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Phish: October 15, 2016 North Charleston Coliseum, Charleston, SC

October 17, 2016
By

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Whether this second night of Phish‘s 2016 fall run appealed to you or not, it wasn’t a night for the fans who love the big rockers, or the hits. It’s no surprise that the band’s latest album Big Boat saw heavy representation, including a debut of “I Always Wanted It This Way.” There’s considerable pressure on acts in the fourth decade of their career to “play the hits,” and while Phish may not have “hits” in the same way as some other bands, they still have those tour staples that the fans expect to see in regular rotation. While those classics were present from time to time in this set — “Maze,” “Wolfman’s Brother,” “Possum,” “Twist,” and “Carini,” for example — the songs just named were about it. If the band wanted to send the message that “Phish 3.0” still believes that it has new music worth making, they did that on this night.

Any Phish show is likely to have its fanboys and its detractors, and part of the fun of a band like this is that one person’s relative bummer of a set can fall firmly in another dozen’s wheelhouse. That said, people who have attended far more shows than I have can better describe the alchemy of a transcendent Phish set, and most longtime fans I spoke with admitted that this unevenly-paced one at the North Charleston Coliseum didn’t quite have it. It’s not unfair to say that some of these Big Boat and Fuego songs need more road time to come into their own, though the saccharine “Joy” has had since 2009 and doesn’t seem likely to. In addition to the selection of material, there was the pacing, as the first set started off with a string of mostly-mediocre material before “Maze” came along to refocus everyone’s attention. Even a solid “Carini” (though marred by childish screaming during the chorus) couldn’t quite make that first set make sense, especially as it was led into by the gimmicky, off-key and quite frankly annoying “Ass Handed” interlude.

The second set overall was much better, with the non-album track “Mercury,” leading off as an absolute highlight, followed by “Twist” into the extremely strong debut of “I Always Wanted It This Way.” The proggy, synth-led track felt like the kind of new music you hope a band makes at this point in their career, representing such an evolution that it made the song feel like a familiar-sounding cover. Unfortunately, things went back off the rails after that, as the buzz-killing “Miss You” was followed by the milquetoast “Fuego.” After a killer “Sand” put things back on the right track, we got plunged back into ballad territory with “Joy” before “Possum” closed things out on a high note. The one-song encore nodded toward another of the band’s strongest traits, as they delivered a rollicking “Good Times, Bad Times,” that found Trey taking his best shot at Robert Plant and Jimmy Page at once.

Nonetheless, there’s plenty to like about this tour so far. Mainly because it’s not a greatest-hits tour–this band is actually trying to make something new, after all this time. If this part of the tour has a few stutter-steps, or a few shows that are slightly less-than, you still have to reward this band for being what it is. For trying.

I recorded this set at the soundboard with Schoeps MK41V supercardiods into an Aeta PSP3 preamp. The right channel of “Blaze” was patched from the left channel during most of the song, but the remainder of the show’s sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Phish
2016-10-15
North Charleston Coliseum
Charleston, SC USA

Recorded and produced by acidjack

Schoeps MK41V>KC5>CMC6>Aeta PSP3>Roland R-26>24bit/48kHz WAV>Audacity (patch right channel for 4min of first song, fades, track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 2:40:23]
Set I
01 Blaze On
02 What’s the Use?
03 Martian Monster
04 Devotion to a Dream
05 Waking Up Dead
06 Timber [Josh White]
07 Things People Do
08 Let Me Lie
09 Maze
10 Ass Handed
11 Carini
12 Wolfman’s Brother

Set II
13 Mercury>
14 Twist
15 I Always Wanted It This Way
16 Miss You
17 Fuego>
18 Sand
19 Joy
20 Possum

Encore
21 Good Times Bad Times [Led Zeppelin]

Bill Nace: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

October 14, 2016
By

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Bill Nace‘s reputation among noise aficionados is a well-deserved one, with him having collaborated with the likes of Okkyung Lee, Chris Corsano, Thurston Moore, Kim Gordon, and Paul Flaherty. If his work with Gordon in Body/Head is his best known, that still means Nace’s experimental guitar work still resonates with a relatively specific (but dedicated) portion of the music-loving population. Among a diverse bill, perhaps Nace’s appearance most drove home what sets Three Lobed Recordings apart even from its brethren among small labels.  On a day that spanned Watery Love’s scuzzy hardcore to Meg Baird and Mary Lattimore’s delicate folk, Nace’s set nonetheless stood out as a testament to music’s outer boundaries. The abstract, hypnotic and deeply felt composition that Nace wove on this afternoon was one of those things that leaves each listener open to interpret it how they wish; for me, a reward of this type of music is the way that it forces the listener to decide what it is, rather than interpret more direct expressions like lyrics. While sometimes a recording cannot fully capture what it meant to experience something live at the time, I submit that this is almost the reverse — on headphones, in a car or some other enclosed, personal space, this set is even better to engage with.

I recorded this set with Schoeps MK4V microphones onstage and Brad Womack’s house mix. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Bill Nace
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

PLEASE SUPPORT BILL NACE — Buy his other records here and get Body/Head material here.

YVETTE: September 29, 2016 Market Hotel

October 11, 2016
By

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[photo by _.@belinda_, courtesy of the Godmode Instagram]

YVETTE owned the stage on this night at Market Hotel, preparing the crowd for HEALTH with their enveloping, dark, and percussive sound that seems like it won’t let you go. Since 2013’s Process we’ve seen YVETTE grow and evolve as a band, as they’ve continued to gestate new material before rapt live audiences. Between our Hopscotch encounter with them in 2014 to a Trans-Pecos show in 2015, they’ve continued to develop new and exciting ways to get under our skin, including a couple of new songs on this night that we hadn’t heard before (one so new it lacks a title). Likewise, the Market made sense for this band and the one it followed, with the room’s layout literally narrowing the focus to the lone duo up front, backlit and relentless. Noah Kardos-Fein and drummer Dale Eisinger have always maintained a certain economy to their shows, foregoing most chatter in favor of weaving their set into a continuous flow. It feels like time for a new record, which they’ve continued to work on, especially as Process predates Eisinger’s time in the band. We can’t wait to hear it.

I recorded this set with the mounted AT 4051 cardiods an a flawless soundboard feed from house engineer Jason. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Yvette
2016-09-29
Market Hotel
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Jason) + Audio Technica 4051>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>xAct 2.36 (tags, encode)>FLAC ( level 8 )

Tracks
01 Pure Pleasure
02 Sell It Off
03 B61
04 Radiation
05 Absolutes
06 Smoke In Your Eyes
07 (untitled)
08 Cuts Me In Half

If you Download this recording from NYCTaper PLEASE SUPPORT YVETTE, visit their website, and purchase Time Management and their other releases from Godmode Records[HERE].

A Giant Dog: September 8, 2016 Hopscotch Music Festival, Slim’s (Raleigh, NC)

October 5, 2016
By

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[screen capture from this video]

The addition of the Austin band A Giant Dog to the Merge Records team further bolstered the label’s noisier section of the roster. The band’s well-received Merge debut, Pile, is a hard hitting slab of punk-inflected hard rock, an old-fashioned paean to sex, drugs, and not giving a fuck. They’re well-known for their live performances for a reason, and theirs is the kind of music that calls for being listened to in a narrow, all-black closet of a room. Slim’s, Raleigh’s go-to for this sort of thing, fit the bill perfectly on this first night of Hopscotch Music Festival, and A Giant Dog lit it up for the packed house. Led by frontwoman Sabrina Ellis’s frenetic delivery, A Giant Dog proved you can play with both abandon and appeal. By the time they made it to “Sleep When Dead,” they’d pretty much established a mantra for festivalgoers settling into three days of non-stop music, and they’d proven once again that Merge knows how to pick ’em.

David Schwentker recorded this set with Church Audio CA-14 omnidirectional microphones hung from an optimal point in the venue. You may need to turn up the volume on this one a bit more than usual, but believe us, it’s all there. Enjoy!

Download the complete show: [MP3/FLAC]

A Giant Dog
2016-09-08
Hopscotch Music Festival
Slim’s
Raleigh, NC USA

Recorded and produced by David Schwentker

Church Audio CA-14 omnis > Olympus LS-10 > WAV > Audacity (track, mixing) > Trader’s Little Helper (conversions) > FLAC (level 8) > foobar2000 (tagging)

Tracks:
01. [intro]
02. Creep
03. [banter/amp issues]
04. Another World
05. Lady Slut
06. Hitchhike Love
07. new song
08. Sex & Drugs
09. & Rock & Roll
10. I’ll Come Crashing
11. Photograph
12. King Queen
13. Too Much Makeup
14. Jizzney
15. Angst In My Pants (Sparks cover)
16. Sleep When Dead

SUPPORT A GIANT DOG: Website | Merge Records

MAKE: September 9, 2016 Hopscotch Music Festival, Pour House (Raleigh, NC)

September 29, 2016
By

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MAKE represent another of my favorite recent finds from the Triangle in North Carolina. The three-piece, consisting of Scott Endres, Luke Herbst and Spencer Lee, make the kind of intense, loud-as-hell, but thoughtful metal that, with doom, black, and stoner elements, and a decent dose of flat-out classic rock, puts them in a category beyond a single niche scene. Like more than a few bands in the area, MAKE has been fighting hard against North Carolina’s bigoted HB2 law, including with their most on-the-nose contribution, the song “Human Garbage,” featuring Governor Pat McCrory’s face on the cover. That song made the rotation during this Hopscotch Music Festival show at the Pour House in Raleigh, which remains one of the best places in the area to see heavy music.

The band’s performance, kicking off the night in the venue, shook the rafters with Endres and Lee’s deep riffage, bringing the heaviest elements of the band’s sound to the fore. That’s in keeping with their latest album, Pilgrimage of Loathing, which (perhaps reflecting their view of the political situation) is a harder-edged and more rage-fueled affair than 2015’s The Golden Veil, which keeps company at many points with an entirely different group of bands (Sleep, Om, Arbouretum) than the references you might hear on Pilgrimage. The juxtaposition was thrilling live — experience the whip-turn from “The Somnabulist” and “Human Garbage” to “The Absurdist” and “The Architect” from The Golden Veil. It showed, in a relatively short set, how versatile, and how enjoyable, this band can be, and one would hope to see them around this part of the world (paging Saint Vitus) sooner rather than later.

I recorded this set with Schoeps MK4V at the soundboard booth. The vocals are a bit quieter than I would like in the recording, but otherwise this is an excellent representation of this band. Check out Pilgrimage of Loathing on bandcamp, which is also streaming below, and the band’s other records. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Check out Pilgrimage of Loathing:

MAKE
2016-09-09
Hopscotch Music Festival
Pour House
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (LOC, at SBD)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (hard limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 The Somnambulist
02 Human Garbage
03 The Absurdist
04 [banter]
05 Birthed Into A Grave They Made For You>
06 The Architect

PLEASE SUPPORT MAKE: Facebook | Bandcamp

mccrory

Al Riggs: September 9, 2016 Hopscotch Music Festival, Deep South (Raleigh, NC)

September 28, 2016
By

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[Screen capture from this video]


As happens more and more frequently these days in North Carolina, Al Riggs dedicated one of his songs — “Carolina Peacemaker” — to the state’s governor Pat McCrory, whose brazenly incompetent and offensive campaign against LGBTQ people has lost the state several major concerts, the NCAA tournament, a major PayPal facility, and the NBA All-Star Game, among other things. As he detailed in an interview this summer, Riggs, who is gay, didn’t set out to make his music political, at least not about that topic. But he, like many of his fellow citizens, has found that if you live under this regime, you no longer have a choice.

If you leave out the political stuff, the most notable detail about Riggs is the volume of his output, made mostly by himself, mostly using his iPhone or laptop. His work (he was heading up to record a new album the following week in New York) finds its moment when he decides, rather than the practicalities of a “release schedule” or studio time or the various other trappings of most musicians’ lives. As a result, he’s able and willing to share his ideas at a furious pace, about whatever topic suits him — from state politics to the (very) unfortunately (since re-)  named Durham restaurant “Hattie Mae Williams Called Me Captain.”

Being a festival-length set, this Hopscotch Music Festival performance at Deep South the Bar could hardly do justice to Riggs’ entire body of work, but it gave those of us who hadn’t seen him live a flavor of what he’s capable of. Riggs, with a sing-speak delivery that purposefully doesn’t obscure his words, lives in both the rock and folk worlds, able to deliver a forceful choogler like “Afraid of Heaven” with the same degree of skill he brings to more subtle tunes like “All The Cells” — a song, he said, “for every queer kid’s parents who are trying to figure out what to do next.” Even if this set was billed simply as “Al Riggs,” one has to give  credit to his band, the Inconveniences,” who appear on his most recent album (though it’s hard to keep up) Night Freedom. While Riggs has been successful at recording on his own, there’s no denying the additional power of the live act, and his music and this modest-but-accommodating venue were a natural fit. It’s not really worth leaving New York to see the bands that play here all the time (which is most of them). It’s the shows like this, by the local gems that you’d hate to miss, that make the trip.

I recorded this set with a relatively modest setup, Audio Technica AT 853 cardiod microphones mounted in the center of the room. While there are some occasional spots of crowd noise here and there, the sound quality of this recording is overall quite strong. Enjoy!

Stream and download this show on our bandcamp page

Al Riggs
2016-09-09
Hopscotch Music Festival
Deep South
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 853c (2’ split, DFC)>CA-UBB>Sony PCM-10>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Don’t Smoke In Bed
02 [banter]
03 Young Hegelians
04 Afraid of Heaven
05 Reagan Slain By Hero Cop
06 All The Cells
07 [banter2]
08 Carolina Peacemaker
09 [banter3]
10 Tunnel of Gore
11 [banter4]
12 Hungry Months

PLEASE SUPPORT AL RIGGS: bandcampFacebook

MANAS: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

September 23, 2016
By

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We were floored by Tashi Dorji‘s performance at Hopscotch Music Festival last year, so it seemed almost inevitable that the relentless guitar improviser would somehow become part of our favorite of the weekend’s events, the the annual Three Lobed / WXDU Day Show at King’s, the following year. This very special show featured the band MANAS, which is normally a collaboration between Dorji and Thom Nguyen on drums. For this show, the band was joined by Tyler Damon on an additional drum kit. Like Dorji’s solo work, many MANAS performances are fully improvised, and this was no exception. This twenty-five minute performance rose and fell, with the tinkling percussion that began it giving way to Dorji’s initial guitar meditations before exploding into a furious, expanding universe of sound. Dorji’s performances have a way of hitting you differently the more times you listen to them; he has a way of producing a tangle of emotions with his instrument. This performance began the day, and set a high bar for what was to come. It was work to be admired, and in true Three Lobed tradition, that made you think.

I recorded this set with Brad Womack’s soundboard feed together with Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

MANAS
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6 + Soundboard (engineer: Brad Womack)>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Band:
Tashi Dorji – Guitar
Thom Nguyen – Drums
Tyler Damon – Drums

PLEASE SUPPORT MANAS: Bandcamp | Dorji-Damon Collaborations | Feeding Tube Records | New Body Tapes | Korper Leib

Nick Millevoi’s Desertion Trio: September 15, 2016 Silent Barn

September 21, 2016
By

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Since we sung the praises of guitarist Nick Millevoi and his Desertion Quartet after a show at Palisades earlier this year, Millevoi has not only been hitting the pavement with Chris Forsyth’s Solar Motel Band, but he’s been developing more of his own work as well. This show at Silent Barn (which has never looked or sounded better) gave us a taste of that new material as well as some of the songs we love from his current album, including the noise freakout “The Fire That Damaged City Hall.” This show was played as a trio, with Kevin Shea on drums and Johnny DeBlase helming the other guitar. Millevoi’s unique style is a joy to watch live, as it shifts effortlessly between choogling rock to free jazz, and it’s something that sets him apart in a more-than-worthy field of contemporaries. Being able to see Nick is still a too-rare treat, so we’re especially grateful to him for inviting us. We’re sure you’ll agree.

I recorded this set with Schoeps MK5 microphones split wide onstage (as you can see above) in the omnidirectional pattern. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Nick Millevoi’s Desertion Trio
2016-09-15
Silent Barn
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5o (stage lip, DFC, 3’ split A-B)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, downsample, dither)>FLAC ( level 8 )

Tracks
01 Desertion and the Arsonist’s Match
02 [banter]
03 [new]
04 [new2]
05 The Big Moment Is Always Out There Waiting
06 The Fire That Partially Damaged City Hall

Band
Nick Millevoi – Guitar
Johnny DeBlase – Bass
Kevin Shea – Drums

Support Nick Millevoi’s Desertion Quartet: Website | Order Desertion via Bandcamp

Bachman-Toth Band: September 9, 2016 Three Lobed/WXDU Day Show, King’s, Raleigh, NC

September 15, 2016
By

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[photo courtesy of David Schwentker]

If the Watery Love set was the volume plateau of the Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival, the joint appearance by longtime site faves James Toth aka Wooden Wand and Daniel Bachman was undoubtedly its whimsical peak. This day happened to not only be one of the consistent musical highlights of the year, but also it was Toth’s birthday, so he and Bachman were probably in a celebratory mood. Whatever the reason, reality was that this combination of players had never existed before — Bachman, Toth, Forrest Marquisee on guitar, and Ian McColm on drums — and they hadn’t even soundchecked. What would happen was a mystery to everyone, even to some degree the people on the stage.

However much the 20+-minute drone-ified version of Black Sabbath’s “War Pigs” that emerged was or wasn’t planned, the outcome felt like more than a mere lark. As with everything these players do, this was done with spirit, turning this into one of those off-the-cuff, daring improvisational moments that have come to define what is always the highlight of this music festival. There’s not much more to say about it than that — listen to it and you’ll understand.

I recorded this set with Brad Womack’s soundboard feed and Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC] [Note: the files need to be re-tagged with the correct band name]

Stream the complete set:

Bachman-Toth Band 
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 War Pigs [Black Sabbath]

Support these artists: Daniel Bachman website / facebook | Wooden Wand website bandcamp

Watery Love: September 9, 2016 Three Lobed / WXDU Day Show, Hopscotch Music Festival, King’s (Raleigh, NC)

September 13, 2016
By

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“We’ve arrived at the volume plateau of the day” Three Lobed‘s Cory Rayborn said as he introduced the Philly “supergroup” Watery Love, taking the stage at the annual Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival. Rayborn wasn’t lying–the band came out of the gate with the loud-as-fuck blast of “Ned’s Dreamcatcher” and didn’t let up from there. As we were streaming the show live on Duke University radio station WXDU, the team handling that end of the business had to work overtime to “bleep” vocalist Richie Charles’ (of Richie Records) dirty words back to PG-13. Indeed, this was dirty, cuss-spitting, fire-breathing, bad-ass scuzz rock and it was not to be stopped, by outdoor sunshine or otherwise. But while any group of yahoos can stand up and make noise, what sets Watery Love, and this particular performance, apart is that these guys hang together so well, playing well and turning all of that energy into something deceptively cohesive.

This was a perfect wake-up call on a day with a very wide palette of artists, and regulars Charles and Max Milgram (guitar) had arrived equipped with extra firepower in the form of Purling Hiss‘ Mike Polizze and Ben Leaphart, together with harplist/multi-instrumentalist Mary Lattimore (possibly the day’s MVP, or at least, the person who played with the most different bands) on bass, drums and keys, respectively. Watery Love has been a band since 2008, but their performances, especially outside of Philly, have been sporadic, and their recorded output is equally limited. Seeing them is a treat, and the energy they expect is equal to the moments they inhabit. There were many very, very fine performances on this day, but this might be the only one that had even the people in the back howling with glee like teenagers. Whatever it is these guys have, make sure you try to catch some of it.

I recorded this set with King’s engineer Brad Womack’s house mix, plus an additional soundboard channel, and Schoeps MK4V microphones onstage. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Watery Love
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ned’s Dreamcatcher
02 Sweat Powers
03 Die With Dignity
04 A Condom

PLEASE SUPPORT Watery Love: Facebook | Bandcamp

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