Posts Tagged ‘ diy ’

Protomartyr: October 17, 2015 Ad Hoc Car Wash

October 23, 2015
By

Protomartyr-11-edwina-hay
[photos courtesy of Edwina Hay as featured in Impose Magazine]

This was the week of the overwhelming, PR-driven quasi-festival known as the CMJ Music Marathon, meaning there were hordes of tired concertgoers and touring bands around by the time the week wrapped. Taking advantage of that, and perhaps bringing the vibes of our own scene back to earth were the already-legendary concert promoters/magazine Ad Hoc, who rented out a vacant car wash (and its adjoining parking lot) to put on a sprawling ten-band bill that boasted the best of local and touring acts. This event felt like an appropriate evolution for the neighborhood that once housed the best-known DIY venues of the prior decade: Here you had an unused commercial space converted to creative purposes, albeit this time with plenty of bathrooms, quality (and cheap and cold) beer by the can, and even a couple of food trucks.

If you went to a CMJ event this year, chances are you might have caught Protomartyr, who were all over the place at this year’s fest making the case for their recently-released third record The Agent Intellect. The Detroit band saw some heat from their last album, Under Color of Official Right, but consensus seems to be that it’s this new offering that is going to break them into wider consciousness. That’d be a more than fair outcome, as this thirty-minute, ten-song set showed off the best of their material, including “Scum, Rise!” from their previous record and a decent chunk of the new album. Frontman Joe Casey doesn’t exactly match the band’s sound or words, performing as he does in a weirdly-dapper dark blazer and sunglasses, but beneath that veneer boil bleak, personal tales set against the backdrop of the band’s hometown, such as the signature track “Pontiac ’87”. Though you could see the daylight streaming through behind the band (filtered only by the yellow car wash sign), they held the atmosphere where it needed to be, trapping the nervous energy within the stripped brick walls. Compared to some of their harder-edged peers who would share the stage throughout the day, Protomartyr were a bit more “musical” band than some of the other fare, and that’s part of what makes them special. If this CMJ was “their year,” then I say they’ve earned it.

I recorded this set with Audio Technica 4051 microphones and a soundboard feed from Ad Hoc’s staff. The sound quality reflects the “DIY” nature of the venue, but is still quite good. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Protomartyr
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:45]
01 Devil In His Youth
02 Cowards Starve
03 I Forgive You
04 Ain’t So Simple
05 Want Remover
06 Scum, Rise!
07 Pontiac 87
08 The Hermit>
09 Clandestine Time
10 Why Does It Shake?

If you enjoyed this recording, please like Protomartyr on facebook and buy their records from Hardly Art.

Pill: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 30, 2015
By

0028-Anyane-Photography-@-Aviv-2015
[photos courtesy of Anyane Photography]

Pill were high on my list of experimental Brooklyn bands to see, and it was a treat to catch them on an outstanding bill at Aviv that also included PC Worship and Dope Body (those recordings here and here). Andrew Savage of PC Worship released the band’s debut EP on his Dull Tools label, and that’s as good a vote of confidence as Pill needs to get listeners’ attention. That five-song cycle only hints at what’s possible for this young post-punk band, who also proved at this show that they can draw and keep a crowd. Several of these songs are on the EP, but others aren’t, so go and check out both.

This is one of those bands that doesn’t play nice; their songs aren’t the kind of thing you hum at work or jog to on the treadmill. No, Pill’s vision is best experienced live, with front woman Veronica Torres writhing on the floor as the Ben Jaffe’s saxophone screams along with John Campolo’s guitars. Pitchfork’s review hailed the complex narratives on offer in Torres’ lyrics, and admittedly that’s the harder thing to pick up in the live setting, but what it’s replaced by is the visceral experience of what she put into them. As the show ended with Torres at the center of the floor, bringing the new song “Psychic Nipple”

I recorded this set with Schoeps MK4V microphones from the center of the balcony and a soundboard feed from house engineer John. The sound quality is like it was in the room, raw and in your face. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Pill
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6 + Soundboard (engineer: John)>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Which Is True?
02 Misty-Eyed Porno Reader
03 Hotline
04 Am I Your Man?
05 Personality Flaw
06 Psychic Nipple

If you enjoyed this recording, PLEASE SUPPORT Pill by visiting their bandcamp page and buying their EP there.

0033-Anyane-Photography-@-Aviv-2015

PC Worship: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 14, 2015
By

0038-Anyane-Photography-@-Aviv-2015
[photo courtesy of Anyane Photography]

The Brooklyn band PC Worship has been on this site several times this year, in part because they are one of the strongest experimental and improvisational bands in the scene right now. This show at Aviv, a Greenpoint DIY spot that has been killing it with booking lately, felt like this band’s natural habitat. In the searing late summer temperatures, the band took us through a three-song set that included “Rust” from their latest, Social Rust, as well as “Blank Touch.” But the centerpiece came at the beginning — a sprawling “Tides” that took up the bulk of the set, and set a hypnotic, intense tone for the two shorter bursts to come. It’s not the longest PC Worship set we’ve seen, clocking in at under half an hour, but like every time they take the stage, it’s a memorable one. The band is touring Europe right now, but they’ll be back at the Bowery Ballroom on October 13 and 15 with Panda Bear.

I recorded this set with a soundboard feed from Aviv engineer John, as well as Schoeps MK4V microphones mounted in the center on the balcony. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

PC Worship
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: John) + Schoeps MK4V (PAS)>KC5>CMC6>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Tides
02 Rust
03 Blank Touch

If you enjoyed this recording, PLEASE SUPPORT PC Worship, visit their website, and buy Social Rust and the forthcoming Basement Hysteria directly from them.

 

Woods: November 6, 2014 Death By Audio – Flac/MP3/Streaming

November 9, 2014
By

Woods DBA 2014
[photo by nyctaper]

In the final days of the great Death By Audio, the appearance of Woods as a special guest on Thursday was appropriate on so many levels. Of all the accomplished DIY bands of Brooklyn in the aughts, Woods perhaps best epitomized the ability to both stay true to your roots while evolving as a band. In short, they’ve managed to grow in their abilities and their popularity without selling out. The same can be said for Death By Audio, a venue that perfected a very workman-like authentic DIY aesthetic — consistently booking local and out of town touring bands while mixing in the occasional huge show. The special feature of this show was that Woods were reunited with founding member G. Lucas Crane, who parted ways with the group a few years ago to pursue his solo projects and also to concentrate on his work as one of the primary forces behind the Silent Barn. Lucas performed a brief solo set, mixing his special cassettes in a soundscape that segued nicely into the opening of the Woods set as the band joined him onstage in a seamless transition into an epic 15-minute “Bend Beyond”. We’ve seen several mindbending versions of this song over the years, but this take on ‘Beyond’ was truly remarkable as the band pushed the boundaries of the song through several jam sequences undoubtedly motivated by the historical nature of the occasion. We are streaming it below.

When ‘Beyond’ ended and Lucas left the stage, one would think that there would have been a little letdown, but this was clearly not the case. Woods was on a mission — whether it be welcoming old friend Alex Bleeker on “Cali In A Cup”, or dedicating “It Ain’t Easy” to the late Brooklyn musician and band friend Jamie Ewing, breaking out old material (“Rain On”), or multiple mentions and thanks to Edan and Death By Audio. This is a band who knows from whence they came and returned to old haunts to pay tribute in the best way possible, by playing a show that is perhaps the best night we’ve had all year. The capacity crowd seemed to feel that same way as they simply would not let the band leave despite equipment problems. When Edan located a spare drum pedal all was fixed and the show went on. The first of two encores was the band’s superb take on the Pink Floyd classic “Green Is The Colour”, a recent nyctaper recording of which ended up on a split single of Woods and MV+EE takes on the song on Piccadilly Records. The show ended with another of the band’s anthems, “Be All Be Easy”, which we are also streaming below.

I recorded this set with the Sennheiser cards on a small stand in the front and center of the stage and mixed the on-stage sound with an excellent soundboard mix provided by DBA’s Edan. The mix combines primarily vocals and drums from the board complimenting the clear guitar and bass from the stage. The sound quality is simply stunning. Enjoy!

Stream “Bend Beyond”:

Stream “Be All Be Easy”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Woods
2014-11-06
Death By Audio
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard [engineer Edan] + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:04:28]
01 Bend Beyond
02 Leaves Like Glass
03 Cali In A Cup
04 Shining
05 Jam
06 Size Meets The Sound
07 Is It Honest
08 It Ain’t Easy
09 Shepherd
10 Rain On
11 With Light and With Love
12 [encore break]
13 Green is the Colour [Pink Floyd]
14 Be All Be Easy

If you download this recording from NYCTaper PLEASE SUPPORT Woods, visit their website, and purchase With Light and with Love from the Woodsist Records website [HERE].

DIIV: June 8, 2012 285 Kent – FLAC and MP3 Downloads + Streaming Songs (including rare Nirvana cover!)

June 14, 2012
By


[Photos by acidjack]

Beach Fossils‘ Zachary Cole Smith is such an unabashed Nirvana fan that he named his new musical project “DIIV” after the band’s b-side “Dive”. This Friday night madhouse of a show at 285 Kent headlined by DIIV as a “secret guest” had much of the same  joyful chaos as the better shows of Nirvana’s pre-Nevermind career. A full house packed 285 until it was a virtual sweat lodge, teeming with teenage bodies flying through the air, moshing and having a hell of a time (this all-ages show was also a celebration of somebody’s graduation). DIIV tore through a good chunk of the numbers from their soon-to-be released album, Oshin, with Smith ruling the frenzied proceedings like a man who wasn’t sweating bullets. The highlight of the night for me was an homage to Nirvana, when the band covered an extremely obscure unreleased Cobain song known to bootleg collectors as either “Bambi Slaughter” or “Creation”. Even if DIIV aren’t exactly Nirvana (yet anyway), the show was a reminder that rock n’ roll isn’t supposed to be tidy, or clean or safe – it’s blood on the floor, bodies in the air, sweat soaking your shirt, heads banging, hair flying. It’s wonderful, isn’t it?

This was a very difficult recording environment and situation. The extreme levels of humidity and heat in the club played havoc with both the onstage equipment and my equipment, and there is some distortion in both the soundboard feed and in my microphones as a result. I spent several hours working on this to make it was good as I could, but it is still not a very good recording by the standards of this site. That said, it is still quite listenable, and an accurate representation of a very interesting and fun night.

Thanks to Ian Perlman for the setlist, and the inspiration to try and mix this thing down right.

Stream “Bambi Slaughter” [Nirvana]
[audio:https://www.nyctaper.com/D8600DIIV2012/11 Bambi Slaughter.mp3]

Stream “Human”
[audio:https://www.nyctaper.com/D8600DIIV2012/03 Human.mp3]

Direct download of MP3 files [HERE]| Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DIIV
2012-06-08
285 Kent
Brooklyn, NY USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, A-B)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Izotope Ozone 5 (various edits, EQ and changes)>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (further edits)>Audacity (set fades, balance, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Druun
02 Past Lives
03 Human
04 Big Joke
05 Air Conditioning [w/ “All Apologies” tease]
06 How Long Have You Known
07 [tuning]
08 Wait
09 Follow
10 Sometime
11 Bambi Slaughter [Nirvana]
12 Doused

If you enjoyed this recording, PLEASE SUPPORT DIIV, like them on Facebook, pre-order Oshin from Insound, and be on the lookout for their upcoming shows in the area, including Saturday June 23rd at Glasslands.

Mt. Eerie: September 21, 2011 285 Kent

September 29, 2011
By

mount-eerie-concert-photos_1
[photo by Juliet Eldred courtesy of Impose Magazine]

Phil Elverum is one of those elusive and otherworldly presences in music, who can take the simplest organ line or bell tone and build a surprising, hauntingly beautiful song around it. Best known for his work under the moniker The Microphones, Elverum rechristened the project Mt. Eerie in the middle of the last decade, but continues with many of The Microphones’ themes and sounds. This show at 285 Kent, presented by the legendary ToddP, had the type of intimate feel that echoed the very bedrooms where Elverum has made many of his compositions. This nine-song set showcased material new and old, and represented Elverum and the touring band’s triumph over what had been a very finicky PA system earlier in the evening. The band followed this show with a Monday performance at Le Poisson Rouge – another venue of considerable charm – but really, what better place to see a bedroom recordist than one of the Brooklyn scene’s coolest living rooms?

I recorded this set with the DPA microphones near the right stack, coupled with a soundboard feed. Other than some light noise from a fan near the mics during the first couple songs, the sound quality is outstanding. Enjoy!

 

Download the MP3 and FLAC files on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Mt. Eerie
2011-09-21
285 Kent
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021 (X/Y on post 3ft from right stack, 8ft)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (effects, mix down, normalize)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 I Felt Your Shape
02 Between Two Mysteries
03 Ancient Questions
04 No Inside, No Out
05 [banter]
06 The Place I Live
07 Lone Bell
08 [unknown]
09 Stone’s Ode
10 [unknown]

If you enjoyed this recording, we expect that you will PLEASE SUPPORT Mt. Eerie, visit their website, and purchase their records directly from them at their online store.

SUPPORT NYCTaper




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