the Mountain Goats: April 2, 2016 College Street Music Hall, New Haven CT

April 5, 2016
By

Mountain Goats New Haven 2
[photo by @octagoneyes]

The Mountain Goats‘ current tour is called the “Brine Crypt Exodus” and it was inspired by a very special night last April when the band played a show at City Winery with a pared-down stage show. While not quite “unplugged”, the set stripped down the Mountain Goats to the basics and the result was an incredible inspired set that we were very fortunate to have captured.

The second night of the tour reached New Haven Connecticut on Saturday night in a fairly large theater in the center of town. The College Street Music Hall sits about a half block from the south border of the campus of Yale University and its in the “theater district” — indeed the location was not even a rock venue until May of 2015. The result of the recent upgrade of the facility is that the hall is outfitted with a customized state of the art sound system and prime seating configurations that compliment the acoustics and classic charm of the vintage theater. We agree with the person on our twitter feed that College Street is one of the best locations in the tri-state area to experience a concert.

With that backdrop and with the opening night of the tour (Woodstock) under their belts, the Mountain Goats began this show inspired and fully in sync with each other. The band is currently a quartet and each member shined throughout this night. The addition of multi-instrumentalist Matt Douglas permits the band to add keys, horns or an extra guitar to fortify the sound. Jon Wurster on drums and Peter Hughes on bass are simply one of the best rhythm sections around these days. Since this tour is technically not in support of any new release, the Mountain Goats also felt unfettered when it came to song selection. As a result, the setlist was culled from the deep recesses of the back catalog and we saw songs we’d never experienced before in our two dozen Mountain Goats shows.

The Mountain Goats will return to NYC later this month for three shows at the City Winery, where they played to great success last year. The shows are all sold-out but if by chance a ticket falls your way, don’t miss these nights.

I recorded this set with the Schoeps cards mounted inside of the soundboard area and blended that capture with a soundboard feed mixed expertly by long-time touring FOH Brandon Eggleston. The sound quality is superb. Enjoy!

Download the Complete Show in FLAC or MP3 at Archive.org [HERE]

Stream the Complete Show:

Mountain Goats
2016-04-02
College Street Music Hall
New Haven CT

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Brandon Eggleston] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:31:32]
01 Woke Up New
02 Until I Am Whole
03 Maize Stalk Drinking Blood
04 Damn These Vampires
05 See America Right
06 Sometimes I Still Feel the Bruise [Trembling Blue Stars]
07 Stabbed to Death Outside San Juan
08 [banter – sketches]
09 You’re in Maya
10 [banter – whatever you want]
11 From TG and Y
12 [banter – TRAP laws]
13 Wizard Level
14 Ezekiel 7 and the Permanent Efficacy of Grace
15 [banter – Holiday Inn Express]
16 Get Lonely
17 New Monster Avenue
18 [banter – wonder buddy]
19 First Few Desperate Hours
20 Oceanographer’s Choice
21 The Young Thousands
22 [encore break]
23 No Children
24 Up the Wolves
25 This Year
26 [second encore break]
27 Spent Gladiator 2

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

NYCTaper Upcoming Schedule: Spring/Summer 2016

April 4, 2016
By

taper-larger-e1414026230872

Its been over three months since we last posted a schedule, so here is the latest. A lot of great additions, including a whole new set of shows at our home venue Market Hotel.

Caveat: Below is the updated schedule. We expect to attend and record these events. However, circumstances will prevent some of these from being done, and others will be added in the meantime. Feel free to make suggestions or point out shows we missed or invite us to your shows!

Schedule:

Acid Mothers Temple:
April 5, 2016 Mercury Lounge NYC

Acid Mothers Temple:
April 6, 2016 Knitting Factory BK

River Cult:
April 8, 2016 Acheron BK

Yo La Tengo:
April 9, 2016 Loew’s Theater, Jersey City NJ

Waco Brothers:
April 13, 2016 Union Hall BK

Melvins:
April 14, 2016 Music Hall of Williamsburg

the Mountain Goats:
April 17, 18, 19, 2016 City Winery NYC

Ryley Walker & Charles Rumback:
April 20, 2016 Union Pool BK

Surface to Air Missive:
April 21, 2016 Trans-Pecos Queens

The Thermals:
April 28, 2016 Market Hotel BK

Thurston Moore:
April 28, 2016 Rough Trade BK

Muuy Bien:
May 4, 2016 Shea Stadium BK

Woods / Ultimate Painting:
May 7, 2016 Music Hall of Williamsburg

Ought / Palberta:
May 8, 2016 Rough Trade BK

Heartless Bastards:
May 10, 2016 Music Hall of Williamsburg

La Sera:
May 11, 2016 Market Hotel BK

Fruit Bats:
May 12, 2016 Rough Trade BK

Dead Meadow / Creepoid:
May 12, 2016 Saint Vitus BK (permission pending)

Dead Meadow / Creepoid:
May 13, 2016 Saint Vitus BK (permission pending)

King Gizzard and the Lizard Wizard:
May 14, 2016 Bowery Ballroom NYC

Bent Shapes / Journalism:
May 21, 2016 Trans-Pecos Queens

Palehound:
May 25, 2016 Baby’s All Right BK

Heron Oblivion / Chris Forsyth:
May 28, 2016 Union Pool BK

Alejandro Escovedo:
May 31, 2016 City Winery NYC

Mountain Jam:
June 2-5, 2016 Hunter Mountain

Son Little:
June 9, 2016 Bowery Ballroom NYC

Kevin Morby:
June 22, 2016 Rough Trade BK

So So Glos:
June 25, 2016 Market Hotel BK

Drive Like Jehu:
August 11, 2016 Bell House BK (permission pending)

Wussy: March 30, 2016 Trans-Pecos

April 4, 2016
By

wussy-tarbell-2
[photos by Rich Tarbell]

How unlikely, really, that a band that represents its frontman’s second act (Chuck Cleaver was in Ass Ponys), that’s several albums into its career (Forever Sounds is the band’s sixth; Attica, its fifth, could be called its breakout), that comes from a city (Cincinnati) that nobody accuses of being a cultural or media hub, and that seems delightfully uninterested in the posing, PR machine and gimmicks that tend to attract notice, would end up at a career peak here in New York, on a Wednesday night, in Ridgewood, Queens, and a lot of people would show up.

Whether you think of Wussy as a band that defies odds or that is the picture of what hardworking, road-hardened rock musicianship ought to look like probably depends on some combination of your generation and your cynicism level. You don’t have to fall into one camp or the other to admire the 100-minute set on display here, which shot like a cannon from the oddly-lit but accommodating stage of Trans-Pecos last Wednesday. This site has flogged this band incessantly since 2010, and we relished the chance to come full circle and serve as promoters of the show. And, true to Cleaver’s observation when we caught them in 2015, they “suddenly” had a crowd.

It’d be hard to cherry pick all the specific things that were exceptional about this set, but one quick glance at the 100-minute run time should give an idea of where we’re headed. Unbothered by the pesky time limits you find at corporate venues, the band stretched into a set that spanned their career, from 2005’s Funeral Dress to their 2016 album, Forever Sounds. Rarely-played gems like the opener, “Little Paper Birds” from their self-titled 2009 record merged perfectly with regular rotation winners like “Pizza King” and new, shoegaze-leaning favorites like “Dropping Houses” and “Donny’s Death Scene.” We got one but not two encores, the first of which included a rare cover of New Order’s “Ceremony.”

If the setlist came as a welcome surprise, what was on usual display was the band’s hardworking, crowd-pleasing mojo, including Cleaver and Lisa Walker’s wry onstage banter. She was the one, after all, who refused to leave the stage for the pretend “encore break,” preferring instead to use it as an opportunity to play another song. And if that first encore, with “Ceremony” went well, it still wasn’t clear that the band were going to convince themselves to throw it back in for a second, but the crowd wouldn’t let them leave. Two more songs later, and well past midnight, the band finally closed things out for real, and everyone left happy. In the band’s fine tradition, they once again got more than their money’s worth.

nyctaper and I recorded this set with Schoeps MK4V microphones at the stage lip, Neumann KM150s capturing the room sound, and a soundboard feed from engineer David Fine. The sound quality s excellent. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show (less banter tracks):

Wussy
2016-03-30
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK4V>NBob Cables>PFA>Aeta PSP3 + Soundboard (engineer: David Fine) + Neumann KM150 (at SBD, ROC, PAS)>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:38:03]
01 Little Paper Birds
02 She’s Killed Hundreds
03 Gone
04 Donny’s Death Scene
05 [banter – Dangerbird]
06 Teenage Wasteland
07 [banter – Ed Ames]
08 In The Tall Weeds
09 Pulverized
10 Pizza King
11 Better Days
12 [banter – thanks]
13 Hello, I’m a Ghost
14 Sidewalk Sale
15 To The Lightning
16 [banter – Job’s Daughter’s Club]
17 Dropping Houses
18 Aliens In Our Midst [The Twinkeyz]
19 I Give You All
20 Beautiful
21 [encore break]
22 Majestic-12
23 [banter]
24 Ceremony [New Order]
25 Airborne
26 [second encore break]
27 Gene, I Dream
28 Rigor Mortis

SUPPORT Wussy: Website | Buy Forever Sounds | Bandcamp

Nick Millevoi’s Desertion Quartet: March 6, 2016 Palisades

March 31, 2016
By

Nick Millevoi's Desertion Quartet

You may be most familiar with Nick Millevoi as one-half of the two-pronged guitar offensive of the Solar Motel Band. But you may not know that Millevoi leads his own band of psych-jazz merchants, the Desertion Quartet, featuring Jamie Saft (frequent John Zorn collaborator), Ches Smith (whose extensive credits include Marc Ribot’s Ceramic Dog), and Johnny DeBlase (who also plays with Millevoi in Many Arms). Named for Millevoi’s upcoming album, Desertion, the group’s longform instrumentals oscillate between heavy riffage and and free-jazz freakouts. The Quartet opened up for the like-minded Sunwatchers earlier this month and treated the crowd to a preview of that album, which is due out May 20 on Shhpuma. “Desertion and the Arsonist’s Match” was recently written up by NPR and encompasses the breadth of the band’s range; but for my money it’s the eight-minute noise breadown “The Fire That Partially Destroyed City Hall” that’s most compelling. Either way, the players have the credentials and the songs to make Desertion one of this year’s most anticipated releases.

I recorded this set from the stage lip, combined with a board feed from Palisades FOH Ariel. The sound is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Nick Millevoi’s Desertion Quartet
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [31:19]
01. Where They Do Their Capers >
02. Desertion and the Arsonist’s Match
03. Just for a Moment, I Stood There in Silence
04. [banter]
05. The Fire That Partially Damaged City Hall

Support Nick Millevoi’s Desertion Quartet: Website | Preorder Desertion via Bandcamp

Heroes of Toolik: January 30, 2016 Union Hall

March 30, 2016
By

Heroes of Toolik
[photo by John Baumgartner]

Neil D. reports:

Placing Heroes of Toolik in the music pantheon is such a difficult task that it might be best just to list their collective past affiliations, as provided by the band’s website:

(Glenn Branca/Rhys Chatham’s Merry Band/Ben Neill’s Mainspring/John Myers’ Blastula/SEM Ensemble/New Music Consort/Virgil Moorefield Ensemble/Lounge Lizards/Arthur Russell/Television/Nona Hendryx/Gary Lucas/Washington Squares/New York Blues Project/The Waitresses/The Neon Boys/Uncle Bob NYC/ The Modern Lovers/David Johansen/Elliott Murphy/Arthur Russell (again)/Gary Lucas/Rhys Chatham (again)/Jenny Get Around/The Hillfillies)

If this brings to mind an unclassifiable collision of several flavors of avant-indie weirdness, that’s not a bad start. You can clearly hear a fair bit of Television influence — Billy Ficca’s distinctive drumming will have that effect on any band, though Arad Evans’ and Robert Poss’s guitar playing is in places sufficiently Verlaine/Lloydesque as well — but then there’s also Jennifer Coates’ only slightly country-inflected fiddle and vocals, and longtime Modern Lovers bassist Ernie Brooks, and trombone of all horns, here courtesy of John Speck. It’s actually kind of remarkable how straightforwardly tuneful it all sounds, at least compared to a baseline of, say, The Scene Is Now. Writing up their previous appearance on NYCtaper, Acidjack described the result as “a brand of well-informed rock n’ roll that draws on these influences without over-complicating itself,” and I have nothing to argue with there. (Except possibly the lack of a preceding apostrophe on “n’,” about which AJ and I are going to have to have a talk.)

This was the headlining set at Union Hall from the show where I also recorded Antietam, and was captured with the same recording setup. Big thanks to Evans for permission to record, and for his patience (and yours) for the delay in getting this posted. You can buy Heroes of Toolik’s recordings here, and also find out about upcoming gigs — none listed at the moment, but they have a new CD in the works, so stay tuned.

Download the complete show: [MP3/FLAC]

Stream the complete show:

 

Video:

 

Heroes of Toolik
2016-01-30
Union Hall
Brooklyn, NY

Soundboard > Sony PCM-M10 > WAV (24/48) + Core Sound Low-Cost Binaural mics > Church Audio ugly battery box > Sony PCM-M10 > WAV (24/48) > Sound Studio (light EQ and mixing) > FLAC (16/44.1) > Tag > FLAC

Recorded and mastered by neil d

01 Bede
02 Something Like Night
03 Young Venus
04 Again
05 8 Mile
06 Aquarium School
07 Crazy Doll
08 Perfect

Support Heroes of Toolik by buying music from their website.

Chuck Johnson Band: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

March 29, 2016
By

IMG_2147

Chuck Johnson has been on this site numerous times, most recently for his work supporting Blood Moon Boulder last year at Union Pool. With his newest album, Velvet Arc, Johnson decided to go with a full band, which is a departure from his recent solo guitar work, but not an overall catalog that stretches back to various NC-based bands (Shark Quest, Idyll Swords, etc.). What emerges on the record is a bottom-heavy, bluesier strain of tunes that makes you long to see them live.

This very special performance at King’s in Raleigh, North Carolina, one of ten separate sets in honor of the sixteenth anniversary of Three Lobed Recordings, was a rare, one-off appearance of Johnson performing these songs (plus “Florets,” from Johnson’s soundtrack work) with a full band. Rather than the West Coast-based band that recorded Velvet Arc, Johnson collaborated with longtime NC compatriots, including Mike Gangloff and Nathan Bowles (of Pelt and numerous other projects), Bob Wall, and Nathan Golub. Johnson describes the set as “loose” in his intro, but that may be a bit of modesty, as these longtime players gelled from the get-go on “Florets” before delving into Velvet Arc‘s leadoff track, “As I Stand Counting.” You may have heard Chuck Johnson before, but you’ve never heard him quite like this. With the full complement of musicians on fiddle and additional guitars, we were able to hear Velvet Arc’s various turns at American experimentalism as they were meant to be played.

Johnson noted, toward the end of the set, that Raleigh was where he was born, and the day and night’s entire slate of performances, culled from artists who have been all over the Three Lobed roster during the past 16 years, felt like a homecoming, with the out-of-towners joining and re-joining locals who have touched their lives over the decades. Three Lobed is responsible for some of Johnson’s finest releases, including Crows In the Basilica, plus earlier CDs of Idyll Swords, and this set (like many during the event) acted as both a bit of a thank-you as well as a taste of what’s yet to come on this small label whose influence has always outstripped its low-key style.

I recorded this set with the benefit of a full 8 tracks, including audience microphones, onstage microphones, and several feeds of onstage instruments, courtesy of King’s engineer Brad. The sound quality is outstanding. Enjoy!

Chuck plays a very special solo set tonight in New York along with Lee Ranaldo (solo acoustic) and Ancient Oceans at Trans-Pecos. Get tickets here.

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream and download the complete show on our bandcamp page:

Chuck Johnson Band
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Florets
03 [tuning]
04 As I Stand Counting
05 Roadside Auspice
06 Middle Water
07 [banter]
08 Anamet
09 [banter2]
10 Velvet Arc

Band:
Chuck Johnson
Mike Gangloff
Nathan Bowles
Bob Wall
Nathan Golub

Support Chuck Johnson: Visit his website | Buy Velvet Arc | Buy his Three Lobed releases.

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