Posts Tagged ‘ Dan Schram ’

M.C. Taylor & Friends: January 18, 2015 NARAL NC Benefit, The Pinhook (Durham, NC) – FLAC/MP3/Streaming

February 27, 2015
By

hgm2015-01-18
[Screen shot from this YouTube video by Dan Schram]

DONATE TO NARAL PRO-CHOICE NORTH CAROLINA HERE

M.C. Taylor, aka Hiss Golden Messenger, had a hell of a 2014. Among his accomplishments — signing with Merge Records, who released Lateness of Dancers to critical acclaim; appearing on Letterman; touring the U.S. and Europe extensively; serving as de facto lead vocalist for the Songs: Ohia and Magnolia Electric Co. tribute shows in honor of Jason Molina; and producing and appearing on Alice Gerrard‘s Grammy-nominated Follow the Music. After being everywhere in 2014, Taylor inaugurated 2015 back on his home turf, with an extravaganza of a show that combined a bunch of his recent activities into one wild ride of an evening. As Hiss Golden Messenger now tours as a full unit, Taylor decided to bill this as “M.C. Taylor and Friends” rather than the band name; the night’s main lineup included some, but not all, of HGM’s touring component. This special show was a benefit for NARAL Pro-Choice North Carolina, who have been leading the ongoing fight for choice in North Carolina.

After kicking off with a couple of Poor Moon classics, the “friends” started to come out in force. Gerrard joined Taylor for three numbers, including a cover of Merle Haggard’s “You Take Me For Granted”. Then it was Phil Cook‘s chance at the vocal mike, a turnabout from his normal role in HGM. The lucky crowd then got a second look at Taylor’s collaboration on the Songs: Ohia / Magnolia Electric Co. material, which was first debuted in the Triangle last January. Magnolia Electric Co.’s Jason Groth came up onstage for those three songs, including perhaps Molina’s finest number, “Final Transmission.” Then it was back to HGM for a bit, until the night’s final number, Taylor’s first known cover of Bob Dylan’s “Knockin’ On Heaven’s Door,” shown on the video above.

This performance was recorded by my friend and prolific Triangle-area recordist Dan Schram, whose video is showing below. Dan kindly provided me the audio files, to which I applied a little additional mastering and mixing “sparkle”. The sound quality is outstanding. We hope you enjoy it, and more importantly, that you will support the cause for which the music was made, NARAL Pro-Choice North Carolina.

Download the complete show: [MP3] | [FLAC]

Stream and download individual tracks:

Watch “Knockin’ On Heaven’s Door” on YouTube:

M.C.Taylor and Friends
2015-01-18
NARAL NC Benefit
The Pinhook
Durham, NC USA

Recorded by Dan Schram
Produced by acidjack

Soundboard + Rode NT5>Tascam DR-680>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, reverb on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Call Him Daylight [Hiss Golden Messenger]
03 [banter1]
04 Blue Country Mystic [Hiss Golden Messenger]
05 [banter2]
06 Get Up and Do Right [Alice Gerrard]*
07 [banter3]
08 Follow the Music [Alice Gerrard]*
09 You Take Me For Granted [Merle Haggard]*
10 If I Play With Fire [Alice Gerrard]*
11 [banter4]
12 Leave It There [Charles A. Tindley]
13 Ain’t It Sweet [Phil Cook]&
14 [banter5]
15 What Comes After the Blues [Magnolia Electric Co.]^
16 [banter6]
17 Talk To Me Devin, Again [Magnolia Electric Co.]^
18 Farewell Transmission [Songs: Ohia]^
19 [banter7]
20 Southern Grammar [Hiss Golden Messenger]
21 [encore break]
22 Knockin’ On Heaven’s Door [Bob Dylan]

Band:
M.C. Taylor – vocals, guitar
Kyle Keegan – drums
Brad Cook – bass
Matt Douglas – saxophone

* w/ Alice Gerrard – vocals
& w/ Phil Cook – vocals, guitar
^ w/ Jason Groth

If you enjoyed this recording, PLEASE SUPPORT NARAL Pro-Choice North Carolina. You can buy Hiss Golden Messenger’s records from Paradise of Bachelors and Merge Records, as well as HGM’s online store.

Hiss Golden Messenger: July 31, 2013 Motorco (Durham, NC) – FLAC/MP3/Streaming Full Set

November 11, 2014
By


maxresdefault
[Screen capture from video by Dan Schram]

When I was told I had to track down this show because it was, as a friend told me, “completely bonkers”, I didn’t quite know what to expect. After all, Hiss Golden Messenger is a band rarely seen in the same configuration twice, as I noted in my recent review of the Rough Trade show that featured the most consistent band that MC Taylor has toured with in years. But this friend doesn’t make  statement like that lightly, so I figured I would search this thing out.

I shouldn’t have been surprised that Dan Schram, likely the most prolific taper in the Triangle right now, had pulled this off. He offered me the raw tracks, which he said, quality-wise, weren’t very good. I volunteered, amateur though I am, to work what magic I had available on them. In my humble opinion, what you’ll hear below is pretty damn great.

The result is what you hear below. Whether “bonkers” or not is a matter of how you use that word, but it’s certainly unique, even by HGM standards. First of all, it wasn’t supposed to occur at Durham’s Motorco at all. Part of a summer series in the Sarah P. Duke Gardens, this HGM show ended up at the indoor venue after the weather failed to cooperate and thunderstorms shut the original plan down. Then there’s how this show begins, surely the first and only time that the words of Martin Luther King will be intoned over the opening song, the Haw discard “Brother, Do You Know the Road?”. (As my respect for Taylor could not be clearer, I don’t mind saying that cutting that track is not something I quite understand). The song also led off the first full-band HGM performance I ever saw, and if anything, this version was even more powerful vocally.

The band itself was an unusual assemblage of local and less-local musicians, too, including longtime collaborators Scott Hirsch and Terry Lonergan, to Black Twig Pickers and Pelt’s Nathan Bowles, to one of his new band’s now-permanent members, Matt Douglas on saxophone. In my ways, this show felt like a pivot point in the band’s live style, turning them in the direction ultimately followed on Lateness of Dancers and its subsequent tour. Together the group lent new depth to less-played Haw tracks like “Cheerwine Easter” and “Sweet As John Hurt”, with “Cheerwine” unfolding into a psychedelic jam (perhaps it wasn’t a coincidence that Taylor talked a lot about hippies during this set). If a better version of that song has been played by this band, I would love to hear it. You could say the same thing about the “Jesus Shot Me In the Head” that follows a similar route later in the set, where Douglas, guitarist Chris Boerner and keyboardist James Wallace really let fly.

Maybe some of Taylor’s particular passion flowed from the presence of his son Elijah in the audience, who was the subject of “I’ve Got A Name for the Newborn Child”. If that could be felt in the extra little runs here and there, in the easygoing vibe on the stage, then it’s a double blessing that he came along. Just be to be sure nothing about this show would be average, Taylor also invited the boy on stage for the show’s final “bonkers” moment, a two-cover encore of JJ Cale’s “Hey Baby” (in honor of his then-recent passing), followed by Waylon Jennings’ “Are You Sure Hank Done It This Way?”. For an artist who has had many fine outings of late, this set may well represent this band’s finest turn yet. Even if it’s not brand-new, we felt like it was important to share, and hope you agree.

As noted, I didn’t record this set, and Dan isn’t entirely sure what mic he was using either. More or less what’s happening here is a mono board feed and a single microphone turned into what you hear below. In my opinion, the sound quality is outstanding. Thanks to Dan for sharing the opportunity to put this out there.

Hiss Golden Messenger’s second-to-last West Coast show is tonight at the Independent in San Francisco, followed by a show on the 13th at the Masonic Lodge at Hollywood Forever in LA. After that, they’re off to England and Europe for the rest of this year, resuming touring out there in February. Check the dates here.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:


[“Sufferer” from video by Dan Schram. Note that the audio download is different than this audio]

Hiss Golden Messenger
2013-07-31
Motorco
Durham, NC USA

Recorded by Dan Schram
Produced by acidjack

Soundboard (mono) + unknown mic (mono)>digital recorder>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, create stereo separation, adjust levels)>Izotope Ozone 5 (EQ, effects, stereo effects, compression)>Audacity 2.0.3 (fades, tracking, limiter, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Brother, Do You Know The Road?
03 [banter1]
04 Red Rose Nantahala
05 [banter2]
06 O Little Light
07 [banter3]
08 I Got A Name For the Newborn Child
09 Cheerwine Easter
10 Call Him Daylight
11 [banter4]
12 Blue Country Mystic
13 The Serpent is Kind (Compared To Man)
14 [banter5]
15 Sweet as John Hurt
16 Jesus Shot Me in the Head
17 [banter6]
18 Super Blue (Two Days Clean)
19 [banter7]
20 Sufferer (Love My Conqueror)
21 [encore break]
22 Hey Baby [J.J. Cale]
23 Are You Sure Hank Done It This Way? [Waylon Jennings]

Band
MC Taylor – Vocals, guitar
Nathan Bowles – Banjo
Matt Douglas – Saxophone
Scott Hirsch – Bass
Terry Lonergan – Drums
Chris Boerner – Guitar
James Wallace – Keyboards

If you enjoyed this recording, PLEASE SUPPORT Hiss Golden Messenger, visit his website, and buy Lateness of Dancers from Merge Records and his other records from his shop. And see the band on tour.

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.