nyctaper Recordings

concert discussion and free flac downloads

Moondoggies: January 30, 2011 The Rock Shop – Flac and MP3 Downloads + Streaming Songs

February 4, 2011
By


[photo by Kevin Kaim from Duke Street Blog]

While the critically easy way to approach The Moondoggies is to describe them as another in the line of Northwest “beardo” bands (i.e. Fleet Foxes, Band of Horses), their high-energy show at The Rock Shop on Sunday demonstrated their versatility and unwillingness to be pigeonholed. As the band opened with one of their oldest songs “Keep Her On The Line”, the folk rock strumming was forefront, but as the set progressed, the variety of styles and influences were diverse. “Its A Shame” owes a debt to Tonight’s The Night-era Neil Young, while “Black Shoe” (streaming below) echoes early Wilco, and “Ain’t No Lord” could be performed by Gary Louris. Perhaps acknowledging the granddaddies of the entire genre, Moondoggies closed the set with a cover of the Byrds version of the Dylan classic “You Ain’t Going Nowhere” (also streaming below). The Moondoggies new album Tidelands showcases their unique take on these various genres and establishes an identity for this superb band, and like their predecessors, their growth will only yield greater results.

I recorded this set with the DPA’s at the front of the board and mixed it with a soundboard feed. Unfortunately, for some reason the soundboard has a persistent whine/hum that rendered it unusable. As a result, this recording is the straight audience capture. There is some crowd chatter, but overall its still an excellent recording. Enjoy!

Stream “Black Shoe”:
[audio:https://www.nyctaper.com/M3001Moondoggies2110/Black%20Shoe.mp3]

Stream “You Ain’t Going Nowhere” (Dylan/Byrds cover):
[audio:https://www.nyctaper.com/M3001Moondoggies2110/You%20Ain%27t%20Going%20Nowhere%20%5bDylan%5d.mp3]

This recording is now available to download as FLAC or MP3 at Archive.org [HERE].

Moondoggies
2011-01-30
The Rock Shop
Brooklyn, NY USA

Digital Master Audience Recording

DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-02-02

Setlist:
[Total Time 1:31:56]
01 Keep Her On The Line
02 [banter]
03 It’s a Shame, Its a Pity
04 Tidelands
05 What Took So Long
06 [banter2]
07 Lead Me On
08 When You’re Young
09 Black Shoe
10 [banter3]
11 Ain’t No Lord
12 Jesus On The Mainline
13 Save My Soul
14 Changing
15 Butte, Montana
16 [banter4]
17 Fly Mama Fly
18 [tuning jam]
19 Bogachiel Rain Blues
20 [banter5]
21 You Ain’t Going Nowhere [Dylan]
22 [encore break]
23 Down The Well
24 Night and Day

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Moondoggies, visit their website, and purchase their new album Tidelands from the Hardly Art Records website [HERE].

The Hold Steady: January 31, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

February 3, 2011
By


[The Hold Steady at Music Hall on January 30. Photos courtesy of Joshua Sarner and Prefix Magazine]

Eight years ago to the day, The Hold Steady took the stage at Music Hall of Williamsburg – then a much-less-luxurious venue called Northsix in a similarly less luxurious (or luxury-condo-fied) Williamsburg – for their first gig. To hear Craig Finn tell it, that the band celebrated their eighth anniversary in the same spot was a happy coincidence. Whether by coincidence or calculation, I suspect that first Music Hall show had a good bit in common with this one. “What’s up, Brooklyn? We’re The Hold Steady, and we’re gonna have a really good time tonight!” was Finn’s opening proclamation, and I would bet his first opening ever was much the same. Because, although their songwriting has grown more expansive, along with their critical acclaim and the size of their fanbase, The Hold Steady has always been one of the world’s greatest bar bands. The band’s appeal is democratic and uncomplicated: penetrating lyrics you can understand (that are also good enough to wow rock critics); crowd-participating, fist-pumping anthems; outstanding musicianship; and a frontman in Finn who appears to be having the best time of anybody there. This second show of two nights at Music Hall was all about momentum. Breaks between songs were almost non-existent; ditto crowd banter. Finn & Co. worked so hard through this nearly 100-minute set, it could have been a Springsteen show. In terms of the setlist, the band’s latest, Heaven Is Whenever, was well-represented along with Stay Positive, but so was the band’s first record, the less-noticed Frenchkiss Records release, Almost Killed Me, including on a beautifully paced encore that began with the pensive “Positive Jam”, followed by “Southtown Girls” (from Boys and Girls in America) and concluding with an extended version of “Most People Are DJs”. Although it was a Monday night, the crowd was fired up and slam dancing, about as sweaty as Finn himself. I would like to think that whoever attended that first Hold Steady gig would have done the same. If not, they should have: The Hold Steady are a hard-working rock band that is damned hard to deny. Show me someone else who can put on this kind of show – and get this kind of response – on a Monday, and I’ll show you rock royalty.

I recorded this set from about halfway to the stage from the left balcony. The mics were aimed directly at the left stack to maximize direct sound, and the results speak for themselves. Check out the streaming songs below, and enjoy!

Stream “Stevie Nix”:
[audio:https://www.nyctaper.com/H6589HoldSteady1192/17 Stevie Nix.mp3]

Stream “Positive Jam”:
[audio:https://www.nyctaper.com/H6589HoldSteady1192/22 Positive Jam.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

The Hold Steady
2011-01-31
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Microtech-Gefell MG210>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: Left balcony, pointed at left stack
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, flac)

Tracks [Total Time 1:35:17]
01 Intro
02 Ask Her For Adderall
03 The Swish
04 Magazines
05 Rock Problems
06 Hurricane J
07 Cattle and the Creeping Things
08 Barfruit Blues
09 The Sweet Part of the City
10 Same Kooks
11 Sequestered in Memphis
12 Barely Breathing
13 Lord, I’m Discouraged
14 Constructive Summer
15 Chips Ahoy!
16 Stuck Between Stations
17 Stevie Nix
18 First Night
19 Ascension Blues
20 Slapped Actress
21 [encore break]
22 Positive Jam
23 Southtown Girls
24 Most People Are DJs

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Hold Steady, visit their website, and purchase their official releases from the links at their website [HERE].

Suuns: January 25, 2011 Rock Shop – FLAC and MP3 Downloads + Streaming Song

February 2, 2011
By


[Photo by Eloy Anzola. Visit his website here]

Montreal’s Suuns are one ambitious, exciting band. If you punched up any random 30-second clips of tracks from their debut LP, Zeroes QC, you could encounter any number of distinct musical ideas. You might find the Zeppelin-on-acid riffs that are the foundation of “Armed for Peace,” or the brooding, addiction-nightmare hiss of the vocals over a spare beat on “Up Past the Nursery,” or even the slowed-down dubstep beat on “Pie IX”. The point being, Suuns make angular, twisted art rock without a single stylistic straightjacket. From the get-go, this brash set at Rock Shop set a dark mood; the opening number “Skyscraper” blistered us with its marshal, repetitive drumbeat and bassline, clanging keyboard riff and frontman Ben Shemie’s seething, ravaged vocal. Whether during the tightly-wound intro to “Pie IX” or the door-blowing assault of the set’s closer, the eight-minute “Sweet Nothing,” Suuns held our attention with their controlled intensity. They are a challenging band in the best of ways, unconcerned with pop convention or pandering. And although it is true that they can veer dizzyingly between tempos, styles and structures, their talent is equal to their ideas.

I recorded this set from our usual location in this outstanding venue, with the Schoeps microphones and a soundboard feed from the Rock Shop’s team. The sound quality is excellent. Enjoy!

Stream “Armed for Peace”:
[audio:https://www.nyctaper.com/S0125Suuns0211/05 Armed for Peace.mp3]

Stream “Pie IX”:
[audio:https://www.nyctaper.com/S0125Suuns0211/08 Pie IX.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Suuns
2011-01-25
Rock Shop
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, LOC, mics pointed at stacks at 8.5′
Mastering: 2x24bit/48kHz WAV>Audacity (EQ audience source, mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Skyscraper
02 Arena
03 Up Past the Nursery
04 [new]
05 Armed for Peace
06 Gaze
07 [banter]
08 Pie IX
09 Sweet Nothing

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Suuns, visit their MySpace page, and purchase Zeroes QC from Secretly Canadian records here.

Mission of Burma: January 28, 2011 Maxwell’s – Flac and MP3 Downloads + Streaming Songs

January 31, 2011
By


[photo by Chris Gersbeck – courtesy of brooklynvegan]

We’ve followed Mission of Burma, version 2.0, for almost twice as long as the original run of the band in the early 80s. The most consistent element of their live show has always been the ferocity of the performance. The band plays live with the kind of kinetic energy that defines their sound, and provides earth shattering volume to prove the point. The other aspect MOB’s live show is that the setlists are always quite divergent. The Bell House recording posted last night by acidjack is an entirely different show than what we experienced Friday night at Maxwell’s. Now performing live material for what will soon become their fourth post-reunion album, the band is operating on all cylinders. Each of the three stage players offer new songs that rival the quality of their career output and Friday night’s show featured a healthy dose of them. One might expect that the packed house would become impatient with the mid-set big block of new material, but in fact the mixed-age crowd seemed equally enthralled throughout the show. Mission of Burma rewarded them with a lightning-speed foursome of classics in the encore slot that closed with a reverse play of their debut single — “Max Ernst” into “Academy Fight Song” (streaming below). When the band left the stage the cries for “more” lasted for a good ten minutes before the house music came up — one of the most prolonged crowd calls we’ve seen in a while, and well deserved.

I recorded this set in the same location as all of our recordings from this outstanding venue and the sound quality is superb. Enjoy!

Stream “The Setup”:
[audio:https://www.nyctaper.com/M4509MissionofBurma2239/The%20Setup.mp3]

Stream “Academy Fight Song”:
[audio:https://www.nyctaper.com/M4509MissionofBurma2239/Academy%20Fight%20Song.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Mission Of Burma
2011-01-28
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Four Channel Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and acidjack
2011-01-29

Setlist:
[Total Time 1:12:30]
01 Donna Sumeria
02 Let Yourself Go
03 1,2,3 Partyy!
04 Just Waves
05 Part the Sea
06 [new song – My God Can Beat Up Your God]
07 [new song – This Ghost]
08 [new song – Evasive Action]
09 Devotion
10 2Twice
11 [banter]
12 Forget Yourself
13 [new song – Totally Ridiculous]
14 Good Cheer
15 The Setup
16 Nancy Reagan’s Head
17 [encore break/effects]
18 This Is Not a Photograph
19 That’s How I Escaped My Certain Fate
20 Max Ernst
21 Academy Fight Song
22 [outro/effects]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mission of Burma, visit their website, and purchase their official releases directly from the Store at their website [HERE].

Mission of Burma: January 29, 2011 The Bell House – FLAC and MP3 Downloads + Streaming Songs

January 30, 2011
By

The inimitable Mission of Burma have graced us with their presence a lot recently – first, back in December at Maxwell’s for one of the Yo La Tengo Hanukkah shows, then Maxwell’s again this past Friday.  But according to fans who saw all three, this bigger show at The Bell House was the king of them all.  It is not uncommon for legendary bands of Mission of Burma’s generation to get by on autopilot, playing the old songs everyone wants to hear in a lower-energy, lamer fashion that is just good enough to sell tickets.  But true the ethos they have maintained throughout their decades-long career, Mission of Burma have managed their comeback with integrity and grit.  Along with timeless punk classics, the band has moved forward to produce vital new material that holds up well to the rest of their catalog.  This show found the band playing four songs from their 2009 LP, The Sound, the Speed the Light, but after that, it was back to the old days for this amazing and, at 80+ minutes, lengthy, set. With the legendary producer Bob Weston behind the board running the band’s sound and tape loops, the sound was dialed-in and, per Bob’s custom, ear-splittingly loud.  Whether you were a new fan coming to see what the fuss was all about, or a longtime fan, you were not leaving this show disappointed – especially not after MOB closed the set with the song that started it all, “Academy Fight Song.”

I recorded this set from our usual spot in the venue by the soundboard with the DPA microphones and a hand-built analog preamp to bring a warm, classic sound.  The results are excellent.  Enjoy!

Stream “Academy Fight Song”:
[audio:https://www.nyctaper.com/M4509MissionofBurma2239/28 Academy Fight Song.mp3]

Stream “Trem Two”:
[audio:https://www.nyctaper.com/M4509MissionofBurma2239/09 Trem Two.mp3]

Download the MP3 and FLAC files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on Twitter

Mission of Burma
2011-01-29
The Bell House
Brooklyn, NY USA

Equipment: DPA 4021>Oade M248>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Center, clamp to soundboard booth, micas at 9ft, DIN
Mastering: 24bit/48kHz WAV>Audacity (EQ, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:22:12]
01 intro
02 Forget What You Know
03 7’s
04 1001 Pleasant Dreams
05 2wice
06 Blunder
07 [banter]
08 SSL 83
09 Trem Two
10 Mica
11 [banter]
12 He Is, She Is
13 Part the Sea
14 [banter]
15 Just Waves
16 Feed
17 1, 2, 3 Partyy!
18 Fame and Fortune
19 Spider’s Web
20 That’s How I Escaped My Certain Fate
21 encore break
22 Red
23 That’s When I Reach for My Revolver
24 Class War
25 encore break 2
26 Secrets
27 banter
28 Academy Fight Song

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mission of Burma, visit their website, and purchase their official releases directly from the Store at their website [HERE].

The Decemberists: January 26, 2011 Beacon Theatre – Flac and MP3 Downloads + Streaming Songs

January 27, 2011
By


[photo courtesy of Mike of 50ShowsAt50 blog]

On the final night of their 3-show run at Beacon Theatre, The Decemberists new album The King Is Dead reached number one on the Billboard album chart. Colin Meloy made one brief bemused reference to this fact at Wednesday night’s show, but this fairly major accomplishment seemed to not have fazed the band. Its a rare album that actually deserves a number one position, but King is truly a remarkable piece of work. While the title would imply a Smiths influence — and there is a definite “Bigmouth Strikes Again” feel to some of the songs — its the REM sound that prevails. In particular “Down By The Water” (streaming below) is very reminiscent of the 12-string minor-chord guitar prominent in such REM classics “The One I Love” and “Driver 8”. At the Beacon, five of the new songs were performed and they shined. Indeed, the beautiful “June Hymn” closed the show. In between, this night also featured the surprise guest appearance of Shara Worden, who reprised her soaring Hazards of Love vocals on “The Wanting Comes In Waves” (also streaming below). The Decemberists tour continues throughout the US in January and February before they head to Europe in March.

I recorded this set with my best mobile rig from a prime seat in 7th row of the center section where the sound quality was truly outstanding. This recording reflects that superb quality. Enjoy!

Stream “Down By The Water”:
[audio:https://www.nyctaper.com/D6010Decemberists9220/Down%20By%20The%20Water.mp3]

Stream “The Wanting Comes In Waves” (with Shara Worden):
[audio:https://www.nyctaper.com/D6010Decemberists9220/The%20Wanting%20Comes%20In%20Waves%20(with%20Shara%20Worden).mp3]

Direct download of complete show in MP3 files (HERE)

This Recording is now available to Download in FLAC at Archive.org [HERE].

The Decemberists
2011-01-26
Beacon Theatre
New York, NY USA

Digital Master Recording
Recorded from Center Section
Row C (7th Row)

DPA 4021’s > Marantz PMD-660 (Oade BCM) > 16bit 44.1 wav > Soundforge (set fades, level boost, slight eq) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper
2011-01-27

Setlist:
[Total Time 1:31:55]
01 [introduction]
02 July, July!
03 [banter]
04 Down By The Water
05 [banter2]
06 Rox In The Box
07 [banter3]
08 Calamity Song
09 Won’t Want for Love (Margaret in the Taiga)
10 [banter4]
11 The Engine Driver
12 [banter5]
13 The Soldiering Life
14 [banter6]
15 All Arise!
16 This Is Why We Fight
17 [banter7]
18 The Wanting Comes In Waves (with Shara Worden)
19 Dracula’s Daughter
20 Valencia
21 [Chimbley introduction]
22 Chimbley Sweep
23 [encore break]
24 A Cautionary Song (with “Battle of Trafalgar”)
25 Sons And Daughters
26 [second encore break]
27 June Hymn

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Decemberists, visit their website, and purchase the new album The King Is Dead from the link at the main page of their website or at the Decemberists Shop [HERE].

Oh Land: January 26, 2011 Hiro Ballroom – FLAC and MP3 Downloads + Streaming Song

January 27, 2011
By


[Photos by Ryan Muir and courtesy of Metromix]

Last night’s industry showcase performance by Oh Land at Hiro Ballroom gave full evidence of the amount of dues that the former ballerina and current model/emerging pop star has paid over the past year – and the extent to which they have paid off. It struck me how many gigs like this she has probably played – to mixed rooms of her most fervent supporters and some who are just there to be seen – yet she remains graceful, kind and seemingly unfazed by the starmaking process. Work back from this very-well-attended celebration of a show through the latter part of last year, and you’ll find every type of appearance imaginable – a small club gig at Mercury Lounge, opening gigs for Mates of State, seemingly endless and tireless CMJ appearances, playing Brooklyn Bowl for our friends’ Brunch After Dark, and earlier, their backyard for Backyard Brunch Sessions, the Northside Festival, SXSW…. By the time that her second Brooklyn Bowl show rolled around, Oh Land’s performances had already become much more refined than her first Brooklyn Bowl appearance at the Northside Festival – true pop star performances, not merely a pretty girl, a keyboard and her “contraption” (a combination drum machine/keyboard/projector, I believe it is). This Hiro show presaged the logical next phase of her career as her first full length for Epic Records is released in March – when her music’s fan base has fully transitioned from the blog world to clubland and the mainstream beyond. Her repertoire has diversified a bit in that direction; a new club-ready song I had not heard before was in the mix, as well as the anthems “We Turn It Up” and another one I had not heard before, which I will call “Human.” But what separates Oh Land from typical pop music (even highly lauded, but ultimately terrible Scandinavian pop music), is her playful spirit, her quirkiness, and her unforced songwriting; any artist who calls her live show “Mary Poppins on acid” has probably put any Katy Perry comparisons on hold. Oh Land’s very busy 2011 already has another big moment – the opening slot for the comeback performance of Orchestral Manoeuvres in the Dark at Terminal 5 later this year. We wish her an exciting and wonderful year.

I recorded this set with the Schoeps microphones on a 13-foot stand next to the soundboard. Unfortunately, the soundboard feed that was provided only contained the drum machine’s feed and was mostly useless, so this is an almost-all audience recording that does contain some noise from the bar crowd. Therefore, it is not quite up to our usual standards, but remains an accurate capture of the evening. For a truly outstanding Oh Land recording, I recommend that you download the shorter but better-sounding Brunch After Dark/Brooklyn Bowl recording as well/instead. Enjoy!

Special thanks to Epic Records for inviting nyctaper to this performance. Don’t miss Oh Land’s as-yet-untitled LP when it is released on March 15.

Stream “We Turn It Up”
[audio:https://www.nyctaper.com/O0627OhLand0210/13 We Turn It Up.mp3]

Stream “Sun of a Gun”:
[audio:https://www.nyctaper.com/O0627OhLand0210/06 Sun of A Gun.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Oh Land
2011-01-26
Hiro Ballroom
New York, NY

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, ROC, mics pointed at stacks at 13ft
Mastering: 2x24bit/48kHz WAV>Audacity (EQ, mixdown)>Audition (multiband compression)>Audacity (compress clapping, tracking, set fades, downsample to 44.1khz/16bit)>FLAC ( level 8 )

Tracks
01 Perfection
02 [new]
03 [banter]
04 Break the Chain
05 Wolf and I
06 Sun of a Gun
07 Lean on Me
08 banter
09 Helicopter
10 Human
11 White Nights
12 [encore break]
13 We Turn It Up
14 Rainbow

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Oh Land, visit her website, purchase her EP, which is available at all major retailers, on iTunes and here, and purchase her upcoming LP when it is released on Epic Records on March 15.

Shilpa Ray: January 21, 2011 Brooklyn Bowl – Flac and MP3 Downloads + Streaming Songs

January 23, 2011
By


[photo courtesy of Carly Sioux]

In a venue that sometime can feel like an advertisement for attention deficit disorder, on Friday night Shilpa Ray used her tremendous stage energy to cut through the Brooklyn Bowl distractions to deliver an outstanding set. With Jack White and a sixteen person entourage bowling in one corner, sports fans watching the Knicks on the large screen tv in another corner, and the floor of the venue filled with the persistent din of chatter, the venue did not offer an easy task for the live performers. But it was the night of her CD release party, and Shilpa was not to be denied. As she opened the set with “Beating St. Louis”, her powerful voice cut through the din and demanded attention. The show was propelled by seven straight songs before Shilpa came up for a breath after “Stick It To The Woman”, by which time she had the rapt attention of at least the front half of the crowd. The set consisted of the entire new album — Teenage & Torture was released Tuesday on Knitting Factory Records, with some older material sprinkled in. The encore segment began with a musically perfect cover of Pink Floyd’s The Wall anthem “In The Flesh” (streaming below) and continued with a cover of Red Kross. The show’s closing song was an extended version of “Genie’s Drugs” that ended the night on another high note.

I recorded this set with the hypercard Neumanns on a 14 foot stand from in front of the soundboard and mixed with a well-balanced feed from the board. The mix is 2/3 board, since the audience recording is marred by the high volume of the persistent din of the crowd. Overall, the final result is an excellent recording. Enjoy!

Stream “Venus Shaver”:
[audio:https://www.nyctaper.com/S2101Shilpa1102/Venus%20Shaver.mp3]

Stream “In The Flesh” (Pink Floyd cover):
[audio:https://www.nyctaper.com/S2101Shilpa1102/In%20The%20Flesh%20%5bPink%20Floyd%5d.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Shilpa Ray and Her Happy Hookers
2011-01-21
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-01-23

Setlist:
[Total Time 1:15:01]
01 Beating St. Louis
02 Heaven In Stereo
03 Venus Shaver
04 Erotolepsy
05 Pop Song For Euthanasia
06 Requiem In A Key I Don’t Know
07 Dames A Dime A Dozen
08 Stick It To The Woman
09 [banter]
10 Liquidation Sale
11 [banter2]
12 [new solo song]
13 Hookers
14 [banter3]
15 The Chelsea Clinic Physical
16 [encore break]
17 In The Flesh [Pink Floyd]
18 Neurotica [Red Kross]
19 [banter4]
20 Genie’s Drugs
21 [outro]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Shilpa Ray and Her Happy Hookers, visit their website, and purchase the new album Teenage & Torture from Knitting Factory Records [HERE].

Matt Douglas: January 9, 2011 Pete’s Candy Store – FLAC and MP3 Downloads + Streaming Songs

January 20, 2011
By


[iPhone 4 photo by acidjack]

I have known the Raleigh, NC-based singer and songwriter Matt Douglas, best known for his work with The Proclivities and his new band with the singer-songwriter Caitlin Cary, The Small Ponds, since we were high school kids, so it is fair to say that I am not impartial when it comes to his music. A multi-talented musician who excels on multiple instruments including sax and guitar, Douglas has spent most of his life as a teacher and student of music. Matt’s songs draw on a range of musical influences, including Hungarian folk music, which you may not pick up right away in what on their surface are classic American songs with rock, folk and country influences. I was thrilled to have a chance to catch up with Matt on this short solo tour of small venues, where he played material he wrote for both of his current bands, as well as a cover of Etta James’ “My Heart Cried.” These stripped-down gigs have a way of accentuating excellent songwriting (or exposing bad songwriting) rapidly; the lyrical and stylistic diversity of these songs told me that Douglas has earned his place on this journey will both skill and dedication. Two new songs early in the set, the country-inflected “Two of a Kind” and “Plexiglass Coffin” are expected to be released on a Matt Douglas solo record sometime this year. Wherever he is, and whomever he is playing with or for, expect Douglas to continue to expand his musical universe.

Matt has two NY-area shows coming up in February – first on February 12 at Terminal 5, where he plays horns with Josh Ritter & The Royal City Band, and then on February 16 at one of our favorite venues, Rock Shop, which is a Small Ponds gig.

I recorded this set with the tiny DPA 4061 omnidirectional mics clipped to either sides of a chair directly in front of the stage. The sound quality is excellent. Enjoy!

Stream “Ray of Sunshine”:
[audio:https://www.nyctaper.com/M9010MattDouglas0211/mattdouglas2011-01-09pete’s_acidjack-02.mp3]

Stream “Two of a Kind”:
[audio:https://www.nyctaper.com/M9010MattDouglas0211/mattdouglas2011-01-09pete’s_acidjack-04.mp3]

Direct download of entire set in MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Matt Douglas
2011-01-09
Pete’s Candy Store
Brooklyn, NY USA

An acidjack master recording
Recorded and produced for nyctaper.com by acidjack

Equipment: DPA 4061 (Coresound “HEB”)>Sony PCM-M10 (24/44.1)
Position: Center, 1ft from stage
Mastering: 24bit/44.1kHz WAV>Audacity (tracking, smooth peaks, light compression, set fades)>FLAC ( level 8 )

Tracks [Total Time

1. Intro
2. Ray of Sunshine
3. banter
4. Two of a Kind
5. banter
6. Plexiglass Coffin
7. banter
8. Charlatan
9. banter
10. My Heart Cried
11. Handguns & Dancing Shoes
12. banter
13. Pauline
14. banter
15. Gypsy Cards

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Matt Douglas, visit his website, and purchase the latest Small Ponds record here or on iTunes.

Austra: December 4, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

January 20, 2011
By


[Photo by acidjack with iPhone4 with Hipstamatic]

Toronto’s Austra came to town with one of that music scene’s current favorite sons, Diamond Rings, who referred to them later that night as “my favorite band.” This set at Glasslands gave many of us our first taste of a band that is likely to get big in a hurry, as they just signed to the UK’s famed Domino Records just a few days ago (with a new record on the way this spring), and have embarked on an extensive European tour. The brainchild of well-known Toronto-based vocalist Katie Stelmanis (Autra is actually her middle name), Austra play dreamy leftfield pop at home in the current moment; those searching for references might think about a band like The Knife; I also hear a less poppy, less histrionic bit of a band like Florence and the Machine as well (listen to “Lose It” for the reference). The centerpiece of the band’s sound is unquestionably Stelmanis’ powerful vocals, which soar above the driving electro beats. Expect to see Austra again stateside for SXSW, and look out for a video from them next month!

I recorded this set from the same location as the Diamond Rings recording, and other than some isolated crackling from the house system, the sound is outstanding. Enjoy!

Stream “Lose It”:
[audio:https://www.nyctaper.com/A1204Austra2010/Austra-LoseIt.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Austra
2010-12-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, ROC, mics roughly DIN
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Darken Her Horse
02 Lose It
03 The Villain
04 The Choke
05 Beat and the Pulse
06 Spellwork

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Austra, like them on Facebook, and purchase their releases directly from Domino Records here.

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