This morning in a Brooklyn courtroom, the remaining four charges against the Market Hotel were dismissed by motion of the attorney for all of the defendants. The cases arose out of the legal troubles encountered at the Showpaper benefit in February.
The first four cases were dismissed in Manhattan in May. Today’s victory closes the entire matter in favor of the Market Hotel.
Death Cab For Cutie are currently on tour in support of their new album Narrow Stairs, which debuted at number one on the Billboard charts at its May release. In the press which has followed, both new and old media outlets have been puzzled to explain the widespread popularity of a band that does not fit within any conventional buzzword-definable mold.
We were particularly annoyed at an absurd article about Death Cab in the Sunday New York Times a few weeks ago. That article seemed obsessed with the concept that Death Cab’s popularity was not the result of “blogger buzz”, but rather was earned in some fictitious old-fashioned way (“clubland” and “honing their sound”) — “before blog buzz mattered”. This is an excellent point if you believe that the internet was created in 2004, or that commercial blogs are currently the only means by which fans learn about bands. Death Cab has been an internet-savvy band for over a decade, and indeed owes much of its success to its ubiquitous web presence at its website, forum, archive.org, and the spread of its music through bit torrent. Indeed, when bit torrent broke on the web in 2003, one of the first “leaked” albums we saw was Death Cab’s Transatlanticism, which appeared on SuprNova a good four months before its ultimate release.
Before he wrote the entertaining blog Parlando, the writer Soren deSelby often posted informative and well-written pieces on the original internet “blog”, the Well. A Seattle native, deSelby was one of the first internet writers to recognize the abilities of Death Cab, and to write about them on the Well. It was based on one of those posts that we purchased Something About Airplanes and began a decade-long interest in this band. In a very real way, Death Cab is the first band to parallel the advances of internet technology throughout its career in order the maintain a consistent trajectory that has ultimately placed them at number one on the charts.
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So how was the concert, Mrs. Lincoln?
McCarren Pool on a 90+ degree day did not seem like the ideal venue to experience Death Cab, but by the first notes at 8:10 p.m. the heat was no longer an issue. Although he was beset by a series of technical problems, Ben Gibbard worked his way through the standard setlist for this tour before the elements ended the show early.
This recording is not one of our best efforts. We set up about 20 feet in front of the left stacks to avoid the wind and crowd noise, and were for the most part successful. The problem was that by being so close to the PA, we captured quite a bit of the early muddiness and peak level distortion in the early mix. Several songs into the set the mix improved but by then the wind had whipped up. We believe this is certainly a decent listening experience, but the recording was a victim of circumstance. Enjoy!
This recording is now available for Download in FLAC and MP3 at Archive.org [HERE].
Death Cab For Cutie
2008-06-10
McCarren Park Pool
Brooklyn, NY USA
Digital Master Audience Recording
Recorded from Upfront Left Side
20 Feet from PA Stacks
DPA 4021s > Marantz PMD-660 (Oade BCM Mod) > 16bit 44.1kHz wav > Soundforge (level adjustments, slight EQ, set fades) > CDWave 1.95 > Flac Frontend (level 7, align sector boundaries)> flac
Recorded and Produced
by nyctaper
2008-06-10
Setlist
[total time 1:17:36]
01 Bixby Canyon Bridge
02 The New Year
03 Why You’d Want To Live Here
04 Photobooth
05 Crooked Teeth
06 Long Division
07 Grapevine Fires
08 A Movie Script Ending
09 Company Calls
10 Company Calls Epilogue
11 Soul Meets Body
12 I Will Follow You Into The Dark
13 I Will Possess Your Heart
14 Cath…
15 We Laugh Indoors
16 The Sound of Settling
17 [weather mayhem]**
If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Death Cab For Cutie, visit their website, visit their MySpace page, and purchase the new CD Narrow Stairs directly from their site.
We were out in Brooklyn tonight for the Death Cab For Cutie show at McCarren Pool when a massive thunder and lightning storm with intense winds came in quickly from the south. As the band worked through “The Sound of Settling”, the winds whipped up the stage backdrop and lighting stands and nearly caused a disaster. The show organizers rushed the stage and pulled the band off, and frantically asked the sellout crowd to leave the venue. The southern skies flashed with a spectacular lightning display, and the skies opened with a massive downpour about 10 minutes later.
We captured the entire concert (slightly over an hour of music), and the ensuing mayhem at the show’s abrupt end. Expect a recording of the music and some of the craziness on nyctaper within the next few hours.
The NYC Popfest website has updated to indicate that all Festival passes have sold out. There are still limited tickets available for some individual shows, including the June 14 Music Hall appearance by Ladybug Transistor.
Love is All have announced that the NYC Popfest opening night at Cake Shop, featuring Love is All and Oh! Custer, is RSVP only — hold reservations by emailing Cake Shop. There is a two ticket limit per person.
When we approached New Design High at 350 Grand Street at dusk on Friday night, the line for the Rooftop Concert Series season premiere spread across Grand, up Delancey and over and around onto Broome. After the six-flight walk-up, the large crowd was treated to a short but powerful set of music by Brooklyn’s Dirty on Purpose. As the sun set and with a spectacular view of downtown Manhattan available from all angles, the melodic guitar-oriented music opened the season with such appropriate songs including “Girls & Sunshine” and “Summer Dress”.
There were several impediments to optimal recording for this event, but none significantly detract from the enjoyment of this excellent capture. There was a generator on the rooftop (either power or air conditioning) which hums along in between songs and some barely audible wind bursts. The mobile sound system was quite basic, and was somewhat saturated in the first song. We were fortunate to set up 15 feet from the stage and as a result the impediments are fairly minor. Overall, as a result this is probably a better listen than our Mercury recording of Dirty on Purpose. Enjoy!
Direct download of MP3 files (HERE)
Download the Complete show in FLAC [HERE].
Dirty on Purpose
2008-06-06
Rooftop Films Concert Series
New Design High Rooftop
New York, NY USA
Digital Master Recording
Recorded from Upfront
15 Feet from PA Stacks
Neumann KM-150’s > Monster Cable > Apogee Mini-Me > digital coax > M-Audio Microtrack 24/96 > 24bit 48kHz wav > Soundforge 8.0 (level adjustments, downsample) > CD Wave 1.75 > Flac Frontend (level 7) > flac
Recorded and Produced by nyctaper
2008-06-08
Setlist:
[Total time 27:16]
01 [introduction]
02 These Days Were for Us
03 Girls & Sunshine
04 The Thing about Getaways
05 Summer Dress
06 Audience
07 Canned Fumes
If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Dirty on Purpose, visit their website, visit their MySpace page, and purchase the their official releases directly from their site, or the NorthStreet records site.
The true measure of the quality of a singer-songwriter is the ability of the performer to get inside the song — those moments when the singer and song become one. Last night at Pianos, Sharon Van Etten realized a series of those poignant moments in a stunning fifty-minute performance of her intimate and powerful songs. That a modest and unassuming young woman can suddenly transform from awkward banter to confident and meaningful songstress at the moment she steps up to the microphone is a true indication of the talent of this artist. In the third number “Much More Than That”, a song of Sharon’s we had not heard before, she stepped back slightly from the microphone and projected in her sweet voice the crescendo of a simple yet transcendent song about the power of human touch — all the while truly touching each listener.
Sharon thanked the audience and noted the fleeting nature of such powerful evenings. The irony is that Sharon unwittingly has predicted her own future. There will not be many more opportunities to experience this performer with 50 people in a club the size of Pianos, as larger venues and audiences soon await this uniquely talented artist. Her debut CD will be released this summer, and she will tour the east coast in July. Prior to her tour, there are a few more chances to experience what the Pianos crowd was fortunate to hear last night.
Sharon’s other upcoming NYC dates include:
June 10 2008 8:00 Union Hall Brooklyn
June 14 2008 8:00 Union Pool Brooklyn
June 21 2008 8:00 Rooftop Films Concert Series Brooklyn
June 25 2008 9:00 Zebulon Brooklyn
Check Sharon’s MySpace page for more details.
We again recorded from the prime location directly in front of the soundboard at Pianos. However, given the quiet nature of this performance and the excessive Friday night noise from the front room of the venue, there are quite a number of moments when the extraneous noise leaks into the recording. Overall though we are pleased with this capture. Enjoy!
This recording is now available to Download in FLAC and MP3 at Archive.org [HERE].
Sharon Van Etten
2008-06-06
Pianos
New York, NY USA
Digital Master Recording
Recorded from Front of Board
30 Feet from Stage
Neumann KM-150’s (AK-50 Hypercardiod Capsules) > Monster XLR cables > Apogee Minime > digital coaxial > M-Audio Microtrack > 24bit 48kHz wav file > Soundforge 8.0 (set fades, slight level boost, resample) > CD Wave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac
Recorded and Produced by
nyctaper
nyctaper@nyctaper.com
2008-06-07
Setlist:
[total time 47:27]
01 I Wish I Knew
02 Have You Seen
03 Much More Than That
04 You Didn’t Really Do That
05 I Fold
06 For You
07 Tornado
08 Its Not Like
09 Holding Out
If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Sharon Van Etten, visit her website, visit her MySpace page, purchase one of her custom-made self-released CDs directly from her website, and purchase her new CD Because I Was In Love when it is released this summer.
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