Ian O’Neil (of Deer Tick): December 7, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 13, 2011
By


[Photo courtesy of MaryAnne Ventrice. See her portfolio [HERE]]

After their recent, raucous performance at Webster Hall, we saw a very different sort of Deer Tick-related performance this past Wednesday night at Glasslands. Ian O’Neil, who has been Deer Tick’s guitarist since 2009, and previously played with Titus Andronicus, gave a relaxed, intimate performance of old standards as well as numbers from Deer Tick’s divisive new album, Divine Providence and new solo numbers (presumably) of his own. Sticking primarily to a more country-folk sound, O’Neil lead off with the Grateful Dead number “I’ve Been All Around This World,” followed by Michael Hurley’s “Be Kind To Me.” He was joined onstage by members of headliners Virgin Forest (that recording coming soon) for the last few songs, including a rousing version of Chuck Berry’s “Maybelline”.

I recorded this set with AKG 414 large-diaphragm microphones in our usual spot in the video plus a nice clean soundboard feed from Josh, the house engineer at Glasslands. The sound quality is excellent. Enjoy!

Thanks to Partisan Records for inviting us to this show.

Stream “Walkin’ Out the Door”
[audio:https://www.nyctaper.com/D4545DeerTick3030/03 Walkin’ Out the Door.mp3]

Stream “I’ve Been All Around This World [Grateful Dead]”
[audio:https://www.nyctaper.com/D4545DeerTick3030/01 I’ve Been All Around This World.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ian O’Neil (of Deer Tick)
2011-12-07
Glasslands
Brooklyn, NY USA

Recorded and produced by acidjack
for nyctaper.com

Soundboard + AKG C 414 B-XLS (cardiod)>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, smooth peaks, tracking, amplify, balance and downsample)>FLAC ( level 8 )

Tracks
01 I’ve Been All Around This World [Grateful Dead]
02 Be Kind To Me [Michael Hurley]
03 Walkin’ Out the Door
04 [new – “Is This It?”]
05 [new – “Worth the Pain”]
06 [new – “You’re Not Spanish To Me”]
07 Now It’s Your Turn
08 Maybelline [Chuck Berry]
09 Hope Is Big

If you enjoyed this recording, PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases including Divine Providence from the Partisan Records Store [HERE].

The Antlers: December 10, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Songs

December 12, 2011
By


[photo courtesy of JeremyEye]

About midway through the Antlers show at Webster Hall last night, I took a stroll around the venue just to try to take it all in. The 1200+ capacity venue was literally packed to the walls — it wasn’t an easy stroll. But the take-away is that this band can fill a venue of this size on a busy Friday night when concert-goers had many other choices. In the Antlers biggest ever show in NYC, the band delivered the goods. It was a ninety-minute set limited only in length by the late-night club that Webster Hall becomes after 11 p.m. We got the feeling that they could have played another half hour. The set consisted of an interesting mix of Burst Apart and Hospice material, including some songs we had not seen in a while. “Sylvia” is streaming below, and the stand-out performance brought back a powerful song that was not played earlier in the year. The Burst Apart material has grown in length and development in the live setting, and in particular “Teeth” (also streaming below) embodies that maturation. Just a few days removed from a 30-plus show tour of Europe, the Antlers were well rehearsed but undoubtedly a little fatigued. Fortunately, the energy of a sold-out triumphant hometown return show invigorated the quartet, so that there wasn’t an ebb moment in the entire ninety-minute set.

I recorded this set with the hyper-cardioid Neumann microphones placed at the front rail of the soundboard booth in the lower balcony, and mixed with a soundboard feed. The difficult room was mixed with precision by the Antlers FOH Dan Seiders, and the sound quality is excellent. Enjoy!

Stream “Every Night My Teeth Are Falling Out”:
[audio:https://www.nyctaper.com/A3398Antlers3200/08.%20Every%20Night%20My%20Teeth%20Are%20Falling%20Out%20(2).mp3]

Stream “Sylvia”:
[audio:https://www.nyctaper.com/A3398Antlers3200/14.%20Sylvia.mp3]

This recording is now available as a FLAC or MP3 download at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Antlers
2011-12-10
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-11

Setlist:
[Total Time 1:33:37]
01 Parentheses
02 No Widows
03 Kettering
04 French Exit
05 Atrophy
06 Corsicana
07 Rolled Together
08 Every Night My Teeth Are Falling Out
09 [banter]
10 Hounds
11 Putting the Dog To Sleep
12 [encore break]
13 I Don’t Want Love
14 Sylvia
15 Epilogue

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Burst Apart from their site [HERE].

Tribes: December 8, 2011 Mercury Lounge – Flac and MP3 Downloads + Streaming Song

December 9, 2011
By


[photo courtesy of Chris at Music Snobbery]

Tribes have hit it big in their native England less than a year since their debut. Its easy to see why. The two EPs the band has released in 2011 are both packed with irresistible power pop, which borrows from Big Star at its most inspired and Cheap Trick at its most polished — and adds a Brit flavor. Tribes arrived on the US shores just a few days ago, and played their first-ever NYC show last night at Mercury Lounge. Apparently, the brit-buzz has followed them as the venue was packed. As the band will release their debut full-length in January (Baby on Island Records UK), the forty-minute set consisted of only four previously released tracks from the EPs and five new ones. We are streaming “Corner of an English Field”, a mid-tempo rocker with hooks aplenty and a driving beat. Its not hard to foresee that Tribes will soon be playing much larger venues than Mercury, especially given the can’t-miss quality of the songs that will hit in January. Tribes plays at Glasslands tonight, before returning to England after a few more US dates.

I recorded this set with the Neumanns positioned at the soundboard booth and mixed with a soundboard feed. The sound quality is excellent. Enjoy!

Stream “Corner of an English Field”:
[audio:https://www.nyctaper.com/T1280Tribes2200/07.%20Corner%20of%20an%20English%20Field.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Tribes
2011-12-08
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH (level 7) > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced by nyctaper
2011-12-09

Setlist:
[Total Time 37:22]
01 [intro music]
02 Whenever
03 Girlfriend
04 Sappho
05 When My Day Comes
06 Himalaya
07 Corner of an English Field
08 Not So Pretty
09 Nightdriving
10 We Were Children

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Tribes, visit their website, and purchase their two EPs [HERE] and pre-order their debut album Baby (January 16 release) [HERE].

BOBBY: December 03, 2011 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

December 8, 2011
By

Photo courtesy of Chris La Putt and Brooklyn Vegan
[photos courtesy of Chris La Putt and Brooklyn Vegan]

In addition to catching The Loom last Saturday night at Mercury Lounge, we also had the pleasure of seeing a relatively new band, BOBBY, for the first time. The band, who is signed to Partisan Records and led by Tom Greenberg, is primarily a collaborative of Bennington College graduates with an affinity for experimental music. Their use of varied time signatures and heavily layered synths gives their music a dreamlike, almost hypnotic feel.

Along with the illusory nature of their music, the name Bobby isn’t a reference to a band member, or even an actual person, but rather an imaginary figure who was a “wayward founding member” and, in spirit, continues to “watch over them” while guiding both listener and performer through a journey of experimental sound and thought.

This performance was recorded using an excellent soundboard feed provided by the Mercury Lounge sound engineer and mixed with an audience capture using a pair of Schoeps hypercardioids. The resulting mix needed almost no post-production work and is truly a testament to the excellent work by the band and folks over at Mercury Lounge. We hope you enjoy!

Stream “Shimmychick”
[audio:https://www.nyctaper.com/B2130Bobby2110/bobby2011-12-03.shimmychick.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

BOBBY
Mercury Lounge
New York, NY, US
2011-12-03

Recordist : hi and lo
Source : Soundboard + Schoeps Mk41 > E.A.A. PSP-2 > Sonic AD2k+ > Tascam DR-680 @ 24 bit / 48 kHz
Position : on-stand, roc by soundboard, DINa, 9′
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. If its Dead Outside
02. Shimmychick
03. We Saw
04. Ginger (Water Birth)
05. [Unknown]
06. Sore Spores
07. Nap Champ
08. [Unknown]
09. [Unknown]

Running Time: 50:11

If you are able to identify any of the three Unknown track titles, please let us know!

Please support BOBBY by signing up for their mailing list. If you’ve enjoyed this recording, you may also purchase a copy of their self-titled album Bobby directly from Partisan Records page or from iTunes.

Daniel Wayne: November 17, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 7, 2011
By


[photo by David Andrako]

If you haven’t heard a truly great voice lately, you might want to check out Daniel Wayne. There’s no doubt that distinguishing yourself as a singer-songwriter can be difficult; it’s a style where it’s easy to be mediocre, difficult to be great. But that voice puts to rest the doubters – sweet through the middle and upper ranges and flawless on the high notes, Wayne is instantly recognizable as well as accessible. A good example can be heard on the haunting, lonely solo number, “Pub’s Crawl”, which also takes an abrupt turn into a religious hymn at the end. Humble and appreciative between songs, the Ohio native comes across likable as well (the Midwestern thing again?). As for his songs, many are tinged with a light country twang, and navigate both indie gloom and homespun folk themes with equal skill.

I will admit that I had not heard of Wayne before I caught this Glasslands Gallery set opening for Jessica Lea Mayfield (that recording here), but apparently I was behind the curve. A sizable crowd showed up to catch his opening set, and by the end, a pretty full house was paying rapt attention. Wayne split the set equally between solo acoustic and full-band electric numbers, and we have served up a streaming example of each below (along with the complete-set download, of course). When the full band comes in during the first chorus of “Birds,” you can tell that Wayne’s big voice is equally if not better suited to the full-band treatment. The full-band songs also give Wayne a broader palette for his arrangements, and he takes full advantage on songs like the countrified “Virgin Saint”, streaming below. Despite being the first opener of the night, Wayne put forth a full 50-minute set that alone was worth the show’s price of admission. As Wayne himself put it in a recent interview on the CBS News website, “Every time I get on the stage, I give it everything I have.” This was only my first Daniel Wayne performance, but that sure seemed to be the case.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a flawless soundboard feed provided by Josh Thiel, the house engineer at Glasslands. The sound is outstanding. Enjoy!

Stream “Virgin Saint”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/09 Virgin Saint.mp3]

Stream “Pub’s Crawl”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/04 Pub’s Crawl.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Wayne
2011-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, POS)>CMC6>Sound Devices USBPre + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 The Fool
02 The Dog
03 [banter]
04 Pub’s Crawl
05 Beautiful Day
06 Poseidon’s Drownin’ Son
07 [banter]
08 Birds
09 Virgin Saint
10 Far From Here
11 [banter]
12 My Bed
13 untitled

If you enjoyed this recording, PLEASE SUPPORT Daniel Wayne, visit his website, and purchase his 4-song EP directly from Amazon.

Owen: December 2, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 6, 2011
By


[Video stills courtesy of Ian Perlman and Oresti Tsonopoulos]

Mike Kinsella has been involved in many a highly-regarded project over the years – in particular, the Illinois native still does time in Joan of Arc with his brother Tim (our recent recording of them [HERE]), and before that, he and Tim were in Cap’n Jazz (our recent recording of them [HERE]). The man’s discography is longer than many artists twice his age – and most of it is quite good.

The latest Kinsella project to receive positive notice is his affecting solo effort, Owen, which he has been releasing albums under since 2001. Let me revise that – a lot of positive notice. I had not seen Glasslands this completely full in a long time, probably since the packed-to-the-rafters Yuck show last winter, or Bear In Heaven’s show there in 2009. Our friends at PopGun Booking knew what they were doing when they booked this for a Friday night.

Packed house or not, Kinsella made the show feel like an intimate evening in a family basement, with a freewheeling set that found him joking with the crowd during and in between songs, chatting with folks in the front row, riffing on fantasy football, hockey, airplane turbulence and (briefly) failed GOP contender Herman Cain, and making the best of some difficult technical issues. Alone onstage with his guitar (with audience members in his face on all sides), Kinsella delivered an hour’s worth of songs that were by turns melancholy, funny and whimsical, all in a trademark sweet voice that, for many of us, typifies the “emo” sound popularized in the 1990s. Even with such distractions as occasional PA buzzing and interference from Mike’s phone, his unadorned set was powerful and moving, and the crowd hung on every word. Much of his 2011 release Ghost Town was covered, but the set spanned the Owen catalog. Even Kinsella’s occasional flubs — a couple of songs ended prematurely — were greeted enthusiastically, to the point that he mocked the crowd for cheering for one aborted number. With some performers, this kind of thing could be annoying, but Kinsella is the type of amiable guy you can’t help but laugh with when things go wrong.  The show ended on that kind of note, when a massive equipment problem during the encore sent waves of static blasting through the PA. “That’s cool,” Kinsella said. “Thanks for coming guys. I’m done. It was fun. Now it’s over.” Mike smiled as he walked off, and the crowd roared its approval. It was that kind of night.

I recorded this set with a soundboard feed and Schoeps MK22 “open cardioid” microphones in the usual location I use in the venue.  After extensive post-processing to reduce or eliminate most of the sound issues (which, it should be added, were not the fault of the Glasslands house team), I am quite pleased with the quality of the recording. Hear it for yourself below, and enjoy!

Stream “The Armoire”:
[audio:https://www.nyctaper.com/O0212Owen0211/12%20The%20Armoire.mp3]

Stream “No Language”:
[audio:https://www.nyctaper.com/O0212Owen0211/24%20No%20Language.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Owen
2011-12-02
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, NOS)>KCY>Naiant littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, noise reduction, EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro banter]
02 Too Many Moons
03 [banter]
04 O, Evelyn
05 Abandoned Bridges
06 [banter/tuning]
07 The Sad Waltzes of Pietro Crespi
08 An Animal
09 [banter]
10 The Anthropology Song
11 [banter]
12 The Armoire
13 No Place Like Home
14 [banter]
15 New Leaves
16 [banter]
17 Bad Backs and Hardwood Floors
18 [banter]
19 Bad News
20 A Bird In Hand
21 [banter]
22 Everyone’s Asleep in the House but Me
23 [banter]
24 No Language
25 [banter]
26 Broken Bones
27 [banter]
28 Good Friends Bad Habits

PLEASE SUPPORT Owen by visiting Mike’s MySpace page for the band, and buying the band’s records, including the 2011 release Ghost Town, directly from Polyvinyl [HERE]

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