Anamanaguchi: January 6, 2011 Knitting Factory – Flac and MP3 Downloads + Streaming Songs

January 9, 2011
By


[photo courtesy of Emmastory]

I’ll admit that the entire concept of “chiptune punk” is new to me. The notion that 8-bit 1980s video game theme music could create a thriving sub-genre seemed strange and somewhat gimmicky. Late to the game, I had my mind completely changed at Knitting Factory on Thursday night. Perhaps the most successful of all the chiptune bands, Anamanaguchi has seen a recent surge in exposure due to the popularity of their Scott Pilgrim soundtrack. The Knit was sold out and packed to the walls with an absolutely bonkers crowd. I had expected four nerds playing little keyboards — what I got was four accomplished musicians playing excellent instrumental music with elements of 80s alternative, 70s prog and 90s punk. The fans up front were clapping and gyrating throughout the show, and the band played off the manic energy to deliver a blistering set. Highlights included the set closer “Helix Nebula” and the final encore “Mermaid”, both of which are streaming below. Anamanaguchi is currently on an East Coast tour, and will return to NYC on January 14 for a show at the Studio at Webster Hall.

I recorded this set with the four microphone rig set up in front of the soundboard area. The sound quality in the venue was excellent, and this room recording captures the energy of the room that night. Enjoy!

Stream “Helix Nebula”:
[audio:https://www.nyctaper.com/A6001Aguchi1120/Helix%20Nebula.mp3]

Stream “Mermaid”:
[audio:https://www.nyctaper.com/A6001Aguchi1120/Mermaid.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Anamanaguchi
2011-01-06
Knitting Factory
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Booth

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-01-08

Setlist:
[Total Time 56:42]
01 [introduction]
02 Airbrushed
03 Penpal
04 [banter1]
05 Blackout City
06 UNME
07 Mess
08 [banter2]
09 My Skateboard Will Go On
10 [banter3]
11 Don’t Save Us From The Flames [M83]
12 [banter4]
13 Aurora (Meet Me In The Stars)
14 [banter5]
15 Untitled (new song)
16 Helix Nebula
17 [encore break]
18 Jetpack Blues, Sunset Hues
19 Mermaid

If you email nyctaper for access to this recording we expect that you will PLEASE SUPPORT Anamanaguchi, visit their website, and purchase their official releases at the Store at their website [HERE].

Roadside Graves: August 28, 2010 Mercury Lounge – FLAC and MP3 Downloads + Streaming Song

January 8, 2011
By


[Roadside Graves at Mercury Lounge on January 9, 2010. Photo by Amanda Hatfield]

I lucked out when I recorded These United States in August of last year, because Metuchen, NJ’s Roadside Graves had already set a high bar with a perfect set of Saturday night rock n’ roll. Pitchfork‘s writeup on their 2009 release, My Son’s Home, compared their narrative style to Bob Dylan and the Band (and they aren’t the only ones), and indeed, they have an unmistakably classic rock style that can at times veer into dark territory. But in the grandest of folk traditions, they wrap sad and even macabre themes in the upbeat guise of working man’s anthems – if you don’t listen too closely, you can just chug your beer, shake your ass and be happy. But there is a lot to explore beneath that surface that will reward the more patient and pensive listener; the band’s latest EP on Autumn Tone Records, You Won’t Be Happy With Me, continues the strong work done on My Son’s Home. Despite the many country comparisons, I find the band hewing closer to the more Irish folk inspired-sound of a band like NYC’s Bogmen, or The Pogues. Throughout the set, the band kept the stage banter fun and light, introducing their new song “Liv Tyler” through a funny little tale about an audience member misinterpreting the title as “MILF Diver”. Such is the beauty of Roadside Graves – they make serious rock n’ roll, but they’re also a great band to spend your Saturday (and the rest of your week) with.

I recorded this set from the same location as the These United States recording, with the soundboard feed and the Schoeps microphones. The sound is outstanding. Enjoy!

Stream “Liv Tyler”:
[audio:https://www.nyctaper.com/R0828RoadsideGraves2010/RSG-LivTyler.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Roadside Graves
2010-08-28
Mercury Lounge
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+Soundboard>Edirol R-44 [Oade Concert Mod] (24/44.1)
Position: ROC, at soundboard, mics at 7.5ft
Mastering: 2x24bit/44.1kHz WAV>Audacity (smooth peaks, mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Brokeback Mountain Theme>Far and Wide
02 Demons>Ruby Medley
03 Take A Train
04 Everything
05 Father
06 Liv Tyler
07 West Coast
08 God Touched Me
09 [banter]
10 Jail

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Roadside Graves, visit their website, and buy their records directly from Autumn Tone records.

Yellow Ostrich: January 4, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

January 6, 2011
By


[Photos by the always excellent David Andrako]

This is my first recording of 2011, and I am pleased to say that Yellow Ostrich is officially my first great find for the year. I first heard of the band when they appeared on the bill for our friends at FREEWilliamsburg‘s CMJ show, and although I missed that show, Yellow Ostrich was highest on the list of bands I needed to see. After a somewhat uneven slate of opening acts, vocalist/guitarist Alex Schaaf and drummer Michael Tapper took the stage to a packed Mercury Lounge. Schaaf is a gifted vocalist with a sweet and somewhat nasal voice; in his delivery I hear a bit of a young Jeff Mangum of Neutral Milk Hotel. The set opener, “Whale” was a whimsical and instantly catchy treat that started things off strong (if you hear a slight discontinuity in the track, it is because we removed a few seconds of computer glitch). But other than “Whale,” I actually preferred some of the band’s slightly less poppy, more angular numbers – the older song “Fog”, in particular, and the set’s closer, “Mary.” Most of the set focused on the band’s latest record, The Mistress, which is available, along with all of the band’s catalog, on their bandcamp page on a “pay what you will” basis, and can be pre-ordered on vinyl from Afternoon Records here. We expect more great things from this young band in 2011, and their year has already had a fantastic beginning, with them landing the coveted Pianos Thursday night residency for February.

Catch Yellow Ostrich at Shea Stadium on January 15, or February 3, 10, 17 or 24 at Pianos.

I recorded this set with an excellent soundboard feed from the Mercury Lounge engineers and the Schoeps microphones. The sound is outstanding. Thanks to Kevin for his consistently strong work behind the board.

Stream “Fog”:
[audio:https://www.nyctaper.com/Y1400YellowOstrich2110/06 Fog.mp3]

Stream “WHALE” (yes, it has a little glitch, but this song is so damn good):
[audio:https://www.nyctaper.com/Y1400YellowOstrich2110/01 WHALE.mp3]

Stream “Mary”:
[audio:https://www.nyctaper.com/Y1400YellowOstrich2110/12 Mary.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Yellow Ostrich
2011-01-04
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack exclusively for nyctaper.com

Equipment: Soundboard + Schoeps CMC6/mk41>Edirol R-44 [Oade Concert Mod] (24/48)
Position: ROC, at soundboard, mics pointed at stacks at 8.5′
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 32:31]
01 Whale
02 banter
03 Hold On
04 banter
05 Daughter
06 Fog
07 banter
08 Hate Me Soon
09 banter
10 Campaign
11 banter
12 Mary

If you download this recording from NYCTaper, we expect you to PLEASE SUPPORT Yellow Ostrich, be their friends on Facebook, and purchase their music from bandcamp and Afternoon Records.

Drive-By Truckers: December 30, 2010 Brooklyn Bowl – Flac and MP3 Downloads + Streaming Songs

January 4, 2011
By


[photo by Penny Lane from 3 Dimes Down forum]

Patterson Hood is an artist very much in tune with the varied influences in his music. It helps that he comes from a deep musical tradition — including famous father David Hood. At Brooklyn Bowl last Thursday, David performed three songs live with Drive-By Truckers, which included two Muscle Shoals classics. The eclectic cover selections for this show also included Warren Zevon (“Play It All Night Long/Ain’t That Pretty At All” streaming below) and what has become the band’s standard show closer, Jim Carroll’s “People Who Died”. While this night was a “warm-up” for their New Year’s Eve show at Terminal 5, the entire show lasted well over two hours, and provided more proof that DBT are also one of the most fan-friendly bands around. The setlist was spread evenly among all of their recent releases, and included just three songs from the soon-to-be-released (February 15) new album Go-Go Boots.

I recorded this set with the four microphone rig in the left side of the roped off soundboard area on the floor. Unfortunately, the distance, the problematic acoustics in the venue, and the chatty crowd created a not-ideal taping situation and the results are somewhat below the usual quality for this site. Its still a decent listening experience. Enjoy!

Stream: “Play It All Night Long” (Zevon cover):
[audio:https://www.nyctaper.com/D8030DriveByTruckers3838/Play%20It%20All%20Night%20Long-Ain%27t%20That%20Pretty%20At%20All%20%5bZevon%5d.mp3]

Stream “Respect Yourself” (Staple Singers cover):
[audio:https://www.nyctaper.com/D8030DriveByTruckers3838/Respect%20Yourself%20%5bStaple%20Singers%5d.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

Drive-By Truckers
2010-12-30
Brooklyn Bowl
Brooklyn, NY USA

Digital Four-Track Master Recording
Recorded at Soundboard Booth
100 Feet from Stage

Neumann KM-150s + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-01-03

Setlist:
[Total Time 2:14:43]
01 [introduction]
02 Tornadoes
03 A Ghost to Most
04 Feb 14
05 Marry Me
06 Play It All Night Long/Ain’t That Pretty At All [Zevon]
07 Get Downtown
08 (It’s Gonna Be) I Told You So
09 After the Scene Dies
10 Birthday Boy
11 Girls Who Smoke
12 3 Dimes Down
13 [banter]
14 Dancin’ Ricky
15 [banter2]
16 Respect Yourself [Staple Singers]
17 [banter3]
18 Everybody Needs Love [Eddie Hinton]
19 72 (This Highway’s Mean)
20 Tales Facing Up
21 Women Without Whiskey
22 A World of Hurt
23 Shut Up and Get on the Plane
24 [encore break]
25 I Used to be a Cop
26 Self-Destructive Zones
27 18 Wheels of Love
28 People Who Died [Jim Carroll]

If you email nyctaper for access to this recording we expect that you will PLEASE SUPPORT Drive-By Truckers, visit their website, pre-order their new album Go-Go Boots (release Feb 15) at the site, and purchase their official releases at the DBT Store at their website [HERE].

Bonnie “Prince” Billy: December 7, 2010 Maxwell’s – FLAC and MP3 Downloads + Streaming Song

January 3, 2011
By


[Photos by Barry Yanowitz. Visit his website for these and many other excellent photos]

Will Oldham is one of those musical old souls, whose sound is impeccably ageless. With songs that incorporate elements of Americana, folk, country, rock, punk, blues, and a tinge of gospel, he is the consummate American artist, carrying in his haunting voice the sound of six generations’ worth of hardscrabble and heartbreak. Oldham has recorded in recent years under the moniker Bonnie “Prince” Billy, with this particular roster of players dubbed Bonnie “Prince” Billy and the Cairo Gang. Although they were opening for Yo La Tengo on the seventh night of their incredible Hanukkah run at Maxwell’s, Oldham and the band treated us to a full-length set that leaned heavily on Bonnie “Prince” Billy and the Cairo Gang’s current release on Drag City, The Wonder Show of the World, but also showcased some rare and unusual numbers, including a cover of Willie Nelson’s “In God’s Eyes”, and the Hasidic spiritual “Dark’cho”. The players comprising the Cairo Gang gave each song the benefit of rich, full arrangements that highlighted Oldham’s unforgettable vocals. In particular, I was blown away by the soulful “Teach Me To Bear You” from The Wonder Show of the World, with an extended, more rocking closing than on the record. Having enjoyed Oldham’s records for years, it was truly a holiday gift to finally experience this incredible artist and songwriter’s live show.

Special thanks go to Will Oldham for approving this recording.

I recorded this set from the same spot as the other sets we have posted from this concert series, using a soundboard feed and the Schoeps supercardiod microphones. The sound quality is excellent. Enjoy!

Stream “Teach Me To Bear You”:
[audio:https://www.nyctaper.com/B7012BPB0210/BPB-TeachMeToBearYou.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Bonnie “Prince” Billy
2010-12-07
Maxwell’s
Hoboken, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: LOC, clamp to soundboard booth, mics at 7.5′, pointed at stacks
Mastering: 2x24bit/48kHz WAV>Audacity (EQ AUD source, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Bonnie “Prince” Billy and the Cairo Gang are:
Will Oldham, voice
Emmett Kelly, guitar/voice
Danny Kiely, bass
Van Campbell, drums
Angel Olsen, voice
Ben Boye, keys

Tracks [Total Time 1:06:09]
1. The World’s Greatest [R. Kelly]>Island Brothers
2. Easy Does It
3. Someone Coming Through
4. -banter-
5. Teach Me To Bear You
6. Troublesome Houses
7. In God’s Eyes [Willie Nelson]
8. New Wonder
9. Go Folks, Go
10. I Never Thought My Love Would Leave Me
11. -banter-
12. Merciless and Great
13. Darkecho Elokeino
14. The Sounds Are Always Begging

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bonnie “Prince” Billy and Will Oldham’s other projects, visit his website, and purchase his official releases from Drag City records here.

Our Top 25 Concert Moments of 2010 (with MP3 Download and Streaming Songs)

December 31, 2010
By

We were treated to a lot of amazing music this year, and the site has continued to grow. This year, we reached our 600th recording posted since 2007 – a pretty incredible number considering that this is only the fourth year of the site.  As a final New Year’s treat to our readers, we thought we would share a “mixtape” with you of some of our favorite concert moments of 2010.

Out of the two hundred-plus shows that we saw, we selected 25 moments that we thought were particularly memorable (among the shows we recorded, at least). There is a wide range of music, styles and artists represented: folk, rock, Scandinavian pop, punk and much more. There are new bands who are just breaking into the mainstream, as well as mainstream acts continuing to perform at a high level. The only consistent theme is that these artists all touched us in some way, giving performances that stayed with us long after the last notes were played.

The following list is in no particular order. Links to download the entire compilation, as well as selected numbers streaming, are below.

Want to keep up with the latest concert updates and recordings on the site? Follow @nyctaper and @acidjacknyc on Twitter.

Download the entire mixtape [HERE]

1. Built to Spill – “Carry The Zero” – September 20, 2010 Rocks Off Concert Cruise. This show was nuts – on a boat, with a tiny main floor, with a crowd that was loud, drunken and rowdy, and a veteran band doing what they do best. We saw Built to Spill a ton of times over the past two years, but this show was the clear standout. [audio:https://www.nyctaper.com/2010Best20/BTS-CarryTheZero.mp3]

2. Oh Land – “Lean On Me” – November 8, 2010 Brooklyn Bowl. We first saw this young Danish artist play Brooklyn Bowl back in July. Although she was still getting comfortable with her new material, her talent and unique stage presence were already on display. After seeing her again at the Backyard Brunch Sessions, we caught her again a month later at Brooklyn Bowl. Her evolution blew us away – displaying newfound poise and confidence, designer clothing and a new percussionist, Nanna dominated the stage. Though many of her songs lend themselves to dancing, I have always been partial to this more precious number. She may now be the face of Missoni, but Oh Land is far, far more than a pretty face. [audio:https://www.nyctaper.com/2010Best20/OhLand-LeanOnMe.mp3]

3. John Vanderslice – “The Parade” – October 21, 2010 Mercury Lounge. On the night after our Unofficial CMJ Day Party at Cake Shop, we caught one of our favorite acts, the inimitable songwriter John Vanderslice at Mercury Lounge. John has always been a supporter and friend of the site, but we were especially gratified by his heartfelt intro to this song when he thanked nyctaper from the stage. [audio:https://www.nyctaper.com/2010Best20/JV-TheParade.mp3]

4. The Dirty Projectors – “As I Went Out One Morning [Bob Dylan]” – September 11, 2010 Terminal 5. After this band blew us away at the tail end of 2009, we were thrilled that Johnny Fried Chicken Boy was able to catch their show at the massive Terminal 5. This Dylan cover was among many special songs played during another show that wowed us with its musical skill. [audio:https://www.nyctaper.com/2010Best20/DirtyProjectors-AsIWentOutOneMorning.mp3]

5. Pavement – “Fight this Generation” – September 19, 2010 Williamsburg Waterfront. Pavement‘s return was probably my personal musical highlight of the year – nobody ever thought it would happen, and when it did, they were exactly as nonchalant about the whole thing as you would expect. Everything went right at their first NYC show in ten years, and the irony of Pavement – an iconic band for Generation X – playing “Fight This Generation” on the Williamsburg waterfront to an entirely new generation of fans was perfect. This loose, jammy rendition killed, too. [audio:https://www.nyctaper.com/2010Best20/Pavement-FightThisGeneration.mp3]

6. Superchunk – “Digging For Something” – September 19, 2010 Music Hall of Williamsburg. While I was checking out Pavement, nyctaper was down the street taking in an equally amazing performance from another 90s indie darling, Superchunk. Supporting their first new album in almost a decade, Superchunk gave us even more than we could have imagined when special guest John Darnielle joined them for this number. [audio:https://www.nyctaper.com/2010Best20/Superchunk-DiggingForSomething.mp3]

7. John Roderick w/ Nada Surf – “The Commander Thinks Aloud” – March 26, 2010 Bell House. Nada Surf‘s multi-night series of full album performances had many memorable moments, but my favorite of all came from John Roderick of The Long Winters, the opening act at the Bell House/The Weight Is A Gift show. With Nada Surf as his backing band, Roderick capped off his acoustic set by tearing through a fully electric version of this big number that showcases Roderick’s unique voice. You can stream and download this song, and the entire show, on the Live Music Archive [HERE].

8. Natureboy – “I’ll Keep It With Mine” – May 15, 2010 Piano’s. This show was a special day for us, as we celebrated the third anniversary of the site with some of our favorite bands. Natureboy drew a strong crowd as our first act of that evening, and they made our night by performing, our request, their cover of this Dylan-via-Nico classic.[audio:https://www.nyctaper.com/2010Best20/Natureboy-KeepItWithMine.mp3]

9. Fucked Up – “Son the Father” – February 18, 2010 Maxwell’s. I had the pleasure of seeing Fucked Up three times this year, and each show was awe-inspiring. Damian “Pink Eyes” Abraham is a punk rock showman without parallel: on the mic, he is extremely hardcore; in between songs, he chats up the crowd like each person is his best bud. “Son the Father” is one of the band’s best songs, and it was at about this point during the Maxwell’s show that (as has to be the case at every Fucked Up show) all hell broke loose. [audio:https://www.nyctaper.com/2010Best20/FuckedUp-SonTheFather.mp3]

10. The Black Keys – “Same Old Thing” – July 28, 2010 Terminal 5. There was a huge response to our post of The Black Keys‘ show at Terminal 5, and for good reason – it is an excellent recording of a band that is rapidly ingratiating itself with the mainstream. This song is a four-piece version of this song, with Leon Michaels on keyboards and Nick Movshon on bass. [audio:https://www.nyctaper.com/2010Best20/TBK-SameOldThing.mp3]

11. Panda Bear – “Song For Ariel (Guys Eyes)” – September 11, 2010 Governor’s Island. On the same day as the epic Dirty Projectors show back in Manhattan, Panda Bear was giving a magical performance on Governor’s Island that blew our minds both for the incredible quality of the sound (which did not always receive such good reviews for other shows) and the clarity and focus of the performance. This guitar-heavy and reworked version of this song was one of many highlights of an amazing show that also featured some new songs. [audio:https://www.nyctaper.com/2010Best20/PandaBear-SongForAriel.mp3]

12. Soft Black – “I’m Not Afraid of You” – August 7, 2010 A Backyard in Bushwick. This whole show was a testament to the power of the local music community and the DIY spirit of the moment. Soft Black were supposed to be playing on a rooftop elsewhere in the ‘hood as part of a benefit show for the people of the Gaza Strip. That show was shut down by the cops three acts in, while it was still light outside. But instead of giving up and calling it a night, the fans and bands rallied to move the show to one of the musicians’ backyard. Soft Black dedicated this haunting song, with its defiant refrain, to a kid who got arrested when the police shut down the rooftop show. The song itself is quite dark, but the moment was joyful, and powerful, in a way that I will never forget. [audio:https://www.nyctaper.com/2010Best20/SoftBlack-I’mNotAfraidOfYou.mp3]

13. Real Estate – “Reservoir” – June 25, 2010 Music Hall of Williamsburg. Real Estate is another band that has wowed us both with their consistent playing as well as their respect for their fans. We had seen them open for labelmates Woods a number of times, but this time, they found themselves as the headliner of the Woodsist showcase at the Northside Festival. This showcase was one of the best experiences of the entire Northside Festival, but Real Estate’s set in particular stood out, as the more mature band showed off some new songs, including the excellent “Reservoir.” Download the entire set [HERE].

14. Maps & Atlases – “Solid Ground” – August 12, 2010 Mercury Lounge. I caught Maps & Atlases back in 2009 touring behind their previous record, the EP You, Me and the Mountain. I liked what I saw – the unusual combination of freak folk and math rock, vocalist Dave Davison’s vocals, the dual percussionists – but they didn’t seem quite there yet. For one, while I liked their sound, I wasn’t completely blown away by the songs. That all changed with the release of this year’s Perch Patchwork, which was one of my favorite records of the year, and a massive leap forward artistically. For this show, the band was greeted by a spirited crowd literally screaming for more, and in particular, this song (you can hear a drunk dude yelling “Solid Ground!” in between every other song on the set before they finally play it). When the band finally played the song, the payoff was huge, and the jam at the end clinches it. After an outstanding set, Maps broke down their gear and put some chairs and drums in the center of the floor and played an acoustic set for those willing to wait. The performance was not only the most improved of any band that I saw this year, but also one of the flat-out best. It didn’t hurt any that the recording came out flawlessly, too. Download the entire set [HERE]. [audio:https://www.nyctaper.com/2010Best20/M&A-SolidGround.mp3]

15. Holly Miranda – “I’d Rather Go Blind [Etta James]” – May 26, 2010 Bowery Ballroom. A Bowery Ballroom headlining gig has become a barometer of a band’s success these days – for a New York band on their way up, there is your time on the scene before Bowery, and your time after, and after, things are never the same. This show represented Holly Miranda’s Bowery breakout, and she treated the event with the reverence due it as she ripped off a lengthy set representing her latest record The Magician’s Private Library, and played two covers, including this jaw-dropping rendition of an Etta James classic. [audio:https://www.nyctaper.com/2010Best20/HollyMiranda-RatherGoBlind.mp3]

16. Wilco – “Thank You, Friends” – April 2, 2010 Wellmont Theatre. The challenging acoustics of this venue did not deter Wilco from delivering one of the most epic sets we have seen of theirs (well over three hours long). This Big Star cover played tribute to their singular frontman, singer and songwriter Alex Chilton, who sadly passed away this March. Alex and his many contributions to rock music will be dearly missed. [audio:https://www.nyctaper.com/2010Best20/Wilco-ThankYouFriends.mp3]

17. Sharon Van Etten – “One Day” – October 8, 2010 Rock Shop. It is no secret that this site has been a huge booster for Sharon Van Etten, and we are thrilled to see her career taking off in a big way (you can hear one of her songs, “I Fold” in the closing sequence in a recent episode of the Showtime series The Big C). In the two shows she played at Rock Shop this year, Sharon’s maturity and outstanding songwriting made us fall in love with her music all over again. [audio:https://www.nyctaper.com/2010Best20/SVE-OneDay.mp3]

18. Woods – “Bend Beyond” – May 13, 2010 Abrons Arts Center. In a music scene that is strong but fragmented, Woods have emerged as bi-coastal scene godfathers of sorts, in the way that Sonic Youth have been for a generation. The Woodsist label, for which the band is the anchor, has produced a roster of like-minded acts from the East and West Coasts that share a common affinity for the psychedelic, folk-influenced sound the label is known for. While they have been building a formidable presence with the label, Woods themselves have evolved far beyond the “freak folk” tag into a full-blown indie rock jam band of sorts, turning four-minute album tracks into epics that showcase their virtuosity on their instruments. This show, featuring the band backed by the Joshua Light Show, was especially sprawling, and never moreso than on this nearly twenty minute “Bend Beyond.” This show proved that this was a very different band than the act I saw opening for Dungen in 2009 – that band was a great “freak folk” act, if you will. This band is legendary. [audio:https://www.nyctaper.com/2010Best20/Woods-BendBeyond.mp3]

19. Spoon – “Car Radio” – September 13, 2010 Cake Shop. After we caught their set opening for Arcade Fire at Madison Square Garden, we weren’t sure we would have another chance to record Spoon this year. But then along came this secret show at Cake Shop, a live video recording for “Nobody Gets Me But You,” that proved to be one of the most exciting and intimate performances we saw all year. These guys remember where they came from (Austin) and we trust that they will never stop being one of the most consistent, most fan-friendly acts in the country. Download the entire set [HERE].

20. The Loom – “The First Freeze” – October 10, 2010 Backyard Brunch Sessions. We enjoyed many of the Backyard Brunch Sessions sets we saw this summer and fall, but perhaps none more than this performance by our friends The Loom, who proved that great musicians do not need extra amplification or trickery to make powerful music. Set up in a humble backyard in Bushwick, rocking a homemade bass made out of a washtub, they wowed us with their modern, folk-influenced sound. This song was my favorite of all, not least of which because of the added humor of some rowdy neighbors making noise in the background (who cannot be heard on the recording) – making a bunch of noise right before this (the quietest song of the set) song began. Once it got going, it was the most mesmerizing vocal performance of the day. [audio:https://www.nyctaper.com/2010Best20/Loom-FirstFreeze.mp3]

21. Yo La Tengo – “Little Eyes” – December 7, 2010 Maxwell’s. If you have read this site once in December, you know that Yo La Tengo’s 2010 Hanukkah shows have been our main focus this month. These eight nights of unique setlists, special guests, and fan camaraderie at one of our favorite venues in the city, Maxwell’s, are some of the best nights of the year every time that YLT decides to do them. This song, from the Summer Sun album, is an expanded version augmented by the guitar wizardry of the legendary Nels Cline, who joined the band for most of this night’s set. Although we loved the December 5 show featuring Mission of Burma, this show on the 7th turned out to be our favorite of them all – a perfect balance of the band’s harder and softer dynamics that showcased them at the height of their powers. [audio:https://www.nyctaper.com/2010Best20/YLT-LittleEyes.mp3]

22. Bear In Heaven – “Lovesick Teenager” – November 19, 2010 Music Hall of Williamsburg. Bear In Heaven was another band that stepped up in a big way in 2010. A year’s worth of touring took what had been a great album act but somewhat uneven live band and turned them into the juggernaut that we witnessed at Music Hall of Williamsburg. Whereas previous shows had always faced technical limitations (primarily with respect to sound), everything was perfectly dialed in for this show, with the Music Hall sound system delivering crystal clear sound and a light show that dazzled the sold-out crowd. Not but twelve months ago this band was playing the cozy Zebulon down the street. This show was obviously this band’s “Bowery moment.” [audio:https://www.nyctaper.com/2010Best20/BearInHeaven-LovesickTeenager.mp3]

23. The Joy Formidable – “Austere” – January 12, 2010 Pianos. Whereas a Bowery Ballroom show tends to cement a band’s status in the scene, Pianos is Manhattan’s best incubator. Shows there tend to capture the nervous energy of bands trying to make their break who know that this could be it. We are pleased to say that since this show, The Joy Formidable did make it in a big way (including their own Bowery moment), playing tons of NY-area shows (almost all of which we saw) and bringing their music to new fans each time. Their massively loud sound is probably better suited a bigger venue, but we loved this Pianos show best of them all (and our recording sounded great). [audio:https://www.nyctaper.com/2010Best20/TFJ-Austere.mp3]

24. The National – “Terrible Love” – December 8, 2010 Maxwell’s. Though it borders on heresy (and is not an opinion shared by all who work on this site), I was not an instant convert to The National‘s critically acclaimed High Violet. I didn’t hate the album, but after a three year break from recording, I was not sure what I should expect from the band. High Violet didn’t grab me in the way that earlier records like Alligator did, and it didn’t help that I first saw the songs live in the sonically deficient Terminal 5, where the sound was so poor that even The National’s sound engineer commiserated with us about the venue’s challenges. Luckily, I was given a second chance at this rare set opening in the (relatively) tiny Maxwell’s for Yo La Tengo on the final night of their Hanukkah shows. This time, in this intimate setting, the subtle beauty of the High Violet songs shone through, especially on the set’s closer, this fantastic rendition of “Terrible Love.” [audio:https://www.nyctaper.com/2010Best20/National-TerribleLove.mp3]

25. We Were Promised Jetpacks – “It’s Thunder and It’s Lightning” – February 15, 2010 Knitting Factory. I went to this show on a lark, having never heard this Scottish trio before. Apparently I had missed the memo, as the Knitting Factory was so packed I was literally crushed against the soundboard. In the best of ways, We Were Promised Jetpacks are what I like to call Scotland’s answer to U2 – their songs rely on anthemic riffs and vocalist Adam Thompson’s throaty choruses. The band worked this crowd into a froth, the energy seething through the room, as Thompson belted out song after song in a way that could have melted the ice outside. In a show full of them, this song was a particularly stirring anthem. [audio:https://www.nyctaper.com/2010Best20/WWPJ-Lightning.mp3]

Special thanks to all of the artists, management, labels, photographers and other music sites that have supported NYCTaper this year. And of course, a huge thank you to our readers, who we hope to continue to provide with high-quality, artist-sanctioned recordings, reviews and photos throughout 2011. Happy New Year!

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