Posts Tagged ‘ brooklyn ’

The Giraffes: September 27, 2014 The Wick – FLAC/MP3/Streaming Songs

September 27, 2015
By


[Photos courtesy of Todd Zimmer.  See more of his excellent work HERE.]

Nobody, and I mean NOBODY, puts on a show like The Giraffes.  It’s like trying to explain a UFO or Bigfoot sighting to someone: they may nod, they might be interested, they could be fascinated by your story, but they have absolutely no clue what it’s all about until they experience it for themselves.  In 2011, lead singer Aaron Lazar decided to depart the band and, going out with an atomic-sized bang, had his last performance with them early that year.  The remaining members, Damien Paris, Andrew Totolos, and Jens Carstensen, soldiered on, mixing things up again by exploring the instrumental side of their oeuvre and recruiting two female vocalists to help flesh things out.

Three and a half years later, the murmurs and rumors of a full reunion concert turned into cold, hard fact.  And, like it was for Aaron’s farewell show, I personally received a landslide of requests to record this night from literally all across the globe.  In their neverending quest to take the performance of live music and evolve it into a contact sport, The Giraffes proved that they haven’t missed a beat.  Picking up where they left off, the crowd was right in step with the band and more than happy and willing to join in the antics that are the hallmarks of a Giraffes concert.  Welcome back, gentlemen.  We’re looking forward to what else the future holds for you.

Due to the sheer size and design of The Wick, the acoustics can present a bit of a challenge.  The venue’s house engineer, Eairon, was up to the task and, other than the occasional ring of feedback, produced an excellent mix.  We hope you like what you hear as much as we did.  Enjoy and PLAY IT LOUD!!

Special thanks to Damien, Drew, Aaron, Jens, and Tim for making this recording possible, and to the management and staff at The Wick for their courtesy and cooperation.

The Giraffes will soon be returning to the NYC area and performing on October 3rd at The Wick, as well as playing a few other dates in October.  Their new album, ‘Usury’, will be released on October 2nd. 

Stream “Medicaid Benefit Appliqué”:

Stream “Sugarbomb”:

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

The Giraffes
Saturday, September 27, 2014
The Wick
Bushwick, Brooklyn, NY, USA

Source: Soundboard + Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
The Wick’s house engineer: Eairon
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:25:32]
01. [intro]
02. Smoke Machine
03. Wage Earner
04. Prime Motivator
05. I’ll Be Your Daddy
06. The Ballad of Sissyfist
07. On Lovers Lane
08. The City
09. Sickness (This Is)
10. The Power of Fatherhood
11. Medicaid Benefit Appliqué
12. [banter]
13. Haunted Heaven
14. Having Fun
15. Clever Girl
16. Man U.
17. Sugarbomb
18. Help My Blood Count
19. Done
20. [outro]

If you download this recording, we expect that you will PLEASE SUPPORT The Giraffes, visit their website and Facebook page, and purchase their official releases and merchandise at Amazon, iTunes, or your favorite record store or retailer.  And most definitely go see their shows.

Holy Sons: August 27, 2015 Saint Vitus – FLAC/MP3/Streaming

September 24, 2015
By

Holy Sons

Holy Sons is the seventies-inspired heavy rock solo project from Om/Grails drummer Emil Amos. If you’ve ever seen either of those bands live, you’ll have surely noted Amos’ irrepressible energy behind the kit. It’s clear that in his free time that energy translates into some incredibly prolific songwriting—since 2000, he’s released eleven albums as Holy Sons. The most recent two, this year’s Fall of Man and last years’s The Fact Facer, were both released on Thrill Jockey, always an indicator of high quality. For his touring in support of Fall of Man, Amos has tapped Dommengang‘s rhythm section of Brian Markham and Adam Bulgasem. To say this trio rocks is an understatement—these guys could break concrete using only guitar, bass, and drums.

Holy Sons will be back in NYC on October 30 at City Winery as part of a tour with Jay Farrar. That show is sold out, but if you’re lucky enough to have gotten tickets, be sure to show up early for Holy Sons. The full listing of tour dates is over at Thrill Jockey.

I recorded this set from our usual spot in the venue, with a soundboard feed from Saint Vitus’ FOH. The results are outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Holy Sons
2015-08-27
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:08]
01. Drifter’s Sympathy
02. Fall of Man
03. Mercenary World
04. The Feral Kid
05. Transparent Powers
06. No Self Respect
07. More Mind Briars
08. Ready to Die
09. The Fact Facer

Support Holy Sons: Bandcamp | Facebook | Buy Fall of Man and The Fact Facer from Thrill Jockey

Dope Body: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 23, 2015
By

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[photos courtesy of Anyane Photography]

The scruffy and sardonic Baltimore post-punk band Dope Body is supposedly named for “an online video the band enjoyed,” but as you watch the shirtless frontman Andrew Laumann contort his sweat-slicked self all over the stage, you have to wonder if the name isn’t a little bit of a self-referential gag.  In fairness, it felt like 110 degrees inside the cozy Brooklyn DIY venue Aviv on this particular night, so showing off the man’s fitness level might have just been a matter of necessity. On firmer ground, I can tell you that this band brings an instant presence to any stage they inhabit, and the way their music combines the heavy noise with just-enough tuneful accessibility only adds to the need to pay attention. They’re several albums in now, with the latest, Kunk, released this month on Drag City. More new songs, as evidenced by the set, are already in the tank. If the band’s previous record, Lifer, earned some (undeserved) commentary about increased accessibility and even the dreaded “grunge” tag at points, there’s no making any mistake about where any of this material falls live.

The band hits extremely hard, Zachary Utz’s guitars scraping against Laumann’s gritty, snarling vocals, as David Jacober pounds the skins in the thick of John Jones’ basslines. The set jumped around the band’s catalog, but it’s hard to deny the brand-new numbers, one unnamed, as well as “Enemy Outta Me” which has been making the rounds on recent sets. The skronky “Hired Gun” might qualify as the band’s most mainstream-approaching single, and it came through well on this night before the one-two punch of the older “Leather Head” followed by Kunk‘s “Old Grey.” The proceedings ended just shy of forty minutes in. By then, we might not all have been as drenched as the band, but most of us had been reminded what “sweaty” rock n’ roll really means.

Dope Body are on tour right now in Europe, and anyone with the opportunity over there ought to catch them at one of these dates.

I recorded this set with a soundboard feed from Aviv engineer John, as well as Schoeps MK4V microphones mounted in the center on the balcony. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Dope Body
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6 + Soundboard (engineer: John)>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Road Dog
03 [new song 1]
04 Enemy Outta Me
05 Day By Day
06 Hired Gun
07 Leatherhead
08 Old Grey

If you enjoyed this set, PLEASE SUPPORT Dope Body, visit their Facebook page, and buy their records from Drag City. (You have to, since you can’t stream ’em).

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The Gotobeds: August 30, 2015 Saint Vitus

September 15, 2015
By

The Gotobeds
[photo by Amanda Hatfield, full set here]

By all indications, The Gotobeds are having a tremendous year: riding their accolades from last year’s well-received debut album, Poor People are Revolting (on 12XU), the Pittsburgh band recently signed with Sub Pop and their second full-length is highly anticipated for sometime next year. They’ve played NYC a few times in 2014 and 15, but I’ve somehow slept on them until they showed up on an excellent triple bill with Royal Headache and Sheer Mag a couple weeks back. The Gotobeds apparently drove out from Pittsburgh just to make this show, and they’re in rare form: drinking heavily and clearly in good spirits, the band covers the entirety of the first Redd Kross EP. This is sure to be one of those shows that’s talked about for many years to come, so dig in now and soon when these guys are headlining much larger venues, you can talk as if you were there, man.

I recorded this set from our usual spot in the venue, with a soundboard feed from Saint Vitus FOH, Jeff. The results are excellent. Enjoy!

The Gotobeds will be back in NYC for CMJ, October 15–19. Keep an eye out for details.

Download: [MP3/FLAC]

Stream:

The Gotobeds
2015-08-30
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jeff) + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [32:05]
01. [Intro]
02. “Bodies”
03. Affection
04. Rope
05. Crisus Time
06. [banter]
07. Cover Band [Redd Kross]
08. Annette’s Got the Hits [Redd Kross]
09. I Hate My School [Redd Kross]
10. Clorox Girls [Redd Kross]
11. S & M Party [Redd Kross]
12. Standing in Front of Poseur [Redd Kross]
13. [banter]
14. New York’s Alright (If You Like Sex & Phones)
15. [banter]
16. Wimpy Garcia (Brotherfucker)

Support The Gotobeds: Buy Poor People are Revolting and more via Bandcamp

Law$uits: September 1, 2015 Union Pool – FLAC/MP3/Streaming

September 9, 2015
By

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The Brooklyn band Law$uits (not to be confused with nyctaper alumni and Philadelphia indie faves The Lawsuits) stormed Union Pool on top of a noisy four-act bill, and gave us a high-octane dose of exactly what we’d been waiting for. Theirs is a to-the-gut, dissonant style of punk rock that recalls the foundational acts of the 80s and 90s like the Jesus Lizard and Big Black. If the music seethes, propelled by prominent bass in the mix to drive the groove under lead guitarist James Browning’s skillful work, it also sneers with an intelligence that this kind of music isn’t always accused of. If you want to just stand there and bang your head, fine, but if you pay more attention, you might notice these are smart tunes, too, the kind that don’t need to cover up bad playing with schtick or shock. The band has one record out, 2014’s Future Failure, and judging by this setlist, there’s more on the way, as several of these tunes aren’t on that album. We’ll be looking forward to hearing more from them, hopefully soon.

I recorded this set with Schoeps MK41V supercardiod microphones and a soundboard feed from Union Pool engineer Chris Madden. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Law$uits
2015-09-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS)>KCY>Z-PFA + Soundboard (engineer: Chris Madden) + >>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.4 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Uniform
02 Needle Nose
03 Playing Dumb
04 Living Situation
05 Supermarket Sweep
06 Old Men
07 Iconoclast

If you enjoyed this recording, PLEASE SUPPORT Law$uits and check out their bandcamp page.

Joan Shelley: February 12, 2015 Union Pool – FLAC/MP3/Streaming

September 4, 2015
By

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Joan Shelley released her excellent new album, Over and Even, today on No Quarter Records. For many, this will be their first time hearing these new songs, unless you checked in with NPR last week. However, the crowd on this chilly night at Union Pool back in February had almost everyone beat by several months, as Shelley decided to use this performance to show off a majority of the new album.

The Kentucky-based singer-songwriter first came to wider attention with her previous effort, Electric Ursa, but it was evident from the get-go that the new songs represent a further refinement of her craft and acknowledgment, but not a caving to, pop sensibility. The extra-approachable riff of the album’s title track sets the tone for the rest of the material, making it no surprise that Stereogum made it an “Album of the Week.” In doing so, they pointed out that Over and Even is more about the setting of a mood than any specific turn of phrase or even specific song, and that’s not a negative. The new work, even in its fledgling form on this night, shows incredible consistency, with each number feeling a bit like an old song you’re being introduced to for the first time. It’s a pastoral, flawlessly crafted album that holds your attention as it takes its time to unfold.

Shelley was joined for this show not only by regular collaborator Nathan Salsburg — a force on the guitar in his own right — as well as Glen Dentinger on bass. Site favorite Nathan Bowles also made an appearance, and he’s always a welcome presence on any stage. None of that can distract from the main event, of course, which is Shelley’s voice and her presence, both of which manage to be delicate but resolute. What Shelley’s live show drives home is just how spare and right her album’s production is, as there is clearly little she needs to embellish what’s already there. As good as the new songs are, Electric Ursa got its due during the show as well, with the title track of that album closing out the night, and one of its most approachable songs, “Something Small,” providing a welcome dose of recognition mid-set. As requested by Joan’s label, we’ve held back this recording until the release of Over and Even, and are thrilled to be able to share this performance on its release day.

I recorded this set with a soundboard feed from Union Pool engineer Rob, together with Schoeps MK41 microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Joan Shelley
2015-02-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Rob) + Schoeps MK41 (PAS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, compression, mix down)>Izotope Ozone 5 (effects, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 47:00]
01 Brighter Than the Blues
02 Wine and Honey
03 River Low
04 [banter1]
05 Over and Even *
06 Something Small
07 [banter2]
08 Stay on My Shore
09 Easy Now
10 [banter3]
11 Not Over By Half
12 Electric Ursa

Band
Joan Shelley – vocals
Nathan Salsburg – guitar
Glen Dentinger – bass
* Nathan Bowles – guitar

If you enjoyed this recording, PLEASE SUPPORT Joan Shelley, visit her website, and buy Over and Even from No Quarter Records.

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Earth: August 27, 2015 Saint Vitus – FLAC/MP3/Streaming

August 30, 2015
By

Earth
[photos from Levitation 2015 by PSquared Photography]

Just shy of a year since we last saw Earth at Saint Vitus, the band returned to the venue last week for the second of two NYC shows. Marc Ribot reportedly joined the band for “Old Black” at Le Poisson Rouge the previous night and though we didn’t get any special guests at Vitus, Earth did not disappoint. Still touring for Primitive and Deadly, this year’s setlist is quite similar to last year’s, adding only “From a Zodiacal Light” to the repertoire (though some stops on the tour seem to also be getting “High Command” from 1996’s Pentastar). This is one of those play-it-loud-late-at-night kinds of things, so be extra nice to your neighbors otherwise because you’re going to want to crank this one.

I recorded this set from our usual spot in the venue, with a soundboard feed from Earth’s FOH. The results are outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Earth
2015-08-27
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:19:45]
01. There is a Serpent Coming
02. The Bees Made Honey in the Lion’s Skull
03. Badger’s Bane
04. Even Hell Has Its Heroes
05. From the Zodiacal Light
06. Ouroboros is Broken
07. Torn by the Fox of the Crescent Moon
08. Old Black

Support Earth: Website | Facebook | Buy records and merch from Southern Lord

Alan Licht: August 2, 2015 Union Pool – FLAC/MP3/Streaming

August 20, 2015
By

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There are any number of ways that a fan of the New York underground scene might have run across the guitarist Alan Licht. Along with an extensive discography of his own, Licht has also played a key role in several bands, including the Blue Humans, Love Child, and Run On. Most recently, Licht has appeared as a member of Lee Ranaldo and the Dust. Now, he’s readying a new solo album, which he was kind enough to share a majority of with this group of fans at Union Pool. Compared to some of Licht’s more drone and minimalist work, these compositions, like leadoff track “Riding On the S’s” and “Raw Deal” in particular, show the influence of the recent work with Ranaldo. They have an urgent, narrative feel to them, to the point that you almost feel compelled to throw your own lyrics into them at points. This was the songs’ first exposure to a public audience, and it seems likely that they’ll see some further evolution before the final versions are laid down on the record (one of them, after all, still lacks a title). But even in these raw, new forms, Licht showed a clear vision for and command of them, leading me to believe that new record is going to be a must-have.

I recorded this set with a soundboard feed from engineer Kevin Mazzarelli, combined with Schoeps MK41V microphones. The sound quality is excellent. Enjoy!

Thanks to Jeff Conklin for arranging the show and permission to record Alan’s set.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Alan Licht
2015-08-02
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (PAS)>KCY>Z-PFA>>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, noise reduction on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Riding on the S’s
02 First Love, Haleema
03 Raw Deal
04 Currents
05 Every Little Yacht
06 Untitled
07 (Them’s the) Breaks

If you enjoyed this recording, you can buy all of Alan Licht’s records through the links available on Discogs

Chuck Johnson: August 2, 2015 Union Pool – FLAC/MP3/Streaming

August 13, 2015
By

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Chuck Johnson has soared in recent years, with three landmark solo guitar LPs this decade alone. The latest, Blood Moon Boulder, continues the corvid-based theme of 2013’s Crows In the Basilica, and has been hailed in some quarters as his finest achievement yet. It’s hard to argue with that analysis watching Chuck perform on a recent Sunday night at Union Pool to a dedicated crew of serious music fans, who huddled around Chuck as he played both lap acoustic and stand-up electric pieces. As is sometimes pointed out, Johnson is a latecomer to solo guitar, having spent much of his 90s career in bands in Chapel Hill, NC (including Shark Quest, Idyll Swords, and Spatula). You wouldn’t know it from the calculated virtuosity of his three records, evident in his mastery of the slide guitar on “Corvid Tactics.” Crows are a clever, calculating bird, able to adapt and learn over time. Their ability for forethought sets them apart — something that might also be said of Johnson, whose pieces have a habit of leading to unexpected places, shifting gears in ways non-obvious but utterly rewarding. As a special treat, Johnson played an untitled new number mid-set, before playing a favorite melody of “A Slender Thread” into “Dissevered” to close things out. Do yourself a favor and check out Blood Moon Boulder as well as Chuck’s previous releases — the live recording is no more than a taste of how good he can sound.

I recorded this set with a soundboard feed from Kevin Mazzarelli, together with Schoeps MK41V microphones to provide a bit of ambiance. Some noise reduction was used to eliminate DI buzz, and there are a few short bursts of cell phone interference. Overall, however, the sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Chuck Johnson
2015-08-02
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS)>KCY>Z-PFA>>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, noise reduction on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Corvid Tactics
02 On A Slow Passing In Ghost Town
03 Silver Teeth in the Sun
04 [untitled]
05 [banter]
06 A Slender Thread>Dissevered

If you enjoyed this recording, PLEASE SUPPORT Chuck Johnson, visit his website, and buy Blood Moon Boulder from Scissor Tail Records here and his other records here

Zachary Cale: July 16, 2015 The Living Room – FLAC/MP3/Streaming

July 28, 2015
By

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Zachary Cale has been called a “musician’s musician,” in part because he seems to be friends with just about everybody, but more importantly because he exudes a music-first mentality that prioritizes creation over every other aspect of what’s so-often called the “music business.” To wit, he’s released his past four records, including the higher-profile Blue Rider in 2013, on his own label, All Hands Electric, and his output has been strikingly consistent throughout. His work rolls out of him, sounding as effortless as it surely isn’t. Reviews of Blue Rider pointed out that that finger-picked guitar you hear that sounds like three people working. Well, that’s just him. Zach’s stage persona is humble; his abilities are not.

This show at the Living Room previewed an exciting turn for Cale’s recorded output, as his forthcoming Duskland will be his first for Brooklyn-based No Quarter, a label that has a diverse roster but has shown, of late, a penchant for great singer-songwriters (e.g., Doug Paisley, Joan Shelley, Jennifer Castle). Five of the seven tracks on offer here come from the new album, plus the brand-new “Riverbed” and “Hangman Letters” from Blue Rider. The new album proves to be something to look forward to — it’s of a piece with Blue Rider stylistically but with a more melancholic tone that befits the “dusk” in the title. Cale hails from Louisiana, but this work feels closer to the empty parts of Texas most times, the kind of songs that belong under an open sky, particularly the windswept, propulsive “Evensong.” The country-tinged trifecta of “I Forged the Bullet,” “Sundowner,” and “Changing Horses” made for a fine set closer. Cale may not have “changed horses” with the move to No Quarter, but he has put himself in the best position to succeed, alongside like-minded artists he belongs with. Make sure to get ahold of Duskland on pre-order, or when it hits stores on August 7.

I recorded this set with a soundboard feed from Living Room engineer Kevin and Schoeps MK41V supercardiod microphones. The sound quality is excellent. Enjoy!

Cale plays New York again on August 28 at Baby’s All Right

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Zachary Cale
2015-07-16
Living Room
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin) + Schoeps MK41V>KC5>CMC6>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mix down, fades, compress SBD)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Blue Moth
02 Evensong
03 [banter1]
04 Riverbed
05 Hangman Letters
06 I Forged the Bullet
07 Sundowner
08 [banter2]
09 Changing Horses

If you enjoyed this recording, please support Zachary Cale by visiting his website, pre-ordering Duskland from No Quarter, and buying his other records from his online store. 

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