Posts Tagged ‘ Kevin Mazzarelli ’

Ultimate Painting: May 7, 2016 Music Hall of Williamsburg

June 16, 2016
By

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Just look at their crowds on their recent tour opening for Woods, and you can tell Ultimate Painting are on the way up. The young band is already two albums in, with new material still coming, and they’ve mastered a capable and engaging live show to go with it. For their slot at Music Hall of Williamsburg last month, the band decided to roll out a few new tunes to go with regulars from their self-titled debut and last year’s Green Lanes, including the the band’s eponymous tune and their widely-beloved “Rolling In the Deep End.” The band’s low-key, 60s psych-influenced approach has found an audience not just because of nostalgia, but because of the band’s ability to craft good songs that mine that territory, the sort of numbers that you remember after hearing them only once. True to the spirit of the Velvet Underground — one of several flattering comparisons the band has enjoyed — they don’t let even their shorter performances end without some music exploration, and “Ten Street” has become that for them, with guitarist James Hoare (ex-Veronica Falls) in particular enjoying the chance to stretch his wings. Expect to see Ultimate Painting around for quite a while.

I recorded this set with Kevin Mazzarelli’s flawless soundboard feed plus Schoeps MK41V supercardiod microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Ultimate Painting
2016-05-07
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5
(align, mix down, light compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)
>FLAC ( level 8 )

Tracks
01 Ultimate Painting
02 Rolling In the Deep End
03 [unknown]
04 [unknown2]
05 Break the Chain
06 Central Park Blues
07 Sweet Chris
08 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and buy their albums from Trouble In Mind Records.

Ought: May 8, 2016 Rough Trade NYC

June 2, 2016
By

ought
[photos by Jill Harrison]

Today, more than any other day. It’s effective as a song, even more effective as a mantra. The Montreal band Ought seem to be living by it well, unafraid to release precocious, ambitious music into the wild without precondition or posturing. Their new album, Sun Coming Down, starts off with a nearly eight-minute song, and that should tell you something about where this band’s collective head is at in terms of what their priorities are. Proudly off-kilter in some respects, but never veering from straight-up playing a good song, Ought are that band you wish your geek friend had managed to actually achieve — something smart, interesting, and also engaging. When singer-guitarist Tim Darcy makes his voice warble in that oh so strange way that he does on “The Combo” and elsewhere, it’s as if he’s making the joke you’re in on. People much older than him might look askance at acting a little silly, but he’s all-in. If you don’t like it, you’re welcome to leave, but there’s no reason for that, really.

This set at Rough Trade focused on Sun Coming Down, and if that album lacks a bit of the exuberance of the debut, it makes up for it with even more ambition. The band’s years on the road have further tightened up the sound of an act that was once a lark among roommates; like many of their hometown brethren, Ought sound like they give a fuck, and whether or not the word “punk” falls into your label for them says a lot about what you think that word means. Darcy’s sing-speak, likened at times to Mark E. Smith, is neither spontaneous nor lazy, calculated to deliver the maximum impact of what he has to say. This Sunday night crowd knew it, too, and the band delivered. By the time their first album’s title track rolled around as the first encore, even the people who had to go to work the next day knew they’d made the right decision. In the end, there’s only today, and you might as well make the most of it.

I recorded this set with Schoeps MK5 cardiod microphones in our optimal spot in the venue, together with a soundboard feed from veteran engineer Kevin Mazzrelli. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Ought
2016-05-08
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (at SBD, DFC)>KCY>Z-PFA>Aeta PSP-3 + Soundboard (engineer: Kevin Mazzarelli)>Zoom F8 (2x24bit/49kHz WAV)>Adobe Audition CS 5.5

(align, mix down, light compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:57]
01 Sun’s Coming Down
02 The Combo
03 Passionate Turn
04 Men For Miles
05 Beautiful Blue Sky
06 The Weather Song
07 On the Line
08 Habit
09 Never Better
10 [encore break]
11 Today, More Than Any Other Day
12 Pill

Support Ought: bandcamp | Constellation Records | facebook

Acid Mothers Temple: April 23, 2014 Mercury Lounge – FLAC/MP3/Full Set Streaming

May 2, 2014
By

IMG_7231
[photos by acidjack]

Acid Mothers Temple have achieved the cult status they have for good reason — their shows are always deliciously familiar, yet never the same twice. You always know you’ll hear some version of “Pink Lady Lemonade”, however it may be broken up into parts. That familiar riff always feels like an anchor in the midst of a set that’s usually a deep, spiritual, psychedelic dive, where you’re never sure the band is entirely aware of where they’re going to take you before they do. The Acid Mothers kicked off their latest U.S. tour at Mercury Lounge, a familiar haunt packed to the gills with everyone from longtime devotees tripping balls to dumbstruck yuppies wondering what they had wandered into. Their latest record, In Search of Lost Divine Ark, adds another notch of sonic triumph to their belt, and the title track from the record closed out this set in exactly the way you’d hope.

I recorded this set with a soundboard feed provided by longtime Mercury engineer Kevin Mazzarelli, together with Schoeps MK41 microphones. The recording emphasizes the board feed to cut out the chatter of the annoying couple chatting under my mics, who are pretty much invisible in the recording. The sound quality is outstanding. Enjoy!

If you can assist with the two missing song titles, please let us know. Acid Mothers Temple will be back in NYC on May 28 at the Knitting Factory in Brooklyn. Get tickets here.

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

IMG_7217

Acid Mothers Temple
2014-04-23
Mercury Lounge
New York, NY USA

“Astrorgasm From the Inner Temple Tour”

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli)+Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (adjust levels, align, mix down)>Izotope Ozone 5 (light EQ and effects)>Audacity 2.0.3 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:24:41]
01 Kawabata’s Last Nocturne
02 [unknown1]
03 Jam>Pink Lady Lemonade>
04 [unknown2]
05 Pink Lady Lemonade
06 Cometary Orbital Drive
07 [encore break]
08 In Search of Lost Divine Ark

If you enjoyed this recording, please support Acid Mothers Temple, visit their website, and buy their records, including In Search of Lost Divine Ark from there or at your favorite retailer.

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