We’re close to winding down on Garcia Peoples residency shows. Here’s week number 4 and things are still running hot. Like the previous week, the band shares a couple new tracks: “Gliding Through,” which we heard first over the summer at Brooklyn Bowl, along with “Wasted Time” and its intro jam. This was also our first chance to see “Hourglass” live. That one came out on the Hans Chew & Garcia Peoples collaboration and features some live vocals from Andy Cush. Finally, the band closes with a monster version of “Rolling Tides” that was so great we forgave them for repeating the track during their residency.
Meanwhile, One Step Behind is still fresh and is popping up on lots of year-end lists all over. If you haven’t done so, grab one! Garcia Peoples also have a ton of shows coming up throughout the US. Check out their tour dates for a show near you!
I recorded this from our usual location at Nublu. The sound is excellent. Enjoy!
Prince Rupert’s Drops delivered a real blast from the (sorta recent) NYC psych scene past as they reformed in October—one night only!—to open for Garcia Peoples during their Nublu residency. For those new to the band, they were part of Beyond Beyond is Beyond’s early roster, as well as a fixture at NYC venues legal and not-so-much. They even played our 5th Anniversary shindig at 285 Kent. How’s that for we knew them when? Whether you were going out to see PRD headline a show or found them somewhere in the middle of a bill, they were always solid and maybe taken for granted. That is until they were gone, having begun a hiatus around 2014/5 or so after releasing the truly excellent Climbing Light. But here they are back, briefly, playing for a nostalgic crowd but not sounding at all nostalgic themselves. Certainly it’s time for some appreciation for Prince Rupert’s Drops and maybe they can be convinced to stick around a little longer.
I recorded this from our usual location at Nublu. The sound is excellent. Enjoy!
Whereas week two of Garcia Peoples’ Nublu residency celebrated One Step Behind with an extra-long outing of its title track, the band gets back to the shorter tunes in the third week. With Danny Arakaki handling most of the vocals, the band debuts two new songs: “This Place” and the embryonic “Terry” with some improvised vocals. The real standout though is the opening “Total Yang” into “I Ain’t Hurt.” Neither song has ever sounded as sweet as they do here.
Garcia Peoples have a ton of shows coming up throughout the US. Check out their tour dates for a show near you!
I recorded this from our usual location at Nublu. The sound is excellent. Enjoy!
Garcia Peoples’ October residency at Nublu was a resounding success. For five Thursdays the band brought out old songs, new songs, special guests, and terrific openers. Night one of the residency was posted last month and in the next week or so we’ll be sharing the rest of the recordings.
Night two was the record release show for One Step Behind, their most ambitious record yet. Just two songs, with the title track clocking in at 30 minutes and featuring Tom’s father Bob Malach on saxophone. Of all the residency shows, this night was my most anticipated, not only because it was a chance again to hear “One Step Behind” after a long absence from setlists, but also because the elder Malach would be joining them on saxophone to bring the record to life. It did not disappoint, to say the very least. Stretching the track to nearly 50 minutes, the band improvises in each of the song’s parts, once more reminding us how great this band is and how thrilling and worthwhile live music can be.
Garcia Peoples have a ton of shows coming up throughout the US. Check out their tour dates for a show near you!
I recorded this from our usual location at Nublu. The sound is excellent. Enjoy!
The days are getting shorter, which means it’s the perfect time for a little sunshine from One Eleven Heavy. The band concluded their US tour for Desire Path with this set at Trans-Pecos, slinging positive vibes and good tunes. A little shorter than their tour opener at Union Pool a couple weeks previously, this set nevertheless boogies pretty hard (and sounds a little better to boot).
I recorded this with MBHO mics in DIN stereo configuration at the stage lip, combined with a board feed from Trans-Pecos FOH, RL. The sound is outstanding. Enjoy!
Ryan Jewell may just be the busiest man in rock and roll. Does he eat? Does he sleep? No one knows. Between drumming with Ryley Walker, Chris Forsyth, Olden Yolk, Elkhorn, and others he’s somehow found the time to play some guitar and sing in Mosses, a duo with Danette Bordenkircher on keys and “space machines.” They’ve got a new cassette out as part of Black Dirt Studio’s Microdose series. You can listen to one song on Bandcamp but you’ll need to track down a physical copy to hear the whole thing—totally a worthwhile effort.
I recorded this from our usual location at Nublu, which is fast becoming one of our favorite NYC venues. The sound is excellent. Enjoy!
May 2020 Update: Chris Forsyth has released a multitracked recording of “Techno Top” from this show on Bandcamp. Please do head over there to purchase!
For the final night of his Nublu residency, Chris Forsyth held nothing back. The Solar Motel Band (Peter Kerlin and Ryan Jewell) are joined by Daniel Carter, Brent Cordero, Tom Malach (set one), and Ryley Walker (set two) in what is most assuredly one of the greatest Forsyth shows I’ve ever seen. For the first set Forsyth and Malach share guitar lines over tracks from All Time Present and Dreaming in the Non-Dream while Carter trades off between saxophone and horns throughout and Cordero’s keyboard pulses. Kerlin and Jewell are ever-sturdy as the rhythm section. For the second set Walker joins in on second guitar for a forty-five minute jam that begins as “The First Ten Minutes of Cocksucker Blues” and ends in outer space.
I recorded this from our usual location at Nublu. The sound is excellent. Enjoy!
Last weekend’s Elkhorn show at Nublu was something of a belated release party for their double-LP Sun Cycle / Elk Jam set from earlier this year. That album brings Jesse Sheppard and Drew Gardner together with Willie Lane on guitar and Ryan Jewell on drums for two sides of composed songs followed two more sides of improvisation caught during the same session. Like Sheppard comments during the show, the unique makeup of the Elkhorn quartet makes live outings of some of the songs pretty infrequent, so it was extra special to see the whole gang together for this one.
Their set begins with the duo playing “Darkness” and “Song of the Son” into “Wilderness,” before Ryan Jewell joins on tablas for “Subway Mirror Heart.” It gets into full quartet swing when Willie Lane joins for the back half of the set, playing with them on “Altun Ha,” “Seasonal” into “Distances,” and the set-closing “Train.” It’s great to see Elkhorn getting a long set and really settling in like this—we’re used to seeing way-too-brief outings from them. Let these guys stretch their, um, horns, and they’ll chart you out some new paths.
I recorded this from our usual spot at Nublu and as usual for the venue, the sound is excellent. Enjoy!
Tropical Fuck Storm is a band name you’re probably too old to be wearing on a t-shirt, but do anyway because the shirt’s hilarious in an 80’s-futurism kind of way, and because you’re pretty high on Tropical Fuck Storm after they play, and because the merch table is nearly picked clean after their tour and it’s nice to send a band home with nothing left, and because their post-apocalyptic music is a reason maybe to not believe the apocalypse is coming any moment now, and because they come from the same place as Mad Max, and Liars, and because Tropical Fuck Storm just don’t give a fuck, but no Tropical Fuck Storm do seem to give a fuck, and it’s so damn hard to give a fuck…
We were lucky enough to catch Tropical Fuck Storm twice this month: at Elsewhere on Friday for their last show of the tour, and previously at Hopscotch at the tiny, overflowing Neptune’s. Both shows feature songs from their most recent album Braindrops along with last year’s A Laughing Death in Meatspace, plus a couple covers and the usual Drones song, “Baby Squared.” There’s really no doing justice to seeing Tropical Fuck Storm in person, but you’ll have to close your eyes and pretend. The band is touring Australia and Europe soon and you can check those dates here. Do go see them and buy a t-shirt so people can ask you things like what the fuck is Tropical Fuck Storm? and aren’t you a little old to be wearing a shirt that says Tropical Fuck Storm?
I recorded the Elsewhere show from our usual location at the soundboard, with a feed provided by FOH Katie. Acidjack recorded the Hopscotch show on his mobile rig. Both shows sound excellent. Enjoy!
Tracks [1:07:00]
01. Lose the Baby [Lost Animal]
02. Chameleon Paint
03. Who’s My Eugene?
04. Soft Power
05. Braindrops
06. You Let My Tyres Down
07. Back to the Wall [The Divinyls]
08. Rubber Bullies
09. [fixing the amp]
10. Two Afternoons
11. Baby Squared [The Drones]
Tropical Fuck Storm
2019-09-07
Hopscotch Music Festival
Neptune’s
Raleigh, NC USA
Recorded and produced by acidjack
Church Audio CA-14c>Sony PCM-M10 (16/48)>Adobe Audition CC>Izotope Ozone 5>Audacity
Tracks [1:04:00]
01. Lose the Baby [Lost Animal]
02. Chameleon Paint
03. Who’s My Eugene?
04. Soft Power
05. You Let My Tyres Down
06. Back to the Wall [The Divinyls]
07. Rubber Bullies
08. Two Afternoons
09. Paradise
One Eleven Heavy’s second LP, Desire Path, doubles down on the seventies boogie rock vibe that made Everything’s Better so irresistible. Building on the first record’s foundation, though, it ventures further into loose, Dead-inspired jams with songs like “Chickenshit” and “Hot Potato Soup.” It’s a pure delight for anyone who’s ever owned a Dead record or discovered the other side of country music with Numero’s Comic American Music compilation.
I was pretty jazzed to finally see One Eleven Heavy—their short tour last year was full of misfortunes including a van accident and a venue closure that preempted their Brooklyn gig. Unthwarted, they’ve been touring the U.S. this month, beginning with this record-release show at Union Pool and winding up back where they began with a tour-capper this Saturday, September 14th at Trans-Pecos. (Grab your tickets!) For a band so with members so geographically separated, they sound here like they play together every day. I highly recommend you get yourself out to Trans-Pecos this weekend for a surefire good time.
I recorded this from our usual location at Union Pool, with MBHO mics in DIN stereo configuration, combined with a board feed. The sound is excellent. Enjoy!
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