Posts Tagged ‘ DPA 4021 ’

Oberhofer: October 1, 2011 Monster Island Farewell BBQ – Flac and MP3 Downloads + Streaming Song

October 19, 2011
By


[photo by Chris Becker courtesy of Impose Magazine]

On a rainy and dreary October day, with Monster Island padlocked behind it, River Avenue became the makeshift concert spot for a bittersweet celebration of seven years of perhaps the best DIY shows that Brooklyn has ever seen. Monster Island Basement was a venue that we visited often, and recorded everything we saw there. The excellent performances we experienced litter this site. We also presented a show there in the Spring of 2009. As he has for its entire seven year existence, the ubiquitous presence of ToddP was the first person we saw when we turned onto River Avenue that morning to record the entire event. Per his tradition, the ToddP Acoustic BBQ is a neverending parade of local DIY talent who perform brief ten minute sets. On this day, it was 36 bands, with everyone from the electronic noise of openers White Sun, to the slide-blues of Ezekial Healy, the poetry of Eliza and Parry, the folk of Katie Eastburn, the spoken word performance by DJ Dog Dick, and a million other genres. We recorded 29 acts, as the persistent rains brought the action inside for periods of time. Of those acts, perhaps the most impressive was the kinetic energy of Oberhofer, whose 3-song set was both entertaining and engaging for the obvious talent that Brad Oberhofer projects. In a raw acoustic setting without the benefit of the bells and whistles of sound effects, the artist and their talent stand naked. In that setting Oberhofer shined performing three songs — including two of his own compositions and a tongue in cheek cover of Kanye West.

This show was the most difficult circumstances under which I’ve ever recorded. The weather was an issue all day, and the “stage” was continually shifted, so that we were left with having the pick up the microphone stand and move it often. For this particular set, the artist remained in one location (you can see our microphones in the photo) and played at a decent acoustic volume. As a result, although you can hear some wind noise, the overall sound quality is quite excellent. Enjoy!

Stream “I Could Go”:
[audio:https://www.nyctaper.com/ToddP%20Monster%20Island%20Farewell/02.%20I%20Could%20Go.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oberhofer
2011-10-01
Monster Island Farewell Acoustic BBQ
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded on Stage

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-10-20

Setlist:
[Total Time 11:24]
01 Away FRM U
02 I Could Go
03 Runaway [Kayne West]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Oberhofer, visit their Facebook page, and purchase their official releases from the White Iris Records store [HERE] and keep an eye out for future releases at Glassnote Records [HERE].

Eternal Tapestry: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

October 18, 2011
By


[Photo by acidjack]

Portland’s Eternal Tapestry brought their heavy left coast psych rock to Glasslands this past Friday night, performing three long-form compositions of their densely layered guitar, bass, and saxophone (an instrument that seems to be making a big comeback lately!). The first two numbers came from the band’s latest record, Beyond the 4th Door, but the final track, “Doing Your Own Being”, was my personal highlight. With its eastern-inflected sax melody, the song is not only compelling, but rare. Released only on the very-limited-edition box set, Not the Spaces You Know, But Between Them on North Carolina imprint Three Lobed Recordings, this was likely many audience members’ first exposure to this incredible tune. Eternal Tapestry have reportedly made several records by essentially culling down live in-studio sessions, so unsurprisingly, the actual live show is a thing of beauty, as the band reworks and expands upon their songs on the fly. They don’t make it out east as often as we would like, so don’t miss them on the next go round.

I recorded this set with the DPA microphones mixed with an excellent board feed from Josh at Glasslands. As usual for this venue, the sound is excellent!

Thanks to PopGun Booking for hosting us.

Stream the complete set and download individual tracks:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eternal Tapestry
2011-10-14
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Sound Devices USBpre2 + Soundboard>>Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (EQ, mixdown, amplify)>Audacity (set fades, tracking)>FLAC ( level 8 )

Tracks
01 Cosmic Manhunt
02 Wave Without A Shore
03 [banter]
04 Doing Your Own Being

If you enjoyed this recording, PLEASE SUPPORT Eternal Tapestry, visit their MySpace page, and purchase their latest record, Beyond the 4th Door, directly from Thrill Jockey [HERE]

The Rosebuds: October 12, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Songs

October 17, 2011
By


[photo courtesy of Joshua Trupin]

The Rosebuds superb new album was released in June and chronicles the period after band leaders Kelly Crisp and Ivan Howard had divorced in 2009. Loud Planes Fly Low is an album of intelligence and maturity — the resolution of personal difficulties within a professional relationship, the “divorce” album has sadly become a staple of rock music. At Bowery Ballroom on Wednesday night, the Rosebuds performed much of Loud Planes as a tight and cohesive unit. The touring band currently includes talented multi-instrumentalist Daniel Hart, whose skills in other settings we have previous experienced (here and here). Of the seven new songs performed, we were particularly impressed with the poignancy of the dirge-like “Second Bird of Paradise” and the energy of show-stopper “Woods”, both of which are streaming below. The Rosebuds current tour comes to a close with several southern dates this coming week.

I recorded this set with the warmer and vocal-friendly DPA microphones mounted at our standard balcony rail location and mixed with an excellent soundboard feed. The sound quality is quite excellent. Enjoy!

Stream “Second Bird of Paradise”:
[audio:https://www.nyctaper.com/R1210Rosebuds1120/12.%20Second%20Bird%20of%20Paradise.mp3]

Stream “Woods”:
[audio:https://www.nyctaper.com/R1210Rosebuds1120/19.%20Woods.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Rosebuds
2011-10-12
Bowery Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper 2011-10-15

Setlist:
[Total Time 1:17:26]
01 Go Ahead
02 Limitless Arms
03 Cape Fear
04 Get Up Get Out
05 [banter – band intros]
06 Waiting for You
07 Shake Our Tree
08 [banter – lost colony]
09 Leaves Do Fall
10 Life Like
11 [banter – Tears for Fears]
12 Second Bird of Paradise
13 [banter – Buffalo]
14 Come Visit Me
15 Boxcar
16 Cover Ears
17 [banter – vote]
18 Nice Fox
19 Woods
20 [encore break]
21 Hold Hands and Fight
22 Cemetery Lawn

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Rosebuds, visit their website, and purchase Loud Planes Fly Low from the Merge Records website [HERE].

Thee Silver Mt. Zion Memorial Orchestra: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 12, 2011
By

Mt Zion
[Photo by Jason Persse. Used with permission]

The final day of this year’s ATP “I’ll Be Your Mirror” festival in Asbury Park, NJ found the festival split between a hip-hop dominated Convention Hall (Ultramagnetic MCs and Public Enemy), and the Paramount Theatre across the concourse hosting (along with Jeff Mangum’s second set of the weekend) some incredible post-rock performances, including Earth (which we posted recently) and Thee Silver Mt. Zion Memorial Orchestra. SMZ (to use the favored shorthand) were the final act that I saw at the festival, and their grandiose, challenging performance sent me home on a high note. SMZ is anchored by guitarist/vocalist Efrim Menuck, who plays guitar in Godspeed You Black Emperor! along with SMZ bandmates and co-founders Thierry Amar and Sophie Trudeau.

SMZ’s similarities to GYBE are about as numerous as its contrasts from it. The contrasts are obvious, starting with Menuck’s bombastic, harsh vocals, which he sing/speaks in a punk rock style. Like GYBE, SMZ compositions are lengthy and follow a classical, narrative structure rather than pop’s verse/chorus/verse style. The use of string instruments also gives SMZ a classical feel that echoes GYBE, but SMZ’s storytelling is distinct. Where GYBE relies on symbolism and found sounds to tell their story, Menuck’s overtly political vocals make SMZ’s approach more direct. Menuck engaged the audience repeatedly between songs, decrying the right-wing (for Canada, anyway) regime of Prime Minister Stephen Harper, and giving a shout-out to the 99% whose Occupy Wall Street movement continues to grow. True to form, this 90-minute set consisted of just six compositions, primarily drawn from 2008’s 13 Blues for Thirteen Moons rather than the band’s current effort, Kollaps Tradixionales, from which they played only “There Is A Light”. A new number, “What We Loved Was Not Enough”, was also performed, but my personal highlight was “Black Waters Blowed/Engine Broke Blues” from Thirteen Moons, a huge two-part number with strong vocal harmonies between Menuck and Trudeau, excellent stringwork, and a cataclysmic crescendo worthy of these Montreal artists’ unique style.

I recorded this set with the DPA microphones from an ideal spot in the venue. Other than some rustling noises and an evident volume adjustment during the first four minutes of “BlindBlindBlind”, the sound quality is quite good (though not as good as the Earth set from almost the same spot). Enjoy!

Stream “What We Loved Was Not Enough”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/08 What We Loved Was Not Enough.mp3]

Stream “Black Waters Blowed/Engine Broke Blues”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/07 Black Waters Blowed_Engine Broke Blues.mp3]

Download the FLAC and MP3 files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Silver Mt. Zion Memorial Orchestra
2011-10-02
ATP presents I’ll Be Your Mirror
Paramount Theatre
Asbury Park, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (FOB, DFC)>Denecke PS/2>PCM-M10 (24/44.1)>24bit/48kHz WAV>Audacity (set fades, EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 BlindBlindBlind
03 [banter]
04 13 Blues for Thirteen Moons
05 [banter]
06 There Is A Light
07 Black Waters Blowed/Engine Broke Blues
08 What We Loved Was Not Enough
09 [banter]
10 Horses in the Sky

If you enjoyed this recording, PLEASE SUPPORT Thee Silver Mt. Zion Memorial Orchestra, visit their website, and purchase SMZ, Godspeed Your Black Emperor!, and Efrim’s official releases from Constellation Records [HERE]

Lady Lamb the Beekeeper: October 9, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Songs

October 11, 2011
By

backyard_brunch-22
[Photo by Dominick Mastrangelo]

When I first heard Aly Spaltro, aka Lady Lamb the Beekeeper, I flat-out couldn’t believe a girl so small (the band’s Facebook page cheekily describes her as 6’2″) – and so young (early 20s) – could make such a large, mature sound. Her “band” is no more than her and her guitar, but Aly never sounded intimidated or lonely on that empty stage. She cold-opened with an a cappella number – “Up In the Rafters” – that gave me chills. Stripped bare, the song is a sustained cry of longing, at once sultry, dangerous and sweet, and it’s delivered fearlessly. She closes out “Rafters” and moves straight into “Mezzanine”, this time accompanied by her guitar. Her playing is the equal of that lovely gravel in her voice, taking abrupt and unexpected twists in time and tempo. Both songs appear on LLTB’s current release Mammoth Swoon, a collection of unreleased, rare, and bedroom tracks that Aly released at the end of last year. You may be asking yourself how a young artist like Aly manages to have a rarities comp already, and that would be a good question. But head to LLTB’s bandcamp page, and you’ll see that she is already three releases deep. This set of six songs was culled from several of her records other than Mammoth, and each song showcased her unique songwriting ability. It’s hard for the word “precocious” not to come to mind, but LLTB would be an act of striking talent and depth at any age.

Backyard Brunch Sessions work best with artists who have the confidence to let their music stand unadorned. In a simple East Village backyard surrounded by a garden, new friends (and some delicious French Toast Grilled Cheese Sandwiches), Aly Spaltro fit this show’s aesthetic perfectly. She’s been playing alone on that empty stage since day one.

I recorded this set with a combination of high-end microphones, including the DPA 4021 that you can see miking Aly’s vocals. The sound quality is excellent, other than a two-second spot during “Up In the Rafters” where her guitar hit the mic stand. Enjoy!

Lady Lamb the Beekeeper’s next show will be a Windish Agency CMJ Showcase at Rockwood Music Hall on October 21.  More info here.

Stream “Up in the Rafters”
[audio:https://www.nyctaper.com/L1009LLTB0211/Rafters.mp3]

Stream “Southernfly”
[audio:https://www.nyctaper.com/L1009LLTB0211/Southernfly.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter | visit the backyard brunch sessions homepage

Lady Lamb the Beekeeper
2011-10-09
Backyard Brunch Sessions
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod pair, on guitar amp)+DPA 4021 (on vocals)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (studio effects, mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Up In the Rafters
03 Mezzanine
04 Between Two Trees
05 Florence Berlin
06 Southernfly
07 [banter]
08 Crane Your Neck
09 [outro]

PLEASE SUPPORT Lady Lamb the Beekeeper, like her on Facebook, visit her website, and purchase her releases from her bandcamp page.

The Antlers: October 3, 2011 Wellmont Theatre – Flac and MP3 Downloads + Streaming Song

October 6, 2011
By


[photo by Amanda Hatfield]

In our many posts about The Antlers, we have never spoken about the band’s technical prowess. The new album, Burst Apart, was produced by the band, but the lion’s share of the studio and tech work was done by keyboardist Darby Cicci. At Wellmont Theatre on Monday night, it was a question in my mind as to whether the band’s sound could fill such a cavernous theatre, but from the very outset The Antlers did just that. As they opened with perhaps the most aggressive song from Burst Apart “Parentheses”, Michael Lerner’s well-mic’d bass drum and the strong dual guitar work of Peter Silberman and Tim Mislock produced a wall of sound, but it was Darby’s keys and effects that provided both the bottom end and the depth to the booming sound. The set continued in the same vein, with six new songs of the seven played, supplemented by an emotional version of “Atrophy” from Hospice. The Antlers return to the NYC area on December 10, with a newly announced date at Webster Hall.

We recorded this set in the same manner and location as the EITS set, and the sound quality is equally rich. Enjoy!

Stream “I Don’t Want Love”:
[audio:https://www.nyctaper.com/A3398Antlers3200/03.%20I%20Don%27t%20Want%20Love.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The Antlers
2011-10-03
Wellmont Theatre
Montclair, NJ USA

Four-Track Digital Master Recording
Recorded from Front Center of Balcony Rail

Schoeps MK-41 > PSP2 + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-10-06

Setlist:
[Total Time 46:57]
01 Parentheses
02 No Widows
03 I Don’t Want Love
04 Atrophy
05 Rolled Together
06 Hounds
07 Putting The Dog To Sleep

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Burst Apart from their site [HERE].

Earth: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 6, 2011
By


[Photo courtesy of Jason Persse]

The revivified (as of 2005) Seattle band Earth is a behemoth of sound. Progenitors of an entire microgenre (“drone doom”), the band’s latest incarnation is a slightly more epic, and also more delicate outfit that combines elements of heavy grunge guitars, drone and americana. The band also has several ties to the band Nirvana, including lead guitarist and founding member Dylan Carlson’s well-documented friendship with Kurt Cobain, and current bandmember and cellist Lori Goldston’s role as touring cellist for Nirvana (and cellist on MTV Unplugged In New York).

But the band’s connections and history are only footnotes to one of the most powerful of the sets I have seen since I began attending the various New York-based All Tomorrow’s Parties festivals. This fourth year of the festival (awkwardly rechristened “ATP Presents I’ll Be Your Mirror”) was relocated from the quirky (and sketchy) holiday resort where it was held for the previous three years to the more welcoming environs of the Asbury Park, NJ – home of Bruce Springsteen and many other notable artists (including recent NYCTaper favorite Nicole Atkins, as we learned last week). Along with the relocation came new venues, including the weathered-but-still-standing Paramount Theater, which provided the ideal venue for Earth’s prettified slowcore.

The band played five longform compositions, each of which Carlson introduced by name, including the band’s first-ever song “Ouroboros Is Broken” as well as the title track from its latest record, Angels of Darkness, Demons of Light, a sequel to which is due soon. Each song was positively massive, cinematic in its sweep, with Carlson’s darkly-tuned guitar riffs threading in between Goldston’s somber cello, all backed by a focused but dense wall of bass and drums. Earth are one of many examples of the eclectic but brilliant programming of ATP – a modern classic of a band that may have been overlooked by some, but is a fixture for those who know them. Not only was theirs the best-sounding set of the festival, but one of the most inspired – reminding us of the critical essence of the early Seattle sound, and where it could have gone if it had the chance to grow up. Indeed, ATP festivals are always somewhere to be inspired, not only by outstanding music, but by the fans and sense of community they engender. It is my privilege to bring you but a small piece of this experience.

I recorded this set with the DPA 4021 microphones from the optimum spot in the venue. Especially given the use of a mobile rig, it is one of my finest captures of the year. Enjoy!

The other set by an ATP band that allows audio taping – Thee Silver Mt. Zion Orchestra – will be posted to the site in the coming days as well.

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Stream the complete set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Earth
ATP I’ll Be Your Mirror
Paramount Theater
Asbury Park, NJ USA

An acidjack master recording

DPA 4021>PS/2>Sony PCM-M10 (24/44.1)>Audition (set fades, fix clapping, EQ, normalize)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 Black Water Side>Old Black
02 Bees Made Honey in the Lion’s Skull
03 Father Midnight
04 Ouroboros is Broken
05 Angels of Darkness, Demons of Light

If you enjoyed this recording, PLEASE SUPPORT Earth, visit their website, and purchase Angels of Darkness, Demons of Light I directly from their site [HERE]

Explosions In The Sky: October 3, 2011 Wellmont Theatre – Flac and MP3 Downloads + Streaming Song

October 5, 2011
By


[photo courtesy of Brian C. Reilly and Bowery Houselist]

An Explosions In The Sky concert can be an emotional experience simply because of the depth and breadth of the music created on stage. At Wellmont Theatre on Monday night, EITS performed a ninety-minute set of their post-rock mini-symphonies to a rapt audience. There were a few hoots and some random clapping, but for the most part the 2000 capacity crowd were mesmerized. Inexplicably, there was a toddler in the balcony and at the most quiet moments of the music, she could be heard throughout the theatre. EITS are touring on their newest album Take Care, Take Care, Take Care, but the set featured only two new tracks and songs were selected judiciously throughout their catalog. We have chosen to stream “The Birth and Death of the Day”, the opening track from their 2007 release All of a Sudden I Miss Everyone, and a piece of extraordinary beauty. The song is a reversal of the common EITS structure as it opens with a crashing of the instruments and evolves into a simple but quietly eloquent multi-guitar passage. The Explosions In The Sky world tour continues through January.

Hi and Lo and I recorded this set from the front and center balcony rail. This location afforded us a direct line to the huge stacks and also provided a tremendous soundstage. We combined his Schoeps hypers with the DPA 4021s and the result is a tremendously rich and deep recording. Enjoy!

The Antlers opening set was also recorded and will be posted soon.

Stream “The Birth and Death of the Day”:
[audio:https://www.nyctaper.com/E3060EITS9992/09.%20The%20Birth%20and%20Death%20of%20the%20Day.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Explosions In The Sky
2011-10-03
Wellmont Theatre
Montclair, NJ USA

Four-Track Digital Master Recording
Recorded from Front Center of Balcony Rail

Schoeps MK-41 > PSP2 + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-10-05

Setlist:
[Total Time 1:26:07]
01 [introduction]
02 The Only Moment We Were Alone
03 Last Known Surroundings
04 Catastrophe and the Cure
05 Postcard From 1952
06 Greet Death
07 Six Days at the Bottom of the Ocean
08 Let Me Back In
09 The Birth and Death of the Day
10 The Moon Is Down

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Explosions in the Sky, visit their website, and purchase Take Care, Take Care, Take Care and their other official releases directly from their online store [HERE]

Caveman: September 17, 2011 Beekman Beer Garden + August 19, 2011 Cameo Gallery – Flac and MP3 Downloads and Streaming Songs

September 28, 2011
By


[photos courtesy of Amanda Hatfield]

In the last six weeks, we have twice had the pleasure of seeing one of Brooklyn’s brightest new bands — each time supporting an nyctaper-favorite band. In August when Caveman opened for War On Drugs at Cameo Gallery, we were unfamiliar with the band. Their sound features prominent keyboards, which naturally draws comparison to 80s bands, but its the heavy rhythmic elements that align them with contemporaries like The Dodos and Local Natives. Following the Cameo show, Caveman played a sold-out CD release show for their debut album CoCo Beware at Mercury Lounge. We caught them again after the Mercury coming-out party, this time at the Beekman Beer Garden with The Hold Steady. Perhaps it was my imagination, but it seemed that in a month since the Cameo show, Caveman was playing tighter and with more confidence. “Old Friend”, which flows live from the instrumental “Vampirer” was a strong end of set number that features a driving beat and the sweet melancholy vocals of Matthew Iwanusa, and we are streaming it below.

I recorded the Cameo show in the same manner at the War On Drugs recording, with the Neumanns supplemented with a mono board feed. The Beekman show was recorded with the four-microphone rig directly in front of the soundboard cage. The sound quality of both sets is excellent. Enjoy!

Stream “Old Friend” from Beekman Beer Garden:
[audio:https://www.nyctaper.com/C1908Caveman1020/09.%20Old%20Friend.mp3]

Stream “Thankful” from Cameo Gallery:
[audio:https://www.nyctaper.com/C1908Caveman1020/09.%20Thankful.mp3]

Direct download of complete show in MP3 files:
Beekman Beer Garden [HERE]
Cameo Gallery [HERE]

Download the Complete shows in FLAC
Beekman Beer Garden [HERE]
Cameo Gallery [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request

Caveman
2011-09-17
Beekman Beer Garden
New York, NY USA

Four-Track Digital Master Recording
Recorded from Inside Soundboard Cage
Thirty Feet from Stage

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-09-22

Setlist:
[Total Time 41:11]
01 Easy Water
02 A Country’s King of Dreams
03 My Time
04 December 28th
05 Thankful
06 Decide
07 My Room
08 Vampirer
09 Old Friend
10 Wheres The Time

**************************

Caveman
2011-08-19
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard (mono) + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-09-21

Setlist:
[Total Time 41:13]
01 A Country’s King of Dreams
02 Pricey
03 December 28th
04 My Time
05 Vampirer
06 Old Friend
07 Easy Water
08 My Room
09 Thankful
10 Decide

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Caveman, visit their website, and purchase CoCo Beware directly from their website [HERE].

Wilco: September 22, 2011 Central Park Summerstage – Flac and MP3 Downloads + Streaming Songs

September 23, 2011
By

SONY DSC
[photo courtesy of wagz2it]

If there’s a band we hope that people associate with what nyctaper stands for, its Wilco. They have appeared so many times on this site that its often difficult to invent new superlatives to describe the Wilco concert experience. Last night at Summerstage, the band again delivered to its fans another epic NYC show, on par with the legendary Irving Plaza or Hammerstein or McCarren Pool shows of previous years. On tour in support of their latest release, The Whole Love (due on September 27), the band again delivered a two-plus hour high-energy set that dug deep into their catalog (an A.M. cut streaming below) while it also featured eight songs from the new album. The title track has already earned encore status, and we’re streaming it below. Of special note was Jeff Tweedy’s remembrance of the Wilco sets at Town Hall almost exactly ten years to the day, when a still-shocked NYC found some comfort in superbly delivered and heartfelt two nights of music. Ten years later, Wilco is still providing the City with the same gifts.

The entire NYCTaper crew was on hand to record this set. While we feared the worst of the elements, fortunately the rain held off and the winds were minimal. We set up near the back of the floor because our original advantageous position was actually an obstruction to the lighting projections. The crew ran 3 separate rigs, featuring twelve high-end microphones. This particular recording is my standard Neumann + DPA 4021 rig, and its a surprisingly excellent recording, all things considered. We will likely feature some of the other captures in the coming weeks. Enjoy!

Stream “Whole Love”:
[audio:https://www.nyctaper.com/W2238Wilco2297/22.%20Whole%20Love.mp3]

Stream “Shouldn’t Be Ashamed”:
[audio:https://www.nyctaper.com/W2238Wilco2297/09.%20Shouldnt%20Be%20Ashamed.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Wilco
2011-09-22
Rumsey Playfield
Central Park Summerstage
New York, NY USA

Four-Track Digital Master Recording
Recorded from read of the Main Floor

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2010-09-23

Setlist:
[Total Time 2:09:41]
01 Art Of Almost
02 I Might
03 Ashes Of American Flags
04 I Am Trying To Break Your Heart
05 One Wing
06 Bull Black Nova
07 At Least Thats What You Said
08 One Sunday Morning
09 Shouldnt Be Ashamed
10 [banter]
11 Born Alone
12 She’s A Jar
13 Handshake Drugs
14 Standing O
15 Rising Red Lung
16 Impossible Germany
17 Dawned On Me
18 A Shot In The Arm
19 Hummingbird
20 [encore break]
21 Via Chicago
22 Whole Love
23 [banter – Town Hall Sept 2001]
24 War On War
25 Jesus Etc
26 Im The Man Who Loves You
27 Monday
28 Outtasite

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wilco, visit their website, and purchase their official releases, including The Whole Love on September 27, directly from their website [HERE].

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

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