Posts Tagged ‘ schoeps mk22 ’

Long Hots: September 8, 2017 Three Lobed Records/WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 15, 2017
By

I can’t even give you a link to Long Hots on the Internet, because there ain’t one. But maybe you’ve heard of such bands as Rosali, Hothead, and Spacin‘. Ah, right, now you get the idea. So named for a kind of hot pepper, I assure that this band is prepared to bring the fire. My now-annual journey to the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree is never complete without a total surprise, and seeing “Philadelphia’s most anticipated band” playing their third-ever show was certainly one of them. These women didn’t spend a long time onstage, but they used their fifteen minutes well, handing us two doses of feral guitar shredding and general disrespect for the integrity of our eardrums. This band played their fourth show, the following night, with Purling Hiss, so if you didn’t figure out the RIYL on this one, I can’t help you. Head over to bandcamp, throw these powerful women some love, and make sure some more Long Hots is in your future.

I recorded this set with a combination of onstage Schoeps MK4V microphones and several soundboard channels from house engineer Evan Lamb. The sound quality is excellent. Enjoy!

Long Hots
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>Z-PFA>>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 They Do What We Want
02 One Chip Over the Line

SUPPORT THESE MUSICIANS: Rosali | Spacin‘ | Hothead

Sunburned Hand of the Man: August 28, 2017 Rough Trade NYC

September 12, 2017
By

Sunburned Hand of the Man are such a disparate psychedelic force (with over 100 releases to their name) that you can’t ever guarantee what’s going to come out of them. For this set, we got a ten-person band on the stage of Rough Trade NYC to play a four-part improvisation that the band referred to as the “Blizzard of Zoz.” Compared to some of the sets we served up to you last year, the “Blizzard of Zoz” was a bit more of a groove-driven affair, expanding over 42 mind-melting minutes from a low drone into a tight groove, then heading into freakout territory. Don’t worry, these sets were plenty noisy, too. The intensity of the proceedings was maximized by the Mad Alchemy liquid light show going on behind the band, which absorbed us all through the end.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a soundboard feed from Noel Ford, engineer of Dinosaur Jr. and several other bands. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Sunburned Hand of the Man
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Noel Ford)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC (align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Blizzard of Zoz Pt 1
02 Blizzard of Zoz Pt 2
03 Blizzard of Zoz Pt 3
04 Blizzard of Zoz Pt 4

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Doug Tuttle: August 28, 2017 Rough Trade NYC

August 31, 2017
By

Doug Tuttle, originally known as a member of the New Hampshire psych voyagers MMOSS, is now three albums deep into his journey as a solo artist. What he has proven across those three records, including his latest, Peace Potato, is how adept he is with melodic songcraft, with Chilton-esque hooks and an acid-washed, classic sound that matches his multilayered vocals perfectly. What this live show at Rough Trade NYC established, though, was that Tuttle remains a serious instrumentalist, capable of leading those earworm hooks into florid, all-out jams. Adding to the inspiration on this night was the truly incredible liquid light show courtesy of Mad Alchemy, whose work set the perfect generational and visual tone for what was going on onstage. If one had to pick some highlights from the night, my votes would go to a snappy version of “Bait the Sun” from Peace Potato, “Lasting Away” from Doug’s self-titled first album, and the night’s mind-bending conclusion, as “Turn This Love” segued into a twelve-minute untitled jam that was both the set’s most cosmic of all.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a feed of engineer Dustin Myers’ house mix. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC] | [MP3]

Doug Tuttle
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Dustin Myers)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC
(align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks [Total Time: 1:24:31]
01 A Place for You
02 Leave Your Body
03 Where You Plant Your Love… Is Where It Grows
04 Time Will Show the Wiser
05 E Kraut
06 [tuning]
07 Bait the Sun
08 Can It Be
09 All You See
10 Lasting Away
11 Falling to Believe
12 C Firebrand Jam
13 [tuning2]
14 It Calls On Me
15 Saturday-Sunday
16 Painted Eye
17 Turn This Love>
18 jam

SUPPORT Doug Tuttle: like him on facebook and buy his records directly from Trouble In Mind or, head on over to his bandcamp

Tyvek: August 26, 2017 Union Pool (Summer Thunder)

August 27, 2017
By

Tyvek took an uncharacteristically long break from recording between 2012’s On Triple Beams and last year’s Origin of What, but of course it was worth the wait. If you haven’t picked that one up yet, here’s your official reminder. It’s more of the raw energy you’ve come to expect from Tyvek, whose live performances also haven’t slowed down a bit in the last ten-plus years since “Frustration Rock” made them the biggest little punk band from Detroit. Tyvek is literally the most fun you can have watching a band do their thing, but throw in a mid-70s August day in Union Pool’s backyard and you’re in rock and roll heaven. Tyvek and the packed crowd sent off 2017’s Summer Thunder series in the finest form.

I recorded this set with acidjack’s Schoeps MK22’s set up right in front of the band, combined with a board feed from our man, Doug. The sound is raw—turn this one up for full effect!

Download: [MP3/FLAC]

Tyvek
2017-08-26
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + Schoeps MK22 (ORTF, OS) > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [31:59]
01. Tip to Tail
02. Real Estate & Finance
03. Can’t Exist
04. Girl on a Bicycle
05. Choose Once
06. Gridlock
07. Underwater Too
08. Frustration Rock >
09. Origin of What
10. Wayne County Roads
11. Give It Up

FacebookBuy Tyvek records from In the Red

The Dead C: September 20, 2016 First Unitarian Congregational Society

September 25, 2016
By

The Dead C
[Photo via]

Do The Dead C need any introduction? The band’s status among devotees of noise and Kiwi rock is near mythological. And their long absence from performing in the U.S. has confounded younger listeners who might have discovered the band in the mid-aughts when Ba Da Bing issued the compilation Vain, Erudite, and Stupid and then started reissuing long-out-of-print classics like DR503 and Eusa Kills. This year saw the release of Trouble, comprised of five twitching, droning, and pummeling tracks that thwart any attempt at dissection or categorization. Having long abandoned any semblance of traditional song structure in favor of visceral, blown-eardrum improvisation resembling the band’s most famed track “Driver UFO,” Trouble might yet be The Dead C’s rock opus. So to say the anticipation for their brief September tour (hitting only Brooklyn, Philadelphia, Louisville’s Cropped Out Festival, and Los Angeles) was high would be to massively understate it. Despite the absence of drummer Robbie Yeats, who unfortunately was unable to make the tour, this hour-plus set from Michael Morley and Bruce Russell is a tribute to the band’s endurance. Backed with crashing and ebbing prerecorded drum tracks from Yeats, the duo stretch the bounds of guitar-based music, resulting in a performance that is utterly and uniquely The Dead C.

Acidjack and I recorded this from a central location in the church, combined with a board feed from the engineer Gus. The sound is outstanding; the performance extraordinary. Enjoy!

Download the complete show: [FLAC] [MP3]

Stream the complete show:

The Dead C
2016-09-20
First Unitarian Congregational Society
Brooklyn, NY USA

Recorded by acidjack and Eric PH
Produced by acidjack

Soundboard (engineer: Gus) + Schoeps MK22 (FOB, DFC, PAS)>KCY>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>xAct 2.36 (tags, encode)>FLAC ( level 8 )

Tracks
01 improvisation

Buy Trouble and other Dead C releases via Ba Da Bing/Grapefruit
• • Buy Harsh 70s Reality via Siltbreeze

Enemy Waves: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

August 30, 2016
By

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It’s a rarer and rarer thing these days to discover a truly local phenomenon, especially in rock(ish) music, where even if a band doesn’t tour nationwide, their music can become the province of bloggers in Sydney and Tokyo even if their music is made in a basement in Anaheim. Well, Enemy Waves remain, for the most part, such a phenomenon, a band whose experimental prowess and musical bona fides haven’t yet overcome the fact that, to put it bluntly, these guys have a few other things going on in life. When we saw these guys do the Hopscotch Music Festival in 2014, we were blown away; the addition of Thurston Moore was an easy bonus.

This show featured a couple of songs from the Hopscotch outing, plus a couple of new numbers. Once again, the band showed how adept they are at improvisation, one of many reasons why they belonged at the Threelobed Sweet Sixteen Spectacular (other sets here). While the band’s recorded output remains minimal to date, hopefully a set like this is an invitation for people to encourage them to do more (maybe even on Three Lobed(?)). As with everything that went on during this day-long extravaganza, this set was special, in this case, as a fairly rare chance to catch a band whose name should be (much) more widely known.

I recorded this set in the same manner as the other sets of the day, with multiple soundboard channels, Schoeps MK22 microphones onstage, and MBHO cardiod microphones in the crowd. The sound quality is excellent. Enjoy!

Download the complete show: [FLAC/MP3/ALAC]

Stream the complete show: 

Enemy Waves
2016-03-26
Three Lobed Sweet Sixteen Spectacular
Kingís
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro-Cory Rayborn]
02 Bleechie
03 [unknown1]
04 [unknown2]
05 [banter/tuning]
06 Radiant III

If you enjoyed this recording, please support Enemy Waves by visiting their bandcamp page.

Eleven Twenty Nine: July 23, 2016 Trans-Pecos

August 15, 2016
By

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The beautiful thing about seeing a Tom Carter-related project is you never quite know what you’re going to get, but you know it will be transportive. It could be anything from his trio set with Chris Corsano and Carter Thornton late last year, to his ambient/drone work with Barry Weisblat, to one of his haunting solo guitar sets — whatever you see, you will be glad you did. On this night, we saw one of Carter’s best-loved projects, Eleven Twenty Nine, originally a collaboration with fellow guitarist Marc Orleans which has yielded an impressive album on Northern Spy Records and a followup on Drawing Room Records.

For this special performance at Trans-Pecos, Carter and Orleans were joined by Jimy SeiTang on bass and Rob Smith on drums, both of whom have seen time in our favorites Rhyton. The set consisted of three distinct improvisational pieces, each a rich, engaging tapestry of sound that blended the aesthetics of rock, free jazz and ambient music in the way for which these players have become known. What is an undulating, complex beast of a song, composed improvisationally out of many disciplines becomes a transcendent whole. Witness, for example, the climactic guitar at the end of the first piece, or the subtle, searching quality to the beginning of the last. You can certainly enjoy hearing it happen on a recording, but seeing these guys do their thing live is without parallel.

I recorded this set with Schoeps MK22 microphones up front, Naiant X-X microphones onstage, and a soundboard feed. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show

Eleven Twenty-Nine
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (FOB, ROC)>KCY>Z-PFA + Soundboard + Naiant X-X (3’ split, onstage)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Track
01 Improvisation 1
02 Improvisation 2
03 Improvisation 3

Musicians
Tom Carter – Guitar
Marc Orleans – Guitar
Jimy SeiTang – Bass
Rob Smith – Drums

Support Eleven Twenty Nine: Facebook | Northern Spy | Drawing Room

Hans Chew: July 23, 2016 Trans-Pecos

July 27, 2016
By

IMG_0888

We’ve been following Hans Chew for a while now, since he first played our CMJ show in 2012. Back then, Hans spent the set behind the piano, playing his boogie-driven tunes like modern madcap Jerry Lee Lewis. By the time Hans showed up for this Trans-Pecos show in 2016, he was preparing to release a stellar new album, Unknown Sire, with our friends Divide By Zero records. But when we talked to Hans before this show, he explained to us that he had been so motivated by reading a recent biography of Neil Young that he decided to take an entirely different approach this time — and that for this show, he had an entire new album to draw from. As a result, Hans played the role of guitar lead this time, and he shared three new jams that take clear inspiration from Young’s most daring guitar efforts. As he led off with the sprawling “Cruikshanks,” we could tell this was a very different Hans Chew indeed, one who reveled in extended guitar solos and longer narratives. If any of the three songs fit most closely with Chew’s previous efforts, it was probably the upbeat, honky-tonk inspired “Open Sea,” which itself clocked in at over six minutes, and led into “Freely,” which began as a midtempo rocker before exploding into a fiery solo at the end. Though we’re thrilled for the upcoming record, one has to hope this latest material doesn’t have to sit in the hopper for too long, either.

I recorded this set with Schoeps MK22 microphones close to the stage, Naiant X-X omnis split wide on stage, and a soundboard feed. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Hans Chew
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (FOB, ROC)>KCY>Z-PFA + Soundboard + Naiant X-X (3’ split, onstage)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Cruikshanks
02 Open Sea
03 Freely

Band:
Hans Chew – Vocals, Guitar
Dave Cavallo – Guitar
Rob Smith – Drums
Jimy SeiTang – Bass

Support Hans Chew: Website | Facebook | Divide By Zero Records

Horse Lords: July 23, 2016 Trans-Pecos

July 26, 2016
By

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For most of its nearly ten-year history, this website has been a collaboration, reflecting the individual tastes and contributions of those who contribute to it. In the past two years, it’s hard to overstate the contribution that Eric PH has made to the team, introducing not only a number of great recordings, but a slew of new bands to the mix. Horse Lords, of Baltimore, are one of his very best finds, and since he first saw them in 2015, we’ve been hoping to do something with them directly. The band headlined a stacked bill this past Saturday at Trans-Pecos, which felt like a welcome, air-conditioned respite from the steaming heat outside. But more important than the change in temperature was the change in perspective, as each of the forward-thinking acts on the bill reminded us of how powerful experimental music can be. While too many bands of their ilk toil in obscurity, Horse Lords have received their due of late, in the form of stellar reviews for their latest album, Interventions (released by NYC label Northern Spy). 

The band’s heady combination of guitar, bass, drums, and at-times keys, sax, and second percussion isn’t the easiest to describe; it has a tinge of desert blues to it, the controlled chaos of free jazz, the music-school time shifts of math rock and the propulsiveness of, well, rock. The band brought all of that complexity to the stage and didn’t miss a beat, holding our attention through the latest album’s first single, “Truthers” straight through to the album’s centerpiece, “Toward the Omega Point,” at the end. As Eric PH pointed out in his review of the 2015 show, the band members know how to fill the spaces in the music when they need to, but also know when to leave some open air. We were floored by the band’s musicianship, their control, and their ability to craft a setlist that hung together through a diverse range of sounds. For anyone who cares about where music is going next, be sure to put Horse Lords on your list of things to see.

I recorded this set with a set of Schoeps MK22 open cardioids near the front of the room, a pair of Naiant X-X omnis split onstage, and a soundboard feed from the night’s engineer. The sound quality is phenomenal. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Horse Lords
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (FOB, ROC)>KCY>Z-PFA + Soundboard + Naiant X-X (3’ split, onstage)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Truthers
02 Intervention III
03 Bending to the Lash
04 Untitled
05 Toward the Omega Point

Please support Horse Lords: Facebook | Bandcamp | Tumblr

Dead and Company: July 3, 2016 Boulder CO

July 6, 2016
By

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[photo by hiandlo]

It was exactly a year ago when all of the surviving members of the Grateful Dead played their last shows together in Chicago. “Fare Thee Well” was a goodbye of sorts, but it certainly wasn’t the end of their careers or the end of the music. Later that year, the formation of “Dead and Company” brought together Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart with pop star John Mayer. The combination appeared odd at first, but Mayer seems to have dedicated himself to not only learning the material but adapting to the ebb and flow of a traditional Dead show. The band’s second full tour came through Colorado on Saturday and NYCTaper veteran hiandlo was out in the region on vacation and caught the show.

Our readers who have followed our coverage of various “post-Dead” bands know that we have two pet peeves among the various good and bad aspects of these bands — we can’t stand the mindless aping of Jerry Garcia’s style by various guitarists employed to fill his shoes, and cringe at the simply unlistenable vocals of Phil Lesh. Fortunately, Dead and Company have neither of those two issues. John Mayer’s guitar playing borrows heavily from classic rock and blues oeuvres, but it has always been his own. Mayer isn’t copying Garcia when he plays Dead songs, he’s placing his own stamp on the music and that makes all the difference.  And vocally, although Bob Weir has aged quite a bit, the combination of his still-formidable vocals with Mayer and keyboardist Jeff Chimenti provides Dead and Company with solid singing that never reaches the cringworthiness of Lesh.

At this Boulder show, the band got off to a slow start, literally. Weir’s pacing is still painfully behind, so that “Stranger” was at times like playing a 45 record at 33. But fortunately the band kept it up after that and the tempo was never really an issue after the opener. The first set highlights included a sweet “Bird Song” with shared vocals, and Mayer’s take on “Speedway”, which allowed his blues roots to shine. The second set’s highlight was a really quite moving version of “He’s Gone” with “Smokestack” sandwiched in the middle. And although the band did offer a fairly truncated “Dark Star” out of “Space”, there were some out-there moments that made the trip worthwhile — reminding us that while this current incarnation isn’t ever going to be the Grateful Dead, Dead and Company is serving the music well and keeping the spirit alive.

Dead and Company continue to tour throughout this month, dates here.

hiandlo recorded this set from a prime front of board location with the “open card” Schoeps caps and the sound quality is simply superb. Enjoy!

Download the Complete Show in FLAC or MP3 at Archive.org [HERE]

Stream the Complete Show:

Dead And Company
2016-07-03
Folsom Field
Boulder CO

Digital Audience Master
Recorded FOB Dead Center

Schoeps MK22 (STC-22) > KC5 > CMC6 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by hiandlo
Produced by nyctaper

Set 1
[Total Time 1:08:20]
01 Feel Like A Stranger
02 Next Time You See Me
03 Samson and Delilah
04 West LA Fadeaway
05 Bird Song
06 New Speedway Boogie

Set 2
[Total Time 1:43:53]
07 China Cat Sunflower
08 I Know You Rider
09 He’s Gone
10 Smokestack Lightning
11 He’s Gone Reprise
12 Let It Grow
13 Drums – Space
14 Dark Star
15 Morning Dew
16 [encore break]
17 Brokedown Palace
18 US Blues

Support Dead and Company: Website | Merch | Grateful Dead Music

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