Posts Tagged ‘ kliked ’

The Messthetics with James Brandon Lewis: May 4, 2026 Tubby’s (Kingston, NY)

June 12, 2026
By

Picture courtesy of Nico11104

The Messthetics are, in theory, a jazz band.  The center of the band consists of Joe Lally on Bass and Brendan Courtney on drums. I’m not going to lean too heavily into the whole Fugazi thing; that’s on you to already know, but I will say that any rhythm section that has operated together for 40 years is serious shit. Rounding out the band, a quintet in this incantation, are Anthony Pirog on guitar and James Brandon Lewis on Sax, both capable of simultaneously summoning Angels and Demons on every note. So while this is, in theory, a jazz band, in reality, it is an absolute monster musical force that you can not avoid.

After some brief housekeeping by Brendan, the set started with “Deface The Currency,” the title track on their new LP (Impulse), where this band’s terrifying force and precision is immediately put on display. Over the course of the evening, we were treated to all the songs from Deface The Currency and several from their previous outing with Lewis, 2024’s aptly titled The Messthetics and James Brandon Lewis.

This was not a show that lacked for highlights, but if I had to point out a couple, I’d point out the transition out of “Asthenia” and its build into “Fourth Wall”. By the time Pirog’s guitar solo started, it seemed very plausible that Tubby’s tiny live room might explode. The energy in the room hit genuine nuclear meltdown levels when we were treated with the second face-melting version of Sonny Sharrock’s “Many Manions” of the night.  Two bands, two versions of “Many Mansions.” JFC!

I recorded this from the usual spot in the back with the Schoeps MK22s and an excellent board feed from Tubby’s house engineer, Wil.  The sound quality is excellent.  Play loud!

Download and stream from the live music archive:

The Messthetics
2026-05-04
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil Wright, for the board patch!

Recorded and produced by kliked for nyctaper.com

  1. Intro
  2. Deface The Currency
  3. That Thing
  4. 30 Years of Knowing
  5. Gestations
  6. Emergence
  7. Boatly
  8. Rules Of The Game
  9. Asthenia > Fourth Wall
  10. Universal Security
  11. Clutch
  12. Serpent Tongue (Slight Return)
  13. Banter
  14. L’Orso
  15. Many Mansions *

*Sonny Sharrock

Joe Lally: Bass
Brendan Canty: Drums
Anthony Pirog: Guitars
James Brandon Lewis: Tenor Sax

Support this excellent artist!
https://themessthetics.bandcamp.com/album/deface-the-currency

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Juma Sultan’s Aboriginal Music Society: April 18, 20026 Tubby’s

June 5, 2026
By

Juma Sultan is a musician, composer, archivist, educator, and proud resident of New York’s Beautiful and Historic Hudson River Valley. He has played with the likes of Pharaoh Sanders, Archie Shepp, and, probably most famously, Jimi Hendrix during the Woodstock concert. On this night, he and his fantastic ensemble were in the back room of Tubby’s as part of Bicycle Day double bill with Owsley’s Owls.

The type of music the Aboriginal Music Society plays is often called “World-Beat Garage Jazz,” which makes sense.  Rhythms and textures from all over the globe coalesce into a beautiful groove. This feels and sounds very New York to me; a true melting pot. It sounds like a sidewalk in any neighborhood where cultures have fused. 

The set started with “Sundance” from the very limited Whispers from the Archive LP, giving us all a glimpse into the relaxed and very soulful grooves we would be spending the next hour swimming in. These are long-form pieces, with no rush to finish, and band members are given the chance to stretch their legs. The set ended with a beautiful take on Pharoah Sanders “The Creator Has a Master Plan.” The sun was shining, and this is perfect music for a beautiful spring day.

I also wanted to take a minute to recognize and hip you to Juma’s work as a taper and archivist.  He spent much of the 70’s documenting the very vibrant loft jazz scene in NYC. A portion of this archive has been released on the always excellent Emerite Records and also served as the primary source material for Michael Heller’s book “Loft Jazz: Improvising New York in the 1970’s.”

I recorded this from the usual spot at the soundboard with the Schoeps MK22s and a really nice board feed from FOH engineer Nic Panken.  Enjoy!

Download and stream from the Live Music Archive:

Juma Sultan’s Aboriginal Music Society
2026-04-18
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Nic Panken, for the board patch!

Recorded and produced by kliked

  1. Sundance
  2. Shaking the Blues
  3. Circles
  4. The Dance
  5. The Creator Has a Master Plan

Support this excellent artist!
https://jumasultan.org/
https://eremiterecords.bandcamp.com/album/father-of-origin

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Yr Knives: May 4, 2026 Tubby’s

May 8, 2026
By

Yr Knives are the best band you’ve never heard of. You’ve definitely heard of the players in the band, but unless you’re a Chicago-area native, you’ve probably never heard the music. They haven’t played much outside of the Chicago area and, aside from a tour-only CD at the merch desk, currently have no recorded output. But when a band like The Messthetics hand-selects a group to open an East Coast run, you should probably pay attention.

Yr Knives is essentially a supergroup made up of a few of Chicago’s best: Andrew Trim and Brian Sulpizio on guitars, Douglas McCombs on bass, and Quin Kirchner on drums. Readers of this site may recognize Quin and Brian from their work with Ryley Walker, and everyone knows Doug’s work. This project, however, is truly better than the sum of its parts.

I had never heard of these guys before this show and, honestly, didn’t even know there was going to be an opening band for The Messthetics. It’s always a good sign when venue staff start telling you the opening band is good—but when the sound guy tells you the opening band is really good, you’d better pay attention. Opening with “Double A (Start Yr Singing),” the band’s thesis became apparent: tightly orchestrated guitar parts layered over a wide-reaching, free-roaming rhythm section. Did I mention the guitars sound HUGE, too? Giant and overdriven, with interwoven parts that had people bobbing their heads immediately. The set closed with a ripping version of Sonny Sharrock’s “Many Mansions.” Unbelievable.

While speaking with the guys after the set, I was happy to learn they have a debut record finished that will be coming out on Western Vinyl later this year. I’m super excited to see what these compositions turn into with full studio treatment. Sadly, this run of shows is over, but maybe this recording will get them on your radar for the next one.

I recorded this from my normal spot in the back with the Schoeps MK22s and an excellent board feed from Tubby’s FOH engineer Wil, who had the room sounding great all night. If you listen real closely at the end of the recording, you might even hear me turn to Wil and say, “That was fucking good!”; followed by Wil replying, “Yeah, I told you it would be.” Always trust the sound guy.

Download and stream from the Live Music Archive here!

YR Knives
2025-05-04
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil Wright, for the board patch!

Recorded and produced by kliked for nyctaper.com

  1. intro
  2. Double A (Start Yr Singing)
  3. Trimnopedie
  4. Yr Water
  5. These Chords
  6. Fear & Trimbling
  7. Stretch Bath
  8. Many Mansions *

*Sonny Sharrock

Yr Knives is:
Douglas McCombs – Bass
Andrew Trim – Guitar
Quin Kirchner – Drums
Brian Sulpizio – Guitar

Support this excellent artist!
https://yrknives4u.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Minami Deutsch: October 1, 2025 Tubby’s

November 13, 2025
By

It’s been nearly six years to the day since I last saw Minami Deutsch. That night, they were opening for Kikagaku Moyo at the wonderful—but now sadly closed—Burlington, VT venue, Arts Riot. The band’s name translates to “South Germany,” so the krautrock analogies were impossible to avoid. But what I found then, and what still holds true now, is that this is much more than Neu! worship; this is a band that has drunk deeply from all corners of German avant-psychedelia and found ways to keep its 60+ years of tradition fresh.

Regardless of subgenre, when you speak about this musical movement, it always comes back to the motorik beat and its undeniable propulsion of both the music and the listener. Try listening to this recording without significant head-nodding—I dare you. For reference, check out the moment around 3:30 on “I’ve Seen a U.F.O.” when, after a significant build-up, the band drops into the beat with intention. The collective release was palpable. A fun bonus game: listen to the crowd reactions and meltdowns when they finally bring that monster of a jam to a close.

The band was also jamming on some new material during this tour, two of which we’ve captured here. I particularly enjoyed the first of those (track 4 on this recording), which finds them deep inside the soaring dual-guitar harmonies you may remember from Agitation Free. We need more bands influenced by Agitation Free.

Reviews from everyone I know who saw this tour are the same: this was one of the best sets of the year. They have some Euro dates coming up, so hopefully our friends on the other side of the pond have a chance to catch them soon.

I recorded this from the back with Schoeps MK22s and a nice board mix from Tubby’s FOH engineer, Wil. The sound is excellent!

Download and stream from the Live Music Archive!

Minami Deutsch
2025-10-01
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubyy’s FOH engineer, Wil, for the board patch!

recorded and produced by kliked

  1. Futsu Ni Ikirenai
  2. Grumpy Joa
  3. Can’t Get There
  4. Jam/New song
  5. I’ve Seen a U.F.O.
  6. Jam/New song
  7. Tunnel

Support this excellent artist!
https://minamideutsch.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Bonny Doon: August 21, 2025 Tubby’s

October 13, 2025
By

Unfortunately, I was unable to make Bonny Doon’s set last year when they came through with John Andrews, so I made sure the calendar was clear when this date was announced. “Let There Be Music” was a big sing-along favorite in the backyard, and I was hoping Tubby’s back room would be the same.

From the start, the obvious chemistry between principal songwriters Bill Lennox and Bobby Colombo is evident. They are relaxed and confident, easily displaying the folk-fused psychedelia they have become known for. These songs are made for spending time with, for learning their nuances. They are perfect tunes for a summer evening, inside or out.

About halfway through the set, they mentioned they were working on new songs and were kind enough to play a number of them for us. While new, these are still very unmistakably Bonny Doon songs. You can even hear some well-placed claps and “yeahs!” from the crowd, with people reacting like they already knew them.  A particular highlight of this section was the introduction of Anna St. Louis, to sing on “Thunder and Lightning”.  Aside from the beautiful harmonies, Anna’s inclusion highlighted the point that this show was absolutely loaded with other musicians. Anna aside, I recall seeing members of Woods, Real Estate, and Slow Fawn, among others. 

I recorded this from the usual spot with the MK22s and board feed from Tubby’s FOH engineer, Wil.  It sounds wonderful and intimate, just like ti did in the room. Enjoy!

Download and stream from the Live Music Archive!

Bonny Doon
2025-08-21
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Will, for the board patch

  1. Lost My Way > Longwave
  2. Crooked Creek
  3. I Am Here (I Am Alive)
  4. What Time Is It in Portland?
  5. Feel Like Getting High*
  6. Losing My Cool*
  7. Forever Green*
  8. Banter
  9. Thunder and Lightning (with Anna St. Louis)*
  10. Saw a Light
  11. I See You
  12. Clock Keeps Ticking
  13. A Lotta Things
  14. Summertime Friends

*New song

Support this excellent artist!
https://bonnydoon.bandcamp.com/album/let-there-be-music

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Daniel Villarreal: March 16, 2025 Tubby’s

September 29, 2025
By

I circled this date from the second it was announced. Daniel’s album “Panama ‘77” was my favorite of 2022. Lados B, from 2023, was also on my short list of favorites from the year. So seeing what this poly hybrid of psychedelic jazz, fashioned with DEEP grooves, could do in a live setting was a priority.

I’ll save you the mystery; the show was killer.

The band opened with “Traveling With” off Lados B and dug deep into material from both albums. They even gave us a glimpse of the future with a new composition Daniel is working on. The band was able to move through psychedelia, afrobeat, cumbia, fusion, and world jazz while maintaining a rare cohesion. Seeing this was like listening to someone DJ a party with the deepest rare groove and Italian library cuts you could ever imagine, which somehow felt familiar. 

While this is Daniel’s project and songs, it’s interesting to see that he seems to prioritize the musicians expressing their own personalities. At some point during the night, everyone on stage had the chance to let it rip, and the crowd responded every time. Check out the blistering version of “Sombras” for a taste.

I recorded this from the usual spot with my MBHOs and a board feed. A special shout-out to Tubby’s FOH engineer, Wil Wright, for an incredible mix this evening. I’ve seen a lot of shows in that room, and this is about as good as it’s ever sounded. PLAY IT LOUD!

Download and Stream from the Live Music Archive!

Daniel Villarreal
2025-03-16
Tubby’s
Kingston, NY

Source: MBHO440 + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Wil for the board patch

  1. Traveling With
  2. Uncanny
  3. I Didn’t Expect That
  4. Cali Colors
  5. Baker Dozen (new song, working title)
  6. Sombras
  7. Ofelia
  8. Sunset Cliffs
  9. Parque En Seis
  10. Republic
  11. Yellow Rose
  12. Messenger

Band:
Daniel Villarreal – Drums
Nathan Karagianis – Guitar
Cole De GeGenova – Keys
Gordon Walters – Bass
Danjuma Gaskien – Percussion

Support this excellent artist!
https://danielvillarrealmusic.com/
https://intlanthem.bandcamp.com/album/lados-b

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Silver Synthetic: August 16, 2025 Tubby’s

September 5, 2025
By

August has come and gone, and with it, more fantastic live music courtesy of our good friends at Raven Sings The Blues!

For the past several years, Andy from Raven Sings the Blues has put on an impossibly perfect one-day event at an idyllic brewery in an apple orchard called “Deep In The Valley“. The NYCTaper team has been on site each year to cover the incredible music and immaculate vibes, and we had every intention of continuing the tradition. Unfortunately, the brewery had other ideas and closed its doors this year. Not one to let a good idea go, Andy pivoted and turned the one-day event into a two-evening weekender at our beloved Tubby’s.

Silver Synthetic traveled North from their native New Orleans for a short Northeast run, which included the closing set of the “Tubby’s Weekender.” Despite only being on a 4-show run, this band seemed very road-tightened. Song structure, harmonies, playing…everything was in its correct place and the result was a phenomenal set from a band I’ve been waiting to hear since their S/T album was released in 2021.

The band wasted no time, opening with the rocking “Unchain Your Heart” from the aforementioned S/T album and followed up with the beautiful jangle of “Cool Blue Light” from their most recent album, Rosalie. The set continued in this fashion, blending old and new songs, all expertly played, along with an as-of-now unrecorded tune and even a sweet Neil Young cover!

Silver Synthetic has some dates coming up in a few weeks, including a stop at the stacked Gonerfest in Memphis. Also, Tapers, get out and do your thing! The guys mentioned that they wished more folks came out to record them.

This was recorded from my spot in the back with a set of Scheops MK22s on loan from AcidJack and a nice board mix from Tubby’s FOH engineer Wil. Enjoy!

Download and stream from the Live Music Archive!

/

Silver Synthetic
2025-08-16
Tubby’s
Kingston, NY

Source: Scheops MK22 > KCY > PFA + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer, Will, for the board patch

  1. Unchain Your Heart
  2. Cool Blue Light
  3. Age Of Infamy
  4. Good Thing
  5. The Door
  6. Yr Gonna Be Happy
  7. Red Light
  8. Rosalie
  9. Right Time
  10. Back Home
  11. Don’t Cry No Tears
  12. Only Time

Support this excellent artist!
https://silversynthetic.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Please support Raven Sings The Blues!
https://www.ravensingstheblues.com/

Takaat: May 8, 2025 Tubby’s

July 8, 2025
By

At this point, I’m sure everyone reading this site is familiar with Mdou Moctar; our own AcidJack posted a killer recording of him from the 2017 Hopscotch fest. His version of Saharan folk music meets the unbridled shred of VH’s “Eruption” has caught the ears of curious listeners everywhere. I’ve seen them many times, and the shows are always a blast, not just for Mdou’s blazing guitar playing but also for the insanely tight backing band.

This backing band is now having its chance to be the centerpiece. The trio, comprised of Ahmoudou Madassane on Guitar and vocals, Souleymane Ibrahim on Drums, and Mikey Coltun on Bass, is touring as Takaat, and you really need to go see them. Takaat brings the same high-energy microtonal dance party vibe you get when Mdou is fronting, but here, the focus shifts more to the unrelenting groove the trio produces. Ahmoudou’s guitar playing is every bit as mind-boggling as you’d expect, but the center of this thing is the band’s ability to lock in behind his songs. These songs could be 5 minutes or 5 hours, and it would be equally engaging because I don’t think this band is capable of missing a step.

Certain shows are undeniable.  It’s impossible to miss the fact that something special is happening.  This was one of them. Tubby’s back room was packed elbow to elbow with everyone locked in. I’m fairly sure not one person left the live room for the duration of the set. Everyone stayed put, with the band’s stage spotlights blasting us like the Desert sun. Super fun anecdote – I noticed at least 4 people in the room that were also at BSP (RIP) many years ago when this band first came through town with Mdou.

This was recorded from my usually spot in the back with the MBHOs and an excellent board feed from Tubby’s FOH engineer Wil.  The quality is excellent, so crank it up. And if this show isn’t enough, friend of the site Richard Hayes has his recording from Milwaukee up on his excellent blog!

Download and stream from the Live Music Archive!

Takaat
2025-05-08
Tubby’s
Kingston, NY

Source: MBHO440 + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer Will for the board patch!

  1. Amidinin
  2. Imajighan Anagrou
  3. Elwan
  4. Asuf D Alwa
  5. Oulhin Ay Rakhin

Takaat is:
Ahmoudou Madassane: Guitar, Vocals
Mikey Coltun: Bass
Souleymane Ibrahim: Drums

Support this excellent artist!
https://purplishrecords.bandcamp.com/album/takaat-is-noise-vol-1

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Color Green: November 21, 2024 Tubby’s

December 6, 2024
By

What would you do if I told you that a four-piece rock and roll band is driving around in a van and kicking all sorts of ass at venues across the country?  What if I also told you that it features screaming guitar harmonies with intricate melodic interplay propped up by one of the most badass rhythm sections you’ll see this year? What if I told you this band is called “Color Green,” and they are on tour right now?

What started as a duo recording project has morphed into a four-piece band. With that transition has come a clearer focus on the songs and playing. On their excellent new record, “Fool’s Parade,” the stoney haze of the earlier releases is joined by more focused songwriting, well-structured dueling guitars, and a rhythm section ready for battle. It’s like adding a touch of Heron Oblivion to your Burrito Brothers.

While standing outside preshow, Noah mentioned they would start us off slow before hitting the throttle, and that’s exactly how it played out. Opening with the contemplative “Through The Looking Glass,” the band and audience had a minute to calibrate before it was time, as Casey Rose stated, to “have some fun,” and, for the next 45 minutes, that’s precisely what happened.  The back half of this set, from “Coronado” through “Kick The Bucket,” featured wildly dynamic guitar playing that was a thrill to hear.  It’s rare to find two guitarists who so actively listen to each other to create that sort of experience.

Color Green is closing out its tour with only a few West Coast dates remaining. West Coast tapers get out to a show! The world needs more live Color Green!

You might notice that the picture at this post’s beginning isn’t very good. That’s because I was too busy standing in the back by my gear, crushing beers, and playing air guitar to remember to move up and get a quality shot. This was a straight-up scorcher, a no-bull-shit rock show. 

I recorded this from the usual spot with an excellent board feed from Tubby’s FOH engineer Wil.  The sound is fantastic.

Download and stream form the Live Music Archive!

Color Green
2024-11-21
Tubby’s
Kingston, NY

Source: MBHO 440 + SDB > MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer Wil for the board patch!

recorded and produced by kliked for nyctaper.com

  1. Intro
  2. Through the Looking Glass
  3. When The Clouds Roll In
  4. God In A $
  5. Sour Grapes
  6. Coronado
  7. Four Leaf Clover
  8. Night
  9. Kick The Bucket
  10. You Wreck Me

Support this excellent band!
https://colorgreen.bandcamp.com/

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Sean Thompson’s Weird Ears: August 10, 2024 Deep In The Valley

December 2, 2024
By

Photo by Christopher Bruno

The NYCTaper coverage of the 2024 Deep in the Valley festival continues with Sean Thompson’s Weird Ears!

I’m going to be completely upfront about this: This was the set I was most looking forward to going into the event, simply because I’d been pestering Andy from Raven Sings The Blues for at least two years to get Sean Thompson to play Deep In The Valley.

Sean is a guitar player, songwriter, and generally good dude from Nashville. I’ll skip the background info; you can get all that on a recent episode of Good Friend of the Site J. M. Hart’s consistently excellent Brokedown Podcast. The critical thing to glean from the interview is that Sean is now actively writing and focusing his energy on the “Weird Ears” project. 

I was lucky to sit with several people who were unfamiliar with Sean’s work before this set. With “country music,” in whatever that means, having a bit of a moment in the larger psych/improv/jam scene, it’s easy to draw comparisons to more well-known names. In the moment, I attempted to sell it to the uninitiated as “similar to the name brand country-tinged jam folks but more authentic, weirder, and much more psychedelic.” To me, that translates to way more interesting, but that doesn’t do Sean’s work justice, and, to be fair, it was just lazy on my part. 

Luckily for Sean, he doesn’t need me to sell you on this; him and his band will do it on their own.  This excellent-sounding set features tracks from his superb Selt Titled 2022 album as well as some new jammers, including the latest single, “Ridin’ In The Van,” which has a brand new video (debuting today!) to go along with it:

Ridin’ In the Van

Pre order your copy of the new Weird Ears album “Head In The Sand” (out February 7) here. If he makes it back to the Hudson Valley for a proper full length set you can be sure I’ll be there!

I recorded this set with my MBHOs at the stage lip and a phenomenal soundboard feed from FOH engineer Daniel Stout.  Play it LOUD.

Download and stream from the Live Music Archive!

Sean Thompson’s Weird Ears
2024-08-10
Deep in The Valley Festival
From The Ground Brewery
Red Hook, NY

Source: MBHO 440 + SDB > MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Recorded and produced by kliked for nyctaper.com

Thanks to FOH engineer Daniel Stout for the board patch!

  1. Raspberry Pie
  2. New Trailway Boogie
  3. Before The Flowers Bloom
  4. Ridin In The Van
  5. Street People

Please support this excellent artist!
https://seanthompsonsweirdears.bandcamp.com/

Please support Raven Sings The Blues!
https://www.ravensingstheblues.com/

Photo by Christopher Bruno:
https://christopherbrunophotography.pixieset.com

SUPPORT NYCTaper




Email

Email nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.