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Phish: August 14, 2021 Atlantic City

August 22, 2021

The bright sunlight of a crystal clear Saturday morning reflected off the Atlantic Ocean and offered some hope of redemption from the negative energy of Friday night’s gaseous debauchery. Overnight, the unfortunate souls tasked with cleaning the boardwalk had removed nearly all evidence of the previous evening’s wreckage and with the arrival of weekend vacationers, Atlantic City seemed to breath fresh again.

We had the pleasure of spending a little time in the Phan Art exhibition on Saturday afternoon and those gentle vibes reinvigorated me and gave us a sense that maybe the positive elements of the scene could rise above the darkness that still lurked in the shadows. The threats of rain having dissipated, we entered the beach with a sense that this night could be special.

Perhaps Phish got wind of the negative energy, as they closed the first set with the dark cautionary tale “Squirming Coil”, advising all to steer clear of “Satan on the beach”. The balance of the first set was an up and down affair, as the trainwreck opening of “Ya Mar” was offset by a near-perfect run through of the intricate “Reba” jam.

But it was the meat of the second set where this show really began to shine. Phish covered the entire Quadrophenia album for Halloween 1995, and fortunately the epic “Drowned” has remained in occasional rotation, making a couple of appearances a year. The jam out of Drowned went into the familiar Jersey territory, as Trey clearly teased Springsteen’s “Dancing In The Dark” before transitioning to a nice spooky “Ghost”. Further buoyed by the opportunity to stretch out and explore, Trey seemed to be heading into a reprise of Drowned, which somehow then weirdly morphed into the middle portion of Scents and Subtle Sounds, which sadly petered out after about five minutes. The band refocused and launched into a gnarly Chalkdust that went into deep space before emerging through a fog of noise towards the gentle keyboard opening of Zeppelin’s “No Quarter”. At this point, the weekend had achieved musically exactly what I had hoped to see — a band playing at the peak of their powers and delivering transcendent moments in a troubling time of confusion and despair. We live for these peaks, and when Phish reprised Friday night’s “Tweezer” as the second encore to bookend my own person weekend experience, it was quite emotional. No nefarious post-show Boardwalk shenanigans could bring me down on this night, as we floated home through the magical mist of a sweet Summer night.

I recorded this show in the exact same manner as the previous night, with the mic stand only a few feet away from the Friday location. The Neumann hypers again delivered their magic and cut through the elements to deliver a sharp and bright recording. We’re extremely pleased again with this recording and hope you are too. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Chalkdust Torture > No Quarter”:

nyctaper · Phish – Live in Atlantic City August 14 2021

The Beach
Atlantic City NJ

Digital Master Recording
Tapers Section at Soundboard

Neumann KM-150 Hypers > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Set 1 [Total Time 1:20:54]
01 Llama
02 Tube
03 Destiny Unbound
04 Ya Mar
05 46 Days
06 Reba
07 Soul Shakedown Party
08 Split Open and Melt
09 The Squirming Coil

Set 2 [Total Time 1:24:54]

10 I Never Needed You Like This Before
11 Drowned
12 Ghost
13 Scents and Subtle Sounds
14 Chalk Dust Torture
15 No Quarter
16 Slave to the Traffic Light
17 Suzy Greenberg
18 [encore break]
19 A Life Beyond The Dream
20 Tweezer Reprise

SUPPORT Phish: Website | Store

Phish: August 13, 2021 Atlantic City

August 17, 2021

Other than two stops for higher education, I’ve lived my whole life in New York State. This means that I have a complicated relationship with the State of New Jersey. Yes, I accept that there are beautiful sections of New Jersey — the lakes and mountains in the North of the State, the breathtaking scenes along the Delaware River in the West of the State, and of course the many wonderful beaches on the state-long Atlantic coast.

But with that beauty comes some ugliness. Each of the major towns along the coast have commercialized boardwalks, and while the music of artists like The Drifters, Bobby Rydell, and Bruce Springsteen have glorified life along the Shore, the boardwalks are mostly just depressingly seedy. What is particularly depressing about Atlantic City in particular is that a hundred feet north of the boardwalk across the entire expanse of the town is even worse. Sure, there are casinos — America’s most blatant and unabashed grift — but there are also countless empty stores, vacant lots, and lost souls.

The arrival of the traveling circus that is Phish tour took this carnie atmosphere to an entire other level. This was not just a culture clash, but a multi-layered appropriation of a socially and morally bankrupt city by an out of control bacchanalia that sucked the last vestige of pride from the town. When I left Friday night’s show and walked back to my sad motel, I traversed a balloon orgy — a never-ending row of nitrous tanks where the underbelly of local criminals fed an insatiable suburban youth with the hiss of an addictive but terribly fleeting high. These scenes played out before midnight, but I am told that the hiss of evil lasted at least until 3:30 am.

I don’t have any reason to know if Phish themselves know any of this. They very clearly should know because like it or not, their name and reputation are tied to these events. But the sad confluence of a decaying scene and a band at the top of their game is not lost among those of us who are there for the music. This is not the late-era 1990s Grateful Dead, whose decline as a band in many ways paralleled the disintegration of the “scene”. What is coming from the Phish stage are consistently excellent performances, and that is part of what makes so infuriating the dangerously cavalier behavior of those who are going to ruin this for all of us.

It was against this dark backdrop that Phish took the stage on Friday night and proceeded to reference New Jersey and the beach setting from note one and throughout. The show opening “Cars Trucks and Buses” is both a Phish song and the less traveled right three lanes of the split NJ Turnpike between exits 6 and 15. The set closing “Sand” was everywhere, including stuck to everyone by the end of the night. In between, the band played one of the most solid first sets of the tour, highlighted by a bouncy and driven “Blaze On”. The second set was equally strong, with a notable Trey solo in “Possum” and the always-welcome Hood. But the highlight of the evening for me was certainly the thirty-five minutes of “Tweezer > Bathtub Gin”. At 22 minutes, this Tweezer wasn’t a long as the version from earlier in the tour, but the jams were all precise and focused. This might be the best single song played this Summer by this band.

The oasis of chunky jams now over, the trek from the Missouri Avenue Exit One off the beach to quieter confines was both physically difficult and psychically draining. While it was impossible to avoid the utter anarchy of the overrun Boardwalk, there was always Saturday to hope for some measure of redemption.

I recorded this set with the Neumann hypercards from a very advantageous location at the soundboard cage, shielded from the ocean wind by the tent (along with some extra custom “windcutter” screens). The live mix was sublimely perfect and loud enough to rise above the crowd din. The resulting recording is superb and exceeds any expectations tempered by this difficult taping location. I’ll be playing this one loud for a long time to come, and I hope you do too. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream Tweezer > Bathtub Gin:

nyctaper · Phish – Live in Atlantic City August 13, 2021

The Beach
Atlantic City NJ

Digital Master Recording
Tapers Section at Soundboard

Neumann KM-150 Hypers > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Set 1 [Total Time 1:04:29]
01 Cars Trucks Buses
02 AC DC Bag
03 Blaze On
04 Wolfman’s Brother
05 I Didn’t Know
06 Funky Bitch
07 Rift
08 Sand

Set 2 [Total Time 1:30:40]
09 Tweezer
10 Bathtub Gin
11 Everything’s Right
12 Possum
13 Also Sprach Zarathustra
14 Rise Come Together
15 Harry Hood
16 More
17 [encore break]
18 Loving Cup

SUPPORT Phish: Website | Store

Chris Forsyth: August 4, 2021 Sultan Room

August 15, 2021
Photo by nyctaper

Chris Forsyth returned to live performance in the most exactly perfect way possible. Like most performers, he hasn’t played a proper show in more than a year, but for his two-show return last week, Chris compiled an incendiary quartet of top notch musicians, all of whom are quite familiar to these pages. Tom Malach is a founder and lead guitarist of site favorites Garcia Peoples, Ryan Jewell has appeared here about a dozen different formats, mainly with Ryley Walker, and Doug McCombs has appeared here with the seminal Tortoise and with his Brokeback project. Forsyth himself has appeared many times on this site, and always brings the goods. But this show was an entirely different animal.

If this performance was an indication, Chris Forsyth emerged from lockdown with well honed new material and having maintained the precision of his playing. The quartet that performed at Sultan Room last week (and Philly the following night) were tight, focused, and thoroughly in sync. The four new songs (and new cover) were presented in almost completed form (except for the working titles) and as if these four musicians had been playing the compositions regularly. That is to say that this show flowed from start to finish and left the boisterous and rapt crowd frankly stunned at the quality of the performance.

I recorded this set with the outdoor-friendly large diaphragm Neumann microphones set up front and center of the stage and mixed with a soundboard feed provided by the most excellent Imoni Cole Palmer. I’m extremely pleased with the quality of this recording and hope you enjoy as much as the sold out crowd and I did that night.

Chris Forsyth is returning to the West Coast for a show on October 9, 2021 at the Crystal Cavern in Oakland. The band will include Doug McCombs and Ryan Jewell. This is Chris’s first show in California since 2014. Tickets are available [here].

Download the Complete Show in MP3 and FLAC at [HERE]

Stream the Complete Show:

Chris Forsyth
Sultan Room
Brooklyn NY

Digital Master Recording
On Stage Audience + Soundboard

Neumann TLM-102 Large Diaphragm Cardioids + Soundboard > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Set 1
[Total Time 57:19]
01 You’re Going to Need Somebody [Richard Thompson]
02 Tomorrow Might as Well Be Today
03 Mystic Mountain
04 Blackbird Jungle*
05 Experimental Professional

Set 2
[Total Time 1:02:48]
06 Dreaming in the Non-Dream
07 [band introductions]
08 Dream Song
09 Evolution Here I Come*
10 Robot Energy Machine*

*working title

Chris Forsyth: guitar
Tom Malach: guitar
Doug McCombs: bass
Ryan Jewell: percussion

PLEASE SUPPORT This Artist: Chris Forsyth

Garcia Peoples: June 4, 2021 Industry City

June 16, 2021
photo by nyctaper

Welcome back! Its been a hellish 16 months for everyone we know. No one was spared, and many friends of the site went through trauma that no person should have to endure. But as far as we can tell, this existential nightmare seems to be coming to close. Today New York State celebrated a 70% vaccination rate, and much of the City is re-opening, including live performances.

Last weekend we experienced our first real “concert” event in forever, and it could not have been a more spiritually and emotionally fulfilling night. Garcia Peoples are obviously one of the site’s favorite bands, and most importantly a favorite set of people, so it was quite appropriate that this would be the NYCTaper coming out party. In the open air at Industry City, and with GP as a soundtrack, we grooved while smiling at friends we haven’t seen in months and months, shook hands, hugged, and generally felt true enjoyment. For their part, the band debuted a bunch of outstanding new material, jammed on some classics, and sounded tight and focused. They are truly back and we couldn’t be happier.

Garcia Peoples are adding new shows to their touring schedule on a regular basis. At this point, they are playing 3 dates in consecutive months at Turk’s Inn (Sultan Room roof) in Brooklyn, beginning with a show next week (June 23) and then appearances at the Treefort Festival and Lockn Fest. Dates are being added, check out their bandcamp page for updates.

This show was recorded with Schoeps cards set up at the soundboard tent, and mixed with a board feed. There were issues with the elements and a humming noise from a generator, but overall we’re pretty pleased with the sound quality. Enjoy!

Download the Complete Industry City Show from [HERE]

Stream the Complete Industry City Show:

Garcia Peoples
Industry City
Brooklyn NY

Digital Master Recording
Audience + Soundboard

Schoeps CCM4u’s + Soundboard > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

[Total Time 1:15:01]
01 False Company
02 Cold Dice
03 Tough Freaks
04 Stray Cats
05 Painting A Vision That Carries
06 Heart and Soul
07 A Reckoning
08 Fire of The Now
09 Cassandra
10 Fill Your Cup
11 World’s Illusion


Jonathan Kane and Jim McHugh: October 11, 2020 Richards Street Brooklyn

October 19, 2020

I read somewhere recently that your talent is your salve. That by doing the things you do best, you can help heal the psychic damage from this awful year. After an aborted attempt to capture a “drive-in” show last month, I had the wonderful opportunity to experience and record a pop-up outdoor event last weekend and it was as glorious as the pedigree of the two musicians who performed. Jim McHugh will be quite familiar to readers of this site as the founder and lead guitarist of Sunwatchers, while Jonathan Kane is a downtown music scene fixture for decades who is perhaps best known as the founding drummer of Swans.

In the Northeast section of Red Hook, a couple of hundred yards from the Battery Tunnel, there’s a few blocks of old industrial buildings that have been transformed into studios. At the corner of Commerce and Richards, there’s an art studio that has hosted these pop-up outdoor events while the weather cooperated. Last weekend, the Kane McHugh duo played a 30-minute set of two distinct improvisational pieces. The first number had a psych-blues vibe with Kane’s looped guitar providing a base for the two to work over, with McHugh’s rock guitar and Kane’s ubiquitous percussion hitting several peaks. The second piece began quietly with some tasty slide guitar licks before the two took it out into a full swampy meltdown — a truly magical climax to a short but truly sweet collaborative set.

I recorded this set with the outdoor-friendly large diaphragm Neumann’s set up immediately in front of the band, and the sound quality is quite superb. Enjoy!

Download the Complete Show [MP3] [FLAC]

Stream the Complete Show:

nyctaper · Jonathan Kane and Jim McHugh Live on Richards Oct 11 2020

Kane McHugh
Richards Street
Brooklyn NY

Digital Master Recording
On Stage

Neumann KLM-102s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

[Total Time 27:17]
01 Improvisation 1
02 Improvisation 2

Jonathan Kane – drums, percussion, guitar loop
Jim McHugh – guitar, slide guitar

PLEASE SUPPORT These amazing artists: Kane Facebook and Sunwatchers Bandcamp

Pylon Reenactment Society: January 5, 2019 Market Hotel

September 20, 2020
Photo Courtesy of Chris Sikich

Last week, it was announced that legendary Athens GA post-punk band Pylon will be releasing a comprehensive box set which will include all of their official releases, many unreleased tracks, and a 200-page book documenting the history of this incredibly influential group. Pylon Box will be available through New West Records on November 6, 2020.

For a band with such a lasting legacy, it was truly a blessing to have recorded the original band, including what was ultimately the last show the band played before the sad and untimely death of guitarist Randy Bewley in 2009. In 2014, lead singer Vanessa Briscoe Hay formed the Pylon Reenactment Society. At a gig we recorded at Mercury Lounge in July of 2018, it was clear that this new band was not just a tribute to the late great Pylon, but was a natural and organic continuation of the legacy of the band with top notch musicians who were friends with the original members. Our experiences motivated me to invite Pylon Reenactment Society to return to NYC in January of 2019 to perform at Market Hotel.

The Market Hotel show was yet another confirmation that although the original Pylon is a perfect subject for retrospective box sets, the current band is still a terrific outfit and a pure pleasure to experience live. This set included not only all of the classic numbers you’d hope to hear, but some extremely promising new material. In this current involuntary “break” from seeing shows, its great to remember the types of events that keep us coming back to see bands like Pylon.

I recorded this set with the installed AT mics mixed with an excellent soundboard feed from Eric. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] [FLAC]

Stream the Complete Show:

nyctaper · Pylon Reenactment Society – Live at Market Hotel Jan 5 2019

Pylon Reenactment Society
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Eric Lemke] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

[Total Time 1:23:30]
01 Driving School
02 Working Is No Problem
03 Volume
04 Cool
05 Gravity
06 Cliff Notes
07 Danger
08 Look Alive
09 Flowers From Everywhere
10 Crazy
11 Feast On My Heart
12 [thanks]
13 Beep
14 [band introductions]
15 Compression
16 Messenger
17 Precaution
18 Stop It
19 [encore break]
20 M Train
21 K
22 Buzz

PLEASE SUPPORT Pylon Reenactment Society: Website | Bandcamp | Buy Pylon Box

Jeff Rosenstock: December 23, 2019 Trans-Pecos

April 10, 2020

Its honestly hard for me to be objective about this concert for some pretty obvious reasons — including my involvement with the venue. But the real reason is because Jeff Rosenstock is truly one of the best people in music today. Jeff played four consecutive Monday nights at Trans-Pecos in December, and each night benefitted a different charitable organization. Each night also was a collection of coats for the homeless. There was no set admission price to the shows, but a suggested donation. And Jeff and his fans really came through, as over $10,000 was raised over the four shows and the funds were sent to Safe Horizon, Willie Mae Rock Camp, Educated Little Monsters, and Black Lives Matter.

We talked and the final night was Jeff’s favorite of the shows. It also happens to feature the most excellent Laura Stevenson (congrats on the baby!) in a guest spot for a couple of songs. Jeff and Laura are long time friends who also played together in Bomb The Music Industry! and the energy between the two was obvious. As Jeff moved to LA at the end of 2019, this show was also a goodbye of sorts, so the emotions are palpable. All in all, a tremendous night for a variety of reasons, and a show we’re happy to offer as a glimmer of hope in these tragic times.

This set was mixed by Manny and recorded in the thumb drive of the soundboard and the quality is outstanding. Enjoy!


Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Jeff Rosenstock
Ridgewood NY

Digital Master Soundboard Recording

Soundboard [Engineer: Manny] > 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar

Produced by nyctaper

[Total Time 1:28:25]
01 [introduction]
02 Perfect Sound Whatever
03 Hey Allison
04 Pash Rash
05 [banter – less garbage]
06 Powerlessness
07 To Be a Ghost
08 Wave Goodnight To Me
09 The Lows
10 The Shit That You Hate
11 Festival Song
12 Rewards Zone
13 While You’re Alive
14 Staring Out the Window at Your Old Apartment
15 [banter – Black Lives Matter]
16 Let Them Win
17 Eighties Through The Fifties
18 [banter – requests]
19 Rainbow
20 Saddr Weirdr
21 [Laura Stevenson intro]
22 Nine Out of Ten (9/10)
23 Sort of Like Being Pumped
24 [banter – Trans-Pecos]
25 Stand There Until You’re Sober
26 Snow Charges
27 Nausea
28 [banter – broken string]
29 You in Weird Cities
30 [banter – thanks]
31 Future 86

SUPPORT Jeff Rosenstock: Bandcamp | Tumblr | Buy WORRY at SideOneDummy Records

Wilco: January 18, 2020 – Riviera Maya, Mexico

March 30, 2020
Photo by gr8fulpete

The first Wilco International Festival “Sky Blue Sky” was a celebratory communal event held at a beach resort in Mexico in January. And like their Solid Sound Fest, the event in Mexico combined community action, charity, fun, sun, and music. Teaming with Positive Legacy, Wilco and fans offered a litany of community-helping tasks to give back to the local community so that the Fest would leave a positive footprint in its wake.

Musically, Wilco committed to performing no song twice in their three shows. This naturally led to some rare nuggets making their way back into the setlist for this special event. On this first night, that included three tracks from the debut album (with personal favorite “Passenger Side”) and rarely performed “Nothingsevergonnastandinmyway(again)” from Summerteeth.

Its hard to say when Wilco (or any other band) will be able to perform again, as their Spring Tour was canceled, but as of now there are tour dates beginning in June still scheduled. Hopefully, those shows can happen.

Pete recorded this set with his trusty Neumann cards from an advantageous position and other than the windy conditions, the sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Hard Rock Hotel
Riveria Maya Mexico

Digital Master Audience Recording
Recorded at Soundboard Cage

Neumann KM-185s > Sound Devices 702 > 24bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by gr8fulpete
Produced by nyctaper

[Total Time 1:54:24]
01 Bright Leaves
02 Either Way
03 Handshake Drugs
04 Side With the Seeds
05 One and a Half Stars
06 I Must Be High
07 The Joke Explained
08 I’ll Fight
09 Too Far Apart
10 Someone to Lose
11 Secret of the Sea
12 Hotel Arizona
13 Ashes of American Flags
14 Hummingbird
15 Passenger Side
16 Nothingsevergonnastandinmyway
17 Someday Soon
18 I’m Always in Love
19 Hold Me Anyway
20 Red-Eyed and Blue
21 I Got You
22 Hate It Here
23 Heavy Metal Drummer
24 I’m the Man Who Loves You
25 [encore break]
26 Spiders (Kidsmoke)

PLEASE SUPPORT Wilco, visit their website, and purchase their Ode To Joy and their other releases from their website [HERE]

Stuart Bogie, Jon Goldberger, Andy Hess, and Ryan Jewell: January 5, 2020 Nublu

January 7, 2020

Oh, what a night. This was seventy minutes of pure improvisational bliss. These four incredibly talented musicians have played together before in various combinations, but never as a quartet. Ryan Jewell should be familiar with the readers of these pages in his many outings with Chris Forsyth and with Ryley Walker, and a few months back we posted a five-piece improv set that featured Stuart Bogie and Jonathan Goldberger. Andy Hess has only appeared here with Govt Mule (2007), but has played with a plethora of area musicians over the years.

On this night, the quartet performed an unrehearsed improvisation set that extended to almost an hour before starting another shorter piece as an encore of sorts. Generally speaking, these types of events lean towards the avant and noisy side, but these four folks naturally seemed to be able to instantaneously conjure up chunky nuggets of melody interspersed with tasty bits of effects, some quiet interludes, and some squonk. Ultimately, this was an exceptionally satisfying night of music, and one that I hope gets repeated again.

I recorded this set with a pair of Schoeps mounted at the front of the stage, and mixed with a board feed. The onstage recording was so crystal clear so that the board mix is only used as some fortification and also to soften the hard pans of the stage capture. The mix is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Bogie Goldberger Hess Jewell
New York NY

Digital Master Recording
On Stage + Soundboard

Schoeps CCM4u’s + Soundboard > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

[Total Time 1:08:26]
01 Improvisation 1
02 Improvisation 2

Stuart Bogie – Tenor Sax Clarinet Flute
Jonathan Goldberger – Guitar
Andy Hess – Bass
Ryan Jewell – Percussion\

PLEASE SUPPORT these outstanding Musicians and visit their websites linked above.

Phish: December 1, 2019 Nassau Coliseum

December 4, 2019

I’m not going to say anything about this Phish show that is going to give any more information or insight than the experts. Consult for that kind of coverage. Suffice to say, this Sunday night show at a venue near which I grew up, and where I’ve attended many shows, sports games, and various entertainment events, was special for a variety of reasons. In terms of Phish, the only other time I saw the band at Nassau was almost exactly 20 years ago, when Phish lyricist Tom Marshall joined the band to sing a Who cover. This show wasn’t a novelty like that, this was a band operating at full powers and playing a serious set of expertly performed material old and new. I’m hoping for a similar experience at the Garden shows during New Year’s week, and fully suspect that excellence will continue.

I recorded this set with the trust Schoeps cards from the front rail of the Official Taper’s Section, and although we were placed pretty far back on the floor, I’m generally pretty pleased with the quality of this capture. Enjoy!

Download the Complete Show MP3 | FLAC

Stream the Complete Show:

Nassau Coliseum
Uniondale NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Set 1 [Total Time 1:19:30]
01 Ghost
02 Rift
03 The Man Who Stepped into Yesterday
04 Avenu Malkanu
05 The Man Who Stepped into Yesterday Reprise
06 The Wedge
07 Martian Monster
08 Timber
09 Cool it Down [Velvets]
10 Roggae
11 Poor Heart
12 Tube
13 Character Zero

Set 2 [Total Time 1:33:35]
14 Everything’s Right
15 Down With Disease
16 Cities [Talking Heads]
17 Carini
18 Ruby Waves
19 Twenty Years Later
20 Backwards Down the Number Line
21 Say It To Me S.A.N.T.O.S.
22 [encore break]
23 Roses Are Free
24 Slave To The Traffic Light

SUPPORT Phish: Website | Store

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DISCLAIMER and LEGAL NOTICE is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

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