Posts Tagged ‘ dpa ’

Headless Horseman: December 16, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 22, 2010
By


[Photos by acidjack with iPhone4 and Hipstamatic]

I will forgive you for thinking, on first listen, that some of the crackles and pops in this recording of Headless Horseman‘s latest performance at Glasslands are technical faults. The band’s sound relies on the studio combo of heavy compression and clipping to create their fuzzy, beat-driven bedroom folk (think a glitchier Menomena or a more electronic Microphones). The band’s blown-out sound challenged the Glasslands sound system (and maybe some ears) at times, but their pop sensibility shone through. The duo of Fareed Sajan (of Bottle Up and Go) and Conner O’Neill make their live sounds through an interesting array of drums and other homespun percussion that lies between them, allowing them both to pound out their beats simultaneously if they wish (they also have a laptop, of course). Most of these songs come from the band’s current bandcamp EP, 5songs, which should be on your hard drive if it isn’t. The band also played a new number that we have not heard before. This was the last show that I attended this year, and there couldn’t have been a better way to end a spectacular year, with a cutting-edge band that we are sure to see more of in 2011. Thanks to our friends at forthebeat for putting together this excellent bill!

I recorded this set from the balcony with the DPA microphones and a soundboard feed. A couple of the pops during “Demonsong” may actually not be intentional, but the sound overall is excellent. Enjoy!

Stream “SH8KR”:
[audio:https://www.nyctaper.com/H1612HeadlessHorseman0210/HeadlessHorseman-SH8KR.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Headless Horseman
2010-12-16
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, ROC, mics ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, light compression, tracking, downsample)>FLAC ( level 8 )

01 Wavlngth
02 banter
03 Demonsong
04 SH8KR
05 [new]
06 banter
07 Growing

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Headless Horseman, visit their MySpace page, and purchase 5songs from their bandcamp page.

Diamond Rings: December 4, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 19, 2010
By


[photos by acidjack with iPhone4 and Hipstamatic]

The man who I anointed the male Lady GaGa (followed by Pitchfork co-opting the comparison in their review of Special Affections) after he played the NYCTaper 2010 CMJ Show was at it again on a Saturday night early this month, and he remains on a roll. Glasslands has had some especially strong rosters lately, in part thanks to the efforts of PopGun Booking, and this was no exception, with ArpLine, Austra and Body Language also on the bill. But the tall, blonde man from Toronto was clearly the main draw. Don’t think that a one-man act cannot put on a rock-n-roll show; John O’Regan (Mr. Diamond Rings himself) gave that the lie big-time as he danced, played guitar, spazzed out, and rocked out all over the stage. If this is what he is capable of with no backup of any kind on the Glasslands stage, he might just be scary at the next level; even at this show, a creepy guy in the front was photographing his shoes and (from where I was sitting, at least) his crotch. But you can’t fault people for getting a little creepy – the sexual energy of O’Regan’s set is undeniable, and unlike really anything crossing most indie rock stages these days. He vamps, he flaunts, he owns the place. And O’Regan is about to gain a much wider audience for his music, too, as he begins at tour as the opening act for Robyn (tour dates here). She’d better be ready, or O’Regan just might blow her off the stage.

I recorded this set with a soundboard feed from the Glasslands staff and the DPA microphones. Other than some light distortion on the board feed during one track, the sound is outstanding. Enjoy!

Stream “Play By Heart”:
[audio:https://www.nyctaper.com/D1807DiamondRings2211/DiamondRings-PlayByHeart2010-12-04.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Diamond Rings
2010-12-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to balcony, ROC, ORTF
Mastering: 2x24bit/48kHz WAV>Audition (apply compression to soundboard track)>Audacity (split soundboard track, copy right channel, mixdown, set fades, tracking, balance, downsample)>FLAC ( level 8 )

Tracks
01 Play By Heart
02 On Our Own
03 banter
04 Wait and See
05 Something Else
06 banter
07 You & Me
08 It’s Not My Party
09 banter
10 All Yr Songs

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Diamond Rings, visit the website, visit the MySpace page, and purchase Special Affections from the Secret City Records [HERE].

Braids: November 30, 2010 Knitting Factory – FLAC and MP3 Downloads + Streaming Song

December 11, 2010
By


[Photo courtesy of Jonny Leather]

Montreal’s Braids do not even have a record out yet – that happens on Kanine Records on January 18 of the new year – but the buzz around them has been building steadily, such that even The New York Times took notice. They make modern, layered dreampop that focuses on heavenly vocal harmonies and slow-burning melodies, and their live show is one that rewards patience. Their carefully crafted songs often begin with a whisper, a suggestion of what’s to come several minutes later. This performance, opening for the Radio Dept. (not taped due to no word back from management), evidenced that perfectly, with the set dominated by three longish numbers: the spine-tingling “Lemonade,” “Native Speaker,” and the closer, “Glass Deers,” that each gave a sense of the band’s unique approach. “Lemonade” could well be the band’s signature number, and will be the leadoff track on the forthcoming Native Speaker. Performing these songs live is no small feat, but Braids made it effortless, keeping the crowd mostly rapt throughout. Call it sacrilege, given the heavily-buzzing headliner, but their performance was by far the most special of the night.

I recorded this set from our usual location with the four microphone rig. The crowd is generally quiet and respectful, and the sonic clarity and presence is outstanding. Enjoy!

Stream “Lemonade”:
[audio:https://www.nyctaper.com/B3011Braids0210/Braids-Lemonade2010-11-30.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Braids
2010-11-30
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, ROC, Schoeps PAS, DPAs ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (light EQ, balance, mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 34:42]
01 Peach Wedding>
02 Lemonade>
03 Candy Spills>
04 Native Speaker
05 banter
06 Glass Deers

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Braids, visit their MySpace page, and pre-order Native Speaker from Kanine Records [HERE].

Dinowalrus: November 16, 2010 Knitting Factory – FLAC and MP3 Downloads + Streaming Song

December 5, 2010
By


[Photos by Johnny Leather]

The Brooklyn band Dinowalrus has executed a bit of a reboot lately, changing both their personnel and their approach. The former Titus Andronicus guitarist Pete Feigenbaum, the band’s frontman and guitarist, has added a new player on bass, Liam Andrew, as well as Depreciation Guild drummer Anton Hoccheim, and has sought to clarify some of the ideas explored on the band’s debut LP, %. One of the band’s goals, as they put it, is to be “structurally unorthodox,” but at times that led to performances that lacked focus – it could seem that one song was a jumble of concepts rather than a unified whole. This show at the Knitting Factory showcased both reworked arrangements of their older material as well as new songs that continue the band’s love affair with Krautrock, acid rock, noise, thrash punk and psychedelia, but have much more musical consistency and pop sensibility. Listen to “RICO” below and see if you agree. The band’s new approach has already received positive notice in several publications, and we expect that trend to continue in 2011. We still have no idea what the hell a “Dinowalrus” is, but now we can say that this musical creature is a strange beast with a purpose.

I recorded this set with the DPA microphones at the soundboard. They captured the excellent house mix by Rob of the Knitting Factory perfectly. Enjoy!

Stream “RICO”:
[audio:https://www.nyctaper.com/D2040Dinowalrus2211/Dinowalrus-RICO.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Dinowalrus
2010-11-16
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, ROC, 7.5″, pointed at stacks
Mastering: 24bit/48kHz WAV>Audacity (tracking, set fades, downsample)>FLAC ( level 8 )

Tracks
01 Phone Home From the Edge
02 The Gift Shop
03 What Now
04 Electric Car Gas Guitar
05 [new]
06 [banter]
07 RICO

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Dinowalrus, visit their website, visit their MySpace page, and purchase their official releases directly from the MERCH section of their website (here) or from Kanine Records [here].

ArpLine: November 17, 2010 Glasslands and October 21, 2010 Cake Shop – FLAC and MP3 Downloads + Streaming Songs

November 29, 2010
By


[iPhone4 photo by acidjack]

I can’t stop talking about ArpLine. Since I first saw the band back in January, they have played seemingly everywhere in town, and each time, they have made converts like me. As musicians, they are insanely consistent, able to blow the doors off of even the most difficult rooms with their layered, Krautrock-influenced songs. This was in full evidence at both the NYCTaper Unofficial CMJ Day Party at Cake Shop, and the band’s recent performance at Glasslands. Both shows featured their biggest crowd pleasers like “Parts Unknown” and “Fold Up Like A Piece of Paper”, but they also played a new number that I do not know the name of. But I think the most exciting moment for me at these shows came when the band busted out a live version of their new cover of Sade’s “No Ordinary Love,” turning the cheesy date night slow jam into a menacing industrial number. You can download the song from the band’s website, along with a number of excellent remixes by them of other bands, here. Also on the recorded front, ArpLine’s record, Travel Book, will finally see physical release soon, and it doesn’t have a weak number on it.

ArpLine plays Glasslands again on December 4, when they open for another of our CMJ Day Party acts, Diamond Rings. Get there early and don’t miss their set!

These recordings are far and away the finest recordings of ArpLine that we have featured on the site – both recorded with the DPA microphones from optimal positions in the venue with a soundboard feed to reinforce the vocals and keys. Some of our favorite songs from both shows are featured as samples below. Enjoy!

Stream “No Ordinary Love” from Glasslands:
[audio:https://www.nyctaper.com/A6030Arp2101/ArpLine-NoOrdinaryLove2010-11-17.mp3]

Stream “Make It Rain” from Cake Shop:
[audio:https://www.nyctaper.com/A6030Arp2101/ArpLine-MakeItRain.mp3]

Stream “Weekend In the Colonies” from Glasslands:
[audio:https://www.nyctaper.com/A6030Arp2101/ArpLine-WeekendInTheColonies.mp3]

Direct download of Glasslands MP3s [HERE]

Direct download of Cake Shop MP3s [HERE]

Download the Complete show in FLAC: [Glasslands] / [Cake Shop]

ArpLine
2010-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+soundboard>Edirol R-44 (oade concert mod) (24/48)
Position: Balcony, ROC
Mastering: 2x24bit/48kHz WAV>Audacity (set fades, tracking, mixdown, light EQ, downsample to 16bit/44.1)>FLAC ( level 8 )

Tracks
01 [new song]
02 Make It Rain
03 Parts Unknown
04 No Ordinary Love [Sade]
05 Fold Up Like A Piece of Paper
06 Rope
07 Weekend In the Colonies

ArpLine
2010-10-21
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+soundboard>Edirol R-44 (oade concert mod) (24/44.1)
Position: Mount on ceiling directly in front of band, ORTF
Mastering: 2x24bit/44.1kHz WAV>Audacity (set fades, tracking, mixdown, light EQ, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 [new song]
02 Fold Up Like A Piece of Paper
03 Make It Rain
04 Parts Unknown
05 [outro]

If you download these recordings from NYCTaper, we expect that you will PLEASE SUPPORT ArpLine, visit their website, go to their shows, and purchase Travel Book when it is released.

Built to Spill: October 5, 2010 Music Hall of Williamsburg – FLAC / MP3 Downloads + Streaming Samples

October 15, 2010
By


[photo by Johnny]

In spite of their extensive touring and the considerable number of gigs they’ve played in the NYC area in recent times, it had been a few years since my last Built to Spill concert and the anticipation for this one was awfully high.  Suffice to say, I wasn’t disappointed; the show that the band put on, along with the songs they chose to play, made it worth the wait.  Beginning with the vibrantly melodic “Traces”, the group pulled tracks from most of their albums, threw in a cover of the Grateful Dead’s “Ripple” and ended with a one-two punch of the often-requested (at least on this night) crowd pleaser “Car” and “Virginia Reel Around the Fountain” from Doug Martsch’s side project, the Halo Benders.  All in all, a wonderful show to reacquaint me with the band after my hiatus.

We taped this show from the dead-center spot on the balcony, right above the soundboard.  Aside from the house mix being a touch bass-heavy in our location, the resultant recording is indicative of the very good to excellent audio that’s typical of this venue and sounds great.  Hope you like what you hear as much as we did.  Enjoy!

Stream “Reasons”:
[audio:https://www.nyctaper.com/B2609BuilttoSpill8008/bts2010-10-05-Reasons.mp3]
Stream “Joyride”:[audio:https://www.nyctaper.com/B2609BuilttoSpill8008/bts2010-10-05-Joyride.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Built to Spill
Tuesday, October 5, 2010
Music Hall of Williamsburg
Brooklyn, NY, USA
(opening bands: Love As Laughter / ReVoLtReVoLt)

Source: AUD > AKG C 414 B-XLS’s + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, conversion) > FLAC Level 8
Recorded and produced by: Johnny Fried Chicken Boy

SELIST:
[Total time: 1:38:54]
01. Traces
02. Reasons
03. Hindsight
04. [tuning]
05. Kicked It in the Sun
06. [banter]
07. Distopian Dream Girl
08. Strange
09. [banter]
10. Life’s a Dream
11. Time Trap
12. Ripple  [Grateful Dead]
13. Joyride
14. [tuning]
15. Else
16. [banter]
17. Carry the Zero
18. [encore break / banter]
19. Stop the Show
20. [tuning]
21. Car
22. Virginia Reel Around the Fountain  [Halo Benders]

If you download this recording, we expect that you will PLEASE SUPPORT Built to Spill, visit their website, visit their MySpace page, and purchase their official releases and merchandise.

Pavement: September 23, 2010 Central Park Summerstage – Flac and MP3 Downloads + Streaming Sample

September 26, 2010
By


[photo courtesy of Nadia Chaudhury]

Matt from Fluxblog described Thursday night’s Pavement show in an interview with NPR as “kinda tired, odd moods, a bit sloppier, definitely just kinda weird and goofy.” Matt is a bright and perceptive guy — his music writing is some of the best on the web. But in this case, he’s dead wrong. I have the audio proof to offer you. Pavement’s performance was loose, but that’s their forte. But there is no denying the energy of the individual performances from this show, not the least of which was the moment early in the set when the full band kicked in on “Gold Soundz” at the very point where the full moon illuminated the post-dusk night air. The band kept up the pace for twenty minutes straight through a screaming, manic version of “Unfair”, when they finally took a breath to wish a fan happy birthday and slowed things down with “Spit On A Stranger”. Far from sloppy or tired, Malkmus vocals on “Stranger” were confident and relaxed. The show kicked back into high gear with the heavy sounds of “Rattled” and “Stereo”. The band then whipped out rarely played (first of the tour) “Loretta’s Scars” (streaming below). “That was pretty good, and I’ve been there for all three times we played it, good job guys”, mused Malkmus. The band recovered from a slight snafu at the opening of “Stop Breathin'” to reclaim an inspired version of the Crooked Rain, Crooked Rain classic. Malkmus spoke sincerely about how “Cut Your Hair” had changed his life before delving into perhaps the band’s most well-known number. The jammy “Fight This Generation”, superb guitar work on “Fin”, and the band’s other “hit” “Summer Babe” were among the closing tracks in this outstanding main set. The encore “set” consisted of 8 songs and one apparent “tease”, offering the packed Summerstage crowd a neat two-hour, twenty-eight song epic show.

I recorded this set with the four-mic rig from the front of the soundboard cage, about 100 feet from the stage. While the distance and wind were factors, the Neumann hypers raised to 13 feet captured the high end, and the DPAs at 10 feet secured the bass presence. Overall, I’m pleased with the quality of this recording. Enjoy!

Stream “Loretta’s Scars”:
[audio:http://www.acidjack.com/Pavement/Pavement%202010-09-23%20LORETTA%27S%20SCARS.mp3]
Stream “Summer Babe”:
[audio:http://www.acidjack.com/Pavement/Pavement%202010-09-23%20SUMMER%20BABE.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Pavement
2010-09-23
Rumsey Playfield
Central Park Summerstage
New York, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Booth

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2010-09-25

Setlist:
[Total Time 1:54:36]
01 [introduction]
02 Grounded
03 Gold Soundz
04 Silent Kid
05 Date With IKEA
06 Unfair
07 [banter/birthday]
08 Spit On A Stranger
09 Rattled By The Rush
10 Stereo
11 Loretta’s Scars
12 [crowd/banter]
13 Frontwards
14 Stop Breathin’ [false start]
15 Stop Breathin’
16 Shoot The Singer
17 [banter]
18 Trigger Cut/Wounded-Kite at :17
19 [banter]
20 Cut Your Hair
21 Fight This Generation
22 Two States
23 Fin
24 Summer Babe
25 She Believes
26 Range Life
27 [encore break]
28 Kennel District
29 Shady Lane
30 Starlings of the Slipstream
31 Our Singer
32 [banter/Steve West praise]
33 Heckler Spray
34 Angel Carver Blues (intro)
35 In The Mouth A Desert
36 We Dance
37 Box Elder

If you download this recording from NYCTaper, we expect that you will continue to support Pavement, visit their official website, go to shows on this tour, and purchase the records and merch you don’t already own from the band’s official store or Matador Records.

Pavement: September 21, 2010 Central Park Summerstage – FLAC and MP3 Downloads + Streaming Song

September 23, 2010
By


[iPhone photo by threelobed]

Pavement put the tickets for the Central Park Summerstage shows in Manhattan on sale about a year ago.  The resulting advanced planning (or lack of skill at planning/holding onto tickets) of indie fans was even the subject of a recent New Yorker piece.  The good news about doing things this way was that (a) Pavement sold the shows out and (b) cheap tickets were available for fans day-of.

Those who weren’t daunted by the advanced planning were rewarded by what I believe to have been the best of the three Pavement shows I had (to this point) seen this year.  The band was in a jokey mood, the weather was perfect (about the opposite of Wednesday’s experience), and the set was loose, jammy and ten minutes longer than the already very long Williamsburg Waterfront show.  This show saw the band bust out several tunes not played at the Williamsburg show, including “In the Mouth of a Desert”, “Debris Slide,” “Shoot the Singer”, “Heaven Is A Truck” and the rarest inclusion (which was not on the official setlist), “Perfect Depth.”  Expectations could not have been higher for a show that went on sale a year ago, but Pavement still gave us more than we could ever have hoped.

This set was recorded with DPA 4021 mics mounted 12 feet in the air at the soundboard next to the JetBlue VIP area, unlike the mobile rig that I “stack taped” with on Sunday.  The sound is therefore more stereo balanced, but reflects that the recording was made at a much greater distance from the source.  There are also a couple of short spots of wind noise.

Wednesday’s show was also recorded using the mobile rig upfront and, miraculously (given the rain), sounds excellent.  We expect to post that recording, along with recordings of Thursday and Friday’s shows, to the site later this week or early next week.

Direct download of MP3 files [HERE]

PLEASE RESPECT THE LIMITS OF THE NYCTAPER SERVER AND DO NOT REPOST DIRECT LINKS

Direct download of FLAC files [HERE].

Pavement
2010-09-21
Summerstage
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: At soundboard booth, ORTF, 12? up
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, hard limit/compress clapping, EQ, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:53:39]
01 Shady Lane
02 Frontwards
03 Heckler Spray>Elevate Me Later
04 Starlings of the Slipstream
05 Stereo
06 Kennel District
07 Grounded
08 Rattled by the Rush
09 We Dance
10 In the Mouth of a Desert
11 Perfume V
12 Unfair
13 Fin
14 Gold Soundz
15 banter
16 Debris Slide
17 Range Life
18 Trigger Cut
19 banter
20 Cut Yr Hair
21 Perfect Depth
22 Fight This Generation
23 Box Elder
24 encore break
25 Date With Ikea
26 Shoot the Singer
27 Conduit For Sale
28 Silence Kid
29 Heaven Is A Truck
30 Stop Breathin

If you download this recording from NYCTaper, we expect that you will continue to support Pavement, visit their official website, go to their shows, and purchase the records and merch you don’t already own from the band’s official store or Matador Records.

Dirty Projectors: September 11, 2010 Terminal 5 – FLAC / MP3 Downloads + Streaming Song

September 20, 2010
By


[photo by Johnny]

It’s a tribute to the quality of an artist and its sound engineer, when a band with music and harmonies as intricate as the Dirty Projectors can sound as excellent as they do on this recording.  At Terminal 5 last Saturday, September 11, the Projectors tour in support of the expanded edition of ‘Bitte Orca‘ (due September 27) arrived in NYC.  Even on a night when indie fans had other choices for music, the band’s increasing popularity resulted in a sell-out of this large venue.  The highlights of the set included a superb “Temecula Sunrise” (streaming below), and the beautiful performance of “Two Doves” featuring Angel Deradoorian.

Johnny recorded this set with a four-microphone rig from up in the first balcony at the soundboard.  The AKG’s capture the vocals well, while the DPA’s are excellent for the rich bass presence.  This recording is perhaps the best we’ve ever captured in this venue.  Enjoy!

Special thanks to Dirty Projectors and Domino Records for making this recording possible, and Terminal 5 head of security Mike for his courtesy and cooperation.

Stream “Temecula Sunrise”:
[audio:https://www.nyctaper.com/D2211DirtyProjectors2299/Dirty%20Projectors%202010-09-11%20TEMECULA%20SUNRISE.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Dirty Projectors
Saturday, September 11, 2010
Terminal 5
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > Adobe Audition (mixdown) > Soundforge (levels adjustments, downsample) > CD Wave (tracking) > FLAC Frontend (level 7, align sector boundaries) > FLAC
Recorded by: Johnny Fried Chicken Boy
Produced by: nyctaper and Johnny

SETLIST:
[Total time: 1:28:44]
01. Fucked for Life
02. No Intention
03. I Will Truck
04. Knotty Pine
05. No Embrace
06. Beautiful Mother
07. The Bride
08. Police Story [Black Flag]
09. Two Doves
10. Temecula Sunrise
11. As I Went Out One Morning [Bob Dylan]
12. Imagine It
13. Remade Horizon
14. Stillness Is the Move
15. Useful Chamber
16. [encore break]
17. Cannibal Resource
18. Fluorescent Half Dome
19. Rise Above [Black Flag]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Dirty Projectors, visit their website, visit their MySpace page, and pre-order/purchase ‘Bitte Orca Expanded Edition‘ directly from the Domino Records website [HERE].

Lymbyc Systym: September 18, 2010 Studio BPM – FLAC/MP3/Streaming

September 19, 2010
By


[iPhone photo by acidjack. Conditions were very dark and flash was not an option.  Photo is not great; recording is]

Brothers Jared and Michael Bell of Lymbyc Systym have had the advantage of making music together since they were preteens, sure, but still, the synergy and skill they brought to this DIY show at Studio BPM was startling.  Their sound, a blend of electronic music, jazz and experimental rock, evinces such diverse acts as Tortoise and Explosions in the Sky.  What is remarkable about the brothers Bell, though, is that they sound like a five-man band using only two players: Mike on the drums and Jared on the various keys.   Originally from Tempe, AZ, since their founding in 2001, the band has traveled the country with a wide array of like-minded acts such as The Album Leaf and Broken Social Scene, and recently completed a monthslong tour of Asia.  This set included two of the band’s contributions to their recent Field Studies split EP with This Will Destroy You, “Narita” and “Notations”.  Studio BPM made an ideal setting for this music, with an intimate atmosphere, high quality sound system, and rapt crowd.

I recorded this set with a stereo soundboard feed blended with the DPA mics on a stand on the floor.  The sound quality is outstanding.  Enjoy!

Stream and download this show in MP3 and FLAC on the Live Music Archive [HERE]

Lymbyc Systym
2010-09-18
Studio BPM
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced for nyctaper.com by acidjack

Equipment: Stereo soundboard feed + DPA 4021>Edirol R-44 (24/44.1)
Position: Slightly ROC, FOB, mics at 7.5ft
Mastering 2×24bit/44.1kHz WAV>Audacity (mixdown, EQ audience recording, set fades, tracking, amplify and balance, smooth peaks, downsample to 16bit)>FLAC (level 8 )

Tracks [Time 33:29]
01 Birds
02 Truth Skull
03 Fall Bicycle
04 Love Your Abuser
05 Selamat Pagi
06 Bedroom Anthem
07 Notations
08 Narita

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