Blitzen Trapper: December 9, 2011 Maxwell’s – Flac and MP3 Downloads + Streaming Songs

December 13, 2011
By


[photo courtesy of Christopher Altenburg at Monster Fresh]

Blitzen Trapper are not currently on tour, but as a bonus for their trip East to play Letterman on Thursday night, the band added an intimate show at Maxwell’s on Friday. After spending much of the last three months on tour in support of their sixth album, the September release American Goldwing (Sub Pop), this one-off show gave Blitzen Trapper the opportunity to stretch out and play some rare tracks and a lengthy set. Indeed, the set lasted well over ninety minutes and contained twenty-five songs, including “Silver Moon” and “Not Your Lover”, songs absent from recent setlists. On Letterman on Thursday, the band played “Might Find it Cheap”, so that Friday’s version was tight and energetic — we’re streaming it below. The intimate nature of the venue also created a nice interaction between the band and the diehards who were able to secure tickets to the sold-out show, and that led to some hilarious banter. Blitzen Trapper is a band that seems to really enjoy playing music and on Friday night that was more than evident.

I recorded this set with the standard setup for this venue, with the Neumanns mounted inside the front right corner of the soundboard booth and mixed with a board feed. Blitzen Trapper’s outstanding tour FOH Martin did a superb job on the mix and this recording is one of the best we’ve ever captured at Maxwell’s. Enjoy!

Stream “Might Find It Cheap”:
[audio:https://www.nyctaper.com/B2227Blitzen9822/06.%20Might%20Find%20It%20Cheap.mp3]

Stream “Good Times Bad Times” [Led Zeppelin cover]:
[audio:https://www.nyctaper.com/B2227Blitzen9822/29.%20Good%20Times%20Bad%20Times%20%5bZep%5d.mp3]

This recording is now available for download in FLAC or MP3 at Archive.org [HERE].

Blitzen Trapper
2011-12-09
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-10

Setlist:
[Total Time 1:34:54]
01 [intro]
02 American Goldwing
03 God and Suicide
04 My Hometown
05 Furr
06 Might Find It Cheap
07 Love and Hate
08 Fletcher
09 Fire and Fast Bullets
10 Gold For Bread
11 Love The Way You Walk Away
12 Stolen Shoes and A Rifle
13 Black River Killer
14 Silver Moon
15 Talking It Easy Too Long
16 Good Ol Boys [Waylon Jennings]
17 Big Black Bird
18 Evening Star
19 Miss Spiritual Tramp
20 Your Crying Eyes
21 Street Fighting Sun
22 Wild Mountain Nation
23 [encore break]
24 Not Your Lover
25 [banter – thanks to Martin and Sara]
26 Lady on the Water
27 [banter – Summer of 69]
28 Jericho
29 Good Times Bad Times [Zep]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Blitzen Trapper, visit their website, and purchase American Goldwing from the Store at their site [HERE].

Ian O’Neil (of Deer Tick): December 7, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 13, 2011
By


[Photo courtesy of MaryAnne Ventrice. See her portfolio [HERE]]

After their recent, raucous performance at Webster Hall, we saw a very different sort of Deer Tick-related performance this past Wednesday night at Glasslands. Ian O’Neil, who has been Deer Tick’s guitarist since 2009, and previously played with Titus Andronicus, gave a relaxed, intimate performance of old standards as well as numbers from Deer Tick’s divisive new album, Divine Providence and new solo numbers (presumably) of his own. Sticking primarily to a more country-folk sound, O’Neil lead off with the Grateful Dead number “I’ve Been All Around This World,” followed by Michael Hurley’s “Be Kind To Me.” He was joined onstage by members of headliners Virgin Forest (that recording coming soon) for the last few songs, including a rousing version of Chuck Berry’s “Maybelline”.

I recorded this set with AKG 414 large-diaphragm microphones in our usual spot in the video plus a nice clean soundboard feed from Josh, the house engineer at Glasslands. The sound quality is excellent. Enjoy!

Thanks to Partisan Records for inviting us to this show.

Stream “Walkin’ Out the Door”
[audio:https://www.nyctaper.com/D4545DeerTick3030/03 Walkin’ Out the Door.mp3]

Stream “I’ve Been All Around This World [Grateful Dead]”
[audio:https://www.nyctaper.com/D4545DeerTick3030/01 I’ve Been All Around This World.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ian O’Neil (of Deer Tick)
2011-12-07
Glasslands
Brooklyn, NY USA

Recorded and produced by acidjack
for nyctaper.com

Soundboard + AKG C 414 B-XLS (cardiod)>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, smooth peaks, tracking, amplify, balance and downsample)>FLAC ( level 8 )

Tracks
01 I’ve Been All Around This World [Grateful Dead]
02 Be Kind To Me [Michael Hurley]
03 Walkin’ Out the Door
04 [new – “Is This It?”]
05 [new – “Worth the Pain”]
06 [new – “You’re Not Spanish To Me”]
07 Now It’s Your Turn
08 Maybelline [Chuck Berry]
09 Hope Is Big

If you enjoyed this recording, PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases including Divine Providence from the Partisan Records Store [HERE].

The Antlers: December 10, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Songs

December 12, 2011
By


[photo courtesy of JeremyEye]

About midway through the Antlers show at Webster Hall last night, I took a stroll around the venue just to try to take it all in. The 1200+ capacity venue was literally packed to the walls — it wasn’t an easy stroll. But the take-away is that this band can fill a venue of this size on a busy Friday night when concert-goers had many other choices. In the Antlers biggest ever show in NYC, the band delivered the goods. It was a ninety-minute set limited only in length by the late-night club that Webster Hall becomes after 11 p.m. We got the feeling that they could have played another half hour. The set consisted of an interesting mix of Burst Apart and Hospice material, including some songs we had not seen in a while. “Sylvia” is streaming below, and the stand-out performance brought back a powerful song that was not played earlier in the year. The Burst Apart material has grown in length and development in the live setting, and in particular “Teeth” (also streaming below) embodies that maturation. Just a few days removed from a 30-plus show tour of Europe, the Antlers were well rehearsed but undoubtedly a little fatigued. Fortunately, the energy of a sold-out triumphant hometown return show invigorated the quartet, so that there wasn’t an ebb moment in the entire ninety-minute set.

I recorded this set with the hyper-cardioid Neumann microphones placed at the front rail of the soundboard booth in the lower balcony, and mixed with a soundboard feed. The difficult room was mixed with precision by the Antlers FOH Dan Seiders, and the sound quality is excellent. Enjoy!

Stream “Every Night My Teeth Are Falling Out”:
[audio:https://www.nyctaper.com/A3398Antlers3200/08.%20Every%20Night%20My%20Teeth%20Are%20Falling%20Out%20(2).mp3]

Stream “Sylvia”:
[audio:https://www.nyctaper.com/A3398Antlers3200/14.%20Sylvia.mp3]

This recording is now available as a FLAC or MP3 download at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Antlers
2011-12-10
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-11

Setlist:
[Total Time 1:33:37]
01 Parentheses
02 No Widows
03 Kettering
04 French Exit
05 Atrophy
06 Corsicana
07 Rolled Together
08 Every Night My Teeth Are Falling Out
09 [banter]
10 Hounds
11 Putting the Dog To Sleep
12 [encore break]
13 I Don’t Want Love
14 Sylvia
15 Epilogue

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Burst Apart from their site [HERE].

Tribes: December 8, 2011 Mercury Lounge – Flac and MP3 Downloads + Streaming Song

December 9, 2011
By


[photo courtesy of Chris at Music Snobbery]

Tribes have hit it big in their native England less than a year since their debut. Its easy to see why. The two EPs the band has released in 2011 are both packed with irresistible power pop, which borrows from Big Star at its most inspired and Cheap Trick at its most polished — and adds a Brit flavor. Tribes arrived on the US shores just a few days ago, and played their first-ever NYC show last night at Mercury Lounge. Apparently, the brit-buzz has followed them as the venue was packed. As the band will release their debut full-length in January (Baby on Island Records UK), the forty-minute set consisted of only four previously released tracks from the EPs and five new ones. We are streaming “Corner of an English Field”, a mid-tempo rocker with hooks aplenty and a driving beat. Its not hard to foresee that Tribes will soon be playing much larger venues than Mercury, especially given the can’t-miss quality of the songs that will hit in January. Tribes plays at Glasslands tonight, before returning to England after a few more US dates.

I recorded this set with the Neumanns positioned at the soundboard booth and mixed with a soundboard feed. The sound quality is excellent. Enjoy!

Stream “Corner of an English Field”:
[audio:https://www.nyctaper.com/T1280Tribes2200/07.%20Corner%20of%20an%20English%20Field.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Tribes
2011-12-08
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH (level 7) > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced by nyctaper
2011-12-09

Setlist:
[Total Time 37:22]
01 [intro music]
02 Whenever
03 Girlfriend
04 Sappho
05 When My Day Comes
06 Himalaya
07 Corner of an English Field
08 Not So Pretty
09 Nightdriving
10 We Were Children

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Tribes, visit their website, and purchase their two EPs [HERE] and pre-order their debut album Baby (January 16 release) [HERE].

BOBBY: December 03, 2011 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

December 8, 2011
By

Photo courtesy of Chris La Putt and Brooklyn Vegan
[photos courtesy of Chris La Putt and Brooklyn Vegan]

In addition to catching The Loom last Saturday night at Mercury Lounge, we also had the pleasure of seeing a relatively new band, BOBBY, for the first time. The band, who is signed to Partisan Records and led by Tom Greenberg, is primarily a collaborative of Bennington College graduates with an affinity for experimental music. Their use of varied time signatures and heavily layered synths gives their music a dreamlike, almost hypnotic feel.

Along with the illusory nature of their music, the name Bobby isn’t a reference to a band member, or even an actual person, but rather an imaginary figure who was a “wayward founding member” and, in spirit, continues to “watch over them” while guiding both listener and performer through a journey of experimental sound and thought.

This performance was recorded using an excellent soundboard feed provided by the Mercury Lounge sound engineer and mixed with an audience capture using a pair of Schoeps hypercardioids. The resulting mix needed almost no post-production work and is truly a testament to the excellent work by the band and folks over at Mercury Lounge. We hope you enjoy!

Stream “Shimmychick”
[audio:https://www.nyctaper.com/B2130Bobby2110/bobby2011-12-03.shimmychick.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

BOBBY
Mercury Lounge
New York, NY, US
2011-12-03

Recordist : hi and lo
Source : Soundboard + Schoeps Mk41 > E.A.A. PSP-2 > Sonic AD2k+ > Tascam DR-680 @ 24 bit / 48 kHz
Position : on-stand, roc by soundboard, DINa, 9′
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. If its Dead Outside
02. Shimmychick
03. We Saw
04. Ginger (Water Birth)
05. [Unknown]
06. Sore Spores
07. Nap Champ
08. [Unknown]
09. [Unknown]

Running Time: 50:11

If you are able to identify any of the three Unknown track titles, please let us know!

Please support BOBBY by signing up for their mailing list. If you’ve enjoyed this recording, you may also purchase a copy of their self-titled album Bobby directly from Partisan Records page or from iTunes.

Daniel Wayne: November 17, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 7, 2011
By


[photo by David Andrako]

If you haven’t heard a truly great voice lately, you might want to check out Daniel Wayne. There’s no doubt that distinguishing yourself as a singer-songwriter can be difficult; it’s a style where it’s easy to be mediocre, difficult to be great. But that voice puts to rest the doubters – sweet through the middle and upper ranges and flawless on the high notes, Wayne is instantly recognizable as well as accessible. A good example can be heard on the haunting, lonely solo number, “Pub’s Crawl”, which also takes an abrupt turn into a religious hymn at the end. Humble and appreciative between songs, the Ohio native comes across likable as well (the Midwestern thing again?). As for his songs, many are tinged with a light country twang, and navigate both indie gloom and homespun folk themes with equal skill.

I will admit that I had not heard of Wayne before I caught this Glasslands Gallery set opening for Jessica Lea Mayfield (that recording here), but apparently I was behind the curve. A sizable crowd showed up to catch his opening set, and by the end, a pretty full house was paying rapt attention. Wayne split the set equally between solo acoustic and full-band electric numbers, and we have served up a streaming example of each below (along with the complete-set download, of course). When the full band comes in during the first chorus of “Birds,” you can tell that Wayne’s big voice is equally if not better suited to the full-band treatment. The full-band songs also give Wayne a broader palette for his arrangements, and he takes full advantage on songs like the countrified “Virgin Saint”, streaming below. Despite being the first opener of the night, Wayne put forth a full 50-minute set that alone was worth the show’s price of admission. As Wayne himself put it in a recent interview on the CBS News website, “Every time I get on the stage, I give it everything I have.” This was only my first Daniel Wayne performance, but that sure seemed to be the case.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a flawless soundboard feed provided by Josh Thiel, the house engineer at Glasslands. The sound is outstanding. Enjoy!

Stream “Virgin Saint”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/09 Virgin Saint.mp3]

Stream “Pub’s Crawl”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/04 Pub’s Crawl.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Wayne
2011-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, POS)>CMC6>Sound Devices USBPre + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 The Fool
02 The Dog
03 [banter]
04 Pub’s Crawl
05 Beautiful Day
06 Poseidon’s Drownin’ Son
07 [banter]
08 Birds
09 Virgin Saint
10 Far From Here
11 [banter]
12 My Bed
13 untitled

If you enjoyed this recording, PLEASE SUPPORT Daniel Wayne, visit his website, and purchase his 4-song EP directly from Amazon.

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