Posts Tagged ‘ Silent Barn ’

Nick Millevoi’s Desertion Trio: September 15, 2016 Silent Barn

September 21, 2016
By

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Since we sung the praises of guitarist Nick Millevoi and his Desertion Quartet after a show at Palisades earlier this year, Millevoi has not only been hitting the pavement with Chris Forsyth’s Solar Motel Band, but he’s been developing more of his own work as well. This show at Silent Barn (which has never looked or sounded better) gave us a taste of that new material as well as some of the songs we love from his current album, including the noise freakout “The Fire That Damaged City Hall.” This show was played as a trio, with Kevin Shea on drums and Johnny DeBlase helming the other guitar. Millevoi’s unique style is a joy to watch live, as it shifts effortlessly between choogling rock to free jazz, and it’s something that sets him apart in a more-than-worthy field of contemporaries. Being able to see Nick is still a too-rare treat, so we’re especially grateful to him for inviting us. We’re sure you’ll agree.

I recorded this set with Schoeps MK5 microphones split wide onstage (as you can see above) in the omnidirectional pattern. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Nick Millevoi’s Desertion Trio
2016-09-15
Silent Barn
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5o (stage lip, DFC, 3’ split A-B)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, downsample, dither)>FLAC ( level 8 )

Tracks
01 Desertion and the Arsonist’s Match
02 [banter]
03 [new]
04 [new2]
05 The Big Moment Is Always Out There Waiting
06 The Fire That Partially Damaged City Hall

Band
Nick Millevoi – Guitar
Johnny DeBlase – Bass
Kevin Shea – Drums

Support Nick Millevoi’s Desertion Quartet: Website | Order Desertion via Bandcamp

B Boys: April 11, 2015 Silent Barn – FLAC/MP3/Streaming

May 7, 2015
By

B Boys

Hey there, b boys and b girls. Today, we’ve got a fresh recording of a local Brooklyn trio, B Boys. These guys mine the rich territory of late ’70s post-punk acts like Wire and the Buzzcocks mixed with a more modern garage-y sound. You may have caught them playing out recently at Silent Barn or one of the final shows at Death By Audio last November. They’re in the studio right now recording their first album, but meanwhile they’re also sharing a studio version of “Other Head” on their Bandcamp page. We caught up with B Boys opening up for Tyvek at Silent Barn last month and were surprised at how catchy these tunes are. Their short, to-the-point set will no doubt leave you wanting more, but only after you’ve had the poppy “I Don’t Mind” and the aggro “Psycho” on repeat for a while, not to mention the weird, bendy “Other Head.”

I recorded this set with the AKGs in front of the board combined with a feed from Silent Barn’s Yaman Palak. The sound is as raw as punk rock should be. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

B Boys
2015-04-11
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Yaman Palak) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, compression, tape exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [23:42]
01. Sound Frequency
02. Psycho
03. Seagulls
04. Other Head
05. Untitled
06. Fear It
07. I Don’t Mind

Support B Boys: Bandcamp

Elisa Ambrogio: April 30, 2015 Baby’s All Right and January 31, 2015 Silent Barn – FLAC/MP3/Streaming

May 5, 2015
By

Elisa Ambrogio
[Baby’s All Right photos by Jamie Langley]

If you somehow missed out on Elisa Ambrogio’s sleeper-hit solo record, The Immoralist, last year, it’s time to rectify that. Besides the standout single “Superstitious” garnering a Best Tracks of 2014 slot from Pitchfork, the entire album is superb front-to-back. And fear not Magik Markers fans, Ambrogio’s signature guitar work is all over this record. It’s a quieter album that you might have expected from the Markers front-woman, but also one any fan of that band will find satisfying. The songwriting will feel familiar but for this solo record the subject matter is more personal and the vocals are upfront so that you can hear every word. If you got in on the two records from the tragically under appreciated 200 Years (the duo of Ambrogio with Six Organs of Admittance mastermind Ben Chasny), you’ll have a good idea what to expect from her solo outing.

I’ve been lucky enough to catch Elisa Ambrogio’s solo tour twice this year, each time with different supporting musicians and each lending a slightly different perspective to the songs. Back in January, she stopped by Silent Barn on the tail end of a tour with banjo-player and multi-instrumentalist Nathan Bowles on drums (his set posted here). Then, on the second leg of a tour with Six Organs of Admittance this past week at Baby’s All Right, Ambrogio played a few solo songs followed by some full band songs with Ben Chasny on guitar and drummer Adam Payne (also of Residual Echoes). Ambrogio and Chasny even dust off one of their 200 Years tunes, “West Hartford.” Perhaps due to the late hour or the DIY venue, the Silent Barn set is the looser of the two, with Ambrogio coming nearly unhinged in her solo finale of “Kylie.” In contrast, the Baby’s set is slightly more polished, with Chasny’s subtle guitar work adding some interesting texture to the songs, particularly on “Far From Home.”

The Silent Barn set was recorded with the AKGs set up in front of the soundboard combined with a board feed. There’s a little more ambient crowd noise on this one (particularly the first minute or two of “Comers”), but Ambrogio’s powerful songs soon quell the crowd and the set is quite enjoyable. The Baby’s All Right set was recorded by FOH Harrison Fore, combining the house mics with a stereo board feed. The respectful and attentive crowd is reflected in the clarity of the recording. Overall, the two sets present varying but complementary takes on Ambrogio’s live sets. I think you’ll enjoy them!

Elisa Ambrogio is still on tour with Six Organs of Admittance. Check the dates here.

Download the complete April 30 Baby’s All Right show: [MP3] | [FLAC]

Download the complete January 31 Silent Barn show: [MP3] | [FLAC]

Stream the complete April 30 Baby’s All Right show:

Stream “Clarinet Queen” from Silent Barn:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Elisa Ambrogio and Ben Chasny

Elisa Ambrogio
2015-04-30
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:43]
01. Comers
02. Arkansas
03. West Hartford [200 Years]
04. Clarinet Queen
05. Superstitious
06. Stopped Clocks
07. Far From Home
08. Kylie


Elisa Ambrogio
2015-01-31
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Eric PH
Produced by acidjack

Soundboard (engineer: Mike) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown, compression) > iZotope Ozone 5 (EQ, Exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [30:53]
01. Comers
02. Superstitious
03. Clarinet Queen
04. Stopped Clocks
05. Arkansas
06. Kylie

Support Elisa Ambrogio: Buy The Immoralist from Drag City

Tyvek: April 11, 2015 Silent Barn – FLAC/MP3/Streaming

April 24, 2015
By

Tyvek

Though entirely reductive, it’s tempting to read into Tyvek’s music the state of post-crash Detroit—to hear in the songs’ disintegrating fidelity that city’s crumbling infrastructure. But if Tyvek aims to critique Detroit, they also look to celebrate it. There’s a lot of hope and optimism in their music and that’s what was most apparent when Tyvek stopped by Silent Barn on their short April tour. The band played to the diehards upfront who sang along to every lyric and reacted to every song as if Tyvek main-man Kevin Boyer was speaking some spiritual truth, every lyric an indispensable wisdom. Whether it’s navigating the city’s geography (new song “Gridlock”), playing shows and crashing in basements (“Midwest Basements”), or feeling awkward at parties (“Scaling”), in each song there’s a resonant experience for a mid-twentysomething or mid-thirtysomething.

The front half of this set is devoted to songs off Tyvek’s upcoming record, while the back half delivers on the hits. New songs include “Gridlock,” “A Form Outside,” “The Origin of What,” “Tip to Tail,” and “Count It Off,” some of which will appear on the next Tyvek album. The rest of the set is devoted to all—okay, many—of the songs on any Tyvek fan’s wishlist: “Underwater,” “Midwest Basements,” “Scaling,” and crowd-favorites “Air Conditioner” and “Give It Up” from their earliest recordings.

Perhaps Tyvek’s best-known song, ”Frustration Rock” caps the set off and concludes with an extended outro of “Henry My Son,” a traditional English folk song which was later popularized by Pete Seeger on his Childrens Concert at Town Hall album. It’s a puzzling—yet somehow entirely appropriate—performance of the song. A childrens’ parodic corruption of a traditional (according to Seeger’s telling), it narrates a child’s accounting to his mother of his day spent in the woods eating eels. Ultimately I’m not sure if this choice of covers reveals anything about Tyvek’s music—but I’m also not convinced that it isn’t somehow to the key to it all.

I recorded this set with the AKG’s in front of the soundboard at about 11’ high along with a soundboard feed. The fidelity falls slightly this side of raw, but it matches Tyvek’s aesthetic nicely. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Tyvek
2015-04-11
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Yaman Palak) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, compression, tape exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:17]
01. Gridlock
02. A Form Outside
03. The Origin of What
04. Underwater
05. Tip to Tail
06. Midwest Basements
07. Count It Off
08. Scaling
09. Air Conditioner
10. Give It Up
11. What Were They Thinking
12. Stop Start
13. Returns
14. Frustration Rock > Henry My Son [traditional]

Support Tyvek: FacebookBuy On Triple Beams and Nothing Fits from In the Red

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