Posts Tagged ‘ schoeps mk22 ’

Hiss Golden Messenger: December 8, 2017 The Bowery Ballroom

December 12, 2017
By


Hiss Golden Messenger’s second night at The Bowery Ballroom not only picked up where the first two-hour show left off, but gathered steam. If the first night–in front of a slew of friends and local musicians–felt like a more intimate, freewheeling affair, this show situated the current version of the band as the confident rock n’ roll outfit they are, playing about fifty percent different material from the first show, improving on several of the repeats, and delivering crowd-pleasing covers that are red meat to a weekend crowd. After opening with the contemplative “When the Wall Comes Down” from Hallelujah Anyhow, the tempo picked up and stayed hot through the first hour. I was moved by this version of “Blue Country Mystic,” which hewed closer in tempo and style to the Poor Moon original than some of the recent versions I’ve seen, and likewise, the “Red Rose Nantahala” we saw both tonight and the night before felt closer to the version from Haw than some of the recent versions we’ve heard. The new songs haven’t given the band as many chances at new arrangements, but it’s safe to say that “Like A Mirror Loves A Hammer,” shows great potential as a mid-set jam song.

After a heartfelt mid-set version of “Caledonia, My Love” — introduced by Phil Cook as his favorite HGM song — it was back to the rock, with the band letting loose with a fine cover of “I Won’t Back Down” followed by “Lost Out In the Darkness” and the party jam “I’m A Raven (Shake Children).” This is a band that knows their crowd, and the upbeat rockers matched the mood in the room, as the weekend warriors and the repeat customers from last night both had come ready to celebrate the weekend and the band’s success. Instead of last night’s heartfelt retelling of the band’s origin story, we got some hilarious riffs about the band’s long night out last night, including an encounter with some pretzel chips. But if they were physically running on fumes, HGM didn’t show it. If anything, I found most versions of what they played even sharper and more emphatic than the previous show. In lieu of an encore break, the band accepted some pretzel chips from a fan and passed them around the crowd, ending the night with Pops Staples’ “Friendship” followed by “Drum.” This wasn’t quite the end of HGM year — they headed to Philly the following night, and D.C. after that — but it felt valedictory nonetheless, an exclamation point on a year well spent.

I recorded this set in the same manner as the previous night, with a soundboard feed from the band’s engineer Tim and Schoeps MK22 microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Hiss Golden Messenger
2017-12-08
The Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Tim)>Sound Devices MixPre 6>24/48 WAV>Adobe Audition CC (align, mix down, limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify)>FLAC ( level 8 )

Tracks [Total Time 2:02:30]
01 When the Wall Comes Down
02 Saturday’s Song
03 Jenny of the Roses
04 [banter1]
05 Biloxi
06 Gulfport You’ve Been On My Mind
07 Blue Country Mystic
08 Mahogany Dread
09 Don’t Let Me Down [Beatles]
10 Like A Mirror Loves A Hammer
11 Red Rose Nantahala
12 [banter2]
13 Highland Grace
14 [banter3]
15 Caledonia, My Love
16 Domino
17 I Won’t Back Down [Tom Petty]
18 Lost Out In the Darkness
19 I’m A Raven (Shake Children)
20 I Am the Song
21 [banter4-band intros]
22 Southern Grammar
23 [banter5]
24 John the Gun
25 [pretzel break]
26 Friendship [Pops Staples]
27 Drum

Band:
M.C. Taylor – vocals, guitar
Phil Cook – keyboards, harmonica
Mike Lewis – saxophone
Skylar Gudasz – vocals
James Wallace – organ, percussion
Ryan Gustafson – guitar
Michael Libramento – bass
Darren Jesse – drums

PLEASE SUPPORT Hiss Golden Messenger: WebsiteTwitter | Buy Hallelujah Anyhow

Hiss Golden Messenger: December 7, 2017 The Bowery Ballroom

December 10, 2017
By

Children are essential to the origin story of Hiss Golden Messenger, and they’ve been a recurring theme in Mike “M.C.” Taylor’s songs since the beginning. Taylor introduced “Drum” on this night by telling the story in full, of a loser (his words) washed up from music, left out of life, sitting in a cabin next to a newborn, wondering about the future. Contemplating his life as he sat next to his newborn son Elijah, Taylor started to make music again. For him that child wasn’t just a literal birth; it was his personal rebirth, too. It was there that he wrote my favorite of all his songs, “Call Him Daylight,” which tackles the ambiguity of forces greater than us (some would view that as “God,” though I don’t think you have to). To that entity he says at one point, “Some call you destroyer, some Daylight.” It’s a fundamental paradox of many world religions — you’re asked to revere god as your creator, but also your ultimate destroyer. Which kept me thinking about children, and this band’s particular choices in 2017.

The righteous anger of musicians (not to mention the rest of us) toward the current regime is hardly news at this point, and it’s been reflected in many, many albums this year. If you follow the man on Twitter, you might expect the same from Taylor. But the latest Hiss Golden Messenger album does perhaps the braver thing, certainly the rarer thing. It’s announced by the title, Hallelujah Anyhow. A child who wakes up alive for the first time tomorrow here in America won’t know the name of anyone in the current administration, won’t harbor rage toward the rich or the indecent or the greedy, won’t know about hate, won’t worry about global warming, won’t fear misogyny or racism, won’t know war. In a child’s eyes the world is all beauty. In a child’s eyes this world is all they’ve known.

Taylor and a stacked band of Triangle locals (Phil Cook, Skylar Gudasz, Darren Jesse, Ryan Gustafson, Mike Lewis, James Wallace, Michael Libramento) brought that ethos to the Bowery Ballroom for this first of two nights, giving us two hours of inclusive, upbeat Hallelujah songs as well as a well-chosen selection of favorites. The past two years have seen this band release not less than three complete albums — the band hit another high point with 2016’s Heart Like A Levee and companion album Vestapol — which has stacked the catalog with new material. If you missed the outstanding Music Hall of Williamsburg show the band did in 2016 (which I unfortunately did) this could well have been your first time hearing many of these songs live. It’s striking how cohesive the Merge-era, bigger-room-oriented material is with itself, but there’s also that constant thread that reaches all the way back to Bad Debt. Compare the two songs that Taylor played as a duo with Cook —  “Drum” (a very old one) and “Caledonia, My Love” (a new one) — and it’s clear that Taylor’s heart remains where it has been, in a purgatory between light and darkness. Each of those songs may have been an outlier on their respective albums, but side by side, they make sense.

Still, this was a positive night, a two-hour “evening with,” and there was plenty of party music to celebrate with, including the band’s semi-regular cover of Sam Cooke’s “Having A Party” and the main set closers “Domino” followed by the already-classic “Southern Grammar.” Having seen these songs performed many times now, by a variety of personnel, I’ve come to appreciate the variations in Taylor’s performances of his work. Songs, too, are a kind of offspring, an evolving gift to a wider world, and Taylor has continued to help these songs grow into new and different entities than what they were. Taylor’s restless tinkering with this music seems almost calculated to keep you in that state, able to see his music as brand-new even if you’ve seen him a dozen or more times before. If you’re lucky you’ll listen long enough that you find yourself, however briefly, like that open-hearted child again, able to say that simple word, hallelujah. You stand there inside the Bowery Ballroom, and it’s the holiday season, it’s New York City, and you’re alive. So hallelujah, anyhow.

I recorded this set with Schoeps MK22 open cardiod microphones mounted at the soundboard, with a feed of the PA mix from the band’s dapper sound engineer Tim. The sound quality is excellent. Enjoy!

Thanks, as always, to Mike Taylor and to Merge Records. 

Download the complete show: [MP3/FLAC/ALAC]

Hiss Golden Messenger
2017-12-07
The Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, ORTF)>KCY>Z-PFA + Soundboard (engineer: Tim)>Sound Devices MixPre 6>24/48 WAV>Adobe Audition CC (align, mix down, limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify)>FLAC ( level 8 )

Tracks
01 [intro]
02 Call Him Daylight
03 Biloxi
04 Jenny of the Roses
05 I Am the Song
06 Gulfport You’ve Been On My Mind
07 Say It Like You Mean It
08 Lost Out In the Darkness
09 Tell Her I’m Just Dancing
10 Red Rose Nantahala
11 Heart Like A Levee
12 [banter-the story of HGM]
13 Drum*
14 [banter2]
15 Caledonia, My Love*
16 I’ve Got A Name for the Newborn Child
17 Like A Mirror Loves A Hammer
18 I’m A Raven (Shake Children)
19 Lucia
20 Having A Party [Sam Cooke]
21 Harder Rain
22 Domino
23 [banter3–band intros]
24 Southern Grammar
25 [encore break]
26 Friendship [Pops Staples]

Band:
M.C. Taylor – vocals, guitar
Phil Cook – keyboards, harmonica
Mike Lewis – saxophone
Skylar Gudasz – vocals
James Wallace – organ, percussion
Ryan Gustafson – guitar
Michael Libramento – bass
Darren Jesse – drums

*M.C. Taylor/Phil Cook Duo

PLEASE SUPPORT Hiss Golden Messenger: WebsiteTwitter | Buy Hallelujah Anyhow

Jeremy Hyman: October 23, 2017 The Bowery Ballroom

November 20, 2017
By


[photo by Will Oliver and We All Want Someone blog]

When I saw that former Ponytail and Slasher Flicks drummer Jeremy Hyman was opening for Avey Tare at the Bowery Ballroom, I half expected to see a solo drum performance. Instead, we were treated to a twitchy, beat-heavy electronic performance with Hyman processing loops through a laptop. Though all the material he played is yet-to-be-released, it’s in the style of last year’s Couch EP released on Future Times, which finds the drummer exploring new compositional territory while still employing his knack for complex rhythms.

We recorded this set with the Schoeps mk22’s set up at our usual balcony location at Bowery, combined with a board feed from FOH Danielle. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Jeremy Hyman
2017-10-23
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for nyctaper.com
Photo by Will Oliver

Soundboard (engineer: Danielle) + Schoeps mk22 > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > xAct > FLAC (24/48, level 8)

Tracks [30:12]
01. Cut
02. 10000pcpuzzle
03. Mirror
04. Shade
05. Day

Buy the Couch EP via Bandcamp

Geologist: October 23, 2017 The Bowery Ballroom

November 2, 2017
By


[photo by Will Oliver and We All Want Someone blog]

With the blinding headlamp and a sea of electronics serving to obscure exactly what it is he’s doing, Geologist is the most elusive member of Animal Collective. I’d like to say that seeing him perform solo did something to demystify his art, but perhaps for the better it didn’t. While I may not understand the technical aspects of what he’s doing, it became clear over his half-hour solo performance where so much of the texture in Animal Collective’s music comes from.

Opening for bandmate Avey Tare at Bowery Ballroom, this performance encapsulates three or so songs with blurred boundaries, best listened to as an entire piece. Unlike Avey’s set, Geologist’s performance included no visuals to guide your listening, just that stark headlamp in an an otherwise unlit room to keep you moored. Close your eyes while listening to this one and you just might float off.

We recorded this set with the Schoeps mk22’s set up at our usual balcony location at Bowery, combined with a board feed from FOH Danielle. The sound is excellent. Enjoy!

Download: [MP3 / FLAC]

Geologist
2017-10-23
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for nyctaper.com
Photo by Will Oliver

Soundboard (engineer: Danielle) + Schoeps mk22 > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > xAct > FLAC (24/48, level 8)

Tracks [30:43]
01. Live at the Bowery Ballroom 2017-10-23

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Avey Tare: October 23, 2017 The Bowery Ballroom

October 25, 2017
By


[photos by Will Oliver and We All Want Someone blog]

In stark contrast to Animal Collective’s frenetic Painting With, Avey Tare’s latest solo album Eucalyptus is a winding, intimate bedroom album. I’ve listened to it a few times since its July release and it’s certainly one of those records that opens up to you over time. For his short tour supporting the record, Avey seemed to acknowledge the difficulty of translating the Eucalyptus songs for a live performance. The songs take on their own live existences, heavily adapted from their recorded counterparts to be presented in front of an audience. Most of the songs he broke out Monday night at Bowery Ballroom, though, aren’t even on Eucalyptus. Like Animal Collective’s early years, rather than playing songs the audience already knows, Avey instead plays a new round of songs: “Enjoy the Change,” “Ono Lemonade,” “Saturdays,” “Eyes on Eyes,” “The Aging Heart,” and “Sew Happy” are all new compositions unheard until this tour. (That’s half the set if you did the math.) But that’s the great thing about the audience Avey has cultivated: they’re along for the ride whether it’s hits or songs they’ve never heard before. We were, however, rewarded with one special treat when Geologist came out the help Avey with the Animal Collective track “Man of Oil” from their recent Meeting of the Waters EP.

We recorded this set with the Schoeps mk22’s set up at our usual balcony location at Bowery, combined with a board feed from FOH Danielle. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Avey Tare
2017-10-23
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Danielle) + Schoeps mk22 > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:19:15]
01. Enjoy the Change
02. PJ / DR aw one for J
03. Ms. Secret
04. Ono Lemonade
05. Saturdays
06. Eyes on Eyes
07. The Aging Heart
08. Selection of a Place
09. In Pieces
10. Man of Oil [Animal Collective] (w/Geologist)
11. Sew Happy
12. When You Left Me

AveyTare.comBuy Eucalyptus via Bandcamp

Long Hots: September 8, 2017 Three Lobed Records/WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 15, 2017
By

I can’t even give you a link to Long Hots on the Internet, because there ain’t one. But maybe you’ve heard of such bands as Rosali, Hothead, and Spacin‘. Ah, right, now you get the idea. So named for a kind of hot pepper, I assure that this band is prepared to bring the fire. My now-annual journey to the Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree is never complete without a total surprise, and seeing “Philadelphia’s most anticipated band” playing their third-ever show was certainly one of them. These women didn’t spend a long time onstage, but they used their fifteen minutes well, handing us two doses of feral guitar shredding and general disrespect for the integrity of our eardrums. This band played their fourth show, the following night, with Purling Hiss, so if you didn’t figure out the RIYL on this one, I can’t help you. Head over to bandcamp, throw these powerful women some love, and make sure some more Long Hots is in your future.

I recorded this set with a combination of onstage Schoeps MK4V microphones and several soundboard channels from house engineer Evan Lamb. The sound quality is excellent. Enjoy!

Long Hots
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>Z-PFA>>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 They Do What We Want
02 One Chip Over the Line

SUPPORT THESE MUSICIANS: Rosali | Spacin‘ | Hothead

Sunburned Hand of the Man: August 28, 2017 Rough Trade NYC

September 12, 2017
By

Sunburned Hand of the Man are such a disparate psychedelic force (with over 100 releases to their name) that you can’t ever guarantee what’s going to come out of them. For this set, we got a ten-person band on the stage of Rough Trade NYC to play a four-part improvisation that the band referred to as the “Blizzard of Zoz.” Compared to some of the sets we served up to you last year, the “Blizzard of Zoz” was a bit more of a groove-driven affair, expanding over 42 mind-melting minutes from a low drone into a tight groove, then heading into freakout territory. Don’t worry, these sets were plenty noisy, too. The intensity of the proceedings was maximized by the Mad Alchemy liquid light show going on behind the band, which absorbed us all through the end.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a soundboard feed from Noel Ford, engineer of Dinosaur Jr. and several other bands. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Sunburned Hand of the Man
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Noel Ford)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC (align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Blizzard of Zoz Pt 1
02 Blizzard of Zoz Pt 2
03 Blizzard of Zoz Pt 3
04 Blizzard of Zoz Pt 4

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Doug Tuttle: August 28, 2017 Rough Trade NYC

August 31, 2017
By

Doug Tuttle, originally known as a member of the New Hampshire psych voyagers MMOSS, is now three albums deep into his journey as a solo artist. What he has proven across those three records, including his latest, Peace Potato, is how adept he is with melodic songcraft, with Chilton-esque hooks and an acid-washed, classic sound that matches his multilayered vocals perfectly. What this live show at Rough Trade NYC established, though, was that Tuttle remains a serious instrumentalist, capable of leading those earworm hooks into florid, all-out jams. Adding to the inspiration on this night was the truly incredible liquid light show courtesy of Mad Alchemy, whose work set the perfect generational and visual tone for what was going on onstage. If one had to pick some highlights from the night, my votes would go to a snappy version of “Bait the Sun” from Peace Potato, “Lasting Away” from Doug’s self-titled first album, and the night’s mind-bending conclusion, as “Turn This Love” segued into a twelve-minute untitled jam that was both the set’s most cosmic of all.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a feed of engineer Dustin Myers’ house mix. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC] | [MP3]

Doug Tuttle
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Dustin Myers)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC
(align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks [Total Time: 1:24:31]
01 A Place for You
02 Leave Your Body
03 Where You Plant Your Love… Is Where It Grows
04 Time Will Show the Wiser
05 E Kraut
06 [tuning]
07 Bait the Sun
08 Can It Be
09 All You See
10 Lasting Away
11 Falling to Believe
12 C Firebrand Jam
13 [tuning2]
14 It Calls On Me
15 Saturday-Sunday
16 Painted Eye
17 Turn This Love>
18 jam

SUPPORT Doug Tuttle: like him on facebook and buy his records directly from Trouble In Mind or, head on over to his bandcamp

Tyvek: August 26, 2017 Union Pool (Summer Thunder)

August 27, 2017
By

Tyvek took an uncharacteristically long break from recording between 2012’s On Triple Beams and last year’s Origin of What, but of course it was worth the wait. If you haven’t picked that one up yet, here’s your official reminder. It’s more of the raw energy you’ve come to expect from Tyvek, whose live performances also haven’t slowed down a bit in the last ten-plus years since “Frustration Rock” made them the biggest little punk band from Detroit. Tyvek is literally the most fun you can have watching a band do their thing, but throw in a mid-70s August day in Union Pool’s backyard and you’re in rock and roll heaven. Tyvek and the packed crowd sent off 2017’s Summer Thunder series in the finest form.

I recorded this set with acidjack’s Schoeps MK22’s set up right in front of the band, combined with a board feed from our man, Doug. The sound is raw—turn this one up for full effect!

Download: [MP3/FLAC]

Tyvek
2017-08-26
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + Schoeps MK22 (ORTF, OS) > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [31:59]
01. Tip to Tail
02. Real Estate & Finance
03. Can’t Exist
04. Girl on a Bicycle
05. Choose Once
06. Gridlock
07. Underwater Too
08. Frustration Rock >
09. Origin of What
10. Wayne County Roads
11. Give It Up

FacebookBuy Tyvek records from In the Red

The Dead C: September 20, 2016 First Unitarian Congregational Society

September 25, 2016
By

The Dead C
[Photo via]

Do The Dead C need any introduction? The band’s status among devotees of noise and Kiwi rock is near mythological. And their long absence from performing in the U.S. has confounded younger listeners who might have discovered the band in the mid-aughts when Ba Da Bing issued the compilation Vain, Erudite, and Stupid and then started reissuing long-out-of-print classics like DR503 and Eusa Kills. This year saw the release of Trouble, comprised of five twitching, droning, and pummeling tracks that thwart any attempt at dissection or categorization. Having long abandoned any semblance of traditional song structure in favor of visceral, blown-eardrum improvisation resembling the band’s most famed track “Driver UFO,” Trouble might yet be The Dead C’s rock opus. So to say the anticipation for their brief September tour (hitting only Brooklyn, Philadelphia, Louisville’s Cropped Out Festival, and Los Angeles) was high would be to massively understate it. Despite the absence of drummer Robbie Yeats, who unfortunately was unable to make the tour, this hour-plus set from Michael Morley and Bruce Russell is a tribute to the band’s endurance. Backed with crashing and ebbing prerecorded drum tracks from Yeats, the duo stretch the bounds of guitar-based music, resulting in a performance that is utterly and uniquely The Dead C.

Acidjack and I recorded this from a central location in the church, combined with a board feed from the engineer Gus. The sound is outstanding; the performance extraordinary. Enjoy!

Download the complete show: [FLAC] [MP3]

Stream the complete show:

The Dead C
2016-09-20
First Unitarian Congregational Society
Brooklyn, NY USA

Recorded by acidjack and Eric PH
Produced by acidjack

Soundboard (engineer: Gus) + Schoeps MK22 (FOB, DFC, PAS)>KCY>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>xAct 2.36 (tags, encode)>FLAC ( level 8 )

Tracks
01 improvisation

Buy Trouble and other Dead C releases via Ba Da Bing/Grapefruit
• • Buy Harsh 70s Reality via Siltbreeze

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