King Buzzo: July 14, 2014 The Wick – FLAC / MP3 / Streaming Songs

July 22, 2014
By

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[Photos courtesy of P Squared Photography]

For over 30 years, Buzz “King Buzzo” Osborne and the Melvins have made their own brand of heavy rock, ‘sludge’, an institution.  While that has had a huge influence on music, including helping birth the kinder, gentler ‘grunge’ genre, Melvins continue to stand apart from the crowd with a sound that is instantly recognizable.  When Buzzo decided to record and release his first acoustic album this year, the excellent ‘This Machine Kills Artists‘, it was definitely a departure from what he’s known for, but not completely unexpected from a performer who has been blazing his own trail for decades.  With Melvins being a favorite of ours and having appeared on this site several times, we were excited to hear that he was embarking on a solo tour in support of the new disc and relished the opportunity to catch his stop at The Wick, a new venue in the Bushwick area of Brooklyn.  Onstage with little more than an acoustic guitar, a microphone and his trademark hair, King Buzzo kicked his set off with the dramatic “Boris” and proceeded to keep the respectful Brooklyn crowd (aside from one overly enthusiastic attendee) in rapt attention for the next 75 minutes.  Peppered with anecdotes, observations and a hilarious story about Mike Patton, Buzz proved to be quite the raconteur.  His great combination of new songs, Melvins staples from their vast catalog and engaging, interactive banter made for a show that I could easily enjoy almost every night.

We recorded King Buzzo in the same manner as Mary Halvorson’s opening set with a stereo pair of Countryman B3 omni microphones placed onstage. While there is some ambient noise at times, the overall quality and clarity is excellent thanks to Buzzo’s sound engineer, Dave, and The Wick’s FOH, Joe. Enjoy!

Special thanks to King Buzzo, Joey Massa, Chris White, John Seroff and the staff at The Wick for making this recording possible and for their courtesy and cooperation.

Stream “Rough Democracy”:

Stream “We Are Doomed”:

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

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King Buzzo
Monday, July 14, 2014
The Wick
Brooklyn, NY, USA

Source: AUD > Countryman B3 > MM-CBM-Mini > Roland R-05 (WAV @ 24-bit/48kHz)
Lineage: R-05 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:15:47]
01. [intro]
02. Boris
03. The Ballad of Dwight Frye [Alice Cooper]
04. Suicide in Progress
05. [banter 1]
06. Dark Brown Teeth
07. Rough Democracy
08. Laid Back Walking
09. Drunken Baby
10. [banter 2 - Mike Patton]
11. Evil New War God
12. The Vulgar Joke
13. How I Became Offensive
14. [banter 3]
15. We Are Doomed
16. Hooch
17. Revolve

If you download this recording, we expect that you will PLEASE SUPPORT King Buzzo and Melvins, visit their website and Facebook page, and purchase ‘This Machine Kills Artists‘ at Amazon, iTunes, or your local record store.  And definitely go see Buzz and the Melvins live.  

Oneida: July 17, 2014 Glasslands – FLAC/MP3/Full Set Streaming

July 20, 2014
By

Photo by Greg Cristman | www.gregCphotography.com
[Photos by Greg Cristman]

With Oneida, you never have to worry about seeing the same show twice. Even if you’re hearing the same song — for example, the mammoth version of “Cedars” from this night’s show at Glasslands compared to the one we documented at the start of the year at the Knitting Factory – you won’t necessarily know it if you don’t pay close attention. As our review of the Knitting Factory show pointed out, at this point, referring to an Oneida show’s “setlist” is kind of missing the point. This band has long-since abandoned the conventional, which is why they continue to be a major draw in the underground scene in New York seventeen years in despite minimal blog hype and virtually no mainstream exposure. An Oneida show is an event, a celebration of what music can be when all of the downward pressures on creativity are cut.

Joining the band for this show, as he did at Glasslands last year, was James McNew of Yo La Tengo and Dump, whose bass playing mingled nicely with the swirling controlled chaos on the stage. Although technically a four-song “set”, this set had a similar structure, with a 40-minute sequence of “Cedars” into “Economy Travel” adding two shorter songs, “Cock Fight” and “You Get Brighter” (a 48-minute version of which appeared at the 2013 Glasslands show) to round it out. We expect to see some of these compositions whittled down to album length for a future release, but in a way that’d be a shame. This act’s sound cannot be contained on a few pieces of plastic, nor can their songs properly be culled to one right “version”. The beauty is in the expression of it at a given time on a given night–the very reason live recordings exist in the first place.

I recorded this set with a Schoeps MK5 and Schoeps MK8 capsule in the “mid-side” configuration on-stage to allow maximum adjustment capability to the stereo image, combined with a soundboard feed from Glasslands head of production Josh Thiel. The sound quality is quite simply phenomenal — one of the best recordings I think I can take credit for. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the full show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

Photo by Greg Cristman | www.gregCphotography.com

Oneida
2014-07-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (stage lip, M-S)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (Engineer: Josh Thiel)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 56:59]
01 [intro banter]
02 Cedars>
03 Economy Travel
04 Cock Fight
05 You Get Brighter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Woods: April 22, 2014 Baby’s All Right – FLAC/MP3/Full Set Streaming

July 17, 2014
By

woods-mittal-1
[photo from the May 16 Bowery Show by Sachyn Mital]

Before sharing their latest sounds at yet another blockbuster of a show at the Bowery Ballroom in May, which we recorded, Woods kicked off their tour with a more intimate show at the Williamsburg clubhouse Baby’s All Right, curated by our friends at BrooklynVegan. Meant to also celebrate the release of their latest album, With Light and With Love. If band founder, lead singer and guitarist Jeremy Earl had any concerns that this first outing with the new stuff might come off ragged but right, he needn’t have had them — at least about the “ragged” part. This show displayed the band’s now-familiar virtuosity and served as a preview of what was to come later in the tour. This night, as at Bowery, the band pulled off a tight segue of “Shining” into the classic jam song “Bend Beyond” that exited into “Size Meets The Sound”, proving that the more approachable sound of With Light and With Love felt right at home with the band’s earlier material. It is always a treat to catch a Woods show, but especially so in a club of this size; this is a band that fills and belongs in bigger venues, but hasn’t forgotten where they came from.

This set was recorded on the Baby’s All Right house multitrack and, as usual, the sound quality is outstanding. The full set is streaming below as well as FLAC and MP3 downloads as usual. Enjoy!

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Woods
2014-04-22
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Multitrack digital soundboard>Adobe Audition CS 5.5 (mix down, fades, compression, effects)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Leaves Like Glass
03 Full Moon
04 Cali In A Cup
05 Shining>
06 Bend Beyond>
07 Size Meets the Sound
08 Shepherd
09 Only the Lonely
10 Moving To the Left>
11 Twin Steps
12 With Light and With Love
13 [encore break music]
14 Green Is the Color [Pink Floyd]
15 Find Them Empty

If you download this recording from NYCTaper PLEASE SUPPORT Woods, visit their website, and purchase With Light and with Love from the Woodsist Records website [HERE].

Mary Halvorson: July 14, 2014 The Wick – FLAC/MP3/Streaming

July 15, 2014
By

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[photos courtesy of P Squared Photography]

Mary Halvorson is a multi-talented, multifaceted musician who represents the best of the New York scene, which is to say that she seems to be everywhere all at once. A survey of her recent shows includes everything from more sedate jazz gigs at Cornelia Street Cafe, appearances with Tim Berne at the avant-jazz club Roulette, a show in the band People at Death By Audio, and of course, her current performances as opening act for Buzz Osborne aka King Buzzo of the Melvins, currently promoting his new solo album (that recording soon). As the New Yorker put it more succinctly, “she’s in tons of bands”.

While we have tried to feature many of the best-known current virtuoso guitarists on this site, this is a first appearance for Halvorson, a slight embarrassment to us given both her talent and how prolific she is. As this set at Bushwick’s The Wick demonstrated, she is a singular improviser who in a single set can cut across generations and genres. For this set, Halvorson chose to go the all-covers route, including songs by Ornette Coleman, Oliver Nelson, the bassist Chris Lightcap, and a host of other U.S. and international leading lights of jazz and guitar music. To their credit, Buzzo’s metal-minded audience understood what was going on, giving Halvorson her due. She deserves all that and more.

I recorded this set with a simplistic onstage rig of two small Countryman omnidirectional microphones split two and a half feet apart. While there is some ambient noise evident at points, the sound quality is excellent. Enjoy!

Stream “Platform” [Chris Lightcap]

Download the complete set: [MP3] | [FLAC]

mary-halvorson-13

Mary Halvorson
2014-07-14
The Wick
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Countryman B3 (onstage, split 2.5ft)>CA-UBB>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (effects, EQ)>Adobe Audition CS 5.5 (adjust levels, compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Sadness [Ornette Coleman]
02 Cheshire Hotel [Noël Akchoté]
03 Ida Lupino [Carla Bley]
04 Blood [Annette Peacock]
05 Cascades [Oliver Nelson]
06 [banter]
07 Someday My Prince Will Come [Frank Churchill]
08 Solitude [Duke Ellington]
09 Platform [Chris Lightcap]
10 Reflections [Thelonious Monk]

If you enjoyed this recording, PLEASE SUPPORT Mary Halvorson, visit her website, and buy records from her substantial discography, which isn’t available all in one place but can generally be purchased at Discogs.

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Phish: July 12, 2014 Randall’s Island – FLAC/MP3/Streaming

July 13, 2014
By

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[photos by acidjack]

Phish represents a lot of things that people don’t understand. Tell those who listen to almost all of the other bands I listen to that you’re going to a Phish show, and expect rolled eyes and chuckles. At one time, Phish meant to its fans the continuation of the promise of The Grateful Dead and the beautiful movement they created; that gave way, in short order, to Phish being a juggernaut in its own right. If anything, the band’s very stylistic and and generational dissimilarity to the Dead is a key source of lament for its detractors. For others, so is the fact that they play really long songs, some of which have wincingly twee lyrical concepts. These things, I’ll concede.

Some people will never be convinced, but if you’re in the mood to be, you could do worse than starting with this excellent Village Voice blog post. Maybe a Phish show is a “you have to be there” kind of thing, but I’d like not to think so. Their career was, after all, built in part by people sharing live tapes. If you listen to this recording, in particular the emotional rollercoaster of a kickoff to the second set from “Punch You In the Eye” into “Carini”, followed by an especially cosmic rendition of “Ghost”, you might get an inkling of what this is all about when its firing on all cylinders. What’s on offer is neither party music nor music school pyrotechnics nor straight ahead rock n’ roll, but some combination of all three, a high wire act of a journey for its audience that only masters of their craft could create. One can’t ignore, too, the skills of Phish’s crew, especially veteran light man Chris Kuroda, who makes Phish’s shows as visually stunning as anything in the music business, and the entire FOH sound crew, who accomplished the difficult feat of making a windy, open-field outdoor venue sound flawless.

I haven’t attended a huge number of shows myself (this was the first I taped since 1999, though I’ve attended others since then), so, as was commented on our post of last night’s show, I won’t allow myself standing to say whether this was a “great” Phish show. But it was a reminder of the many things this band has done so right. Haters might ask themselves what they have against a band who created a community this large and this durable organically, turning their hard work into something commercially successful and culturally relevant, even if not to the mainstream. “Phish 3.0″ at this point has a little something for everybody, community-wise, continuing to grow its fan base from the grizzled vets to the kids in their early 20s getting into their groove for the first time. For us tapers, seeing the band at this point is part ritual, part nostalgia trip. Most people are aware that they sell very good soundboard recordings on their site, meaning what we’re doing doesn’t have the same relevance, maybe, that it did before. But the mere act of recording the band is, for us, our connection to the community and to a band that for many of us was the one that brought us into the hobby to begin with. We share the recordings not only because they represent our own personal takes on the show, but out of tradition, community, and the original spirit that made this band what it is today.

I recorded this set from the same position nyctaper used for last night’s recording, forward of the board and dead center. Tonight’s recording was made with Schoeps MK4V cardiod microphones and the warm Aerco custom preamp. The crowd was generally respectful around us, meaning the only occasional flaws are gusts of wind that were stronger than those experienced last night. Enjoy!

Download the complete show: [MP3] | [Direct FLAC] | [FLAC torrent at bt.etree.org]
If the above MP3 link is not working, use this one: [MP3]

Stream “Carini”

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Phish
2014-07-12
Randall’s Island
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC, PAS, 7ft)>KC5>CMC6>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, effects)>Adobe Audition CS 5.5 (fades, light compression)>Audacity 2.0.3 (tracking, amplify, balance, dither)>FLAC ( level 8 )

Set One [1:20:57]
01 AC/DC Bag>
02 46 Days
03 [banter]
04 Yarmouth Road
05 Devotion To A Dream
06 Free
07 My Sweet One>
08 Back on the Train
09 [banter2]
10 Halfway to the Moon>
11 Sparkle
12 A Song I Heard the Ocean Sing
13 The Line
14 Run Like An Antelope

Set Two [1:34:05]
15 [crowd in]
16 Punch You In the Eye>
17 Carini
18 Ghost>
19 Wingsuit
20 Rock N’ Roll [Lou Reed]>
21 Harry Hood
22 [encore break]
23 Tube
24 Joy
25 First Tube

If you enjoyed this recording, PLEASE SUPPORT Phish, visit their website, and purchase Fuego from the Phish Dry Goods store [HERE].

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Phish: July 11, 2014 Randall’s Island – Flac/MP3/Streaming

July 12, 2014
By

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[photo by Scott Harris]

I’ll be the first to admit that my street cred when it comes to Phish is pretty light. After all, its been almost fifteen years since I’ve actually even seen the band live. That night in the Fall of 1999 at Nassau Coliseum was a fairly famous Phish event, when lyricist Tom Marshall took the stage to sing a few covers with the band. I was also at a Madison Square Garden show during New Year’s week in 1998 when the band played a mini acoustic set in the middle of the show. But 90s memories aside, I do still have some very good friends with close connections to the band — close enough to give us the first-report exclusive of the Phish reunion way back in August of 2008, for which we took a lot of flak but which ultimately proved to be correct. So when it was announced that Phish would play three local GA shows at Randall’s Island I figured it was about time I got out and saw them again and brought to the site a recording that many of our readers have asked about over the years.

The trek to Randall’s started out a little rocky — a long line and long-ish wait for the Ferry. But once on the boat the day went about as smooth as could be expected. At the GA shows, there is no “tapers’ section” to speak of, so when I arrived as the second taper to reach the spot we pretty much set up where we landed — about 30 feet in front of the board and pretty close to the ideal spot. Phish fans take a lot of criticism but in reality people were extremely nice to us and also respectful of the rigs. We weren’t able to raise the mic pole as high as I would have liked because we were instructed not to block the band’s cameras, but even with a “low” pole, there is surprisingly little chatter on this recording.

My knowledge of Phish is not sufficient for me to say whether this was a “great” show but I’m pretty sure it was a very good one. Perhaps motivated by the release of their new album Fuego, by all accounts of the current tour the band is playing very well right now. And while Friday’s show did feature songs from the new album (we are streaming the excellent performance of “Fuego”), the show itself didn’t dwell on the new material with only three played. Overall the band played a nice selection of songs highlighted by first set standouts “Bathtub Gin” (also streaming) and “Stash”, and second set stalwarts “Down With Disease” and “David Bowie” and a rare-ish cover of local band TV on the Radio (“Golden Age”). I can’t say this show will make me drop everything and follow Phish on tour, but I certainly won’t wait another 15 years to see them again.

I recorded this show with the large diaphragm Neumann mics from the front of board spot referenced above. These mics perform well outdoors and this show was no exception. There are two bumps from balloons, but with the excellent location, good crowd and no weather-related issues, this recording came out superbly. Enjoy!

acidjack and hi and lo will be recording the Saturday night Phish show for posting on the site on Sunday or Monday.

Stream “Bathtub Gin”:

Stream “Fuego”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Phish
2014-07-11
Randalls Island
New York NY

Digital Master Recording
Front of Board Audience

Neumann TLM-102 Large Diaphragm Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 1:21:42]
01 Moma Dance
02 Kill Devil Falls
03 Ya Mar
04 Bathtub Gin
05 [banter - how many people walked]
06 Five Fifty-Five
07 Rift
08 Sample in a Jar
09 The Wedge
10 Waiting All Night
11 Stash

Set 2
[Total Time 1:20:05]
12 Steam
13 Down With Disease
14 Golden Age [TV on the Radio]
15 Limb by Limb
16 Fuego
17 David Bowie
18 Cavern
19 [encore break]
20 Character Zero

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Phish, visit their website, and purchase Fuego from the Phish Dry Goods [HERE].

Support nyctaper

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