Posts Tagged ‘ denmark ’

Alcoholic Faith Mission: April 27, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 7, 2012
By


[Photos by acidjack]

The Danish band Alcoholic Faith Mission, like many of their Scandinavian peers, seems so full of ineffable friendliness and gratitude that they almost force you to be an instant fan. Equal parts whimsical Scandinavian indiepop and college rock earnestness, their sound benefits from their time spent both in their home country and in Brooklyn. Brooklyn has been an integral part of AFM from the beginning; it (and alcohol) not only inspired their band name, but it also was where they recorded their second record, 421 Wythe Avenue, using only the materials that could be found in that old factory space. They are now two more records in, with their latest, Ask Me This, seeing release this week. In part due to that aforementioned friendliness and familiarity, this Friday night show at Glasslands had the vibe of coming over to hear your friends debut their new record just for you.

Band co-founder Thorben Seiero Jensen (who founded the band along with Sune Solund) and Kristine Permild share vocal duties, and they respectively represent the yin and yang of the band’s sound. Jensen sings in the full-throated style often associated with American rock singers, and he voices the band’s frequently-dark and even brutal lyrics with a wounded-bird affect that gives them credibility. Permild’s voice is sweeter, lighter and (of course) feminine, and is the pixie dust that gives the band a tenderer core. If you pay close attention to Jensen’s lyrics, there is a strain of darkness and depravity you might not expect from a band with such a pleasant onstage demeanor. But it’s hard to miss that there is some heavy shit going on behind that exterior; songs about sexual malfeasance, addiction and pain abound.

In the live setting, with the band cheerily inviting us to share a beer post-show, it was easier to focus on the simpler and more immediate pleasures of their sound itself. The rocker “Alaska,” with its klaxon-like lead melody, kicked things off and was an instant highlight, with Jensen and Permild bearing equal weight on the vocals. I was also partial to “Into Pieces” which is on Ask Me This but first saw release on the Running With Insanity EP earlier this year. “Sobriety Up and Left” and “Nut In Your Eye” were older songs that I also took a newfound liking to in the live setting.

I recorded this set with Schoeps MK22 open cardioid microphones and a nicely-balanced soundboard feed from Josh at Glasslands.  Despite it being a bit of a chatty Friday night crowd, I am very pleased with the results. Enjoy!

Special thanks to Rob at Old Flame Records.

Stream “Alaska”
[audio:http://www.nyctaper.com/A0427AFM0212/01 Alaska.mp3]

Stream “Sobriety Up and Left”
[audio:http://www.nyctaper.com/A0427AFM0212/09 Sobriety Up and Left.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

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Alcoholic Faith Mission
2012-04-27
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (DFC, 7.5ft, DIN)>KCY>Z-PFA>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5.5 (effects, EQ)>Audacity (additional EQ, tracking, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Alaska
02 My Eyes To See
03 Running With Insanity
04 Into Pieces
05 Legacy
06 Ask Me This
07 We Need Fear
08 Honeydrip
09 Sobriety Up and Left
10 Nut In Your Eye

If you enjoyed this recording, please support Alcoholic Faith Mission, visit their website, go see them on tour, and buy Ask Me This from their online store [HERE].

Oh Land: January 26, 2011 Hiro Ballroom – FLAC and MP3 Downloads + Streaming Song

January 27, 2011
By


[Photos by Ryan Muir and courtesy of Metromix]

Last night’s industry showcase performance by Oh Land at Hiro Ballroom gave full evidence of the amount of dues that the former ballerina and current model/emerging pop star has paid over the past year – and the extent to which they have paid off. It struck me how many gigs like this she has probably played – to mixed rooms of her most fervent supporters and some who are just there to be seen – yet she remains graceful, kind and seemingly unfazed by the starmaking process. Work back from this very-well-attended celebration of a show through the latter part of last year, and you’ll find every type of appearance imaginable – a small club gig at Mercury Lounge, opening gigs for Mates of State, seemingly endless and tireless CMJ appearances, playing Brooklyn Bowl for our friends’ Brunch After Dark, and earlier, their backyard for Backyard Brunch Sessions, the Northside Festival, SXSW…. By the time that her second Brooklyn Bowl show rolled around, Oh Land’s performances had already become much more refined than her first Brooklyn Bowl appearance at the Northside Festival – true pop star performances, not merely a pretty girl, a keyboard and her “contraption” (a combination drum machine/keyboard/projector, I believe it is). This Hiro show presaged the logical next phase of her career as her first full length for Epic Records is released in March – when her music’s fan base has fully transitioned from the blog world to clubland and the mainstream beyond. Her repertoire has diversified a bit in that direction; a new club-ready song I had not heard before was in the mix, as well as the anthems “We Turn It Up” and another one I had not heard before, which I will call “Human.” But what separates Oh Land from typical pop music (even highly lauded, but ultimately terrible Scandinavian pop music), is her playful spirit, her quirkiness, and her unforced songwriting; any artist who calls her live show “Mary Poppins on acid” has probably put any Katy Perry comparisons on hold. Oh Land’s very busy 2011 already has another big moment – the opening slot for the comeback performance of Orchestral Manoeuvres in the Dark at Terminal 5 later this year. We wish her an exciting and wonderful year.

I recorded this set with the Schoeps microphones on a 13-foot stand next to the soundboard. Unfortunately, the soundboard feed that was provided only contained the drum machine’s feed and was mostly useless, so this is an almost-all audience recording that does contain some noise from the bar crowd. Therefore, it is not quite up to our usual standards, but remains an accurate capture of the evening. For a truly outstanding Oh Land recording, I recommend that you download the shorter but better-sounding Brunch After Dark/Brooklyn Bowl recording as well/instead. Enjoy!

Special thanks to Epic Records for inviting nyctaper to this performance. Don’t miss Oh Land’s as-yet-untitled LP when it is released on March 15.

Stream “We Turn It Up”
[audio:http://www.nyctaper.com/O0627OhLand0210/13 We Turn It Up.mp3]

Stream “Sun of a Gun”:
[audio:http://www.nyctaper.com/O0627OhLand0210/06 Sun of A Gun.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Oh Land
2011-01-26
Hiro Ballroom
New York, NY

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, ROC, mics pointed at stacks at 13ft
Mastering: 2x24bit/48kHz WAV>Audacity (EQ, mixdown)>Audition (multiband compression)>Audacity (compress clapping, tracking, set fades, downsample to 44.1khz/16bit)>FLAC ( level 8 )

Tracks
01 Perfection
02 [new]
03 [banter]
04 Break the Chain
05 Wolf and I
06 Sun of a Gun
07 Lean on Me
08 banter
09 Helicopter
10 Human
11 White Nights
12 [encore break]
13 We Turn It Up
14 Rainbow

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Oh Land, visit her website, purchase her EP, which is available at all major retailers, on iTunes and here, and purchase her upcoming LP when it is released on Epic Records on March 15.

SUPPORT NYCTaper




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