Gunn-Truscinski Duo: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

April 20, 2016
By

gunn-truscinski-schwentker
[photo courtesy of David Schwentker]

Though his solo career has been the (very successful) focus of late, many of us were first exposed to the virtuosic guitar playing of Steve Gunn via his perfect pairing with the drummer John Truscinski. The duo produced a pair of outstanding albums on Three Lobed RecordingsSand City and the masterstroke Ocean Parkway, each with an indelible connection to desert blues, Indian ragas, American folk, and psychedelia. By our count, though, their last live shows doing this music were in 2012, including the Hopscotch Music Festival and 285 Kent shows that appeared on this site.

That made it especially exciting to experience the group’s return to a stage where we’ve seen them before — at King’s in Raleigh, NC. This time, we were celebrating the sixteenth anniversary of Three Lobed Recordings, and in a sense, the reissue of both of the duo’s albums by the label this year. Building on Gunn’s dynamic afternoon solo set, the pair gifted us three songs filled with precise interplay and hypnotic guitar work. Gunn dug deep on the guitar work during “Ocean Parkway” and “Banh Mi Ringtones,” the latter’s signature melody leading the pair into an explosive, noisy jam that iced the cake for those of us who love seeing these two play together about equally to our love for Gunn’s solo outings. After “Banh Mi” wound back to its subtler beginnings, the pair closed with “Wythe Raag” from Sand City, which managed to evoke both the namesake Brooklyn street and legendary musical style for which it’s named. That number likewise came in the three parts, building to another sprawling noise climax before its mystical, melodic closing. As Gunn prepares to tour his new record, we hope these two will find time to continue to work together — it’s something not to be missed.

I recorded this set as with the other sets from the day, with a combination of multiple soundboard channels from engineer Brad  Womack’s feed, together with onstage Schoeps MK22 mics and mounted MBHO mics in the center of the room. The sound quality is simply phenomenal. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Gunn-Truscinski Duo
2016-03-26
Three Lobed Sweet Sixteen Spectacular
Kingís
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Ocean Parkway
03 [tuning]
04 Banh Mi Ringtones
05 Wythe Raag

PLEASE SUPPORT Gunn-Truscinski Duo, visit Steve Gunn’s website, and purchase the new Ocean Parkway/Sanc City re-release and their other releases directly from Three Lobed [HERE]

The Mountain Goats: April 17, 2016 City Winery

April 18, 2016
By

tmg2016-04-17
[photo courtesy of music_defined‘s instagram page]

As noted in our review of the New Haven show, the concept of this Mountain Goats tour grew up around the band’s City Winery gigs of last year, of which we recorded both. That the band found inspiration in this particular room isn’t surprising; while some younger fans may not be used to seeing bands in more sedate environments, this venue must be an absolute dream for any performer who plays a wide dynamic range of music and whose fans hang on every word. The Mountain Goats took the stage at one of last year’s shows not with the type of upbeat number you’d need to launch a typical club gig, but with the gorgeous “Get Lonely,” which set the tone for an evening of wide-ranging sounds and deep catalog dives. Yes, the pro-wrestling-themed Beat the Champ made a few appearances, including a stripped-down take on “Foreign Object” and an inspired “Werewolf Gimmick,” and an encore of “Southwestern Territory,” but the deep dives were the real meat of the evening. John Darnielle reached all the way back to 1993 for “Water Song II,” followed by “Horseradish Road,” from 2000’s Coroner’s Gambit, played so rarely of late that Darnielle skipped a verse. Not that a rough spot here or there matters; only the hardest heart wouldn’t have wept at the night’s fragile, emotional peak, from “Steal Smoked Fish,” followed by “Black Pear Tree,” to “Lakeside View Apartments Suite” to “Ezekiel 7 and the Permanent Efficacy of Grace,” the night’s most musically dense number, and a note of hope.

Among many gifts, Darnielle’s ability to swing from spinning metaphors about wrestling to such deep emotional fare, and back to lighter-hearted territory like “Damn These Vampires.” Despite the seriousness of the material, Darnielle’s freewheeling, conversational style with his audience makes the show itself intimate and light; especially in this seated, dinner situation, it feels like being part of a very large living room show. And, as we’ve noted before, Jon Wurster’s drums, Peter Hughes’ bass and multi-instrumentalist Matt Douglas give Darnielle a backdrop that adds discipline and welcome twists to both new and old songs.

Darnielle closed with one of the band’s most poignant recent numbers, “Spent Gladiator 2.” As with “No Children,” the closer of the 4/12/15 City Winery show, Darnielle performed most of the song in the audience,  circling through the crowd, singing the lyrics without amplification. That refrain, to stay alive, just stay alive, felt like both the universal plea that it is and a personal one to each of us. If you were lucky enough to be sitting there, having taken in this exceptional hour and a half, you knew life was worth living.

I recorded this set with a feed of engineer Brandon Eggleston’s live mix, together with Schoeps MK41V microphones mounted on a post forward of the board. The sound quality, as with all of our City Winery recordings of this band, is exceptional. Enjoy!

Download the complete show from its page on the Live Music Archive: [MP3] | [FLAC]

The Mountain Goats
2016-04-17
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brandon Eggleston) + Schoeps MK41V (FOB, ROC, PAS)>KC5>CMC6>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix
down, adjust levels, light compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC (
level 8 )

Tracks [Total TIme: 1:32:53]
01 Woke Up New
02 Until I Am Whole
03 Maize Stalk Drinking Blood
04 [banter1]
05 Werewolf Gimmick
06 Get Lonely
07 [banter2]
08 Foreign Object
09 [banter3]
10 Water Song II
11 Horseradish Road
12 Steal Smoked Fish
13 Black Pear Tree
14 Lakeside View Apartments Suite
15 Ezekiel 7 and the Permanent Efficacy of Grace
16 Wild Sage
17 Damn These Vampires
18 Game Shows Touch Our Lives
19 See America Right
20 The Young Thousands
21 Liza Forever Minnelli
22 [encore break]
23 Southwestern Territory
24 Up the Wolves
25 [banter4]
26 No Children
27 [banter5]
28 Spent Gladiator 2

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

tmg-JLB

Sunburned Hand of the Man: March 24, 2016 Union Pool

April 17, 2016
By

Sunburned Hand of the Man

It would barely even register as hyperbole to call Sunburned Hand of the Man one of greatest improvisational/psych acts of our time. They are responsible for 116 separate releases, if Discogs is to be believed; and I suspect that number to be much higher in reality, owing to the scarcity of many of their small-batch, handmade releases. The group doesn’t get out much these days, so any performance is sacred. Embarking on a road trip headed down to Three Lobed’s Sweet Sixteen Spectacular show in Raleigh, the loose collective coalesced this March for a brief series of dates with mainstays John Moloney, Ron Schneiderman, and Rob Thomas, plus newcomers Matt Robidoux (ex-Speedy Ortiz) and Jeremy Pisani. Their Union Pool set is one for the books: a rarity within a rarity, Sunburned plays some rehearsed jams, including recognizable songs “The Jaybird” and “Son of Jaybird” off 2001’s difficult-to-find Jaybird. Guesting on vocal duties for those two tracks is New-York-by-way-of-North-Carolina troubadour Frank Hurricane. We’ll soon also have Sunburned’s Raleigh set posted, but in the meantime you can get lost in this monster sesh.

I recorded this set from our usual location in the venue, with a board feed from Union Pool FOH, Robert. As usual for this room, the sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Sunburned Hand of the Man with Frank Hurricane

Sunburned Hand of the Man
2016-03-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Doug) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:03:23]
01. Between Faces
02. [tuning]
03. The Jaybird (feat. Frank Hurricane)
04. [banter]
05. Double Purity
06. Bosom
07. Clardy
08. [encore break]
09. Son of Jaybird (feat. Frank Hurricane)

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Palm: March 26, 2016 Market Hotel

April 16, 2016
By

palm acidjack
[photo by acidjack]

Back in January, acidjack and I experienced Palm live for the first time at Palisades and we came away with identical impressions. While the band is lazily described in some quarters as “math rock”, in reality Palm is a quartet of superb musicians who all have an extraordinary sense of timing and advanced chops. The songwriting is intelligent and sublime and reminds me at times of Sunflower. As the band continues to grow and perfect their performance skills in a live setting, there is really no ceiling for Palm.

In March, the folks at AdHoc added a second Girlpool show at Market Hotel after the first night sold out quickly. As support for the second night, we were extremely pleased to see that Palm had been invited. As the band seems to have been perpetually on tour, the stars aligned and Palm came to Brooklyn and seized the opportunity to exhibit their charms to an audience of fans unfamiliar with their oeuvre. But the band very quickly won over the crowd and kept the sold-out venue involved in the set throughout — a set that included half entirely new songs that would be familiar only to people who had previously experienced the band live or who listened to our January recording.

Palm continues to tour up and down the East coast throughout April and May, dates HERE. Included is a local show on April 28 at Baby’s All Right in Williamsburg.

I recorded this set with our upfront mounted microphones and mixed it with a superb board feed provided by the venue’s FOH Dana. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Palm
2016-03-26
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Dana Wachs] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 33:25]
01 [new song – Take A Chance]
02 I Don’t Want to know
03 Ankles
04 [new song – The Wrong Side]
05 Crank
06 [new song – Breaking Chains]
07 [thanks]
08 Two Toes
09 [new song – Reminds Me]

SUPPORT Palm: Facebook | Bandcamp | Exploding in Sound Records Page

Mind Over Mirrors: March 17, 2016 Littlefield

April 14, 2016
By

Mind Over Mirrors
[Photos from Le Poisson Rouge by PSquared Photography]

If you saw Tortoise on their most recent tour, I hope you got there early to see the awesome Mind Over Mirrors—a.k.a. Jaime Fennelly and his Indian pedal harmonium. We first saw Mind Over Mirrors back in February 2015 at Union Pool, when Fennelly was collaborating with Haley Fohr adding her distinct vocals to the project. This time around, Mind Over Mirrors is a solo outing, the harmonium combined with sequencers, synthesizers, oscillators, and other sorts of gadgetry. But despite all the electronics, Mind Over Mirrors’ sound is strikingly organic, owing to the harmonium’s unique intonation. This set from last month at Littlefield builds and evolves over nearly thirty minutes, starting off as a quiet drone that morphs into an intricate, whirling piece with overlapping rhythms. Fennelly has been working on new material for a future Paradise of Bachelors release and this set hints at great things to come.

I recorded this set in the same manner as the Tortoise set from the same night. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Mind Over Mirrors
2016-03-17
Littlefield
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (ROC, FOB, PAS) > Roland R-26 > WAV (24/48) > Adobe Audition CC (normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither) > FLAC (16/44.1, level 8)

01. Live at Littlefield [27:44]

Support Mind Over Mirrors: WebsiteBandcamp | Buy The Voice Calling from Immune Recordings

Acid Mothers Temple: April 6, 2016 Knitting Factory

April 14, 2016
By

IMG_2341

Each Acid Mothers Temple performance is special in some way, but this year’s New York jaunt was notable for the arrival of a greater-than-usual number of new songs. In the case of this Knitting Factory show, after a wild “Dark Star Blues in the Dazzling Sky” came the first of those new jams, “Wizard,” a psycho-blues number whose harmonica intro hurtles into a spasm of guitars.

In fact, a majority of this set was built around new material, though of course the usual standouts “Pink Lady Lemonade” and “Cometary Orbital Drive” also made an appearance. If you checked out our recording of the Mercury Lounge show from the day before this one, you were turned on to “Another Nanique Dimension” and “Blue Velvet Blues” as well as the aforementioned “Wizard,” but this show closed on an even more usual note, with a new, chant-driven number that has not made an appearance (at least in recorded fashion) at any other time so far on this tour. The song highlighted the value of the two female vocalists who joined them on this tour, providing a distinctly Eastern, spiritual slant to the end of the show. The band will wrap up this U.S./Canada jaunt on April 18th in Los Angeles, but we can guarantee they’ll be back next year.

nyctaper and I recorded this set with a combination of Neumann KM150 hypercardiod mics and Schoeps MK4V cardiod mics, combined with a soundboard feed from house engineer Rob. The sound quality is excellent. Enjoy!

Download the complete show from its page on the Live Music Archive: [MP3] | [FLAC]

Stream the complete show:

Acid Mothers Temple
2016-04-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Neumann KM150 (ROC, PAS) + Soundboard (engineer: Rob) + Schoeps MK4V (ROC, PAS)>Aeta PSP3>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:20:50]
01 intro jam>Dark Star Blues in the Dazzling Sky
02 [tuning]
03 Wizard>
04 Pink Lady Lemonade>
05 IAO Chant>
06 Pink Lady Lemonade
07 [tuning2]
08 Blue Velvet Blues
09 Another Nanique Dimension>
10 Cometary Orbital Drive
11 [new song 2]

If you enjoyed this recording, PLEASE SUPPORT Acid Mothers Temple, visit their website, and buy their records here.

SUPPORT NYCTaper




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