NYCTaper on Homegrown Radio NJ – Listen to the Stream

April 30, 2014
By

Homegrown Sunday Ramble #17 New Neil Young, NYCTaper Interview, Summer Music Festival Preview by Homegrown Sunday Ramble on Mixcloud

We (nyctaper and acidjack) were on the excellent webradio station Homegrown Radio NJ on Sunday night. The “Sunday Ramble” guys are clearly knowledgeable fans of the site and the interview went extremely well. We had a great time talking to Paul and Dave. The interview with us begins at about 30 minutes into the stream, but please listen to the whole show on this stream. Also, tune into the Sunday Ramble every Sunday night from 7pm to 9pm.

We had so much fun doing this interview that we’d love to do more. If you have a radio show and want us to talk about live music in NYC, send us an email.

New Bums: March 23, 2014 Baby’s All Right – FLAC/MP3/Streaming

April 29, 2014
By


large_newbums
[Promotional photo from Drag City website]

New Bums represents a new singer-songwriter oriented project from Ben “Six Organs of Admittance” Chasny and Donovan Quinn of Skygreen Leopards. The duo, touring their Drag City release Voices In A Rented Room, shared songs from that intimate, Americana-tinged song cycle with us at Baby’s All Right a few weeks ago to a fervent crowd of admirers. Anyone familiar with these players knows to expect nothing less than excellence, and that’s very much what they delivered. These low-key compositions don’t aspire to the same kind of nirvana as Chasny and Quinn’s more experimental main projects, but they’re nonetheless satisfying, especially as the pair’s voices and playing styles complement each other. The Baby’s space — intimate but not shabby — proved the perfect place to hear these songs live. Now head back to your bedroom or another quiet place and put on the headphones. You’ll see what I mean.

This set was recorded by Devin Foley 0n the house digital multitrack recorder, which I mixed down and edited. The sound quality is outstanding. Enjoy!

Stream “Welcome To the Navy”

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

New Bums
2014-03-23
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Digital multitrack 24bit/48kHz WAV files (engineer: Devin Foley)>Adobe Audition CS 5.5 (mix down, adjustments, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 The Killers and Me (fades in)
02 Pigeon Town
03 Welcome to the Navy
04 Sometimes You Crash
05 It’s the Way
06 Town on the Water
07 Your Bullshit
08 Shadow on the Stone [Donovan Quinn]
09 Cool Daughter
10 Words for Two
11 Burned

If you enjoyed this recording, PLEASE SUPPORT New Bums, visit their website, and purchase Voices In A Rented Room from Drag City.

Jon Langford: April 4, 2014 Bell House – Flac/MP3/Streaming

April 28, 2014
By

Langford

neild reports:

Jon Langford is a man of many bands. In addition to his long tenure as a founding member of the Mekons, the Three Johns, and the Waco Brothers, he’s had a busy solo career since his first album under his own name, 1998’s Skull Orchard, which was recorded with the aid of fellow Wacos Steve Goulding, Alan Doughty, and Mark Durante. He’s since performed regularly with his New York-based band the Ship & Pilot, consisting of Goulding, Pere Ubu bassist Tony Maimone, and violinist Jean Cook.

This show was part of a mini-tour in support of Langford’s new album Here Be Monsters, recorded as Jon Langford and the Skull Orchard, this time consisting of Cook, Doughty, vocalist Tawny Newsome, Zincs guitarist Jim Elkington, and part-time Wacos drummer Joe Caramillo. (For good measure, the album also includes reproductions of paintings that Langford did for each song; his day job is as a fine artist, painting mostly music-related works, prints of many of which are for sale at the merch table at his shows.) The band that showed up at Bell House, though, was yet another iteration: Langford, Cook (filling in more than capably on Newsome’s backing vocals), Camarillo, Meat Purveyors guitarist Bill Anderson, and occasional Langford touring bassist Ryan Hembrey.

Any Jon Langford show, regardless, is first and foremost a Jon Langford show: hard-rocking, political, as likely to drop a reference to Joe Strummer’s time spent as a grave digger in Wales as to take time out for a terrible joke. (This is a man who once worked the line “Zen buddhist hot dog man/Make me one with everything” into a Mekons song.) The hour-and-a-half set included a mix of songs from Here Be Monsters (including the standout “Drone Operator,” featured in a haunting new video with Moroccan filmmaker Hassan Amejal), his previous solo release Old Devils, Skull Orchard, and a handful of other tracks, culminating in the Mekons anthem “Memphis, Egypt,” for which Goulding emerged from the audience to play drums and Camarillo strapped on a guitar, which he later described as “the most fun I’ve ever had standing up.”

This was recorded with a mix of the Bell House soundboard feed and Church Audio CA-14 cardioid mics mounted on the wall behind the board. Enjoy!

Stream the Complete Show:

This Recording is Available to Download in FLAC and MP3 at Archive.org [HERE]

Jon Langford
2014-04-04
Bell House
Brooklyn, NY

Source: SBD > iRiver H320 + AUD > CA-14 cardioids > MM-EBM-1 battery box (bass rolloff off) > iRiver H320
Transfer: iRiver H320 > WAV > SoundStudio > FLAC
Recorded by neil d

01. intro
02. Summerstars
03. Drone Operator
04. Mars
05. 1234ever
06. Haunted
07. Tubby Brothers
08. Pill Sailor
09. Sugar On Your Tongue
10. Little Ray of Light
11. What Did You Do In The War?
12. Streets of Your Town (Go-Betweens)
13. I Am The Law
14. Are You An Entertainer?
15. X-Ray Style (Joe Strummer)
16. Deep Sea Diver
17. Sentimental Marching Song
18. Homburg
19. Luxury
20. Getting Used to Uselessness
21. Memphis, Egypt

If you download this recording, please support Jon Langford. You can buy Here Be Monsters at jonlangford.de, and the rest of his many, many albums scattered across the Internet, though Bloodshot Records’ Langford page isn’t a bad place to start.

The Coathangers: April 17, 2014 Baby’s All Right – FLAC/MP3/Streaming Full Set

April 24, 2014
By

IMG_7185
[photos by acidjack. they’re not very good, but the recording is]

The Atlanta all-female punk threesome The Coathangers go for the jugular, but they go for it with a smile. Since their last record, 2011’s Larceny and Old Lace, they no longer have a keyboard player (Candice Jones aka Bebe Coathanger), but stripping down has served them well. The raw ferocity of the remaining members — Minnie Coathanger (Meredith Franco), Crook Kid Coathanger (Julia Kugel) and Rusty Coathanger (Julia Luke) — is more than enough to fill a stage and dominate a forty-five minute set.

This show at Baby’s All Right gave us a look at the material from their 2014 release, Suck My Shirt, and if these songs are any indication, they’re more than fine without the keyboards. The ladies in this band share vocal duties producing an enticing mix of babydoll sweetness and punk snarl. The band’s other most notable component is their shared sense of humor, which can run to dark places, starting with the band name (a reference to the bad old days of abortion).

Throughout the set, the band offered ample doses of self-effacing humor to go with their reckless, infectious songs. When we last saw them, Larceny and Old Lace had just hit the shelves, and they gave new life to several of those now-keyboardless songs like the burner of a set opener, “Johnny” and melodic, somewhat slower-paced “Trailer Park Boneyard”, which was one of my favorites. The new Suck My Shirt material really shone, from the blistering “Adderall” and “Springfield Cannonball” to the rough and raucous “Smother”. The night’s closer, “Don’t Touch My Shit”, was perhaps the perfect example of how punk can grow up without getting lame. The band brought the eight-year old daughter of a friend of the band a young girl who is (one of the band members’ relatives/daughter? If you know… feel free to let me know in the comments) in on guest vocals. We were warned that she’d be saying some bad words, and she did. Best to get them started off early if you want ’em to turn out right!

This recording is a digital multitrack recording and the sound quality is outstanding. Enjoy!

Stream the entire set and download individual tracks (full set downloads below):

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7212

The Coathangers
2014-04-17
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley and acidjack
Produced by acidjack

Multichannel digital multitrack 24bit/48kHz files>Adobe Audition CS 5.5 (compression, alignment, mixdown, fades)>Izotope Ozone 5.5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 44:14]
01 [intro]
02 Johnny
03 Smother
04 Follow Me
05 Trailer Park Boneyard
06 Sicker
07 Springfield Cannonball
08 Call To Nothing
09 Arthritis Sux
10 Adderall
11 Hurricane
12 Derek’s Song
13 Sex Beat [The Gun Club]
14 Shut Up
15 Cheap
16 [banter]
17 Don’t Touch My Shit

If you enjoyed this recording, please support The Coathangers, visit their website and buy their records from Suicide Squeeze Records.

Ryan Sawyer and Darius Jones: April 16, 2014 Union Pool – FLAC/MP3/Streaming Full Set

April 24, 2014
By

IMG_7153
[photo by acidjack]

We are very honored and excited to present our second experimental jazz recording for the site, the duo of Ryan Sawyer and Darius Jones opening for William Tyler at Union Pool. To quote my friend John Cook, a man much better educated on the scene than me, “both [Jones and Sawyer] are relentlessly experimental and quite diverse, leaving almost no stylistic or contextual stone unturned.” Indeed, these two have a recorded output and music history as diverse as the very bill they found themselves on this night.

Sawyer has played drums and otherwise collaborated across a range of genres, for artists as diverse as Boredoms, TV On the Radio, Rhys Chatham, Kid Millions, Gang Gang Dance, and Mekons, with current projects including Lonewolf & Cub and Oso Blanco, where he’s joined by local experimentalists C. Spencer Yeh, Colin Stetson and Nate Wooley).

Alto saxophonist Jones is an accomplished improviser who has joined projects ranging from the traditional to the wildly experimental. He participates in Gerald Cleaver’s Black Host, which released a record on Northern Spy in 2013, and found Jones veering ever-so-slightly toward a rock vibe. He has also released a series of three albums on the Aum Fidelity label that explore many sides of the jazz spectrum. As a player of the alto sax, Jones is able to wreak an almost unparalleled intensity from the instrument, as was in evidence at this short-but-powerful all-improvisational performance. 

Jones and Sawyer collaborate periodically in addition to their other projects, making this set a welcome surprise. Clearly more than a few fans were in the know, as the club filled up the second the doors opened for this performance. What you will hear on this recording are three separate untitled improvisations that provide a good introduction to both players’ style. Though the pieces are abstract, Jones and Sawyer manage to establish a natural sense of flow and drive to them, suggesting that this is a pairing worth further repetition. We hope to continue featuring more performances of this kind in the future.

This set was recorded with an excellent stereo soundboard feed by Robert, the Union Pool engineer, together with Schoeps MK41 microphones. The sound quality is outstanding. Enjoy!

Stream the full show and download individual tracks:

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ryan Sawyer and Darius Jones
2014-04-16
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Robert)+Schoeps MK41>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, noise reduction, align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [all songs are untitled]
01
02
03

Please support the work of Ryan Sawyer and Darius Jones — visit them on the web (Ryan is here, Darius is here), buy their music (Darius’ albums can be bought here; Ryan’s solo effort One Day Your Heart Will Be Your Skin, is coming soon), and watch for their upcoming shows.

Coeds: March 13, 2014 DC Against the World SXSW Party, New Movement Theater (Austin, TX) – FLAC/MP3/Streaming Full Set

April 23, 2014
By


IMG_6861
[photo by acidjack]

Coeds is an almost-brand-new electropop duo who graced the unofficial DC Against The World SXSW party with their very first show, which we are presenting here. The duo, consisting of Merideth Muñoz and Ryan Kailath, are geographically split between Austinite Meredeth and New Yorker Ryan. Even shunted into the relatively tight space in the front of the venue with a similarly humble sound system, the band’s knack for delivering hooks came through loud and clear. If you read this interview with Muñoz, you get a sense of what this band is about — putting their audience first, and doing whatever it takes to make that audience have fun. That’s exactly what made this first show, and first SXSW for the band, something worth seeing, and what I expect will serve Coeds well in the rest of their career.

This set was recorded with a minimal setup, DPA 4061 microphones mounted in front of one of the speakers on the “stage”. While the sound gives a decent impression of the sound of the event, please note that any limitations are the result of the technology being used, and not the skill of the band. We think that, this being the band’s first show, it is a moment worth documenting despite the reduced sound quality. Enjoy!

Stream the complete set and download individual tracks:

Download the complete show: [MP3]  | [FLAC]

Stream the “Sensitive Boys” single (studio version):

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Coeds
2014-03-13
DC Against the World SXSW Showcase
New Movement Theater
Austin, TX

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

DPA 4061 (FOB)>CA-UBB>Sony PCM-M10>16bit/44.1kHz WAV>Adobe Audition CS 5.5 (compression, reverb, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 Weekend Lover
02 [banter]
03 Videos
04 Fourth of July
05 [banter2]
06 Sensitive Boys

Note: Band’s first performance

If you enjoyed this recording, visit Coeds’ Facebook page and check out their website for more information, tour dates, and sounds. Support the sponsors of this event – CHIRP (the Chicago Independent Radio Project), Fredericksburg All AgesRogness Brewing Company and Bitch Beer

SUPPORT NYCTaper




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