Posts Tagged ‘ dpa ’

Elephant 6 Holiday Surprise Tour: March 21, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

March 25, 2011
By


[Photo courtesy of EardrumNYC]

The Elephant 6 Collective is a unique force in modern American music, a merry band of collaborators whose psychedelic, Beatles-inspired songs continue to resonate with indie aficionados across the globe. If you aren’t up for seeing more than 10 bands in one place at one time, you should skip the E6 Holiday Surprise extravaganzas, because over their usual three sets in a given night, they will illuminate and educate you, as well as wear down the unready. This gig at the Knitting Factory was night one of three here in New York, and it gave immediate notice to the untutored that life in Elephant 6 land can be a little loopy. This loose-knit group of Athens, GA-based musicians has formed and splintered off into numerous bands, and the sets find the players rotating on and off stage, constituting a different band at each song. This show was a veritable psych-rock circus, with a giant self-playing organ, a trippy cartoon video interlude, a “coming of spring” game that consisted of various audience members trying to pierce a paper target with a tossed fake snowball, a giant snowman, and intense, unusual sounds. The various E6 bands – some of the better-known being Olivia Tremor Control, Circulatory System, and Elf Power, to name a few (oh, and of course, Neutral Milk Hotel whose reclusive frontman could be seen in the audience, but not onstage) – vary in their degree of pop sensibility versus psychedelic experimentation, but even the tamer E6 bands play with sound collages, obscure instruments like the theremin, and a playful, childlike sense of wonder.

For three full sets lasting almost three hours, the players treated us with some of the collective’s best-known songs: Olivia Tremor Control’s “Define A Transparent Dream,” Circulatory System’s “Yesterday’s World,” and Elf Power’s “The Well.” But there were more obscure numbers from lesser-known bands like the Gerbils and the late b.p. helium, as well as some new songs as well. It was an evening of the unexpected, a huge range of songs that is difficult to summarize. What was clear was that this collective whole is greater than any individual part. As they closed with a mammoth thirteen-minute version of Sun Ra Arkestra’s “Enlightenment” (most of which was played in the crowd directly under my mics), I couldn’t help but notice that these guys had put on a three-hour set and still seemed to be be having so much fun – and probably had another three hours left in them. As I said, Elephant 6 land is a loopy place.

I recorded this set with a four-microphone rig from our usual spot in the venue. Although the band’s engineer was a bit dissatisfied with the house mix, I think he was being a little hard on himself. With some of the room’s natural characteristics removed, the recording is excellent. Enjoy!

Special thanks to the Knitting Factory for their hospitality. Also, thanks to Southern Shelter (who recorded the Atlanta show) for their assistance with the setlist.

Stream “The Well”:
[audio:http://www.acidjack.com/E6Holiday/03 The Well.mp3]

Stream “Sail Beyond the Sunset”:
[audio:http://www.acidjack.com/E6Holiday/17 Sail Beyond the Sunset.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Elephant 6 Holiday Surprise Tour
2011-03-21
Knitting Factory
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Schoeps CMC6/mk41>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Slightly ROC, at soundboard, DPAs ORTF, Schoeps 1ft split, pointed at stacks, approx 7.5ft
Mastering: 2x24bit/48kHz WAV>Audacity (EQ both sources, mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks

Set I [1:07:37]
01 When Father Was Away on Business [Major Organ and the Adding Machine]
02 Nothing’s Gonna Happen [Elf Power]
03 The Well [Elf Power]
04 Yesterday’s World [Circulatory System]
05 Karaoke Free [Elephant 6 Orchestra]
06 [banter]
07 Life Form (Transmission Received) [Major Organ and the Adding Machine]
08 Hideaway [Olivia Tremor Control]
09 Spiral Stairs [Elf Power]
10 [banter]
11 As Time Passed [The Gerbils]
12 [banter]
13 Lucky Girl [The Gerbils]
14 [banter]
15 Define A Transparent Dream [Olivia Tremor Control]
16 Hide In the Light> [Elephant 6 Orchestra]
17 Sail Beyond the Sunset [Elephant 6 Orchestra]
18 [banter]
19 organ instrumental
20 [banter]
21 [unknown – Music Tapes]
22 [banter]
23 Party With Me Punker [The Minutemen]
24 Temporary Arm [Elf Power]
25 The Opera House [Olivia Tremor Control]

Set II [1:04:42]
26 They Broke the Speed of Light [The Late B.P. Helium]
27 The Rabbit’s Ear [The Late B.P. Helium]
28 Out of the Water [M Coast]
29 Can You Come Down With Us? [Olivia Tremor Control]
30 [banter]
31 To All Who Say Goodnight [Elephant 6 Orchestra]
32 [banter]
33 Days Remain [Elephant 6 Orchestra]
34 The Lovely Universe [Circulatory System]
35 An Old Familiar Scene [Elf Power]
36 [banter]
37 Nothing For Sunday [Elephant 6 Orchestra]
38 instrumental
39 Majesty [The Music Tapes]
40 Glue [The Gerbils]
41 A White Sky [The Gerbils]
42 [set break]

Set III [44:00:00]
43 I Have Been Floated [Olivia Tremor Control]
44 Round [Olivia Tremor Control]
45 This Morning (We Remembered Everything) [Circulatory System]
46 [banter]
47 Two Skies [The Gerbils]
48 [banter]
49 Alcohol [The Kinks]
50 [banter]
51 Candy For Everyone [The Late B.P. Helium]
52 [banter]
53 Green Typewriters [Olivia Tremor Control]
54 [banter]
55 Enlightenment [Sun Ra Arkestra]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Elephant 6 Records, visit their website, and support the many fine acts on their label by purchasing official releases (including at the Elephant 6 Store, coming soon).

Trey Anastasio Band: February 22, 2011 Terminal 5 – FLAC / MP3 Downloads + Streaming Songs

March 23, 2011
By


[photos by Johnny]

Despite how “jambands” seem to invoke the ire of quite a few people, it can’t be ignored that they attract a zealous following.  Bolstered by excellent musicianship and great songwriting, Phish has arguably been at the top of this genre for a long time and are able to sell out nearly every arena-sized (and larger) venue they play in.  That’s why it’s nice when the individual members indulge in their side projects, allowing them to kick back and play the smaller places like they did before becoming a multi-million dollar juggernaut.  I hadn’t been to a Phish concert for the better part of two decades when a few friends literally dragged me to see frontman Trey Anastasio last year.  It turned out to be a stellar gig and good enough to make me dip my toes back into the pond, so to speak.  With his return to Terminal 5 this year, there was no way I was going to miss it and it turned out to be money well spent.  Delving into the extensive catalog of material from his main band and solo jaunts, Trey and company split the performance into acoustic and electric sets, playing a lot of favorites and a few inspired, and some surprising, covers.  Judging by the great time the performers and the crowd were having, reinforced by the multiple sing-alongs during the course of the evening, I can understand why so many folks are continually drawn to them.

We recorded this show from the first balcony, nearly dead-center.  A few other people had the same idea and we had a blast turning the area into a taper’s section.  As with Phish, Trey Anastasio’s sound engineers are top-notch.  The house sound that night was superb and our recording reflects that.  Enjoy!

Stream “Meatstick”:
[audio:https://www.nyctaper.com/T2220TreyAnastasio0112/TAB_-_Meatstick.mp3]
Stream “Burn That Bridge”:
[audio:https://www.nyctaper.com/T2220TreyAnastasio0112/TAB_-_Burn_That_Bridge.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Trey Anastasio Band
Tuesday, February 22, 2011
Terminal 5
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

1st SET: Acoustic
[Total time: 1:07:40]
01. Down with Disease
02. Wolfman’s Brother
03. Theme from the Bottom
04. Camel Walk
05. Kill Devil Falls
06. Meatstick
07. Halley’s Comet
08. Bouncing Around the Room
09. Cavern
10. Prince Caspian
11. [banter]
12. Limb by Limb
13. Stealing Time from the Faulty Plan
14. [banter]
15. Wading in the Velvet Sea
16. [banter]
17. Heavy Things
18. [banter]
19. Peggy
20. [banter]
21. Hey Ya!  [OutKast]

2nd SET: Electric
[Total time: 1:43:45]
22. 2nd set intro
23. In the Night  [Professor Longhair]
24. Valentine
25. Ocelot
26. It Makes No Difference  [The Band]
27. Gotta Jibboo
28. Burlap Sack and Pumps
29. Clint Eastwood  [Gorillaz]
30. Cayman Review
31. Sand
32. Sweet and Dandy  [Toots & the Maytals]
33. Burn That Bridge
34. [banter]
35. My Problem Right There
36. Tuesday
37. First Tube
38. Empire State of Mind  [Jay-Z]
39. [encore break]
40. Sultans of Swing  [Dire Straits]

If you download this recording, we expect that you will PLEASE SUPPORT Trey Anastasio and Phish, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

Hooray For Earth: March 8, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 14, 2011
By


[Video still by Cannons]

Looking at Brooklyn bands with big, big potential to come out of SXSW this week transformed into rising stars, Hooray For Earth has got to be high on the list. Though there is no exact formula for making it to the next level, it has to include the appeal to resonate beyond narrow indie borders into the broader pop realm. Look at bands that have done it recently (Yeasayer, in particular) and Hooray For Earth is right up there with them. How so? The energy of Hooray For Earth‘s music is boundless, their beats ecstatic. Their songs are anthemic, but smart; fresh, but digestible. Songs like “Rolling/Nectarine” are all big beat backbone with shimmering keys and soaring choruses that click in any language, and that applies to most of their standout 2010 EP, Momo. They are both of rock music but beyond it in the way that many recent successes are; without dropping gimmicks, the band’s mastermind Noel Heroux takes some cues from the electronica realm and makes music that sounds like the near-future.

This Glasslands show was packed from when doors opened, completely sold out and then some. Undoubtedly, many of us had the same idea of spending Fat Tuesday sending off some local heroes before an SXSW run that will include a coveted spot at Pitchfork‘s showcase. Heroux and Co. got some unintended practice in crisis management, as gear malfunctioned left and right at the show’s start, including Heroux’s bass strap snapping during the second number. That didn’t slow the show’s momentum a bit, though, as HFE showcased a number of new songs that will appear on their forthcoming full-length, True Loves, which has already been generating heat in media circles. The hype seems justified, as Heroux has evolved the anthemic pop sound of Momo to embrace more tribal sounds, such as on the set opener, “Realize It’s Not the Sun,” and the spacescape-evoking “Black Trees.” The backing vocals of the ladies of Zambri were key throughout the night, perhaps no more so than on the standout title track to their new record, “True Loves”. Begged for an encore, the band came back to perform “Form” from Momo, which Heroux introduced as “This is Form. It’s rock n’ roll.” Not to contradict Noel, but in this moment, Hooray For Earth songs are all rock n’ roll. The rest of rock n’ roll may just not know it yet.

I recorded this set with the DPA microphones and an excellently mixed board feed from Derek at Glasslands. The sound is outstanding. Enjoy!

Stream “True Loves”:
[audio:https://www.nyctaper.com/H7206HFE0201/05 True Loves.mp3]

Stream “Rolling/Nectarine”:
[audio:https://www.nyctaper.com/H7206HFE0201/06 Rolling_Nectarine.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Hooray For Earth
2011-03-08
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]
Position: ROC, balcony, ~ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (vocal-enhancing compression on soundboard track, smooth peaks, mixdown, adjust levels, EQ, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks:
01 Realize It’s Not The Sun
02 Surrounded By Your Friends
03 Get Home
04 [banter]
05 True Loves
06 Rolling/Nectarine
07 [banter]
08 Sails
09 [banter]
10 Black Trees
11 [encore break]
12 Form

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Hooray For Earth, visit their website, and purchase Momo and their debut LP, True Loves directly from Dovecote Records.

Widowspeak: March 3, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 10, 2011
By

Brooklyn’s Widowspeak could be considered a Pacific Northwest import of sorts – vocalist/guitarist Molly Hamilton and drummer Michael Stasiak hail from Tacoma, Washington (guitarist Robert Thomas is from Chicago) and the rain-washed influence of that region suffuses both their sound and their songwriting.  Stylistically, you hear it in their guitar playing, which picks up the jangly, rangy sound of some of the early K Records acts like Beat Happening, and in the band’s unforced delivery.  There is a mellow, wistful air to Widowspeak that is uncommon to hungry young East Coast bands; rather than blaring “hear me NOW!” their approach is more akin to, “don’t worry, we know you’ll get it eventually.”  Which is to say that, in a scene thoroughly embracing the 90s at the moment, Widowspeak are firmly more in the SubPop than the shoegaze camp.  Hamilton’s vocals are sure to garner their fair share of favorable comparisons – one reviewer compared Hamilton’s distant, ghostly moan to Mazzy Star, but I prefer to think of her as a successor to Chan Marshall, aka Cat Power.  Her vocals talents were on full display this past Thursday night at Glasslands, where the band gave us a taste of some of the material they hope to release this summer on their forthcoming full length on Captured Tracks.  The band gave us a tight, well-rehearsed and set with few digressions, with a mix that emphasized Hamilton’s vocals.  Their current 7″ single (also available on Captured Tracks) “Harsh Realm” is both a knowing reference to an old joke (this link is worth reading) about grunge slang, as well as a paean to Hamilton and Stasiak’s roots, and that song also closed out this eight-song set.  Another highlight was the band’s sincere rendition of Chris Isaak’s classic, “Wicked Game”, which went perfectly with the band’s style and sound.

I recorded this set with the DPA microphones and a soundboard feed by Derek of Glasslands.  The sound quality is excellent.  Enjoy!

Stream “Harsh Realm”:
[audio:https://www.nyctaper.com/W3030Widowspeak0211/09 Harsh Realm.mp3]

Stream “Wicked Game”:
[audio:https://www.nyctaper.com/W3030Widowspeak0211/07 Wicked Game.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Widowspeak
2011-03-03
Glasslands
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]
Position: ROC, balcony, ~ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, adjust levels, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Burnout
02 Yellow Light
03 Brainfreeze
04 banter
05 Nightcrawlers
06 Ghost Boy
07 Wicked Game [Chris Isaak]
08 Pines
09 Harsh Realm

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Widowspeak, visit their MySpace page, and purchase their forthcoming LP and the “Harsh Realm” 7″ from Captured Tracks.

Mr. Dream: March 4, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 7, 2011
By


[Photo by Johnny Fried Chicken Boy and acidjack]

The Brooklyn band Mr. Dream gives the lie to the adage about writers, and critics in particular: That those who cannot actually do something become critics instead. In Mr. Dream’s particular case, the former Pitchfork writers Nick Sylvester and Adam Moerder joined with bassist Matt Morello to make the kind of rock music that made them become critics in the first place. Which is to say, rock music from the days when independent rock music wasn’t just the go-to tuneage for car commercials – when it was more often brash, loud, angular – and let’s be honest, had some fucking balls.

This show at Glasslands (and presented by PopGun Booking, who have been putting up one killer lineup after another at the venue recently) celebrated the release of the band’s first full-length, the 33-minute adrenaline burst Trash Hit. The record’s most evident influences are a who’s-who of critical favorites – early Pixies, Nirvana, Shellac, Fugazi, and a decent-sized portion of the SST canon. Stylistically, Mr. Dream’s songs embrace empty air in the manner most often associated with the legendary engineer Steve Albini – with each instrument clearly separated and clear, giving the music a dry, spare, propulsive quality. Joined by current Pitchfork contributor Matt LeMay (who produced three of the songs on Trash Hit) to bolster their guitar assault, the band hurtled through a half-hour of mostly Trash Hit songs whose intensity never flagged. The first notes of “Knuckle Sandwich” kicked in before the house music had even been turned off, and the show was balls-out from there. The musical erudition of the players shows through in their songs, which wear their influences well without being overwhelmed by them; the title track, “Trash Hit”, for example, could have held its own with the Pixies in their Surfer Rosa days. By the time they left the stage after “Unfinished Business,” Mr. Dream didn’t need an encore – they had cemented themselves as yet another band to watch in 2011. The band will be joining Sleigh Bells and CSS for their East Coast tour, with dates in DC, Philly and Boston, and a May 11 show at Webster Hall in NYC (tickets here).

I recorded this set with the DPA microphones mounted on the balcony, combined with an outstanding house mix from the Glasslands engineers. The quality is outstanding. Enjoy!

Stream “Trash Hit”:
[audio:https://www.nyctaper.com/M3400MrDream2011/05 Trash Hit.mp3]

Stream “Unfinished Business”:
[audio:https://www.nyctaper.com/M3400MrDream2011/12 Unfinished Business.mp3]

Direct download of MP3 files [HERE]

Download the Complete Show in FLAC [HERE].

Mr. Dream
2011-03-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]
Position: ROC, balcony, ~ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (guitar-enhancing compression on soundboard track, smooth peaks, mixdown, adjust levels, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 30:20]
01 Knuckle Sandwich
02 Crime
03 Scarred For Life
04 Holy Name
05 Trash Hit
06 [banter]
07 Winners
08 Knick Knack
09 Croquet
10 King Klutz
11 [banter]
12 Unfinished Business

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mr. Dream, visit their MySpace page, and purchase Trash Hit from Amazon or your favorite record store.

Tennis: March 2, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

March 4, 2011
By


[Photos courtesy of Geoffrey Dicker for According to G]

Just eight months into its existence, Tennis is a success story. Many bands toil in obscurity for years hoping to break it big (in the NYC scene at least) by headlining Bowery Ballroom; Tennis have already accomplished that feat with a full-on sellout as the icing. This unlikely story of a band born out of husband and wife Patrick Riley and Alaina Moore taking a seven-month sailing trip down the Atlantic coast, and deciding to turn it into a record, has resonated big-time in the indie world. People are paying attention undoubtedly because the nautical, retro conceit of their debut album, Cape Dory, is so unusual, but the band has got the songs to keep people interested. The band’s breezy sound, equal parts girl group and surf rock, is easy to like, an effortless-sounding sort of country club indiepop that the kids can get into, but is probably safe for the parents, too.

Tennis’ live performance is confident and unselfconscious as well (one advantage of being in a band with your spouse, perhaps). Moore introduced many songs by name, some with a bit of charming backstory. Of the new song, “Robin”: “Patrick doesn’t like me to say what it’s about – it’s too cute-seeming – but it’s about a baby bird that we saved last month.” Like the hilariously retro album cover for Cape Dory (Moore in a tight aqua jumpsuit with the band’s name etched in a hair metal font above her), Tennis are nothing if not cute. Although the show was notably brief at almost exactly 42 minutes, the band packed in a lot of music, including their signature number “Marathon” featuring Katy Goodman, lately of the excellent La Sera (whose opening set was also recorded and to be posted soon) and more famously of the Vivian Girls, and Molly Hamilton of the stellar new band Widowspeak on backing vocals. With spring and summer approaching, Tennis should be a fixture on indie fans’ playlists for the next few seasons (and of course, should be a staple on any sailing trips they may be taking).

I recorded this set from our usual spot in the venue with a combination of the Microtech-Gefell hypercardioid microphones and DPA omnidirectional microphones for room ambiance. Although there is some audible buzzing from the PA between songs (caused by the band’s instruments) the sound is crystal clear and a great listen. Enjoy!

Stream “South Carolina”:
[audio:https://www.nyctaper.com/T2300Tennis0211/17 South Carolina.mp3]

Stream “Marathon”:
[audio:https://www.nyctaper.com/T2300Tennis0211/14 Marathon.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Tennis
2011-03-02
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Microtech-Gefell M210+DPA 4061>Edirol R-44 [Oade Concert Mod] (24/48)
Position: LOC, at soundboard, mics on extension arm at eye level with sound staff, 210s pointed at stacks, 4061s mounted on a 1.5ft split
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, downsample, set fades, limit peaks, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 43:48]
01 Seafarer
02 Take Me Somewhere
03 banter
04 Cape Dory
05 banter
06 Robin
07 banter
08 Baltimore
09 Bimini Bay
10 banter
11 Long Boat Pass
12 [unknown]
13 banter
14 Marathon [with Katy from La Sera and Molly from Widowspeak]
15 Pigeon
16 Waterbirds
17 South Carolina
18 banter
19 Hard Times

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Tennis, visit their bandcamp page, and purchase Cape Dory directly from Fat Possum Records here.

Drive-By Truckers: February 15, 2011 Bowery Ballroom – FLAC / MP3 Downloads + Streaming Songs

March 2, 2011
By


[photos by Johnny]

Being the standard-bearers for Southern rock can’t be an easy job and Drive-By Truckers not only do it well, but manage it with a smile on their faces.  Constant touring and marathon concerts that would hospitalize lesser people appear to make this group thrive and get better every time I’ve seen them perform.  Billed as the release show for their new album that had officially hit stores that day, the beautifully dark ‘Go-Go Boots‘, the band played nearly all the tracks from it during the course of this two and a half hour gig.  Both the disc and the night served as somewhat of a tribute to late songwriter/musician (and Patterson Hood family friend) Eddie Hinton who was honored not only with two covers of his songs, but also a beautiful take on the seldom-played “Sandwiches for the Road”.  In addition to a few acoustic spots, DBT filled out the set with tracks from all of their albums.  It made for an impressive night showcasing their outstanding and diverse talents.

Set up in our usual spot next to the soundboard in the balcony, the mix on this night was exceptional.  And in the Bowery Ballroom where it’s usually great, that’s saying something.  The resultant recording is excellent and ranks as one of the best I’ve personally ever pulled.  Enjoy!

Stream “Dancin’ Ricky”:
[audio:https://www.nyctaper.com/D8030DriveByTruckers3838/Drive-By Truckers – Dancin’ Ricky.mp3]
Stream “Gravity’s Gone”:
[audio:https://www.nyctaper.com/D8030DriveByTruckers3838/Drive-By Truckers – Gravity’s Gone.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Drive-By Truckers
Tuesday, February 15, 2011
Bowery Ballroom
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC Level 8
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 2:39:27]
01. intro [Heavy Makes You Happy (Sha-Na-Boom-Boom)]
02. I Do Believe
03. Go-Go Boots
04. Marry Me
05. Puttin’ People on the Moon
06. Cartoon Gold
07. I Hear You Hummin’
08. The Thanksgiving Filter
09. 3 Dimes Down
10. [banter]
11. Tales Facing Up
12. Dancin’ Ricky
13. The Weakest Man
14. [banter]
15. The Deeper In
16. Pulaski
17. [banter]
18. Sandwiches for the Road
19. Women Without Whiskey
20. Santa Fe
21. A Ghost To Most
22. Where’s Eddie [*]
23. Everybody Needs Love [*]
24. Birthday Boy
25. Sink Hole
26. Gravity’s Gone
27. Ray’s Automatic Weapon
28. Zip City
29. Lookout Mountain
30. [encore break / banter]
31. Used To Be A Cop
32. Get Downtown
33. (It’s Gonna Be) I Told You So
34. Mercy Buckets
35. Shut Up and Get on the Plane

* Eddie Hinton song

If you download this recording, we expect that you will PLEASE SUPPORT Drive-By Truckers, visit their website, visit their MySpace page, and purchase their new album, ‘Go-Go Boots‘, and their other official releases and merchandise.

Buke and Gass: January 29, 2011 Bell House – FLAC and MP3 Downloads + Streaming Song

March 2, 2011
By


[photo by Amanda Hatfield]

Buke and Gass (that’s pronounced byeewk and gayse, in case you were wondering) are the exciting new Brooklyn duo of Arone Dyer, on vocals and the buke (a self-modified six-string ukelele) and Aron Sanchez on the gass (a guitar-bass hybrid), all of it blown through homemade amps. The band uses this unorthodox instrumentation to make similarly unorthodox and unexpected rock music, with rapidly shifting tempos and lyrics that range from the lovelorn to the whimsical. The effect, in the live setting, is magical, as you wonder, first, how the hell they are making this music with these instruments and, second, where Dyer perfected her vocal delivery, which has a plaintive punk edge tempered with sweetness. This 35-minute performance at the Bell House saw the band play the bulk of their 2010 record, Riposte (voted one of NPR’s 50 Favorite Albums of 2010), and left the crowd (already packing the venue in anticipation of Mission of Burma’s set (which we also recorded)) wanting more. The band just wrapped up a once-in-a-lifetime show on February 15 with Lou Reed and Laurie Anderson at The Stone, and they should have many more exciting moments in their future.

I recorded this set in the same manner as the Mission of Burma recording. Although there is some audible hiss caused by the analog preamp used, the sound quality is nonetheless quite good. Enjoy!

Stream “Sleep Gets Your Ghost”:
[audio:https://www.nyctaper.com/B0129BukeGass2011/b&g2011-01-29bellhouse_acidjack-3.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Buke & Gass
2011-01-29
Bell House
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Edirol R-44 [Oade Concert Mod] (24/48)
Position: ROC, at soundboard, mics at 9ft pointed at stacks
Mastering: 24bit/48kHz WAV>Audacity (set fades, tracking, EQ, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Medicina
02 Medulla Oblongata
03 Sleep Gets Your Ghost
04 Naked Cities
05 [unknown]
06 Revel In Contempt
07 Page Break
08 Your Face Left Before You
09 Red Hood Came Home

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Buke and Gass, visit their website, and purchase Riposte directly from Brasslands records here or at your favorite retailer.

The Forms: February 12, 2011 The Rock Shop – FLAC / MP3 Downloads + Streaming Song

February 21, 2011
By


[photo by Johnny]

Judging by the gig I saw this night at The Rock Shop, it’s no wonder that Brooklyn-based The Forms are sharing stages with some of indie rock’s best acts and garnering quite a bit of attention.  Beginning their show by walking through the crowd with a steel drum and accordion and playing a very unique take on their song, “Knowledge In Hand”, Alex Tween and Matt Walsh treated us to a brilliant set of their intricate rhythms and melodies.  Being the release show for their ‘Derealization‘ disc, they played half of its tracks, a few from previous albums and even some yet-to-be-released nuggets.  With a sound and structure that defies most genres, I suggest that you check these guys out and keep your eye on them.

Thanks to The Forms engineer Jeff Stultz and the house engineer, Shane, we were able to get a feed from the board to compliment our microphones.  With this top-notch mix, the resulting recording is excellent.  Enjoy!

Stream “Finally”:
[audio:https://www.nyctaper.com/F2121Forms0606/The Forms – Finally.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

The Forms
Saturday, February 12, 2011
The Rock Shop
Brooklyn, NY, USA

Source: SBD + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 (WAV @ 24-bit/48kHz) > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
The Forms engineer: Jeff Stultz
The Rock Shop house engineer: Shane
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 37:02]
01. Knowledge In Hand
02. Derealization
03. Fire To The Ground
04. Untitled
05. All Souls Day
06. Finally
07. [banter]
08. Haha-So-Far
09. Same Path Mantra

If you download this recording, we expect that you will PLEASE SUPPORT The Forms, visit their website, visit their MySpace page, and purchase their new album, ‘Derealization‘, and their other official releases and merchandise.

Nada Surf: December 14, 2010 Rock Shop – FLAC and MP3 Downloads + Streaming Songs

February 18, 2011
By


[Photos by acidjack]

We had the pleasure of seeing Nada Surf play two very different types of special shows in 2010. First, there was their The Weight Is A Gift full-album runthrough that we recorded at the Bell House in March. And, at the end of the year, this very special not-quite-acoustic show at The Rock Shop to benefit Little Kids Rock, a worthy charity that provides free musical instruments and music instruction to public schools. True to form, the 90s veterans were relaxed and cheerful as they played to an enthusiastic group of fans jammed into The Rock Shop’s jewel box of a showroom. The show ended up being “not-quite” acoustic as the band opted for electric guitars in some cases due to problems with their acoustics, but the arrangements still reflected the more intimate nature of this show. Joined by Doug Gillard of Guided By Voices, the stripped-down arrangements suited the band, bringing frontman Matthew Caws’ sweet, distinctive vocals to the forefront, especially his knack for delivering a hooky chorus (for example, on this outstanding rendition of “Blonde on Blonde”).

I admit that I sometimes have to remind myself that Nada Surf is a New York band, so preternaturally sunny is their sound. But that is part of the beauty of this band, whose staying power has resulted from talent and songwriting rather than trend-mining. The band’s airy demeanor also proved to be an excellent antidote to both the freezing weather and the nascent depression of the holiday season. These well-crafted, approachable songs may seem better suited to a road trip singalong than to a tiny bar in Gowanus in midwinter, sure – but they felt damn good on this night.

Watch for a new record from Nada Surf in 2011, which will follow their 2010 cover album, If I Had A Hi-Fi.

I recorded this set from our usual spot at Rock Shop with a soundboard feed and the DPA microphones. The results are outstanding. Enjoy!

Stream “Blonde on Blonde”:
[audio:https://www.nyctaper.com/N2306NadaSurf0210/16 Blonde on Blonde.mp3]

Stream “Electrocution”:
[audio:https://www.nyctaper.com/N2306NadaSurf0210/11 Electrocution.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Nada Surf
2010-12-14
Rock Shop
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: LOC, in front of soundboard, 8′, PAS
Mastering: 2x24bit/48kHz WAV>Audacity (compress/limit segments of board feed, mixdown, set fades, light EQ to audience track, tracking, amplify and balance, downsample)>FLAC ( level 8 )

01 intro
02 Weightless
03 Happy Kid
05 Whose Authority
06 banter
07 Killian’s Red
08 Love Goes On [Go-Betweens]
09 What Is Your Secret
10 Enjoy The Silence [Depeche Mode]
11 banter
12 Electrocution
13 banter
14 80 Windows
15 banter
16 Do It Again
17 Blonde on Blonde
18 Always Love
19 banter
20 The Way You Wear Your Head
21 Paper Boats
22 See These Bones

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Nada Surf, visit their website, and purchase their official releases from the band’s official store here.

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