Posts Tagged ‘ MBHO ’

SUSS: May 21, 2019 Union Pool

June 23, 2019
By

SUSS is a new musical collaboration from some old hands—Gary Leib, Pat Irwin, Jonathan Gregg and William Garrett, under the general direction of Bob Holmes. Between them there are too many credentials to list, all over the map and everywhere in between. Straddling the intersection of ambient and country/western music, SUSS sound like the future and the past, sci-fi folded over on spaghetti westerns. It’s music that would be appropriate for both a trip to Death Valley and aboard the International Space Station; however, your living room will do in a pinch.

SUSS have played a few shows lately supporting last year’s Ghost Box, released by the reliably adventurous New York label, Northern Spy Records. They’ve got a new 7″ as well, “Chisholm Trail” b/w “Aurora,” the latter previewed last month live at Union Pool, the vinyl due out this Friday. SUSS take it low and slow here, measuring out improvised passages blending into the album’s compositions. In person, the interior Brooklyn environs melted away as the band mapped desert territories under the stars. This recording will take you partway there, but I also recommend heading out to see them live your first opportunity. Do also head over to Bandcamp, where you can pick up the record and single.

I recorded this from our usual spot at Union Pool, an expert board mix from FOH Leslie Wolf combined with room mics. The sound is excellent. Enjoy!

Download: [MP3/FLAC]



SUSS
2019-05-21
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Leslie Wolf) + MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, limiter, compression, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [47:14]
01. Wichita
02. Big Sky
03. Late Night Call
04. Steam
05. Aurora
06. Gunfighter
07. Canyonlands (Return to Wichita)
08. After the Storm

Buy Ghost Box and Chisholm Trail b/w Aurora via Bandcamp

David Nance Group: June 8, 2019 Union Pool

June 18, 2019
By

With no slight intended to Nebraskans, David Nance arrived seemingly out of nowhere last year with Peaced and Slightly Pulverized. But in reality he’s been highly prolific, furiously releasing original material alongside wonderfully-dazed full album covers of classics like Berlin, Goat’s Head Soup, and the gloriously-descriptive Doug Sahm and Band Do 90% of the Cocaine in the World in 1972 and Make a Record. Nance doesn’t seem overly precious about handling his or others’ music—preferring the energy of basement recordings to studio perfection—but clearly he has great reverence for it. His guitar playing and finely wrought lyrics are often disguised by an effortlessness that makes them all the more charming. That is, your typical David Nance song is baked, but not half-baked. For the recently released “Meanwhile” b/w “Credit Line” 7″ on Third Man Records, the two short cuts come off as ragged, bottled lightning, gone before you know it. But that’s Nance’s aesthetic, his nonchalance masking a gift for finding the sublime in the awful and mundane (see “Credit Line” or “In Her Kingdom”).

I missed Nance and band at Union Pool last year when they toured for the album and vowed not to do it again when they came around a couple weeks back. This set rests heavily on new material, with only “Poison” representing Peaced and Slightly Pulverized, plus “Meanwhile” and “Credit Line” from his recent single rounding out the released songs. Sometimes you just want to hear the songs you know, but I was mildly prepared for the new stuff from listening to this live compilation from his Bandcamp page. “Cure Vs. Disease” and “Give It Some Time” are earworms for sure, with Nance’s irresistible vocals providing the hard sell. The only question is when’s the next one coming and where do I send my money?

I recorded this from our usual setup at Union Pool, room mics combined with a board feed from FOH Robert. It retains all the grit you’d want from this band, and sounds excellent. Enjoy!

Download: [MP3/FLAC]



David Nance Group
2019-06-08
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, imaging, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [39:09]
01. More Than Enough
02. Credit Line
03. Cure Vs. Disease
04. Poison
05. Give It Some Time
06. Your Name
07. Meanwhile
08. What Could I Do? [Reigning Sound]
09. Pure Evil

Buy Peaced and Slightly Pulverized and more via Bandcamp

Chuck Johnson: May 21, 2019 Union Pool

June 11, 2019
By

Spending an evening with Chuck Johnson and his pedal steel guitar is a welcome respite from our over-scheduled, always-on age. The music drifts in open spaces, not hurried to any destination. Changes are subtle enough that you find yourself somewhere new without recalling how exactly you got there. It’s an overused metaphor surely, but in Chuck Johnson’s music the journey’s the thing.

Chuck’s recent set at Union Pool, opening for Suss, finds him mixing material from Balsams (one of them being “Calamus”) with some newer compositions—as with all his most recent work, boundaries are blurry. Midway through he introduces a loping percussive low end that orients the music without pushing too hard to get somewhere. The measured gait instead suggests an ever-present here—it’s a good place to spend some time.

For even more recent excursions from Chuck Johnson, check out his Bandcamp page for a few live recordings and even some music composed for PBS’s Food Town.

I recorded this from our usual location at Union Pool, room mics combined with a board feed from FOH Leslie Wolf. Thanks to her excellent mix and a quiet crowd, the sound is outstanding. Enjoy!

Download: [MP3/FLAC]



Chuck Johnson
2019-05-21
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Leslie Wolf) + MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, limiter, normalize, fades) > xAct > FLAC (24/48, level 8)

Tracks [34:23]
01. Live at Union Pool 2019

Chuck Johnson: Website | Bandcamp

Sunwatchers & Eugene Chadbourne: May 10, 2019 Nublu Classic

June 4, 2019
By

Last month, Sunwatchers and Eugene Chadbourne played Nublu Classic in belated support of 3 Characters, their collaborative double-LP of Minutemen and Doug Sahm covers. The album was released in November, but perhaps due to scheduling they didn’t get the properly inaugurate it into the world until May. Last time we got to see Sunwatchers and Doc Chad play live, they did a trio of Chuck Berry tunes (he had recently passed) plus covers of songs by Sonny Rollins, Love, and John Lee Hooker. This time it’s all Minutemen and Doug Sahm songs, with a writing assist from Albert Alyer on the mashup “Joe McCarthy’s Ghost(s).” Perhaps it’s from the rigors of recording, or a whole lot of practice, but they’ve got these songs down tight. The only one not recorded for the album (and maybe the highlight of this set) is their delightful take on “Stoned Faces Don’t Lie,” a Doug Sahm number from way back with the Sir Douglas Quintet. It’s a shame that one didn’t make it onto the album, but better maybe that it’s just incentive for Sunwatchers and Eugene Chadbourne to ride again!

Speaking of Sunwatchers, grab tickets for their upcoming Rocks Off Cruise gig with Garcia Peoples. Yes, that’s Sunwatchers and Garcia Peoples on a boat. June 15th. Go for it.

Downloads available at the Live Music Archive

Sunwatchers and Eugene Chadbourne
2019-05-10
Nublu Classic
New York, NY

Recorded and produced by Eric PH for nyctaper.com
MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [58:52]
01. I Felt Like a Gringo [Minutemen]
02. Themselves [Minutemen]
03. Political Song For Michael Jackson to Sing [Minutemen]
04. It’s Gonna Be Easy [Doug Sahm]
05. Joe McCarthy’s Ghost(s) [Minutemen/Albert Ayler]
06. The Product [Minutemen]
07. The Anchor [Minutemen]
08. This Ain’t No Picnic [Minutemen]
09. The Price of Paradise [Minutemen]
10. Too Many Docile(d) Minds [Doug Sahm]
11. Uncle Sam Do [Doug Sahm]
12. Stoned Faces Don’t Lie [Doug Sahm]

Buy 3 Characters via Bandcamp

Wooden Shjips: May 22, 2019 Brooklyn Bowl

May 24, 2019
By

We here at nyctaper are fans of all things Ripley Johnson. Of late, that’s meant attending the shows of his excellent project Moon Duo, who’ve graced us here in NYC several times in the past few years. But as for his larger vehicle Wooden Shjips, it’s been since 2012 that we’ve caught a live show by the band.

I’m happy to say that drought has now ended, with a show worthy of the wait. Ripley and his bandmates rolled into Brooklyn Bowl with purpose and a light show that almost made you forget you were in a bowling alley. This set spanned the band’s entire career, including their most accessible album to date, V. Two of that album’s strongest songs, “Ride On” and “Staring at the Sun,” provided a mellow tempo downshift in the middle of a set that was largely a burner, including the very-early album track “Death’s Not Your Friend” into a Ripley-fied version of the VU’s “What Goes On” to close out the main set. Not to be ignored, too, is the band’s cover of New Zealand psych lords Snapper’s “Buddy,” which we’d last seen them play in 2011.

Ripley has another important piece of news today: It’s the release date of his latest project, Rose City Band, the name a nod to his current hometown of Portland. Hopefully we’ll be seeing them around these parts before too long — and it’ll be a shorter distance between our next cruise with the Shjips.

I recorded this set with MBHO microphones up front in the venue. The sound quality is excellent. Hope you dig it!

Download the complete set: [FLAC/Apple Lossless/MP3]

Wooden Shjips
2019-05-22
Brooklyn Bowl
Brooklyn, NY USA

Recorded and produced by acidjack for nyctaper.com

MBHO KA200N>MBP603a (FOB, ROC)>Sound Devices MixPre 6>24/48 WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.2.2>FLAC ( level 8 )

Tracks [Total Time: 1:14:44]
01 Eclipse
02 In the Fall
03 For So Long
04 Other Stars
05 Ride On
06 Staring at the Sun
07 Motorbike
08 Ghouls
09 Lazy Bones
10 Death’s Not Your Friend>What Goes On
11 These Shadows
12 Buddy [Snapper]

PLEASE SUPPORT Wooden Shjips: Buy their records from Thrill Jockey | Website

Dire Wolves: May 10, 2019 Nublu Classic

May 21, 2019
By
Photo by Jesse Jarnow

Dire Wolves have a new record coming on Beyond Beyond is Beyond next month. It’s called Grow Towards the Light (which you might remember as a song title from February’s Union Pool show) and it’s available for preorder now.

Their gig from Nublu Classic doesn’t directly feature any songs from the record, but as you’ll find with the ‘Wolves their live performances often weave in and out of album material. “Dire Spires” is a new song/improvisation we haven’t heard before, while “Enter Quietly” takes on the opening track from Excursions to Cloudland. The centerpiece of this show is their own chaotic version of Faust’s “It’s a Rainy Day, Sunshine Girl” which takes the hypnotic song (from So Far) and swirls it into the type of frenzy Dire Wolves do best.

I recorded this set in good old tapers section fashion, which just a pair of mics flown beside the soundboard. The small Nublu Classic room sounds good for its size and this recording will take you right up front. Enjoy!

Downloads available at the Live Music Archive

Dire Wolves (Just Exactly Perfect Sisters Band)
2019-05-10
Nublu Classic
New York, NY

Recorded and produced by Eric PH for nyctaper.com
Photo by Jesse Jarnow

MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [41:43]
01. Dire Spires
02. It’s a Rainy Day, Sunshine Girl [Faust]
03. Enter Quietly

Preorder Grow Towards the Light from Beyond Beyond is Beyond

Meg Baird & Mary Lattimore: April 26, 2019 Union Pool

May 16, 2019
By

For years, Meg Baird and Mary Lattimore have charted adjacent zones both musical and geographical. Listening to their eventual meeting/melding last year on Ghost Forests, you wonder how a collaboration so obviously natural didn’t spring up sooner. Baird’s guitar/voice and Lattimore’s harp are the immediately recognizable components of the album, but combined they forge new pathways. The album is best when the two find some space to meander, like on album opener “Between Two Worlds” where the hook resists easy discovery.

Last month Baird and Lattimore brought their Ghost Forests to Union Pool for a couple nights and we caught the first. They play most of Ghost Forests, adding “Stairs Climb Up the Vine” from Baird’s Seasons on Earth and take on the Neil Young (by way of Emmylou Harris) song “Wrecking Ball.”

Download: [MP3/FLAC]

Meg Baird & Mary Lattimore
2019-04-26
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Terry) + MBHO KA500/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [53:32]
01. Between Two Worlds
02. In Cedars
03. Painter of Tygers
04. Damaged Sunset
05. Stars Climb Up the Vine
06. Fair Annie
07. Wrecking Ball [Neil Young]

Buy Ghost Forests from Three Lobed Recordings

Kinloch Nelson: April 8, 2019 Troost

May 13, 2019
By

Kinloch Nelson’s Partly on Time: Recordings 1968–1970 is the latest archival release from the very home of solo guitar music, Tompkins Square. After some near misses and narrow escapes, these recordings are finally available after remaining unheard for 50 years. Once close to being released in a record deal that fell through, then almost lost forever when the tapes were in a car accident in 1970, the music sounds like a lost chapter in what we now call American Primitive.

Supporting Partly on Time, Nelson did a short East Coast tour, playing material from the album, covers, and more. His NYC stop was at Greenpoint’s Troost, an unassuming beer bar perhaps best known in music circles for 75 Dollar Bill’s frequent workouts there. Stationed in the corner near the door, with the Monday night bustle of Manhattan Avenue outside, Nelson played two sets, with each song punctuated by his tales about the histories of the songs he wrote and his relationship with each of the covers. The resulting portrait is one not only of himself but also of the circuitous routes of guitar music over the past half-century. When he talks of Partly on Time, there is a genuine wonder that not only are they finally available, but also that there persists an audience for solo guitar records that has grown in the intervening years. As it turns out, Kinloch Nelson might have arrived at just the right moment.

Download: [MP3/FLAC]

Kinloch Nelson
2019-04-08
Troost
Brooklyn, NY

Recorded and produced by Eric PH
Additional editing by Kinloch Nelson

MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC

Set One:
01. Secret Love (S Fain & P Webster)
02. banter (America’s Sweetheart)
03. Tennessee Waltz (PW King & R Stewart)
04. banter (It’s about gratitude)
05. Afterthoughts (K. Nelson)
06. banter (in a closet full of shoes)
07. Kittens (K. Nelson)
08. banter (Martha Stewart, American Primitive guitar)
09. Funky Susan (K Nelson & Carter Redd)
10. banter (What is a harp guitar? Minimalist music)
11. The Eyes Of The Fair Molly (K. Nelson)
12. banter (Tonto, Lenny Breau and Jethro Tull)
13. On A Bach Bouree (JS Bach)
14. banter (45 and 33.3 RPM time warp)
15. Apache (J Lorden)

Set Two:
16. banter (Number one hits and a bowl of meat with noodles)
17. Sukiyaki/Buckeroo/Embryonic Journey (Nakamura/Morris /Kaukonen)
18. banter (a bonafide hit)
19. Land Of Make Believe (C Mangione)
20. banter (What are the songs about?)
21. Solitudes (K. Nelson)
22. banter (family, sailing, a big lake, a beautiful evening)
23. Oh Lovely Is The Evening/Tom Seibert’s Boat/Winnepesaukee Night (K. Nelson)
24. banter (Skyline Drive to Peru Thank you Tompkins Square)
25. Summer Farewell (K. Nelson)

Buy Partly on Time: Recordings 1968–1970 via Tompkins Square

Garcia Peoples: March 29, 2019 Nublu NYC (with Chris Forsyth)

April 1, 2019
By
photo courtesy of Jeff Conklin

This Nublu night was ostensibly organized as the release party for Garcia Peoples new album Natural Facts with good friend of the site Ryley Walker as special guest. When Ryley decided to take some time off for personal reasons, the band invited another friend of this site Chris Forsyth, and Chris came north from Philadelphia on very short notice. The result was one of the more memorable shows in recent memory. The first set was a solid run through GP material, but it was the second set where the magic was revealed in an incredible hour-long jam sequence that approached legendary status. With Forsyth surrounded by the GP guitar section, the band added percussionist Ryan Jewell, and the double-drummer attack propelled the action through a 32-minute jam on a new Forsyth composition “Techno Top”. What followed were two covers that took the jam-packed crowd into another stratosphere. Of particular note is the tasty 1968-style high-energy “The Other One” which started on a buzz that never wavered through 19 minutes of pure bliss.

If you live in the Philadelphia area, Garcia Peoples is returning the release show favor to Chris Forsyth, as the two will perform together at Jerry’s On Front on April 27 when Forsyth releases his new record All Time Present. Our sincere recommendation is that anyone within any reasonable distance of that show on that night should not miss another magic night.

Eric and I recorded this set from an upfront location in the venue directly behind the DJ booth. The positioning did not permit a board feed, but the fortuitously placed high-end mics have yielded recordings of superb quality. We offer both for your enjoyment!

Download the Complete Recording at Archive.org

NYCTaper version [HERE]

Eric PH version [HERE]

Stream the Complete Set:

Garcia Peoples
2019-03-29
Nublu
New York NY

Digital Master Recording
Upfront Audience

Schoeps CCM4u’s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 40:07]
01 Rolling Tides
02 Feel So Great
03 Break Me Down
04 Total Yang
05 High Noon Violence
06 The Spiraling
Set 2
[Total Time 1:04:44]
07 Techno Top
08 The Calvary Cross [Richard Thompson]
09 The Other One [GD]

PLEASE SUPPORT These Artists: Garcia Peoples | Chris Forsyth

Chris Corsano & Bill Orcutt: January 29, 2019 Union Pool

March 20, 2019
By

The long-running collaboration of drummer Chris Corsano and guitarist Bill Orcutt has been characteristically slippery, as their series of ridiculously limited LPs, 7″s, and tapes appear and disappear from merch tables faster than the duo can churn out another frenzied jam. Their latest collision, and first to take place in the studio, is called Brace Up! The cover depicts a stage diver in mid-flight, heading straight for an atomic bomb’s mushroom cloud—which is pretty much the best description anyone has come up with for what these two do. Back in January, Corsano and Orcutt once again joined forces at Union Pool, each playing solo sets before recreating that same intensity of the album with a duo set.

I recorded this set from our usual location at Union Pool at the soundboard, combined with a feed from FOH Doug Graham. The sound is excellent. Enjoy!

Download both sets in MP3 and FLAC



Bill Orcutt
2019-01-29
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [31:49]
01. Untitled 1
02. Untitled 2
03. Untitled 3



Chris Corsano & Bill Orcutt
2019-01-29
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [29:59]
01. Untitled 1
02. Untitled 2
03. Untitled 3
04. Untitled 4

Buy Brace Up! via Bandcamp

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