Posts Tagged ‘ Paradise of Bachelors ’

Nathan Bowles Trio: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

October 16, 2017
By

It’s an article of faith that artists who are friends of Three Lobed Recordings always bring their best for the label’s annual Hopscotch day show showcase, co-sponsored with Durham’s WXDU. Nathan Bowles, a multi-year veteran of the event, outdid himself this year, choosing to use this platform to debut his new trio with Casey Toll on double bass and Rex McMurry on drums. Although this was the trio’s very first show, you wouldn’t necessarily have known it, as Bowles and the new band added new heft to what were originally his solo songs (“Blank Range”) as well as coming out strong with new ones (one untitled, one known as “Freshfaced”). Bowles’ current music has already redefined and expanded the notion of modern banjo music, but the trio promises to push things even further, offering the opportunity to head in directions he hasn’t yet contemplated in other groups in which he participates, such as the Black Twig Pickers. For one, these songs feel a bit more like rock songs, with McMurry’s drumming pushing a faster tempo and an overall heavier direction, particularly on the new song. “Freshfaced.” Seeing Nathan Bowles is always a treat — and it’s something we do as often as we can — and this trio only adds to the anticipation of what he’s up to next. Bowles has a few shows around the southern U.S. this month, so go have a listen if you can.

I recorded this set with Evan Lamb’s house mix, plus an additional soundboard feed of the banjo, together wtih Schoeps MK4V microphones onstage, and AKG 460 cardiod mics hung over the audience. The sound quality is excellent. Enjoy!

Nathan Bowles Trio
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>KCY>Z-PFA>AKG 460/CK61 (FOB, DFC)>(24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Blank Range
02 [untitled for now]
03 Freshfaced

SUPPORT NATHAN BOWLES: Pay to download this recording | Website | Bandcamp | Paradise of Bachelors

Gun Outfit: August 19, 2017 Union Pool’s “Summer Thunder”

August 21, 2017
By


[Photo by Robert Mizaki, from his Instagram feed]

Originally from Olympia, WA, you could be forgiven for assuming Gun Outfit sprung fully-formed from their current home base of Los Angeles, California. Their Twitter feed describes their music as “western expanse music,” and that feels right. Their simple self-possession and confident, low-key forward motion are as West Coast as Pacific swells. Or, to put it differently, they brought the perfect vibe for a laid-back summer afternoon at Union Pool, which continues its “Summer Thunder” series of outdoor shows for just one more week.

This set was notable for a few points, including the participation of longtime noise/guitar hero Henry Barnes (currently touring with the band as his Amps for Christ project) and the wide berth of the setlist, which covered some of the band’s oldest songs like “The Lack” and “Southern Chill” as well as forthcoming tracks from the recorded-but-not-yet-released new album. If you were a fan of the band’s most recent full-length, the 2015 Paradise of Bachelors release Dream All Over, this set wasn’t as focused on that (excellent) material, but the band seems to be continuing in the strong, consistent direction established by that record.  Co-vocalists, -songwriters and -guitarists Dylan Sharp and Carrie Keith have an easy, relaxed interplay, and Barnes meshed perfectly, salting each composition with psychedelic guitar weirdness. If Gun Outfit are hard to pin down aesthetically — they’re punk but neither fast nor loud, they’re folk but not earnest, country but not not simple — their appeal, especially live under the sun, will be obvious to fans of all three. Look for that new record to arrive … sometime soon. ‘Til then, enjoy this little survey of this band’s career.

I recorded this set with head-mounted DPA 4061 microphones from the front of the audience near the stage. The sound quality is excellent. Enjoy!

Download the complete show: [FLAC] | [MP3] | [Apple Lossless]

Gun Outfit
2017-08-19
Union Pool (Summer Thunder Outdoor Series)
Brooklyn, NY USA

Recorded and produced by acidjack

DPA 4061 (HRTF, FOB, DFC)>DPA d:vice>iPhone 7>16/44.1 WAV>Adobe Audition CC (fades, amplify, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 44:48]
01 The Lack
02 Sally Rose
03 Clean Runs the Thread
04 Second Decade
05 Southern Chill
06 Primacy of Love
07 Background Deal
08 Gotta Wanna
09 Strange Insistence
10 Legends of My Own
11 Downtown LA [JJ Cale]

SUPPORT Gun Outfit: bandcamp | Facebook | Paradise of Bachelors

Mind Over Mirrors: May 4, 2017 Union Pool

May 10, 2017
By

Mind Over Mirrors contains multitudes. We’ve seen Jaime Fennelly’s Indian pedal harmonium-based project evolve over the past few years, from a 2015 set at Union Pool with Haley Fohr for The Voice Calling, to a solo set at Littlefield last year, and now a dramatic full-band celebration of the Mirrors’ Paradise of Bachelors debut, Undying Color. Squeezing themselves onto Union Pool’s modestly-sized stage, Fennelly and crew performed a few tracks off Undying Color, vividly recreating the album’s complexity live, while adding an untitled synth piece and the self-explanatory “Gongs.” For the record, that’s Janet Beveridge Bean on drums, gong, and vocals; Jim Becker on violin, vocals, and percussion, and Jon Mueller also on drums and gong. While you may be wondering where Mind Over Mirrors will go next, Fennelly already has an answer for you: this lineup has just announced a two-night performance of a new piece titled “Bellowing Sun” at the Museum of Contemporary Art in Chicago for next April. In the meantime, Undying Color is one of the most compelling albums released this year and this live set will make a nice companion to it.

I recorded this from our usual outpost at Union Pool, combined with a board feed courtesy of the venue’s FOH, Doug, and touring engineer, Nick. This represents one of our finest pulls from Union Pool. Enjoy!

Download: [MP3/FLAC]

Stream:

Mind Over Mirrors
2017-05-04
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Nick) + AKG C480B/CK61 > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [41:49]
01. Restore & Slip
02. untitled
03. To the Edges
04. Gongs
05. Gravity’s Wake

Band:
Jamie Fennelly
Janet Beveridge Bean
Jim Becker
Jon Mueller

• Website
• • Buy Undying Color and other Mind Over Mirrors recordings via Bandcamp 

Chris Forsyth & The Solar Motel Band: May 28, 2016 Union Pool

June 7, 2016
By

Chris Forsyth & The Solar Motel Band

Chris Forsyth and his Solar Motel gang just finished up a tour with the Pacific Northwest’s monsters of psych, Heron Oblivion, and the NYC area was blessed with two stops, first at Jersey City’s WFMU Monty Hall and the second at Union Pool. Naturally, we were there at Union Pool to capture their performances (including openers and fellow Philadelphians Spacin’ which we’ll have up soon). Forsyth’s set gives us a lot to chew on: an extended, exploratory rendition of “The First Ten Minutes of Cocksucker Blues” and some of his finest vocals yet on “The Rarity of Experience, Parts 1-2.” In the group’s tradition of bringing covers out on the road—we’ve previously caught a couple renditions of “The Calvary Cross” and most recently the Dead’s “Cold Rain and Snow”—this tour saw a relentless version of The Dream Syndicate’s “The Days of Wine and Roses.” Rounding things out is the ponderous “Harmonious Dance,” ending things on the quiet side before Heron Oblivion stormed the stage. Forsyth & Co. will be back in town for another superb bill with Oneida at the Knitting Factory. Buy your tickets early and often; we’ll see you there.

I recorded this set from our usual location in the venue, with a board feed from FOH Leah. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Chris Forsyth & The Solar Motel Band
2016-05-28
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:32]
01. The First Ten Minutes of Cocksucker Blues
02. The Rarity of Experience, Parts 1-2
03. The Days of Wine and Roses [The Dream Syndicate]
04. Harmonious Dance

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Nathan Bowles: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 5, 2016
By

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[photo courtesy of Eric PH]

Nathan Bowles has made in appearance in all kinds of bands connected to Three Lobed Recordings in one way or another, from Pelt to the Black Twig Pickers to Hiss Golden Messenger to Steve Gunn‘s band to his own fine work. And that’s not even solely as a banjo player, either; Bowles is an accomplished drummer, as his work with Gunn in particular has shown. As essential as he has been to the greater Three Lobed family, it was of course an honor to have him for the label’s sixteenth birthday party.

Originally slated to be a bit of a reprise of his 2014 duo performance with Daniel Bachman here at King’s in Raleigh, NC, this set ended up being a special kind of Bowles solo show, as he tried out some new material slated to appear on his forthcoming album on Paradise of Bachelors. The thirteen-minute “I Miss My Dog,” which Bowles recently performed at Pickathon, is as powerful a statement as he has made musically, and furthers the notion that his command of this instrument is not about some kind of “revival” but rather a true evolution. You have only to listen to the short and sweet “Burnt Ends Rag” that came after it to understand what a talent Bowles is, and why we’ll be so fortunate to see him in so many different settings in the years to come.

I recorded this set in the same manner as the other recordings of the day, with a soundboard feed from engineer Justin Perrachon and a combination of onstage and audience mics. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the set (minus banter tracks):

Nathan Bowles
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Words Spoken Aloud
03 [tuning/banter]
04 I Miss My Dog
05 [banter2]
06 Burnt Ends Rag

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

Mind Over Mirrors: March 17, 2016 Littlefield

April 14, 2016
By

Mind Over Mirrors
[Photos from Le Poisson Rouge by PSquared Photography]

If you saw Tortoise on their most recent tour, I hope you got there early to see the awesome Mind Over Mirrors—a.k.a. Jaime Fennelly and his Indian pedal harmonium. We first saw Mind Over Mirrors back in February 2015 at Union Pool, when Fennelly was collaborating with Haley Fohr adding her distinct vocals to the project. This time around, Mind Over Mirrors is a solo outing, the harmonium combined with sequencers, synthesizers, oscillators, and other sorts of gadgetry. But despite all the electronics, Mind Over Mirrors’ sound is strikingly organic, owing to the harmonium’s unique intonation. This set from last month at Littlefield builds and evolves over nearly thirty minutes, starting off as a quiet drone that morphs into an intricate, whirling piece with overlapping rhythms. Fennelly has been working on new material for a future Paradise of Bachelors release and this set hints at great things to come.

I recorded this set in the same manner as the Tortoise set from the same night. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Mind Over Mirrors
2016-03-17
Littlefield
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (ROC, FOB, PAS) > Roland R-26 > WAV (24/48) > Adobe Audition CC (normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither) > FLAC (16/44.1, level 8)

01. Live at Littlefield [27:44]

Support Mind Over Mirrors: WebsiteBandcamp | Buy The Voice Calling from Immune Recordings

Nap Eyes: March 9, 2016 Union Pool

March 22, 2016
By

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Nap Eyes, of Halifax, Nova Scotia, occupy a bit of a time warp. Listen to Thought Rock Fish Scale, their fantastic new record on Paradise of Bachelors, without knowing what you’re hearing and you might believe you were hearing mid-70s Californians raised on Lou Reed, combining laid-back rhythms with a conversational, wry delivery. Frontman Nigel Chapman has the effect of sounding like someone you’ve heard a thousand times, but haven’t quite heard before. Beneath the winsome surface, Nap Eyes have a lot going on, including Chapman’s lyrics, which swing from the confessional to the bizarre. Not that it matters much in the live setting, where we caught the band’s sold-out show at Union Pool last week. The band showed off tunes from both Thought Rock and their recently-reissued debut, Whine of the Mystic, as well as one brand-new song that shows the same level of promise as the two recent offerings. Combined with the guys’ good-natured banter (even a parent was in attendance), the show gave you the sense that the positive press surrounding this band is well-earned, a sign of their low-key appeal and their ability to casually surprise.

I recorded this set with Schoeps MK5 cardiod microphones from our usual spot in the balcony, combined with a soundboard feed from Union Pool engineer Robert. There are two flaws: the level of the vocals fluctuates a bit halfway through, and the house music isn’t totally faded out for about half of the first song. With those two caveats, the sound quality overall is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Nap Eyes
2016-03-09
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (A-B, DFC, at SBD) + Soundboard (engineer: Robert)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Mixer
02 Roll It
03 Dark Creedence
04 [new song 1]
05 Stargazer
06 Tribal Thoughts
07 Click Clack
08 No Fear of Hellfire

Support Nap Eyes: visit their bandcamp page, and buy their records from Paradise of Bachelors.

Jake Xerxes Fussell: September 10, 2015 Hopscotch Music Festival (Raleigh, NC)

October 28, 2015
By

hopscotch-festival-2015-15-kennethbachor
[photos courtesy of Kenneth Bachor for BrooklynVegan]

Jake Xerxes Fussell occupies a slightly different niche among his contemporary folk counterparts. Rather than reinterpreting old traditions into new sounds,  Fussell is more of an archivist and explorer, one who gives listeners a window into the original experience of the tunes being played. The Durham, NC-based singer appeared on the very Durham-friendly bill on the first night of Hopscotch Music Festival at the Fletcher Opera Theater, one slot before Phil Cook took the stage (that recording here). Fussell isn’t some latecomer or dilettante to the Southern material that’s on his mind; much like Alan Lomax followed in the footsteps of his father John, Fussell grew up with Fred C. Fussell, a folklorist whose work took him, and often young Jake, across the South, bringing them into contact with many traditional musicians in the process.

Paradise of Bachelors just releases Fussell’s debut record this year, produced by William Tyler, and as you’d expect, this set paid some attention to it. But there was more than that, too, owing to Fussell’s encyclopedic knowledge of the pool from which he draws, which one album can hardly contain. So we got versions of “Man At the Mill” and “Push Boat” from the album, we we also heard some classic Pete Seeger, in the form of “The Bells of Rhymney” and Virginian folk singer Helen Cockram’s “Pinnacle Mountain Silver Mine.” Fussell didn’t need much in the way of flash to get his point across, as he sat along on the broad semicircular stage in front of Cook’s ample stage set. It felt more like a fireside sing-a-long, as given by the kind of music professor you always wished you could’ve had.

Our friend Larry Tucker recorded this set with a soundboard feed together with Peluso subcardiod microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jake Xerxes Fussell
2015-09-10
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Larry Tucker
Produced by acidjack

Soundboard>PCM-M10 + Peluso CEMC6-CK21 (subcardiod) (Room center hung from balcony rail)>Fostex FR2-LE>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 If I Lose Let Me Loose [John Lee Ziegler] (cuts in)
02 The Bells of Rhymney [Pete Seeger]
03 Pinnacle Mountain Silver Mine [Helen Cockram]
04 Man At the Mill [traditional]
05 Push Boat [traditional]
06 Jump For Joy [Duke Ellington]
07 Raggy Levy [Georgia Sea Island Singers]
08 Copper Kettle [Albert Frank Beddoe]
09 Pork and Beans [Rosa Lee Hill]

If you enjoyed this recording, PLEASE SUPPORT Jake Xerxes Fussell, like him on Facebook, and buy his debut album from Paradise of Bachelors.

Steve Gunn: April 1, 2015 Baby’s All Right – FLAC/MP3/Streaming

April 5, 2015
By

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Steve Gunn is having a blockbuster spring, having signed recently to Matador Records, and announcing that he’ll be joining Wilco on their spring tour. Gunn’s music has been one of building slowly but methodically as he nurtured different aspects of his talent, from his early solo work, to his partnership with John Truscinski on two outstanding records, to his second solo phase represented by Time Off and Way Out Weather, two fine records that have launched him onto the bigger stages he deserves. This show at Baby’s All Right represented the end of Steve’s recent tour with the “Way Out Band” comprised of site favorite Nathan Bowles on drums, Jason Meagher on bass, and Paul Sukeena on guitar, and it may be the last proper club show for Gunn for a while.

While Steve’s tours have been increasingly turning up newcomers, there to see what the buzz is about, this show was all about the hometown crowd, with the front rows lined with Steve’s personal friends and musical associates, alternating love and tipsy-but-gentle heckling. The set reflected the mood, with the band serving up long-form, loose versions of Time Off and Way Out Weather regulars. “Old Strange” set the tone, with its hypnotic opening riff, and the songs that joined it kept up its feel, with Gunn and Sukeena trading guitar lines while Bowles and Meagher kept the beat. If the slightly different band (trading Sukeena for Jim Elkington) at the 2014 Rough Trade show felt like a band growing into itself, this one was that almost-same group spreading its wings, even more road-confident than when they returned to the area back then. “Street Keeper” was a new addition I hadn’t heard at recent NY shows, making this a winner setlist- as as well as performance-wise.

You can catch Steve Gunn this spring with Wilco; please show up early and make him feel welcome in those large arenas!

Kevin Mazzarelli mixed this live set and recorded various tracks to Pro Tools; I mixed and mastered them. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set and download individual tracks:

Steve Gunn
2015-04-01
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live engineered by Kevin Mazzarelli
Produced by acidjack

6 digital soundboard tracks + Audio Technica 4051>Pro Tools>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, hard limiter, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total time: 57:14]
01 Old Strange
02 Water Wheel
03 [banter]
04 Wildwood
05 [banter2]
06 Milly’s Garden
07 [banter3]
08 Street Keeper
09 [banter4]
10 Way Out Weather
11 Tommy’s Congo

Band:
Steve Gunn – vocals, guitar
Paul Sukeena – guitar
Jason Meagher – bass
Nathan Bowles – drums

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and buy his albums, all of which have “buy” links here.

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Nathan Bowles: February 12, 2015 Union Pool and January 31, 2015 Silent Barn – FLAC/MP3/Streaming

February 22, 2015
By

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An canny, skilled and unpretentious kind of player, Nathan Bowles is nonetheless important not because of how he plays, but what he plays. There’s no shortage of banjo music circulating these days — the jam-band scene is filled with bands playing their own pabulum and covering the classic rock hits with the instrument, using it to deliver a little authenticity from the extra twang. Bowles’ career is the exact opposite of all of that — not only does he bring a new style and sound to Appalachian music, but he has an intrinsic knowledge of what a worthy song is, whatever its era.

First as a member of legendary Pelt, the multi-instrumentalist helped to make drone-based music that changed the conversation about what “folk” could be. With the Black Twig Pickers, he and his bandmates have gone deep into American history, both excavating and elevating lost and under-appreciated old-time music. Fitting, then, that his solo work, in particular 2014’s Nansemond, does some of both, giving us traditional Appalachian and Piedmont string music that’s infused with the sound and spirit of the modern avant-garde. Though “solo” in name, Nansemond is a full-band effort, allowing Bowles to produce tunes like the album’s bookends, “Sleepy Lake Bike Club” and “Sleepy Lake Tire Swing” that weave rich guitar textures around his virtuosic banjo work.

These sets at Union Pool and Silent Barn were true solo affairs, with Bowles the support act for Joan Shelley and Elisa Ambrogio, respectively. In front of two crowds that couldn’t have been more different, Bowles performed sets that delivered the full range of what’s meaningful about Nansemond. Both were all-Nansemond affairs that included the “Sleepy Lake” pieces and his straightforward medley of “Jonah and the Whale” and “Poor Liza Jane”. At Union Pool we got “Moonshine Is the Sunshine”, closer to the former numbers in tone, while at Silent Barn, Bowles added something more experimental to the reportoire, with Chuckatuck”, a song in which Tom Carter’s guitar work figures prominently on the record. You could’ve heard a pin drop among the Union Pool crowd, who Nathan thanked, almost baffled, for how respectful they were. If playing for the younger crowd at Silent Barn — who’d already been treated to a couple of punk bands — represented an uphill climb, Bowles didn’t show it; if anything, the spare arrangement of “Chuckatuck”, extended by three minutes versus the album version, ought to go down as one of that song’s best takes.

The Union Pool set was recorded with a soundboard feed from the house engineer Rob together with my Schoeps MK41 supercardiod microphones, while Eric PH recorded the Silent Barn gig with a straight soundboard feed from the engineer Mike, with only a tiny amount of his AKG 480 cardiods mixed in.

Download the Union Pool show [FLAC] | [MP3]

Download the Silent Barn show [FLAC] | [MP3]

Stream the Union Pool show:

Stream the Silent Barn show:

Nathan Bowles
2015-02-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Rob) + Schoeps MK41 (PAS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, compression, mix down)>Izotope Ozone 5 (effects, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sleepy Lake Bike Club
03 [banter1]
04 Moonshine is the Sunshine [Jeffrey Cain]
05 [banter2]
06 Jonah and the Whale [traditional] / folk medley
07 [banter3]
08 Sleepy Lake Tire Swing
____________________________________________________

Nathan Bowles
2015-01-31
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Mike) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [45:13]
01. Sleepy Lake Bike Club
02. [banter/tuning]
03. Jonah/Poor Liza Jane
04. [banter/tuning]
05. Sleepy Lake Tire Swing
06. [banter/tuning]
07. Chuckatuck

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

nathanbowles2015-01-31silentbarn

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