Black Mountain February 23, 2008 Glasslands – Flac Download

March 2, 2008
By


[photo credit]

In another fine example of when great things happen to good people, last month Black Mountain‘s new album In The Future debuted at #2 on the British album charts. When these folks are not performing crunchy hard neo-progressive rock, three members of the band work for a non-profit organization that assists the poor and homeless in their hometown of Vancouver. The album was released by the fine folks at Jagjaguwar, a label that has produced some outstanding releases in the last few years.

At Glasslands last Saturday, their set was primarily the new album, and displayed a simple reason for their popularity in the UK. The music is heavily influenced by classic Brit blues-rock and prog — as if the band listened to Meddle, Zep II, Benefit and Paranoid on heavy rotation, but yet retained their own personality. The set really hit its stride in the back to back new numbers “Wucan” and the epic “Tyrants”, after which guitarist Stephen McBean chided a 4-camera video crew for filming instead of dancing. One blog thought the film crew was nyctaper, but as our readers know we do not record video. Nevertheless, the packed and overheated crowd bobbed their heads through the rest of the set, and called the tired band back for a rousing “No Satisfaction” encore.

This recording is from the same rig at the Bon Iver set. We relied too heavily on the soundboard feed, but this was less of a problem for the Black Mountain recording, since the drums did not overpower the other instruments. Additionally, the extremely talented sound technician for Black Mountain, a terrifically nice guy named Remco, adjusted the drum levels about 10 minutes into this set and the result is much more balanced. Again, we should have mixed more audience microphone into the matrix, but are still quite pleased with the results. Enjoy!

This recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

Black Mountain
2008-02-23
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard/Audience Matrix

Soundboard + Front of Board Neumann KM-150s > Edirol UA-5 (Oade Digimod) > digital coaxial > M-Audio Microtrack 24/96 > 24bit 48kHz wav file > Soundforge (set fades, level adjustments, downsample) > CD Wave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper
2008-02-29

Setlist:
[total time 1:15:00]
01 Night Walks
02 Stormy High
03 Voices
04 Queens Will Play
05 Wucan
06 Tyrants
07 Druganaut
08 Thirteen Walls
09 Evil Ways
10 No Hits
11 [encore break]
12 No Satisfaction

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Black Mountain, visit their webpage, and purchase In the Future directly from the Jagjaguwar label website.

Bjorkestra February 25, 2008 Jazz Standard – Flac Download

February 28, 2008
By


[photo courtesy of Matt Bologna]

It has not been since our very first Bjorkestra experience at the late great Tonic club, that we’ve experienced this orchestra in a real jazz club. Monday night at Jazz Standard, Travis Sullivan and his superb band of musicians celebrated the release of their new CD Enjoy on Koch Records. We were invited to attend and record the late show. Bjorkestra delivered a stunning display of both orchestral interplay and individual improvisation within the structure of Travis’ unique arrangements of Bjork’s material.

Our close proximity to the stage gave us a special view of the interplay between the musicians and the pleasure that each player seemed to derive from the performance. Our recording reflects some of that joy, as the humor and banter is evident. Our belief in the strength of the performance we had just experienced was confirmed when Travis remarked to us after the show about the power of the set.

This is an outstanding clear recording, as our position gave us a direct line to the band. Much of the amplification of sound on the recording is directly from the instruments themselves. We mixed in a small amount of vocals from the soundboard feed to compensate for the volume of the instruments on stage. Minor quibbles exist for the clinking and clanking of food plates in this dinner club, and some balancing that was necessary in the first minute of the recording. Otherwise, its a tremendous listen. Enjoy, indeed!

There are three older Bjorkestra recordings archived on nyctaper (here) (here) and (here).

Download the Complete show in FLAC [HERE].

Travis Sullivan’s Bjorkestra
2008-02-25
Late Show
Jazz Standard
New York, NY USA

Digital Master Recording
Audience/Soundboard Matrix

Soundboard + Upfront Neumann KM-150s > Edirol UA-5 (Oade Digimod) > digital coaxial > M-Audio Microtrack 24/96 > 24bit 48kHz wav file > Soundforge (set fades, downsample) > CD Wave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac

Many thanks to Travis for permission to record.

Recorded and Produced
by nyctaper
2008-02-26

Setlist:
[Total Time 1:09:22]
01 Joga
02 Army of Me
03 Cocoon
04 Pluto
05 All is Full of Love
06 [band introductions/banter]
07 Human Behavior
08 Its Oh So Quiet

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Travis Sullivan’s Bjorkestra, visit their website, and purchase Enjoy directly from Bjorkestra or the Koch label.

For our California readers, Bjorkestra will be on tour in the following places next month:

Date City Venue
Wed 03/05/08 Santa Cruz, CA Moe’s Alley
Thu 03/06/08 San Francisco, CA Yerba Buena Center For The Arts
Fri 03/07/08 Sacramento, CA Harlow’s Night Club
Sun 03/09/08 Los Angeles, CA Safari Sam’s
Tue 03/11/08 Santa Barbara, CA Soho Restaurant & Music Club
Wed 03/12/08 San Diego, CA Anthology

Bon Iver February 23, 2008 Glasslands – Flac Download

February 24, 2008
By


[photo courtesy of Jason Bergman Photography]

There has been so much written about Justin Vernon’s outstanding Bon Iver project and the story behind For Emma, Forever Ago, that I have no intent to repeat. Last night, Justin provided a live glimpse into what makes these basic songs so compelling — his ability to capture the simple aspects of life with poignant humor and charm, and present it within a basic band structure.

This week, Emma was released on the Jagjaguwar label, and one would expect the beginning of the blogger backlash. This might be the fate of an artist whose hype exceeds the talent, but Bon Iver heartily deserves the last six months of praise. If a live performance is the ultimate expression of a musician’s artistic value, then Glasslands was the proof positive that Justin is the real deal. He handled the huge crowd, some technical problems, and the weight of expectations with grace and fortitude.

At nyctaper, we consider ourselves quite fortunate to see live performances of such quality. We are doubled blessed when the artist and the management afford us authorization and guest list access. Bon Iver gave us all three, and we offer much thanks for this courtesy, and as well we thank the staff of Glasslands.

We placed our microphones in the same location as our last Glasslands recordings (Avey Tare/Deakin/Kria [here] and Rings [here]), and in order to avoid the persistent crowd chatter and bar noise, we brought along hyper uni-directional microphones. We were also given access to the main mix of the soundboard to capture a “matrix” recording. Unfortunately, we didn’t trust our room equipment enough, and relied a bit too heavily on the board mix. As a result, the mix is not properly balanced, and there is quite a bit more kick-drum in the mix particularly during louder moments. We do believe this is still an excellent recording, but offer it to our readers with the knowledge that should have done better. Enjoy!

Black Mountain was also recorded and will be offered in the coming days.

Download the Complete show in FLAC [HERE].

Bon Iver
2008-02-23
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard/Audience Matrix

Soundboard + Front of Board Neumann KM-150s > Edirol UA-5 (Oade Digimod) > digital coaxial > M-Audio Microtrack 24/96 > 24bit 48kHz wav file > Soundforge (set fades, downsample) > CD Wave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper
2008-02-24

Setlist:
[total time 37:33]
01 [introduction]
02 Flume
03 Lump Sum
04 [banter]
05 The Wolves (Act I and II)
06 Blindsided
07 For Emma

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Bon Iver, visit his myspace page, and purchase Emma directly from the label.

The National February 22, 2008 BAM Opera House – Flac Download

February 23, 2008
By


[photo credit]

The National played an Opera House last night, and brought along their own orchestra. At one point during the show there were 15 musicians on stage, and yet The National retained the intimate “chamber pop” at which they have excelled. The sound quality and acoustics in this classic venue were superb and complimented the performance. The setting also offered a stark contrast during moments when the rock and roll side of this band came through — in particular the surreal moment when Matt left the stage and screamed the profane chorus of “Mr. November” while standing in the lap of some elderly BAM patrons.

When we recorded The National in a rainy outdoor Pier 17 in August, the band’s excellent performance was marred by a terrible sound system with static and crackling throughout. Last night the classic opera house acoustics and fine system favored the band and our recording reflects the quality of the sound. We were positioned in the second row of the mezzanine with a direct line to both PA stacks, and we are extremely pleased with the results. Enjoy!

This recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The National
2008-02-22
Gilman Opera House
BAM Brooklyn Next Festival
Brooklyn, NY USA

Digital Master Recording
Recorded from Mezzanine Row B
Left Center Seating Area

DPA 4021’s > Marantz PMD-660 (Oade BCM) > 16bit 44.1 wav > Soundforge (set fades, level adjustment, slight eq) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper 2008-02-23

Setlist:
[total time 1:33:52]
01 Start A War
02 Brainy
03 Baby We’ll Be Fine
04 Slow Show
05 Secret Meeting
06 Mistaken For Strangers
07 Squalor Victoria
08 Abel
09 Wasp’s Nest
10 [band introductions]
11 Racing Like A Pro
12 Ada **
13 Apartment Story
14 [new song – no title given]
15 Karen
16 Fake Empire
17 [encore break]
18 City Middle
19 Mr. November
20 About Today
21 [second encore break]
22 Gospel

**Sufjan Stevens on piano

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The National, visit their website, and purchase their official releases from them directly.

nyctaper Upcoming Events

February 21, 2008
By

63_taperbird
[image by songbirdnest]

We have added many new concerts and we’re still hoping to add more:

Upcoming nyctaper Events:

The National:
February 22, 2008, BAM Opera House, Brooklyn NY

Bon Iver/Black Mountain:
February 23, 2008, Glasslands Gallery, Brooklyn, NY

Bjorkestra:
February 25, 2008, Jazz Standard, NYC

Oneida/Oakley Hall:
February 29, 2008, Knitting Factory, NYC

Pat McGee:
March 10, 2008, Canal Room, NYC

Bob Mould:
March 13, 2008, Irving Plaza, NYC (tentative — pending permission request)

Pierce Turner:
March 16, 2008, Puck Fair, NYC

Drive By Truckers:
March 26, 2008, Terminal 5, NYC

The Antlers:
April 2, 2008, Club Midway, NYC

Spanish Prisoners:
April 5, 2008, Luna Lounge, Brooklyn, NY

Kimya Dawson:
April 6, 2008, Webster Hall, NYC

Explosions in the Sky:
April 8, 2008, Terminal 5

Saul Williams:
April 9, 2008, Irving Plaza

Marco Benevento:
April 11, 2008, Sullivan Hall, NYC
April 12, 2008, Sullivan Hall, NYC

Colin Meloy:
April 17, 2008, Music Hall of Williamsburg, Brooklyn, NY

Tea Leaf Green/Hot Buttered Rum:
April 18, 2008, Highline Ballroom, NYC

mum:
April 22, 2008, Gramercy Theatre, NYC
April 23, 2008, Masonic Temple, Brooklyn, NY

Big Dipper:
April 25, 2008, Southpaw, Brooklyn, NY (tentative — pending permission request)

British Sea Power:
May 10, 2008, Bowery Ballroom, NYC

nyctaper One-Year Anniversary Event:
May 11, 2008, Details to be Announced

We continue to receive offers of sponsorship (tickets/guest list) from artists and readers who would enjoy our work. Thank you to those artists and readers.

Feel free to email nyctaper if you’d like to make suggestion, ask a question, enter a complaint, introduce us to new music, encourage us, or even make a donation. We enjoy the interaction with our readers.

Calvin Johnson February 17, 2008 – Bowery Poetry Club – Flac Download

February 20, 2008
By


[photo credit]

Calvin Johnson made a rare but very welcome NYC appearance on Sunday afternoon at the intimate Bowery Poetry Club. At a venue of this nature, Calvin’s sublime personality and dry humor were on intimate display and his songwriting gifts were evident. At the merch table before and after the show he greeted and charmed all comers, and offered a full array of his eclectic catalog. The one-hour performance contained highlights from his solo records, several new numbers, and one Beat Happening song.

The attempt to capture a recording of this event proved extremely difficult. We set up about 30 feet from the stage which was a mistake — we needed to be much closer.  Calvin performed with one microphone in the middle of the stage, and his frequent movements created fluctuations in volume.  Additionally, the quiet of the music was often interrupted by loud sounds from the bar, the audience, and a loud rotating fan. Fortunately, the fan was shut off at Calvin’s request twelve minutes into the show.

As a result, the raw audience recording of this concert was nearly unlistenable. We were extremely fortunate to have met with punkcast.com after the show, and arranged to combine punkcast’s mono soundboard feed with our audience recording. After many hours with the files in Soundforge, we mixed the audience and soundboard sources and edited many of the flaws of the recording. Ultimately, what is offered here is far from perfect, but is a significant improvement from the initial recording. We offer many thanks to punkcast for his generosity, and of course many thanks to Calvin and Chad from dubnarcotic.org for permission to record.

Download the Complete show in FLAC [HERE].

Calvin Johnson
2008-02-17
Bowery Poetry Club
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard > mono feed > MD + Front of Board Audience Master (30 Feet from Stage)
DPA 4021s (6 ft Stand) > Apogee Mini-Me > M-Audio Microtrack 24/96 > 24bit 48kHz wav files
Matrix Mix:
Soundforge (resample, level adjustments, sync + mix audio sources) > 16bit 44.1kHz wav file > CDWave > Flac Frontend (level 7, align sector boundaries) > flac

Soundboard Recorded by punkcast
punkcast.com
Audience Recorded by nyctaper
Produced by nyctaper

Setlist:
[total time 1:02:05]
01 When You Are Mine
02 Moaning
03 [banter]
04 Rabbit Blood
05 Hurrying on to Something
06 Sitting Alone At The Movies
07 I’m Down
08 Your Eyes
09 Can I Ask You Something
10 Drive Me Good and Crazy
11 [banter]
12 Apple to the Core
13 Ride With Me
14 [banter]
15 Wrap Me in Cotton

If you email nyctaper to download this recording, PLEASE SUPPORT this outstanding artist and visit Calvin’s website, visit the amazing K Records site, and purchase Calvin Johnson’s official releases (here).

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.