Posts Tagged ‘ dpa ’

White Fence: August 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

August 30, 2011
By

White Fence
[photo by Maryanne Ventrice]

One of the real joys of seeing live shows is seeing an opening band that just blows you away. That was the case with this opening set from White Fence on a stacked Bowery Ballroom bill led by NYCTaper favorites Woods. White Fence’s records are the solo effort Tim Presley, who also does time in the Strange Boys and Darker My Love, so for this show his backing band consisted of Nick Murray on Drums, and two members of Woods (Jarvis and Kevin), who handled Presley’s material as capably as if it were their own. Presley brings a Dylanesque vocal turn to his garage-psych songs, but the laid-back vibe of the songs doesn’t mean the playing isn’t also top notch, particularly Presley’s guitar work. The band’s entire set brought the rapidly-packing room to peak energy level, climaxing with jammed-out version of “Sticky Fruitman Has Faith” that was worthy of the night’s headliner in its ambitious scope. Whatever Presley’s other commitments musically, I hope he makes this project a priority, as White Fence is a can’t-miss band on any bill they’re on.

We recorded this set in the same manner as the Woods set, and the results are similarly outstanding. Enjoy!

Stream “The Love Between”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/03 The Love Between.mp3]

Stream “Sticky Fruitman Has Faith”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/15 Sticky Fruitman Has Faith.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

White Fence
2011-08-13
Bowery Ballroom
New York, NY USA

6-Channel Multitrack Digital Master Recording
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Neumann KM150 + DPA 4021>Sound Devices USBpre2 >> Tascam DR680>6x24bit/48kHz WAV>Audition (mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 Mr. Adams>
02 Who Feels Right
03 The Love Between
04 Baxter Corner
05 [banter]
06 Be Right Too
07 When There Is No Crowd
08 Growing Faith
09 Enthusiasm
10 Harness
11 Lillian (Won’t You Play Drums?)
12 Get That Heart
13 [banter]
14 Sara Snow
15 Sticky Fruitman Has Faith

If you enjoyed this recording, PLEASE SUPPORT White Fence, visit his MySpace page, and purchase his latest record Is Growing Faith directly from Woodsist records [HERE]

Minerva Lions: August 7, 2011 BBS at the Richardson – FLAC and MP3 Downloads + Streaming Songs

August 29, 2011
By

minerva-lions-13
[photo by Dominick Mastrangelo]

After a great set by Teletextile at the temporarily-related Backyard Brunch Sessions at The Richardson, Minerva Lions played an inspired set that showed off their soulful side, and debuted a new song to boot. The band has a classic, but updated sound that incorporates elements of folk, alt-country and rock; if you hear a little Wilco in them, that’s not such a bad thing. Lead vocalist Jared Samuel has a compelling, easy to like voice that can deliver laid-back phrasing, as on the opener “Megrims”, as easily as the deep blues of their cover of “Bring It On Home to Me” by Sam Cooke. Songwriting, as ever, is key, though, and Minerva Lions are on point there, too, with songs that are instantly memorable. Even in a four-song set, we saw several sides of the band stylistically, with the organ-dominated songs like the newly-debuted “You & Yr Arrow” giving a very different vibe than the more straight-ahead guitar sounds of songs like “Megrims.” Even without the backyard, Minerva Lions gave us a lovely, all-American music experience for a warm summer afternoon.

hi and lo and I recorded this set with six strategically placed high-end microphones. The recording is excellent. Enjoy!

Stream “Bring It On Home To Me [Sam Cooke]”:
[audio:https://www.nyctaper.com/M8007MinervaLions2011/04 Sam Cooke.mp3]

Stream “You & Yr Arrow” [Exclusive new release!]:
[audio:https://www.nyctaper.com/M8007MinervaLions2011/05 You & Yr Arrow.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Minerva Lions
2011-08-07
BBS at the Richardson
Brooklyn, NY USA

Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

AKG C 414 B-XLS>Sound Devices USBpre2 + Schoeps Mk41>CMR>EAA PSP2 + DPA 4021 >> Tascam DR-680 (24/48)>Audition (mixdown, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 Megrims
03 For R.A.
04 Bring It On Home To Me [Sam Cooke]
05 You & Yr Arrow
06 If I Didn’t Care

If you enjoyed this recording, PLEASE SUPPORT Minerva Lions, like them on Facebook, and check out their bandcamp page, where you can download more of their songs.

Deerhunter: August 23, 2011 Webster Hall – FLAC and MP3 Downloads + Streaming Songs

August 25, 2011
By

deerhunter ventrice
[Photo by Maryanne Ventrice]

The first show I saw by the ultra-talented recording artist Bradford Cox was an Atlas Sound set at the ATP New York music festival in 2009. It was a disaster. Consisting mostly of pedal troubles and tuning woes that took up more than half the set, with Bradford apologizing profusely, it didn’t live up to the promise of the recorded material. So, despite the unique, compelling sound of Bradford’s records, I was reluctant about the live show – even though both Deerhunter and Atlas Sound have been featured on this site many times (albeit not my recordings).

This Deerhunter show at Webster Hall erased my doubts – and made me kick myself for not going to see this band sooner. This show was one of the best I have seen this year, with Bradford confidently, brilliantly owning his instrument, his voice, and the stage. Deerhunter is rock music – popular(ish) rock music, at least – at its bleeding edge, where Radiohead used to be, creating an entirely new sound from the tools that have (mostly) been there for rock’s 40+ years. This show kicked off with the anthemic “Fluorescent Grey”, featuring original bandmember Colin Mee, who stuck around for the first five songs. The band spent the entire show bathed in green light, with Cox commanding a visceral torrent of sound. The band’s live sound feels like a living, breathing thing – an alien form that surges, crackles, crinkles and trills. The band’s best songs on this night were otherworldly: “Nothing Ever Happened” morphed into an extended jam, with Cox melding in some of Patti Smith’s “Land”. “Twilight at Carbon Lake”, closing the main set, held us in rapture. Almost the entire show was seamless, with extended guitar loops and chirps filling in between songs. The show ended with “Calvary Scars II”, which bled into an extended loop that terminated as the lights went up.

As this show ended, I understood what had happened at ATP a few years ago. Cox may not always be perfect – someone as prolific, as ambitious as he is almost can’t be. But he is the kind of artist whose excesses must not only be tolerated, but celebrated – this creator needs every encouragement we can give him to create and succeed. And when he does succeed, you get a night like this night: phenomenal.

I recorded this set from the center of the floor with the DPA microphones. I spent a great deal of time post-processing and was rewarded with an excellent recording than is free of unnecessary crowd chatter almost throughout. No recording can match the experience of being at a show like this – but turn this up, and you might get close. Enjoy!

Stream “Nothing Ever Happened”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/11 Nothing Ever Happened.mp3]

Stream “Earthquake”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/07 Earthquake.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Deerhunter
2011-08-23
Webster Hall
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audition (EQ, effects, parallel compression, downsample to 44.1kHz)>Audacity (tracking, fades, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:30:31]
01 Fluorescent Grey
02 Intro>
03 Cryptograms
04 White Ink
05 Lake Somerset
06 [banter]
07 Earthquake
08 Don’t Cry
09 Revival
10 Never Stops
11 Nothing Ever Happened
12 Twilight at Carbon Lake
13 [encore interlude]
14 Desire Lines>
15 Calvary Scars II

If you enjoyed this recording, PLEASE SUPPORT Deerhunter, visit their MySpace page, visit the band blog, visit the Halcyon Digest page, and purchase Halcyon Digest from 4AD Records [here].

Woods: August 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Full Set

August 24, 2011
By

Woods Bowery Ventrice
[Photo by Maryanne Ventrice]

We caught Woods this summer in the unlikely Northside Festival venue of St. Cecilia’s Roman Catholic Church (that recording here), but it was an equally special treat to see them play the best-sounding venue in Manhattan, Bowery Ballroom. Although the set hewed fairly closely to what we saw back in June, no two Woods shows are alike, and indeed, the jam-heavy favorites “Bend Beyond” and “I Was Gone” took different directions than they did back at St. Cecilia’s. We also got a huge treat in the form of the band’s cover of the Graham Nash tune “Military Madness” as their final song. As at St. Cecilia’s, the band added an organ player to give them a bigger, more psychedelic sound, and the Bowery’s sound system was mixed to perfection.

Befitting the high quality sound in the room, we came out with a lot of high quality gear to record this show, including a soundboard feed and two sets of mics. The result is undoubtedly our best recording of Woods to date. Enjoy!

Download the complete show: [FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Woods
2011-08-13
Bowery Ballroom
New York, NY USA

6-Channel Multitrack Digital Master Recording
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Neumann KM150 + DPA 4021>Sound Devices USBpre2 >> Tascam DR680>6x24bit/48kHz WAV>Audition (mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Pushing Onlys
03 Suffering Season
04 Blood Dries Darker
05 Bend Beyond
06 Rain On
07 Be All Be Easy
08 Say Goodbye
09 Find Them Empty
10 To Clean
11 I Was Gone
12 [encore break]
13 Military Madness [Graham Nash]

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit their website, and purchase their official releases, including Sun and Shade, from Woodist Records [HERE].

Sonic Youth: August 12, 2011 Williamsburg Waterfront – FLAC / MP3 Downloads + Streaming Songs

August 16, 2011
By

SONY DSC
[Photos courtesy of “Anonymous”]

Sonic Youth long ago reached that rare point in an artist’s career when they can do exactly whatever they want, whenever they want.  Two great  examples happened last week: a day after they released two incredible tracks on the glowingly-reviewed vinyl-only retrospective box set by the North Carolina imprint Three Lobed Recordings, the band dropped into the radically revamped Williamsburg waterfront and its row of luxury condos and played a set of older and rarely-played cuts.  Albums that have gone almost-untouched on recent tours saw the light of day: “Brave Men Run,” “Ghost Bitch” and (the more-commonly played) “Death Valley ’69” from Bad Moon Rising were on the menu.  Dirty – regarded, rightly or wrongly as the band’s most “commercial” record – wore its age well on an extended “Sugar Kane” and the infectious “Drunken Butterfly,” with Kim spinning round the stage like a madwoman twenty to thirty years her junior.  “Starfield Road,” from the relatively unappreciated Experimental Jet Set, Trash and No Star, made the cut, alongside classics like “Kill Yr Idols” (originally from the Kill Yr Idols EP) and “Cotton Crown” (from Sister).  Late-period material similarly seemed at home; “What We Know” sounded just as vital among these gems as it has at recent shows where the band played almost exclusively new material.  And, for good measure, the band’s second encore (of three) was the title track to Thurston’s mid-90s solo effort, Psychic Hearts.  Other than their deep-as-shit discography, Sonic Youth don’t feel like a “classic” band, with energy, enthusiasm and intensity that could put most crews of 22-year-olds to shame.  They can carry a show and rule the night anywhere in this city – be it United Palace, Terminal 5, Music Hall, or an outdoor stage facing the bright lights of Manhattan.

The show wrapped with the feral noise squall of “Inhuman,” as Moore howled at the soulless towers of steel and glass and the band’s immense blasts of feedback threatened to shake the junk to its foundations.  A lot in this world feels built on a shaky foundations these days.  Some artists have the power to remind you that some things still are real, and good, and right.  Fifty years from now, those architectural monstrosities will probably be rubble.  Sonic Youth will be a monument to their era.

Johnny Fried Chicken Boy and I recorded this set with multiple mobile rigs that were mixed together after the show (thanks to page for the help with the sync).  Hours of post-processing work have gone into making this recording sound as good as possible, given the limitations of recording an outdoor show, our location in the venue, and the enthusiasm of the crowd.  It is by no means our best capture of Sonic Youth (see the links to Terminal 5 and Music Hall above for those), but it is by far the most interesting setlist we have recorded for the site.  Samples are included, and all files are tagged for easy importing into your favorite music software.  Enjoy!

Direct download of the complete show in MP3 [HERE]

Direct download of the complete show in FLAC [HERE] or [HERE]
If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Stream the full set

Follow acidjack on twitter

Sonic Youth
2011-08-12
Williamsburg Waterfront
Brooklyn, NY, USA

Recorded by Johnny Fried Chicken Boy and acidjack
Produced by acidjack

Source 1: DPA 4061>Church Audio CA9200>Sony PCM-M10 (24/44.1)
Source 2: Audix 1280c>Church Audio “active” cables>SP-SPSB-8>Edirol R-09 (24/48)
Mastering: 2x24bit WAV>Audition (resampling, EQ, effects)>Audacity (sync sources, mix down)>Audition (EQ)>Audacity (tracking, set fades, amplify and balance, smooth peaks, reduce clapping)>FLAC ( level 8 )

Tracks
[Total Time 1:33:00]
01 Brave Men Run
02 Death Valley ’69
03 Cotton Crown
04 Kill Yr Idols
05 Eric’s Trip
06 Sacred Trickster
07 [banter]
08 Calming the Snake
09 [banter]
10 Starfield Road
11 I Love Her All the Time
12 Ghost Bitch
13 Tom Violence
14 [banter]
15 What We Know
16 [banter]
17 Drunken Butterfly
18 [encore break 1]
19 Flower
20 Sugar Kane
21 [encore break 2]
22 Psychic Hearts
23 [encore break 3]
24 Inhuman

PLEASE SUPPORT Sonic Youth, visit their website, and purchase their official releases from the Store at their website [here].  If you wish to buy their two latest tracks, “Out & In” and “In & Out”, check out the 4xLP box set Not the Spaces You Know, But Between Them on Three Lobed Recordings [HERE]

The Psychic Paramount: July 26, 2011 Union Pool – FLAC and MP3 Downloads + Streaming Song

August 15, 2011
By

Psychic Paramount UP
[still from this video]

New York crowds are notoriously, almost epically jaded. As much as bands love the exposure of America’s largest city and cultural capital, they also tend to be dispirited by the “show me” attitude of crowds that have seen it all before. Being from Brooklyn themselves, The Psychic Paramount must know this all too well – which is why they pulled out all the stops at Union Pool on a recent Tuesday night to deliver a jaw-dropping set that was one of the most incredible I have seen this year. Cloaked for the duration in thick billows of smoke, their set, culled primarily from their latest release, II, left the crowd in awe at the vortex of sound coming from this three-man band. I don’t know that I have been to another show this year that had as many audience members actually talking about the show when it was over – and stark silent during. These instrumental songs seethe with emotion; even staring into shadows in the smoke, you can’t help but be moved by them. It doesn’t hurt, of course, that they are rendered by players of obvious talent and technical skill – bassist Ben Armstrong and guitarist Drew St. Ivany first met in the now-defunct art-noise-jazz band Laddio Bolocko, a less rock n’ roll but no less compelling outfit, and drummer Jeff Conaway is (as in most three pieces) the glue that gives the band its propulsive, driving sound. Bands like TPP are the artists that live shows were made for – even this fine recording cannot capture their brilliance. Mark your calendars, folks – their next show is September 3 right here in Brooklyn at a free show at the Aviator Sports Complex with White Hills, Pictureplane, Wise Blood and others, and after that, our friends in the UK can catch them at the always-legendary ATP Nightmare Before Christmas. Do it. They’ll blow your mind.

I recorded this set with both the DPA microphones set up in our usual spot in the venue, and a soundboard feed. At the band’s request, only the microphone portion is being used, as they felt it provided a more natural, balanced sound. Enjoy!

Special thanks to Will of Union Pool for having us, and Devin for the soundboard feed and stellar house mix!

Stream “Ddb”:
[audio:https://www.nyctaper.com/P2607PsychicParamount2011/tpp2011-07-26unionpool_acidjack-02.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

The Psychic Paramount
2011-07-27
Union Pool
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Edirol R-44 [Oade Concert Mod]
Position: Balcony, DFC, ORTF
Mastering: 24bit/48kHz WAV>Audacity (set fades, tracking, smooth peaks, amplify and balance)>FLAC Level 8

Tracks [Total Time 44:08]
01 Intro/Sp
02 Ddb
03 N6>Isolated
04 X-Visitations
05 Gamelan

PLEASE SUPPORT The Psychic Paramount, visit their website, and buy II directly from No Quarter records [HERE]

Disappears: July 26, 2011 Union Pool – FLAC and MP3 Downloads + Streaming Songs

August 8, 2011
By

disappears
[still from this video]

Chicago’s Disappears have been together only since 2009, but they’ve accomplished a lot in that time, releasing their debut album Lux in 2010, followed this year with the stellar Guider EP, and bringing on Steve Shelley of Sonic Youth as a new member after founding drummer Graeme Gibson left to continue his work with the Fruit Bats. The band has a new record in the works, and they showed off a solid chunk of it here at Union Pool, in a set that was mostly new and unreleased material. Union Pool has been killing it all summer with great lineups of bands, but this night – with Disappears headlining and Brooklyn’s own The Psychic Paramount opening – stood out as one of the absolute best. Disappears’ new songs expand the scope of their songs just a bit, though their reverb-soaked, krautrock-meets-Velvet Underground (with a dash of the Fall) sound is still intact. But although only three of the songs (as far as I could tell) were previously released (“Halo,” “Magics” and “Marigold”) Disappears held the crowd rapt with their thick squall of guitar, with lead singer/guitarist Brian Case (also of the Ponys) singing with the echo on overdrive beneath. Expect big things from a band that, despite members’ other commitments, is hardly looking like a side project.

Stream “Replicate [new]”:
[audio:https://www.nyctaper.com/D7026Disappears0211/08 Replicate.mp3]

Stream “Magics”:
[audio:https://www.nyctaper.com/D7026Disappears0211/02 Magics.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Disappears
2011-07-26
Union Pool
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, DFC, ORTF
Mastering: 2x24bit/48kHz WAV>Audition (compression and additional effects on SBD, EQ, mix down, downsample)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 Halo
02 Magics
03 [unknown]
04 [unknown]
05 Marigold
06 Love [new]
07 [unknown]
08 Replicate [new]
09 [unknown]
10 [unknown]
11 [unknown]
12 [unknown]
13 [unknown]

If you download this recording, PLEASE SUPPORT Disappears, visit their website, and purchase their records, including Guider, from Kranky [HERE]

Bill Callahan (Smog): July 12, 2011 Bowery Ballroom and June 14, 2009 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

July 18, 2011
By

bill-callahan_dsc_9655
[This photo from the July 11, 2011 Music Hall of Williamsburg show by Dana (distortion) Yavin for BrooklynVegan.com]

The inimitable troubadour Bill Callahan (who recorded through much of the 90s and half the last decade as Smog) graced us with two nights in New York, his first since his excellent June 14, 2009 Northside Festival show at Music Hall of Williamsburg back in 2009. We caught the second of the two nights of this year, at Bowery Ballroom, which as usual proved an ideal showcase for Callahan’s graceful, classic songs. With songs that scan more like free verse than typical verse-chorus-verse structures, Callahan’s style demands rapt attention, and that is what he got from the Tuesday night crowd. Drawing heavily from his latest record, this year’s Apocalypse, as well as his 2009 solo record Sometimes I Wish I Were An Eagle, Callahan gave us over 100 minutes of perfection, delivered by a different trio of musicians compared to the group he had at his disposal in 2009 that featured a string player. In this configuration, many songs drifted into psychedelic guitar jams that gave them a more sweeping scope (see the epic “Drover” mid-set, or the massive “Say Valley Maker” for example), giving the Bowery show a harder rock edge. Callahan also gave us some hard-to-deny Smog tunes, even taking requests from the crowd, with that “Say Valley Maker” probably being my personal favorite.

As a special treat, this post is a “double-header” of the Bowery show and the 2009 Music Hall of Williamsburg show, which has not appeared on the site before. I recorded the Bowery set from our usual spot in the venue, but using tiny DPA omnidirectional mics that captured the full sound of the room. The Music Hall set was recorded up front near the stage with a mobile rig. Both are excellent, though the edge on sound quality clearly goes to the Bowery show. The tracking and mastering on the MHOW show is also not quite as good. Enjoy!

Stream “Say Valley Maker [Smog]” from the 2011 Bowery show:
[audio:https://www.nyctaper.com/B7014BillCallahan2011/11 Say Valley Maker.mp3]

Stream “Bowery” from the 2009 Music Hall show:
[audio:https://www.nyctaper.com/B7014BillCallahan2011/20 bowery.mp3]

2011 BOWERY SHOW
Direct download of the MP3 files of the 2011 show [2011 MP3s]
Direct download of the FLAC files of the 2011 show [2011 FLACs]

2009 MUSIC HALL SHOW
Direct download of the MP3 files of the 2009 show [HERE]
Direct download of the 24-bit FLAC files of the 2009 show [HERE]

PLEASE DO NOT REPOST THE DIRECT LINKS
Email nyctaper if the FLAC links have expired

Follow acidjack on Twitter

BOWERY BALLROOM 2011 SHOW

Bill Callahan
2011-07-12
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4061>Church Audio CA9200>Sony PCM-M10 (24/44.1)
Position: Mics 2′ split at soundboard, slightly LOC on balcony
Mastering: 24bit/44.1kHz WAV>Audacity (EQ, set fades, tracking, amplify and balance, hard limit peaks and audience noise, parallel compression)>FLAC ( level 8 )

Tracks [Total Time 1:45:47]
01 Riding For the Feeling
02 Baby’s Breath
03 Eid Ma Clack Shaw
04 One Fine Morning
05 Too Many Birds
06 [banter]
07 Universal Applicant
08 Drover
09 Our Anniversary
10 America!
11 Say Valley Maker [Smog]>
12 Let Me See the Colts [Smog]
13 [encore break]
14 River Guard [Smog]
15 Honeymoon Child
16 [crowd]
17 Sycamore

MUSIC HALL OF WILLIAMSBURG 2009 SHOW

Bill Callahan
2009-06-14
Music Hall of Williamsburg
Brooklyn, NY

An acidjack master recording

SP-CMC-8 (AT U853 cardiod capsules w/ low sensitivity mod and adapter)>SPSB-10>R-09HR (24/48)>Audacity (tracking, amplify each channel to -0.1dB, cut down some crowd noise)>FLAC (level 8)

Tracks
01 our anniversary
02 diamond dancer
03 sycamore
04 bathysphere
05 crowd
06 too many birds
07 crowd
08 the wind and the dove
09 crowd
10 cold blooded old times
11 crowd
12 jim cain
13 crowd
14 eid ma clack shaw
15 rococo zephyr
16 all thoughts are prey to some beast
17 crowd
18 rock bottom riser
19 encore break
20 Bowery
21 crowd
22 say valley maker
23 let me see the colts

If you download these recordings from NYCTaper, we expect that you will PLEASE SUPPORT Bill Callahan, visit his website, and purchase Apocalypse and his other official releases from Drag City [HERE]

bill-callahan_dsc_9665
[Bowery 2011 show photo by Dana (distortion) Yavin]

Sloan: June 29, 2011 Bowery Ballroom – FLAC/MP3/Streaming

July 5, 2011
By

sloan2011-06-29-edit1
[Photo by acidjack]

I first heard Sloan (probably like a lot of people) on one of those old DGC records CD compilations that the label would put out with one Nirvana song and one Sonic Youth song as a way to get fans to check out their lesser-known acts. Probably the most memorable band on the comp not named Nirvana or Sonic Youth was Sloan, whose debut single “Underwhelmed” from their album Smeared was alternarock perfection. All of the elements of today’s band are there – the sturdy riffs, the sweet vocal harmonies that ooze unadulterated fun, all of it catchy as hell. It makes me feel old as hell to think that this Halifax, Nova Scotia band is now celebrating their twentieth year together with this tour and the release of their latest record, The Double Cross (XX, get it?).

They’ve got a lot to show for those twenty years, too – a discography full of solid records (including the new one), numerous awards and nominations, and perhaps most tellingly, the camaraderie of sharing their entire musical career with this exact same lineup. It’s difficult to make any endeavor last as long as this one has; for a rock band, it’s almost unheard of.

Taking stock of the scene at Bowery Ballroom on Wednesday night, the fact that this band has held together became a bit less of a mystery. The band have what I like to think (positively) of as a very Canadian quality – they come off onstage as agreeable, pleasant people to be around, almost completely devoid of ‘attitude’ or posturing. So agreeable, in fact, that they play their instruments democratically, giving different members a turn at different instruments, sharing songwriting as well as vocal duties. They’re the kind of band that give you the proud sensation of watching your best friend’s band make it big – you feel good for them, and you feel their goodwill for you. It goes almost without saying that the band went above and beyond with their show, delivering a set that blended new songs from The Double Cross with classics from both decades, including what was a highlight for me (having never seen it live), “Gimme That,” the straight-ahead pop anthem from 2003’s Action Pact. This Wednesday night crowd was as laid back and cool as the band itself, paying attention, partying, and singing along, letting the artists in the room take center stage.

The set went out with a great four-song package of classics, with “People of the Sky” from 1994’s Twice Removed, “The Lines You Amend” and “G Turns to D” from 1996’s One Chord to Another, and an absolutely killer closer of “Money City Maniacs” from 1998’s Navy Blues. I have to admit, I would’ve loved the nostalgia trip of hearing “Underwhelmed” as interpreted twenty years later, if for no other reason to remind how much I owed that song, and that old DGC compilation, for such a great night.

I recorded this set from my usual location in the venue with the DPA microphones and an analog preamp to give it a warm, natural sound. Combined with the Bowery’s upgraded soundboard, the results are absolutely outstanding and one of my best pure audience recordings in that venue. Enjoy!

Stream the complete set:

Direct download of MP3 files [HERE]

Direct download of lossless FLAC files [HERE]
PLEASE DO NOT REPOST THE DIRECT LINKS

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Sloan
2011-06-29
Bowery Ballroom
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Sony PCM-M10 (24/44.1)
Position: Balcony, LOC, mics at height of engineers
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC Level 8

Tracks [Total Time 1:31:52]
01 Follow the Leader>The Answer Was You
02 Unkind
03 The Marquee and the Moon
04 Snowsuit Sound
05 Worried Now
06 Shadow of Love
07 Everything You’ve Done Wrong>
08 Who Taught You To Live Like That?
09 Gimme That
10 [banter]
11 She’s Slowing Down Again
12 Something’s Wrong>
13 Traces
14 Sinking Ships
15 It’s Plain to See
16 Your Daddy Will Do
17 Don’t You Believe A Word
18 I’ve Gotta Know
19 The Other Man
20 Beverley Terrace
21 Losing California
22 [encore break]
23 People of the Sky
24 The Lines You Amend
25 G Turns to D
26 Money City Maniacs

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sloan, visit their website, and purchase Sloan’s official releases, which are all available via digital download at the website in mp3, apple lossless and FLAC [HERE].

Givers: June 18, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Song

July 1, 2011
By

givers2011-06-18-1
[photo by acidjack]

Before heading over to McCarren Park a few Saturdays ago to catch Guided By Voices and others on the Northside Festival main stage, I had the privilege of catching the inaugural show of the 2011 Backyard Brunch Sessions, starring Lafayette, LA’s Givers.  With their good attitudes and laid back vibe, I liked this band before hearing a note of their music. Having recently signed to Glassnote Records for the release of their debut album, In Light, the band are enjoying a big push in the press lately, having been nominated as “buzzworthy” by MTV, a “band to watch” by Stereogum, and written about favorably by NPR.  It’s not hard to see why; not only is this five-piece eminently likable, but their music has that “something extra.”  In this case, that something is a touch of Afrobeat that gives their music a bouncy, percussive feel.  Male lead vocalist/guitarist Taylor Gaurisco’s sweet voice is nicely paired with female lead/percussionist Tiffany Lamson’s more smoky, soulful vocal approach.  For this backyard show, the band did not have their full arsenal of instruments, which pushed the emphasis to their songwriting.  I am pleased to report that the songwriting held up to the stripped-down scrutiny, particularly their much-talked-about leadoff single “Up Up Up.”  Though this set was short, it told us all we needed to know about the talent level of this young and exciting band.

hi and lo and I recorded this set with a variety of high end microphones (pictured) miking individual band members.  The results are outstanding, possibly the best Backyard Brunch recording we have offered to date!

Stream “Up Up Up”:
[audio:https://www.nyctaper.com/G1806Givers1102/03 Up Up Up.mp3]

This recording is now available for download in FLAC and MP3 format at Archive.org [HERE].

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Givers
2011-06-18
Backyard Brunch Sessions
Brooklyn, NY  USA

An acidjack master recording
Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + AKG C414 B-XLS (hypercardiod and omni modes) + DPA 4021 >> Tascam DR-680 (24/48)
Mastering: 6x24bit/48kHz WAV>Audition (multitrack mixdown, normalize, set fades)>Audacity (tracking, amplify)>FLAC ( level 8 )

Tracks
01 Saw You First
02 [banter]
03 Up Up Up
04 Meantime

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Givers, like them on Facebook, and purchase In Light from iTunes or your favorite retailer.

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