Posts Tagged ‘ lou barlow ’

Dinosaur Jr.: September 19, 2018 White Eagle Hall

September 24, 2018

[Photos by @qbertplaya]

Making the best of a bad turn after the cancellation of their tour supporting Mastodon, Dinosaur Jr. took to some roads less traveled, hitting up smaller venues in far-flung cities like Maquoketa, IA and Fort Wayne, IN. Their NYC-area appearances brought them to the small Garcia’s room at the Captiol Theatre in Port Chester and the larger White Eagle Hall in Jersey City. We caught up with them for the latter and were rewarded with more than an hour and a half of shredding from Mascis, Barlow, and Murph. After opening up with “Thumb” from Green Mind, the band launch into four tracks from their latest album Give a Glimpse of What Yer Not (which is an awfully good record for a band going long past thirty years now) followed by a set of Dino-favorites like “Feel the Pain,” “Little Fury Things,” “The Wagon” (with Don Fleming and John Moloney), “Freak Scene,” and so on. For the encore the band is once again joined by John Brannon and Easy Action for some Negative Approach songs, plus the Dinosaur Jr. noisefest “Don’t” and Stooges closer “T.V. Eye.”

Download: MP3/FLAC

Dinosaur Jr.
White Eagle Hall
Jersey City, NJ

MBHO KA200N/603A (DIN, at SBD) > Naiant PFA > Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Recorded and produced by Eric PH

Tracks: [1:37:25]
01. Thumb
02. Goin Down
03. Lost All Day
04. Left/Right
05. I Told Everyone
06. Just Like Heaven [The Cure]
07. Feel the Pain
08. Little Fury Things
09. The Wagon
10. Kracked
11. Sludgefeast
12. Start Choppin’
13. Knocked Around
14. Freak Scene
15. Forget the Swan
16. [encore break]
17. Can’t Tell No One [Negative Approach]
18. Read to Fight [Negative Approach]
19. Don’t
20. T.V. Eye [The Stooges]

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Dinosaur Jr.: October 3, 2017 Brooklyn Bowl

October 5, 2017

[photo courtesy of Omar Kasrawi and Pancakes and Whiskey]

From the very outset of Tuesday night’s Dinosaur Jr. show at Brooklyn Bowl — the second of a two night run — it was fairly obvious that the sonic onslaught was in full on mode. Monday’s show was an extraordinary show that we were happy to have attended and recorded, but Tuesday was fully in your face. Any decibel restrictions that the venue may have sought to impose were disregarded as J Mascis’ Marshall guitar stack was well utilized, and the thumping bass of Lou Barlow and Murph’s monster percussion rattled the rib cage. The band also switched up the setlist, so we got some oldies for Bug fans (rare “Budge” and ubiquitous “Freak Scene”), and You’re Living All Over Me diehards (“Little Fury Things”). J and Lou also brought out old friend and Deep Wound bassist Scott Helland to perform one of the first songs the guys ever recorded for that band. We also saw a handful of guests for the “Sub Pop version of The Wagon” including legendary guitarist Don Fleming. And if that wasn’t enough, the show ended with a mini Negative Approach set as singer John Brannon (also of openers Easy Action), drummer Opie Moore and guitarist Harold Richardson joined J and Lou to play two of the seminal Michigan hardcore band’s songs. If we learned anything from this outstanding two-fer of Dinosaur Jr. shows at Brooklyn Bowl, its that this band remains a powerful presence in today’s music. Our still-ringing ears agree.

We recorded this set with the mic stand about midway on the right side of the venue and nyctaper used Schoeps cards while acidjack employed Schoeps hypers. The full sonic blast of this show is faithfully captured in both recordings. Enjoy!

Download the Complete Show:
nyctaper version [MP3] / [FLAC]
acidjack version [MP3] / [FLAC]

Stream nyctaper version:

Stream acidjack version:

Dinosaur Jr
Brooklyn Bowl
Brooklyn NY

Digital Master Recording
FOB Audience

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

[Total Time 1:25:03]
01 Thumb
02 Goin Down
03 Lost All Day
04 Left Right
05 Watch the Corners
06 Pieces
07 Out There
08 Feel the Pain
09 Little Fury Things
10 [banter – Wagon intro]
11 The Wagon
12 Budge
13 Start Choppin
14 Training Ground [Deep Wound]
15 Freak Scene
16 Gargoyle
17 [encore break]
18 Just Like Heaven [Cure]
19 [banter – Negative Approach intro]
20 Can’t Tell No One [Negative Approach]
21 Nothing [Negative Approach]


Dinosaur Jr.
Brooklyn Bowl
Brooklyn, NY USA

Recorded and produced by acidjack for

Schoeps MK41V (FOB, ROC, PAS)>KCY>Z-PFA>Sound Devices MixPre6 (24/48)>WAV>Adobe Audition CC (fades, limiter, light compression)>Izotope Ozone 5 (EQ, image, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:24:56]
01 Thumb
02 Goin’ Down
03 Lost All Day
04 Left/Right
05 Watch the Corners
06 Pieces
07 Out There
08 Feel the Pain
09 Little Fury Things
10 The Wagon*
11 Budge
12 Start Choppin’
13 Training Ground [Deep Wound]^
14 [tuning]
15 Freak Scene
16 Gargoyle
17 [encore break]
18 Just Like Heaven [The Cure]
19 Can’t Tell No One [Negative Approach]%
20 Nothing [Negative Approach]

*w/ Don Fleming, John Moloney and Marc Seedorf
^ w/ Scott Helland
% w/ Negative Approach

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Dinosaur Jr.: October 2, 2017 Brooklyn Bowl (Night One)

October 3, 2017

[Photos courtesy of Omar Kasrawi and Pancakes and Whiskey]

The return of the original lineup of Dinosaur Jr. continues to be a good thing for fans, as the band’s vitality has never been stronger. Backed by his usual wall of amps, J. Mascis led the band through the first of two nights at Brooklyn Bowl like the pro that he is, delivering the scorching riffs for which he’s known on classic after classic. Lou Barlow whips his voluminous hair around like a man half his age; if you don’t see his face much these days, his stage presence is impossible to miss. Still on the road for their latest, Give A Glimpse of What Yer Not, the new material slots in with classics like “In A Jar” better than ever. Early in the set, we got both the winning “Lost All Day” and the Barlow-led “Left/Right,” which couldn’t help but sound a bit like a much-heavier Sebadoh. Given the likely generation of the crowd, it’s no shock that a mid-set “Feel the Pain” earned some of the most frenzied reaction, but it was a less-heard track from Where You Been, “Get Me” that was the real treat. The back half of the set continued in strong form, with a memorable “Freak Scene” and a one-two punch of an encore, with the other most popular Where You Been track “Out There” followed by an anarchic cover of The Stooges’ “TV Eye” with John Brannon of Negative Approach (and the night’s openers, Easy Action). The biggest challenge for this band, at least here in Brooklyn, will be topping themselves tonight.

I recorded this set from an “FOB” position along the right-side rail with MBHO microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Dinosaur Jr.
Brooklyn Bowl
Brooklyn, NY USA

Recorded and produced by acidjack for

MBHO 603A/KA200N (FOB, ROC)>Zoom F8 (24/48)>WAV>Adobe Audition CC (fades, limiter, light compression)>Izotope Ozone 5 (EQ, image, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:38:03]
01 The Lung
02 Goin Down
03 Lost All Day
04 Left/Right
05 In A Jar
06 Watch the Corners
07 [tuning]
08 Crumble
09 Feel the Pain
10 Get Me
11 [tuning2]
12 The Wagon
13 Tarpit
14 Start Choppin’
15 Lose
16 Freak Scene
17 Forget the Swan
18 [encore break]
19 Out There
20 TV Eye [The Stooges]*

* w/ John Brannon

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Sebadoh: April 22, 2017 Bell House

April 30, 2017

[photo by nyctaper]

In the half-dozen times I’ve seen Sebadoh live, I had never experienced a performance as good as their set at the Bell House last week. The band seemed relaxed and focused and worked through an hour-long set of inspired music. Perhaps buoyed by the fact that in this “co-headline” show they were tasked with playing second of three bands, Sebadoh had a few moments of playful banter, but for the most part were all business.

The set was structured to allow each song protagonist to play a mini-set of their material before a changeover. The show began with five Lou Barlow songs before Jason Loewenstein took over on the guitar at centerstage and played six of his songs, before Lou finished the set with four songs. The band released an album (Defend Yourself) and an EP early this decade after an extended hiatus, but this show was a fair representation of all of their material, newer and classic. This show was the last night of a brief five-city tour after the band played just three dates in 2016. If the Bell House set indicates the high quality of the band’s current performances, we hope that 2017 sees more dates for Sebadoh, particularly locally.

I recorded this set with the Neumann hypers mounted at the soundboard rail and mixed with an excellent feed by veteran house FOH Dave. There is one moment of feedback in the first minute, but overall the sound quality of this recording is superb — possibly the best recording we’ve ever made in this venue. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

[Total Time 54:02]
01 Not a Friend
02 Homemade
03 State of Mine
04 Soul and Fire
05 Beauty of the Ride
06 [changeover]
07 Got It
08 It’s All You
09 Drag Down
10 Prince-s
11 Beat
12 [banter – pieces of meat]
13 My Drugs
14 [change back]
15 I Will
16 Rebound
17 Skull
18 Arbitrary High

PLEASE SUPPORT Sebadoh:  Facebook | Bandcamp

Dinosaur Jr.: August 5, 2016 Rough Trade NYC

August 9, 2016


Any story about Dinosaur Jr. in New York really must start with the shows that didn’t appear on this site — the band’s singular string of seven shows at Bowery Ballroom back in December of 2015 (they’re going to be officially released in some form). There, the band celebrated the thirtieth anniversary of their debut album — an extraordinary feat for almost any act, even more of one for a band who some would argue didn’t hit their commercial potential even during the heyday of their style of music. Joined by an all-star roster of guests every night, J. Mascis, Lou Barlow, and Murph proved how much they’ve meant, and continued to mean, to the music that’s been made during their run. That old saw about being defined by the company you keep? There’s a reason for it.

Which brings us to this much more intimate show at Rough Trade NYC, on the heels of the band’s latest tour with fellow late 80s/90s stalwarts Jane’s Addiction. These homecoming nights are always fun, giving a band a chance to unwind in front of friends after a touring slog. The band rewarded us with some first-time playings of their just-released new record, Give A Glimpse of What Yer Not, which could as easily be the mantra of a band whose consistency and quality has been remarkable through lineup changes and a hiatus. If their first shot at “Goin’ Down” was a little rough (in Barlow’s opinion, anyway), the crowd wasn’t bugged by it, as the band showed off the new album tracks alongside many of their best-loved favorites, including their biggest commercial hit, “Feel the Pain.” Of course, the diehards were there for the older classics like “Freak Scene,” “Gargoyle” and “The Lung,” as well as my personal favorite, the night’s closer of “Out There.” If it wasn’t a two-plus hour bonanza of rare tracks and guest stars, this show was closer to what any band really wants to be about — enduring classics played to enduring fans, in a set that proves that their new material is just as vital as the old. After some much-needed rest, I’m sure we’ll see them back at it to tour the new record in full. We’ll be there.

I recorded this set with Schoeps MK5 cardiod microphones in our usual spot in the venue with an Aeta PSP3 preamp for extra clarity. The sound quality is excellent. Enjoy!

Thanks to Dinosaur Jr.’s management team and the Rough Trade staff for helping to make this happen.

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Dinosaur Jr.
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at
Recorded and produced by acidjack

Schoeps MK5 (FOB, DFC, PAS)>KC5>CMC6>Aeta PSP3>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:17:19]
01 The Lung
02 Goin’ Down
03 Love Is…
04 [banter1]
05 I Told Everyone
06 Pieces
07 Tiny
08 Feel the Pain
09 In A Jar
10 I Walk for Miles
11 Start Choppin
12 Freak Scene
13 Gargoyle
14 [encore break]
15 The Wagon
16 Out There

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Dinosaur Jr.: December 1, 2012 Terminal 5 – FLAC / MP3 Downloads + Streaming Songs

December 7, 2012

[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

Here at NYCTaper, we have a special place in our hearts for Dinosaur Jr. Not only do they make outstanding music and have chops second to none but they have long supported the taping community, making several appearances on this website including one of the first recordings posted here. We were particularly ecstatic when the original lineup of J Mascis, Lou Barlow and Murph reunited in 2005 and have since released three superb albums. In the interim, we have done our best to capture as many of their concerts as we can but none of us grasped the full extent of what we were in for when they announced this celebratory show marking the 25th anniversary of the seminal and influential ‘You’re Living All Over Me‘ album. In addition to playing the disc in its entirety, allusions were made to many other tracks and “special friends” making an appearance. We wound up being clobbered with a setlist and guest lineup worthy of an alt/indie-rock uber fan’s wet dream: Lee Ranaldo and Kim Gordon of Sonic Youth, Frank Black from the Pixies, Johnny Marr of The Smiths, Dale Crover from the Melvins, Tommy Stinson of The Replacements, Kyle Spence from Harvey Milk, Kurt Vile, Al Cisneros from Sleep, Kevin Drew of Broken Social Scene, Suzanne Thorpe of Mercury Rev, Don Fleming, Dante Ferrando, John Petkovic and Fred Armisen. On a night with more highlights and jaw-dropping performances than one can count, there was a wonderful interplay between all the artists and a realization by the crowd that this concert was to be savored. Thank you J, Lou and Murph for the awesome holiday gift you honored us with. It was an extraordinary way to begin drawing this year to a close.

Thanks to Dinosaur Jr.’s management and the team at Terminal 5, we were given the opportunity to set up and record from the dead-center spot towards the back of the floor. With such an ideal location, acidjack and I ran three distinctly different microphone configurations in an effort to ensure the best possible recording we could make: Milab VM-44 Links (DIN) and AKG C 414 B-XLS’s in both Blumlein and M/S configurations. The results are uniformly excellent so we are offering all three sources for download. We certainly hope you like what you hear as much as we did. Enjoy!

Special thanks to Dinosaur Jr., Brian Schwartz and Daniel Mapp for making this recording possible, and to Mike and the staff at Terminal 5 for their courtesy and cooperation.

Stream “Tarpit” (Source 1): 


Stream “Alone” (Source 2): 


Stream “Don’t” (Source 3): 


Source 1: Milab VM-44 Link (DIN)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 2: AKG C 414 B-XLS (Blumlein)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 3: AKG C 414 B-XLS (M/S)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Dinosaur Jr.
Saturday, December 1, 2012
Terminal 5
New York, NY, USA
(opener: Kurt Vile and the Violators)

Source 1: AUD > Milab VM-44 Links (cardioid DIN) > Edirol R-44 (WAV @ 24-bit/48kHz)
Source 2: AUD > AKG C 414 B-XLS’s (Blumlein) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage for Sources 1&2: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )

Source 3: AUD > AKG C 414 B-XLS (FOB, DFC, M/S) > Sound Devices USBPre2 > Edirol R-44 [OCM] > 24bit/48kHz WAV > Izotope Ozone 5 (EQ, exciter) > Adobe Audition CS 5.5 (decode M/S, adjust levels) > Audacity 3.0 (set fades, tracking, amplify, balance, downsample) > FLAC ( level 8 )

Recorded and produced by: acidjack and Johnny Fried Chicken Boy

[Total time: 2:17:43]
01. [intro]
02. Thumb [Suzanne Thorpe (flute)]
03. Little Fury Things [Lee Ranaldo (additional vocals)]
04. Kracked
05. Sludgefeast
06. The Lung
07. [banter]
08. Raisans
09. Tarpit
10. In a Jar
11. Lose
12. [banter]
13. Poledo
14. [banter]
15. Almost Fare [Frank Black (vocals/additional guitar)]
16. [banter]
17. Tame [Pixies] [Frank Black (vocals/additional guitar), Kyle Spence (drums)]
18. [banter]
19. Alone [Kurt Vile (additional guitar), Al Cisneros (bass), Kyle Spence (drums)]
20. [banter]
21. Don’t Pretend You Didn’t Know
22. Watch the Corners
23. [banter]
24. The Wagon [Kevin Drew (vocals), Johnny Marr (additional guitar)]
25. The Boy with the Thorn in His Side [The Smiths] [Johnny Marr (additional guitar), Dale Crover (drums)]
26. Training Ground [Deep Wound] [Dale Crover (drums)]
27. tuning > jam
28. Gargoyle [Al Cisneros (bass)]
29. Crucified [Iron Cross] [Don Fleming (vocals), Dante Ferrando (drums), Graham Clise (additional guitar)]
30. Don’t [Kim Gordon (vocals), Don Fleming (additional guitar)]
31. [encore break]
32. T.V. Eye [The Stooges] [John Petkovic (vocals), Tommy Stinson (bass), Fred Armisen (drums)]
33. Start Choppin’ [Kevin Drew (additional vocals)]
34. Freak Scene

If you download this recording, we expect that you will PLEASE SUPPORT Dinosaur Jr., visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

Sebadoh: November 11, 2011 Maxwell’s – FLAC and MP3 Downloads + Streaming Songs

November 14, 2011

[Photo by Chris Gersbeck for Fucking Nostalgic]

The age-old debate I have with myself about going to Maxwell’s, especially on a weekend: Will this show be worth waiting for the PATH at 3 a.m.?  The thing is, every time you talk yourself out of a Maxwell’s show, you’re probably wrong.  If I hadn’t hit this Sebadoh show in this intimate (and for Manhattan/Brooklynites, remote) venue – despite that they were down the street at Music Hall of Williamsburg the following night – I’d have missed out.  This freewheeling show felt like seeing Lou Barlow and the reunited band appear in your living room.  Lou in particular was relaxed and chatting with the crowd, clearly enjoying the chance to keep things loose.  It didn’t hurt any that Lou and the band had plenty of friends in the crowd, many of whom could be heard ribbing him throughout the show.  Oh, and did you know “Willing to Wait” from Harmacy was going to be Ross and Rachel’s breakup song on Friends?  Well, now you do.  And tonight’s show-closing rendition – perhaps to spite the “flat” recording of the song that Lou hated – was pure, magical rock n’ roll.

The band were once known as “lo-fi pioneers”, but like many of their contemporaries from the early 90s, they’ve developed into serious players (one of Lou’s anecdotes concerned the $1000 guitar he was playing).  This set was Springsteen-esque in its sprawl – the first 13 tracks occur in the first half-hour of the nearly two-hour set – but given their large catalog of two- and three-minute songs, Sebadoh had a lot of ground to cover.  While rockers like “License to Confuse” are always thrillers, it was the band’s slower numbers like “Dream”, the poignant “Soul and Fire” and the band’s classic “Together or Alone” that stood out, allowing Barlow’s lyrics to shine.  The set focused primarily on the band’s more hook-driven, lyrical numbers, rather than some of the Eric Gaffney-penned more punkish material, and to good effect.  Among the band’s records, Bakesale was particularly well-represented (and also was just re-released this year by Sub Pop), as was Bubble and Scrape, while their seminal III, the first with Jason Loewenstein, was mostly-ignored.  By the end of the set, it was hard to imagine a favorite Sebadoh song the band didn’t play at this show, and indeed, I can’t think of one.  The PATH trade ride home was a long one, but damn, it was worth it.

I recorded this set with the Schoeps supercardiod microphones and a soundboard feed from Mitch, a new FOH engineer at Maxwell’s, who did a flawless job with the house mix all night.  The results are truly outstanding, absolutely one of my finest recordings of the year, and by far the finest fan recording of this band I have ever heard – yes, it’s that good.  Enjoy!

Stream “Willing to Wait”
[audio: Willing to Wait.mp3]

Stream “Soul and Fire”
[audio: Soul and Fire.mp3]

Stream “Beauty of the Ride”
[audio: Beauty of the Ride.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is not active, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hoboken, NJ USA

An acidjack master recording
Recorded and produced by acidjack for

Schoeps MK41 (LOC, at SBD, DINa)>KCY>Littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>Audition (balance, mixdown)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

01 [intro banter]
02 Too Pure
03 [banter]
04 On Fire
05 Skull
06 Rebound
07 Ocean
08 [banter]
09 Magnet’s Coil
10 [banter]
11 Shit Soup
12 Mind Reader
13 Got It
14 Love to Fight
15 Drag Down
16 [banter]
17 Dreams
18 The Freed Pig
19 License to Confuse
20 Sister
21 Dramamine
22 Crystal Gypsy
23 Careful
24 Bird In the Hand
25 [banter]
26 Soul and Fire
27 Two Years Two Days
28 Not A Friend
29 Together or Alone
30 Beauty of the Ride
31 Forced Love
32 Sixteen
33 [encore break]
34 Give Up
35 New Worship
36 Brand New Love
37 Not Too Amused
38 [banter]
39 Willing to Wait

If you enjoyed this recording, PLEASE SUPPORT Sebadoh, visit their website, and buy their official releases, including Bakesale, [HERE]

Lou Barlow: October 6, 2009 Mercury Lounge – Flac and MP3 Downloads

October 9, 2009

[photo by nyctaper]

Lou Barlow released his second proper album Goodnight Unknown on Tuesday. That night at Mercury Lounge, Lou celebrated the album’s release with the only headlining show on this current tour. The balance of the dates are opening slots for Lou’s other band, Dinosaur Jr. The result was a two-hour show that not only featured a set with his current backing band, The Missingmen, but also a complete hour of Lou solo, taking requests and playing a ton of rare material including eleven Sebadoh songs. This show was a fan’s delight, as Lou was his usual gregarious self but also took chances and played songs that he had not performed live in years, or in several cases, decades.

I recorded this show with a pair of microphones set up in the usual location next to the soundboard booth, supplemented with a stereo feed from the board. The major flaw in this recording was a persistent buzz or hum coming from stage. During the show, the crowd made reference to this noise on several occasions and Lou even acknowledged it (Track 39). If the listener can subconsciously filter the noise, this is a very enjoyable and listenable recording. Enjoy!

Direct download of MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Lou Barlow
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper

[Total Time 2:00:11]
Tracks 01-24 Lou Barlow and The Missingmen
01 [introduction]
02 Sharing
03 Don’t Apologize
04 [banter]
05 Home
06 [banter]
07 Goodnight Unknown
08 Too Much Freedom
09 The One I Call
10 [banter]
11 Praise
12 Gravitate
13 One Machine, One Long Fight
14 [tuning/banter]
15 Caterpillar Girl (false start)
16 Caterpillar Girl
17 Faith Defies the Night
18 [banter]
19 On The Face II
20 [banter]
21 Take Advantage
22 [banter]
23 Sharing
24 [banter]
Tracks 25-43 Lou Barlow solo
25 Tree
26 Holding Back The Year
27 The Ballad of Daykitty
28 Too Pure
29 Magnet’s Coil
30 Think (Let Tomorrow Bee)
31 [banter]
32 Willing To Wait
33 [banter]
34 Vampire (one verse)
35 Soul and Fire
36 [banter]
37 Brand New Love
38 A Hit (Smog)
39 [banter about amp noise]
40 Royalty (one verse)
41 [banter]
42 Ride The Darker Wave
43 Skull

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Lou Barlow, visit his website, and purchase his official releases, including his excellent new album Goodnight Unknown from the Merge Records website [HERE].

Support nyctaper

DISCLAIMER and LEGAL NOTICE is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of is strictly prohibited. hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.