out with guitar wunderkind Marcus King joining, and of course, there was a tribute to this special date in the form of “420 Long Years.” Wanee Festival was just beginning at this point, and Leftover Salmon’s set helped set the tone for the days ahead.

I recorded this set with Schoeps MK4V microphones back at the soundboard. The sound quality is excellent. Enjoy!

Download the complete set from the Live Music Archive: [MP3] | [FLAC]

Leftover Salmon
April 20, 2017
Wanee Music Festival
Peach Stage
Spirit of the Suwannee Music Park
Live Oak, FL

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, ROC)>KC5>PFA>Zoom F8>24/44.1kHz WAV>Adobe Audition CC>Isotope Ozone 5>Audacity 2.0.3 (amplify, track, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:25:47]
01 Comes a Time
02 Heart of Gold
03 Out On The Weekend
04 Cowgirl In The Sand
05 Are You Ready For The Country?
06 420 Long Years
07 Look Out For My Love
08 Old Man
09 There’s a World
10 Alabama
11 Down By The River *

Support Leftover Salmon: Website

Support nyctaper

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