Posts Tagged ‘ MBHO ’

Sir Richard Bishop: January 16, 2018 Union Pool

January 30, 2018
By

Though it would seem off-brand for Sir Richard Bishop to ever release a covers record, he’s developing quite the repertoire. Last year at Park Church Co-op, he did a beautiful version of “Till There Was You,” putting his own spin the Beatles classic. A couple weeks back at Union Pool, Bishop digs a little deeper with two surprising covers: the first is a faithful rendition of Gordon Lightfoot’s 1970 hit “If You Could Read My Mind,” which has been covered by everyone, including Johnny Cash. You’ll find Bishop doing a pretty good Gordon Lightfoot impression here—and if you think you don’t know this just listen and I’m sure it’ll sound pretty familiar. The second is a cover of the Michael Nesmith-penned Monkees tune, “Tapioca Tundra.” Again, the title might not be familiar out of context, but once you hear it you’ll know the song. Beyond the covers Bishop plays a few tunes we’re used to seeing him play live like “Mystic Minor 23,” “Safe House,” and the Sun City Girls songs “Abydos” and “Radio Morocco.” For the finale, he plays “Space Prophet Dogon” into an exciting return to “Zurvan.”

I recorded this from our usual spot with MBHOs combined with a board feed courtesy of FOH Doug. The sound is terrific. Enjoy!

Download: [MP3/FLAC]

Sir Richard Bishop
2018-01-16
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO MBP603/KA200N (DIN) > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:15:31]
01. Mystic Minor 23
02. If You Could Read My Mind [Gordon Lightfoot]
03. Safe House
04. Abydos [Sun City Girls]
05. Tapioca Tundra [The Monkees]
06. Mekong
07. Radio Morocco [Sun City Girls]
08. [Unknown]
09. Zurvan
10. Space Prophet Dogon > Zurvan

Website
• • Facebook
• • • Buy Tangier Sessions and other Sir Richard Bishop records from Drag City

Gunn-Truscinski Duo: January 9, 2018 Union Pool

January 15, 2018
By


[Photo via @taswaim]

Until the surprise announcement of Bay Head from Gunn-Truscinski Duo last year, it seemed like these guys may never put out another record together. Their last platter, Ocean Parkway, was released back in 2012 and besides a very special gig for the Three Lobed Sweet Sixteen, the pair had been awfully quiet for a long time. Fortunately for us Bay Head picks up right where they left off, proving that when Steve Gunn and John Truscinski get a room together, it’s a rare magic that results. And speaking of rare, the duo aren’t doing many shows together in support of the record, but we were lucky enough to capture this set from Union Pool last week. Old classics “Bahn Mi Ringtones” and “Ocean Parkway” brought back memories of Zebulon gigs past, while new songs “Sugar,” “Seagulls for Chuck Berry,” and “Gunter” were captivatingly fresh.

If you’re in LA, be sure to grab tickets for their show with Body/Head.

And if you’re in Brooklyn, Union Pool has another free show scheduled for this Tuesday, Jan. 16, with the inimitable Sir Richard Bishop headlining.

I recorded this from our usual spot with MBHOs combined with a board feed courtesy of FOH Doug. The sound is terrific. Enjoy!

Download the complete show: [FLAC/MP3]

Gunn-Truscinski Duo
2018-01-09
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO MBP603/KA200N > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [44:42]
01. Bahn Mi Ringtones
02. Sugar
03. [tuning and talking]
04. Seagulls for Chuck Berry
05. [raccoons]
06. Ocean Parkway
07. [tuning]
08. Gunter

Steve Gunn: guitar
John Truscinski: drums

Buy Bay Head, Ocean Parkway, and Sand City via Three Lobed

Circuit des Yeux: November 15, 2017 Rough Trade NYC

November 29, 2017
By

Of all the many, many standout shows I’ve seen this year, Haley Fohr is responsible for two of them, both at Rough Trade NYC. There was the Jackie Lynn set from back in April, and now this full-band Circuit des Yeux burner from the current Reaching For Indigo tour. I’m a fan, obviously, but everyone I’ve talked to who saw this or another show from the tour have all been completely blown away. Fohr and her band play the album all the way through and even if you’ve fully absorbed the studio recordings you’ll be ecstatic to hear this ten-minute, rocking rendition of “A Story of This World Part II.” Circuit des Yeux hits the West Coast in January followed by some European dates in February—check all listings over at Drag City.

I recorded this from the soundboard cage with MBHOs combined with a board feed courtesy of FOH Dustin Myers. The sound is terrific. Enjoy!

Download the complete show: [FLAC/MP3]

Stream the complete show:

Circuit des Yeux
2017-11-15
Rough Trade NYC
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Dustin Myers) + MBHO MBP603/KA200N > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [46:35]
01. Brainshift
02. Black Fly
03. Philo
04. Paper Bag
05. A Story of This World Part II
06. Geyser
07. Falling Blonde

Website
• • Buy Reaching For Indigo at Drag City

Tom Petty and The Heartbreakers: September 6, 2014 Lockn Festival

October 11, 2017
By


[screen shot from this video]

Since the sad and untimely death of the great Tom Petty, the tributes and remembrances have come in from all corners. Of those I was fortunate to read, the first-person tribute from Lucinda Williams seemed particularly heartfelt and authentic. Of the “fan” tributes, the writing of Patterson Hood from the Drive By Truckers seemed to mostly mirror my own personal experiences. Petty’s music provided a soundtrack of sorts for multiple periods of my life — from his early power-pop hits to his mid career LA-based American folk. He produced songs that instantaneously transport the listener back to that time in their life that the song represents. For me, the Full Moon Fever album represented my return to NYC to live full time and those songs bring me back to my first apartment in Sheridan Square. Oh, the days.

This performance at the second annual Lockn Festival is vintage Petty. The nearly two-hour Fest set draws from all periods in his career and while the tour was ostensibly to promote his then-new album Hypnotic Eye, which would sadly be his last album with The Heartbreakers, he didn’t rely heavily on new material performing just four songs from the record. The rest were the hits and some moderately deep cuts that had the crowd singing, swaying and cheering. This recording is our way to remember this truly great artist who left us all too soon.

The “legality” of NYCTaper hosting this recording is quite simple. The Lockn Festival is an open taping Festival, and indeed in 2014 the Fest’s website contained language that taping was “encouraged” and recordings could be distributed through free channels. With a written clear policy, Lockn Festival undoubtedly contracted with the artists who consented through their concert riders.

This excellent recording was captured by Kubacheck with the same equipment and location from the Wilco recording from this Festival posted on this site three years ago. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream “Runnin’ Down A Dream”:

Tom Petty and The Heartbreakers
2014-09-06
Lockn Festival
Arrington VA

Digital Master Audience Recording
Recorded at Taper’s Section

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac
(320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:43:21]
01 So You Want to Be a Rock N Roll Star [Byrds]
02 Mary Jane’s Last Dance
03 American Dream Plan B
04 Into the Great Wide Open
05 Forgotten Man
06 [banter – happy birthday]
07 I Won’t Back Down
08 Free Fallin
09 [band introductions]
10 A Woman in Love
11 U Get Me High
12 Rebels
13 Yer So Bad
14 Learning to Fly
15 Shadow People
16 I Should Have Known It
17 Refugee
18 Runnin Down a Dream
19 [encore break]
20 You Wreck Me
21 American Girl

SUPPORT the legend of Tom Petty: Website | Store

Chris Forsyth & the Solar Motel Band: September 21, 2017 Union Pool

October 9, 2017
By

No matter how many times we see Chris Forsyth & the Solar Motel Band, we always have something new to look forward to. This set celebrated the official release on No Quarter records of Dreaming In the Non-Dream, whose material we had heard live in various stages of completion over the past year. The outstanding final album versions are a can’t miss, so it was interesting for us to see how they’ve evolved live since the album’s release. This show at Union Pool covered three quarters of the album (meaning, three out of four songs) as well as two favorites from The Rarity of Experience, “High Castle Rock” and set-closer “The First Ten Minutes of Cocksucker Blues.” Forsyth broke this show into three parts, which he characterized as the “high-impact instrumental section, the singing section, and the long section.” As Forsyth regulars, we were jazzed to get a rare cover — Neil Young’s “Don’t Be Denied” as part of the vocal portion. But really, any appointment with Chris and his excellent band is one worth keeping. Catch them out on the road stateside for a few November shows, including November 18 at Brooklyn Steel with Luna.

I recorded this set with MBHO cardiod microphones, together with Doug’s house. The sound quality is excellent. Enjoy!

Chris Forsyth & the Solar Motel Band
2017-09-21
Union Pool
Brooklyn, NY USA

MBHO MBP603/KA200N (at SBD, PAS) + Soundboard (engineer: Doug)>Sound Devices MixPre6 (24bit/48kHz WAV)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 History & Science Fiction
02 High Castle Rock
03 Have We Mistaken the Bottle for the Whiskey Inside
04 Don’t Be Denied [Neil Young]
05 Dreaming In the Non-Dream
06 The First Ten Minutes of Cocksucker Blues

SUPPORT Chris Forsyth: Website | Bandcamp

Dire Wolves: September 21, 2017 Union Pool

October 4, 2017
By

If one thing has felt consistent in the world in the past year, it’s been Beyond Is Beyond Is Beyond records and their roster of incredible acts. If you’ve got a predilection for all things psychedelic, you absolutely can’t miss one of their releases. In a crowded field of standouts this year, the label released Dire Wolves‘ Excursions to Cloudland, and I was hooked from the first note. The San Francisco band doesn’t make it out east all that often, and that made me even more pumped for this Union Pool show — their first NYC show in eight years. The three-song set (their songs are long) didn’t disappoint, with the band’s expansive jamming on full display on three songs I hadn’t heard before. Not only is Dire Wolves one of relatively few bands of their type with a string section, but the current lineup also features two vocalists (Georgia and Rachael) whose voices meld seamlessly into the sonic tapestry, more as additional instruments within the whole rather than the traditional rock vocal format. Don’t confuse the album title with the band’s vibe; there is a tension, a darkness even, that flows through these songs, particularly the set closer, “Absolutely Perfect Sisters.” Their music creates a journey, but it’s more saga than fairytale, with brooding and ecstasy in equal measures. In the end, though, seeing a band this good is always a pleasure trip, no matter what the exact themes. Get acquainted.

I recorded this set with MBHO microphones and the house mix by Doug. The sound quality is excellent. Enjoy!

It’s very cool that this bandcamp release has already made a 2017 Uncut playlist. If you’re not familiar with Uncut, check it out.

Download the complete show: [MP3/FLAC]

Dire Wolves
2017-09-21
Union Pool
Brooklyn, NY USA

MBHO MBP603/KA200N (at SBD, PAS) + Soundboard (engineer: Doug)>Sound Devices MixPre6 (24bit/48kHz WAV)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 I Control the Weather
02 Crone In the Mud
03 Absolutely Perfect Sisters

SUPPORT DIRE WOLVES: Website | Facebook | buy their records

Dinosaur Jr.: October 2, 2017 Brooklyn Bowl (Night One)

October 3, 2017
By


[Photos courtesy of Omar Kasrawi and Pancakes and Whiskey]

The return of the original lineup of Dinosaur Jr. continues to be a good thing for fans, as the band’s vitality has never been stronger. Backed by his usual wall of amps, J. Mascis led the band through the first of two nights at Brooklyn Bowl like the pro that he is, delivering the scorching riffs for which he’s known on classic after classic. Lou Barlow whips his voluminous hair around like a man half his age; if you don’t see his face much these days, his stage presence is impossible to miss. Still on the road for their latest, Give A Glimpse of What Yer Not, the new material slots in with classics like “In A Jar” better than ever. Early in the set, we got both the winning “Lost All Day” and the Barlow-led “Left/Right,” which couldn’t help but sound a bit like a much-heavier Sebadoh. Given the likely generation of the crowd, it’s no shock that a mid-set “Feel the Pain” earned some of the most frenzied reaction, but it was a less-heard track from Where You Been, “Get Me” that was the real treat. The back half of the set continued in strong form, with a memorable “Freak Scene” and a one-two punch of an encore, with the other most popular Where You Been track “Out There” followed by an anarchic cover of The Stooges’ “TV Eye” with John Brannon of Negative Approach (and the night’s openers, Easy Action). The biggest challenge for this band, at least here in Brooklyn, will be topping themselves tonight.

I recorded this set from an “FOB” position along the right-side rail with MBHO microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Dinosaur Jr.
2017-10-02
Brooklyn Bowl
Brooklyn, NY USA

Recorded and produced by acidjack for nyctaper.com

MBHO 603A/KA200N (FOB, ROC)>Zoom F8 (24/48)>WAV>Adobe Audition CC (fades, limiter, light compression)>Izotope Ozone 5 (EQ, image, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:38:03]
01 The Lung
02 Goin Down
03 Lost All Day
04 Left/Right
05 In A Jar
06 Watch the Corners
07 [tuning]
08 Crumble
09 Feel the Pain
10 Get Me
11 [tuning2]
12 The Wagon
13 Tarpit
14 Start Choppin’
15 Lose
16 Freak Scene
17 Forget the Swan
18 [encore break]
19 Out There
20 TV Eye [The Stooges]*

* w/ John Brannon

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Dean and Britta: December 15, 2016 Philadephia

February 12, 2017
By


[photo credit]

In 2010, Dean and Britta released 13 Most Beautiful: Songs for Andy Warhol’s Screen Tests, a soundtrack for the pop artist’s black and white film clips of his “superstars” that was commissioned by the Andy Warhol Museum in Pittsburgh. The selection of subjects vary from the well-known (Lou Reed, Dennis Hopper) to the iconic (Edie Sedgwick, Nico) to the obsure (Paul America, Freddie Herko) but all are connected by their work with Warhol. The album incorporates Wareham/Phillips original compositions, one unreleased Luna track, a lost Velvet Underground cover and several other covers in a project that provides emotionally apposite tributes for these historical figures.

In December of 1966, the Velvet Underground and the Exploding Plastic Inevitable first appeared in concert in Philadelphia at the Y as part of the Philadelphia Art Festival. Many of the subjects of 13 Most Beautiful were in attendance and captured for history via photographs that were displayed at the Y’s 50th anniversary of this pivotal moment in the City’s art and musical history. The ultimate celebration of the half-century anniversary occurred in mid-December with a performance by Dean and Britta of their tribute album.

The set began with a pre-recorded intro of the ambient “Richard Rheem Theme” as the band entered the room. Thereafter, the 13 album was performed in its natural order. This was not however a strictly album-order performance but rather featured in-between song descriptions of the characters and history of the subjects — the funny, sad and often tragic lives of Warhol’s iconic subjects. Dean and Britta clearly have connected personally with this material and the result was a concert of great emotion that is one of my favorite ever performances by the couple.

The recording was captured by Kubacheck from a very advantageous position with his best mobile rig and the sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Dean and Britta
2016-12-15
Gershman Y
Philadelphia PA

Digital Master Audience Recording
Recorded from Front of Board

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:11:44]
01 Richard Rheem Theme
02 Ann Buchanan Theme
03 Teenage Lightning and Lonely Highways (Paul America)
04 It Don’t Rain in Beverly Hills (Edie Sedgwick)
05 Silver Factory Theme
06 International Velvet Theme
07 Herringbone Tweed (Dennis Hopper)
08 I Found It Not So (Mary Woronov)
09 I’ll Keep It With Mine (Nico)
10 Incandescent Innocent (Freddie Herko)
11 Eyes In My Smoke (Ingrid Superstar)
12 I’m Not A Young Man Anymore (Lou Reed)
13 Knives From Bavaria (Baby Jane Holzer)

SUPPORT Dean and Britta: Website | Discography | Facebook

Luna: September 29, 2016 Alexandria VA

November 2, 2016
By

joakim-luna-alexandria-021
[photo by Joakim Bengtsson]

Early in October, we posted the Luna show from the first night of Rough Trade, which was part of a brief four-night tour from a month ago. All four nights of the tour were recorded, and this is the first show of the run at The Birchmere in Alexandria Virginia. I didn’t attend, but fortunately both Kubacheck and his friends from Sweden (Joakim and Ulrika) were there. It was Kuba with the recording and Joakim with an amazing tour diary that was just posted this week at the excellent fan site A Head Full Of Wishes.

Here is some of Joakim’s story of this show:

“They play Fire In Cairo. We’ve never seen them play it before, just heard the recordings, it’s nice to hear it for real. The Cure is band me and Ulrika has strong feelings for. Without Pictures of You and Lovesong we probably wouldn’t have been together. It was about 16 years ago, in a Stockholm suburb apartment, they where playing Disintegration at a party, and we danced, slowly, the night came to an end. She lent me Bewitched and Penthouse, it was nice. I met someone else, but a couple of years later we danced again. The same songs. Music has that affect on you.

“Please get off the stage”, a speaker voice is saying after the show. We get the set list anyway. We step back out to the bar area and we meet Mike’s friends, Kathleen and Paul. Kathleen had made a t-shirt, with a print saying “I only dance to New Order”. It’s pure genius. I wish we could have spent much more time together.

Everyone was overwhelmed by the show. Talking about how good it was. And the band looked very, very happy when they were outside in the lobby talking to all the fans. I saw Dean standing in the crowd of people and he looked at me, did a sign with his hands, keeping that satisfied smile on his face. He’s not always that comfortable after the shows, but this time he looked really relaxed. We talked with Sean for a while and Mike and Kathleen and Paul.

Sadly we had to leave, the place was closing. We called a taxi and went outside and waited in the parking lot. Someone yelled Ulrika’s name and it was Lee, he was driving his own car, we waved back and shouted “hello, see you tomorrow”. He is nice to us, they all are.”

There’s a lot more about this show and its all great, read the full diary entry [HERE].

Kuba recorded this set with his trusty MBHO rig and the sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Luna
2016-09-29
The Birchmere
Alexandria VA

Digital Master Audience Recording
Recorded from Front of Board

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:23:43]
01 Chinatown
02 California
03 Pup Tent
04 Lovedust
05 Malibu Love Nest
06 Sideshow by the Seashore
07 Rhythm King
08 Bewitched
09 [banter – Sean Eden Quotes]
10 Tracy I Love You
11 Tiger Lily
12 Friendly Advice
13 Lost in Space
14 23 Minutes in Brussels
15 [encore break]
16 Fire In Cairo [The Cure]
17 Indian Summer
18 [off the stage]

SUPPORT Luna:  Website | Bandcamp | Long Players Box Set from Captured Tracks [HERE].

Enemy Waves: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

August 30, 2016
By

IMG_2141

It’s a rarer and rarer thing these days to discover a truly local phenomenon, especially in rock(ish) music, where even if a band doesn’t tour nationwide, their music can become the province of bloggers in Sydney and Tokyo even if their music is made in a basement in Anaheim. Well, Enemy Waves remain, for the most part, such a phenomenon, a band whose experimental prowess and musical bona fides haven’t yet overcome the fact that, to put it bluntly, these guys have a few other things going on in life. When we saw these guys do the Hopscotch Music Festival in 2014, we were blown away; the addition of Thurston Moore was an easy bonus.

This show featured a couple of songs from the Hopscotch outing, plus a couple of new numbers. Once again, the band showed how adept they are at improvisation, one of many reasons why they belonged at the Threelobed Sweet Sixteen Spectacular (other sets here). While the band’s recorded output remains minimal to date, hopefully a set like this is an invitation for people to encourage them to do more (maybe even on Three Lobed(?)). As with everything that went on during this day-long extravaganza, this set was special, in this case, as a fairly rare chance to catch a band whose name should be (much) more widely known.

I recorded this set in the same manner as the other sets of the day, with multiple soundboard channels, Schoeps MK22 microphones onstage, and MBHO cardiod microphones in the crowd. The sound quality is excellent. Enjoy!

Download the complete show: [FLAC/MP3/ALAC]

Stream the complete show: 

Enemy Waves
2016-03-26
Three Lobed Sweet Sixteen Spectacular
Kingís
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro-Cory Rayborn]
02 Bleechie
03 [unknown1]
04 [unknown2]
05 [banter/tuning]
06 Radiant III

If you enjoyed this recording, please support Enemy Waves by visiting their bandcamp page.

Support nyctaper

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