Posts Tagged ‘ experimental ’

Pill: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 30, 2015
By

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[photos courtesy of Anyane Photography]

Pill were high on my list of experimental Brooklyn bands to see, and it was a treat to catch them on an outstanding bill at Aviv that also included PC Worship and Dope Body (those recordings here and here). Andrew Savage of PC Worship released the band’s debut EP on his Dull Tools label, and that’s as good a vote of confidence as Pill needs to get listeners’ attention. That five-song cycle only hints at what’s possible for this young post-punk band, who also proved at this show that they can draw and keep a crowd. Several of these songs are on the EP, but others aren’t, so go and check out both.

This is one of those bands that doesn’t play nice; their songs aren’t the kind of thing you hum at work or jog to on the treadmill. No, Pill’s vision is best experienced live, with front woman Veronica Torres writhing on the floor as the Ben Jaffe’s saxophone screams along with John Campolo’s guitars. Pitchfork’s review hailed the complex narratives on offer in Torres’ lyrics, and admittedly that’s the harder thing to pick up in the live setting, but what it’s replaced by is the visceral experience of what she put into them. As the show ended with Torres at the center of the floor, bringing the new song “Psychic Nipple”

I recorded this set with Schoeps MK4V microphones from the center of the balcony and a soundboard feed from house engineer John. The sound quality is like it was in the room, raw and in your face. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Pill
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6 + Soundboard (engineer: John)>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Which Is True?
02 Misty-Eyed Porno Reader
03 Hotline
04 Am I Your Man?
05 Personality Flaw
06 Psychic Nipple

If you enjoyed this recording, PLEASE SUPPORT Pill by visiting their bandcamp page and buying their EP there.

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Elisa Ambrogio-Ben Chasny-Tashi Dorji: September 11, 2015 WXDU/WXYC/WKNC Day Show (Raleigh, NC) – FLAC/MP3/Streaming

September 24, 2015
By

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With Three Lobed Recordings on a temporary hiatus from their traditional day show with WXDU on the Friday of Hopscotch Festival, WXDU took matters into their own hands and teamed with fellow college radio stations WXYC (UNC-Chapel Hill) and WKNC (N.C. State) to produce a two-stage day show worth of the tradition. Perhaps the centerpiece of these sets was the trio of Elisa Ambrogio (best known for her work in Magik Markers) and Ben Chasny (aka Six Organs of Admittance), who have been touring together, with the guitar improviser Tashi Dorji. The three of them got down to some serious experimental improv that captured the imagination of the crowd (and had a couple of bewildered college students plugging their ears). The sum of this team was clearly more than its parts, combining noise, free verse, and melodic interludes. By the end of this 20 minute burst of inspiration, our only regret was that it couldn’t be longer.

I recorded this set with the Schoeps MK4V microphones you see in the photo below, together with a soundboard feed by the day’s very capable engineer, Justin. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete show:

Ambrogio / Chasny / Dorji Trio
WXDU/WKNC/WXYC Hopscotch Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage, roughly ORTF)>KC5>CMC6 + Soundboard (engineer: Justin)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Musicians
Elisa Ambrogio – vocals, guitar
Ben Chasny – guitar
Tashi Dorji – guitar, effects

Support these artists: Elisa Ambrogio | Six Organs of Admittance | Tashi Dorji

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[photo of Tashi Dorji courtesy of David Lee of This Is That Song]

PC Worship: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 14, 2015
By

0038-Anyane-Photography-@-Aviv-2015
[photo courtesy of Anyane Photography]

The Brooklyn band PC Worship has been on this site several times this year, in part because they are one of the strongest experimental and improvisational bands in the scene right now. This show at Aviv, a Greenpoint DIY spot that has been killing it with booking lately, felt like this band’s natural habitat. In the searing late summer temperatures, the band took us through a three-song set that included “Rust” from their latest, Social Rust, as well as “Blank Touch.” But the centerpiece came at the beginning — a sprawling “Tides” that took up the bulk of the set, and set a hypnotic, intense tone for the two shorter bursts to come. It’s not the longest PC Worship set we’ve seen, clocking in at under half an hour, but like every time they take the stage, it’s a memorable one. The band is touring Europe right now, but they’ll be back at the Bowery Ballroom on October 13 and 15 with Panda Bear.

I recorded this set with a soundboard feed from Aviv engineer John, as well as Schoeps MK4V microphones mounted in the center on the balcony. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

PC Worship
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: John) + Schoeps MK4V (PAS)>KC5>CMC6>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Tides
02 Rust
03 Blank Touch

If you enjoyed this recording, PLEASE SUPPORT PC Worship, visit their website, and buy Social Rust and the forthcoming Basement Hysteria directly from them.

 

75 Dollar Bill: August 21, 2015 Mercury Lounge – FLAC/MP3/Streaming

September 1, 2015
By

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We’ve had our eye on 75 Dollar Bill since catching their Trans-Pecos show back in June. Since then, they’ve delivered an impressive run of summer performances, including a weeklong series with special guests at Troost in Greenpoint last week. In terms of useful information or praise, I can’t do better than our previous review, but I’ll add that the band got name-dropped among Ira Kaplan of Yo La Tengo’s influences in a recent New York Times piece, if that moves the needle for you. The experimental duo of Che Chen on guitar and Rick Brown on homemade percussion and horns conjures what you might’ve heard checking out a blues artist in an old-time juke joint in the early 20th century — if that blues artist had somehow been able to take a trip to the future and learn about punk rock. That Kaplan himself described their sound as unlike anything he had heard before should tell you something about how cleverly this band merges the familiar and the experimental without a lot of bells and whistles to their stage setup.

This set at Mercury Lounge, opening for Eleventh Dream Day and Antietam, was mostly different from the June show, with only “Water In the Lock” repeated. The set opened with a sharp, untitled blues number, followed by “Beni Said,” which we hadn’t heard before. After another rollicking untitled jam, the band closed with “Water In the Lock,” similar to the version we heard at the Trans-Pecos show. While we’re bummed to have missed the Troost shows the following week, we’re very excited to see what 75 Dollar Bill does next.

I recorded this set with a soundboard feed from Dave Lefcourt, together with Schoeps MK41V microphones. While there are a few brief sounds of me setting up on the first track, the overall sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

75 Dollar Bill
2015-08-21
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Dave Lefcourt) + Schoeps MK41V (PAS)>KCY>Z-PFA>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Untitled (9)
02 Beni Said
03 Untitled (5)
04 Water in the Lock

Support 75 Dollar Bill: Bandcamp | Buy Wooden Bag from Other Music Recording Co.

Tom Carter / Barry Weisblat Duo: February 24, 2015 FLAC/MP3/Streaming

March 24, 2015
By

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The guitarist Tom Carter has made a couple of appearances on this site, being one of this city’s most exciting innovators on the instrument. While Carter was already known for his eclectic tastes, both as a solo act and with Charalambides, this combination of Carter and the multi-instrumentalist Barry Weisblat took things further into the out realm. The two appeared at last month’s installment of the “Music From NY Underground: On the Way Out” event held monthly at Freddy’s Bar in Park Slope, and produced an improvisational composition worthy of that title. Weisblat arrived armed with a host of obscure devices able to create a host of tones and textures, to which Carter overlaid his signature guitar sound. The end result was a thought-provoking, almost cinematic drone sequence that was revelatory to see created, but will reward patient repeat listening even more. We are excited to have been able to witness and capture this unique musical interaction, and hope you feel the same.

I recorded this set with Schoeps MK5 microphones in the ORTF configuration near the performers, together with a feed from the small PA system mixer. The sound quality is outstanding. Enjoy!

For those interested, the next installment of this series happens tonight (March 24, 2015) at Freddy’s. Check it out.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Tom Carter/Barry Weisblat Duo
2015-02-24
Freddy’s
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, ORTF)>KC5>CMC6 + Soundboard>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (light effects and EQ)>Audacity 2.0.5 (amplify, dither)>FLAC ( level 8 )

Tracks [Total Time 33:28]
01 improvisation

If you enjoyed this recording, please support Tom Carter by buying his music from Wholly Other, the “Buy Music” links at the Help Tom Carter page and visiting the Tom Carter page maintained by Kranky, and please support Barry Weisblat by visiting the Q-02 page for him and checking out his work on the Free Music Archive.

 

Tony Conrad: September 5, 2014 Hopscotch Music Festival, Vintage 21, Raleigh, NC – Streaming Full Set

September 28, 2014
By


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[photo by acidjack]

The appearance of Tony Conrad at this year’s Hopscotch Music Festival was one of those once-in-a-lifetime opportunities that makes a festival unique. Conrad is a living legend in a number of out fields, having made his name as a filmmaker, artist, musician, composer, teacher and writer. As a member of the pre-Velvet Underground band Theatre of Eternal Music, Conrad was one of the earliest progenitors of improvisational noise and drone music, making him an influence on a huge number of acts who had the benefit of newer technologies than the gadgets that Conrad built from scratch.

At the Vintage 21 stage at Hopscotch, Conrad began seated with a cardboard box in front of him, onto which he drew a rough circle that he cut out with an Xacto knife. A violin bow, when inserted through that space, created a drone effect that became the centerpiece of Conrad’s first composition. Offering this as a live recording doesn’t really do it justice; to watch Conrad create his art was as much an experiential pleasure as an aural one, if not more so. Conrad then moved to a violin, face painted black, with extra strings hanging off of it, and in drawing the bow across it, created new cascades of noise.

While improviser-in-residence was normally the influenced rather than influencer among the many acts he joined over the weekend, that was not the case when Moore and Conrad got together. The two created a dynamic noise piece that set yet another bar for the weekend. Conrad, almost giddy at his reception by the crowd, seemed almost as pleased to introduce Moore as Moore was to join the master. This was an experience that wouldn’t be repeated, in the weekend, or possibly ever.

I recorded this set with a soundboard feed and Schoeps MK41 microphones. The sound quality is excellent. At the artist’s request, this set is streaming only. Enjoy!

Stream the full set:

Tony Conrad
2014-09-05
Hopscotch Music Festival
Vintage 21
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
recorded and produced by acidjack

Soundboard + Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, levels, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, fades, dither and downsample)>FLAC ( level 8 )

Tracks
01 Improvisation 1
02 [banter]
03 Improvisation 2 [w/ Thurston Moore]

If you enjoyed this recording, PLEASE SUPPORT Tony Conrad, learn more about him on Wikipedia, and buy his music on Discogs and iTunes.

Enemy Waves: September 5, 2014 Vintage 21, Hopscotch Music Festival, Raleigh, NC (FLAC/MP3/Streaming)

September 25, 2014
By

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The hymnal joke you hear at the beginning of this recording relates to this show’s location, in a once-decommissioned church known as the Long View Center, recently recommissioned by one of those “hipster churches” that, well, I’ll just leave it to this article to debate. What needs to be known about this show is that Enemy Waves is brand-new, though its veteran members aren’t, and they make some seriously angular, jazz-inflected, improvisational music. Perhaps that’s one reason Hopscotch Music Festival improviser Thurston Moore chose to draw some much-deserved extra attention to this new group with an appearance on their final number, which felt like one of Moore’s strongest collaborative appearances of the entire festival. It may also have had to do with the deep and weirdly varied resumes of the four members, which includes everything from drummer Jason Aylward’s time in full-on 80s metal outfit Valient Thorr to guitarist Paul Siler’s ownership of the King’s rock club and work with Birds of Avalon, to saxophonist Dave Mueller’s work as Heads on Sticks and multi-instrumentalist Crowmeat Bob’s improvisational playing with Tatsuya Nakatani, Eugene Chadbourne, and others. Bob also played some bass clarinet for the North Carolina-sited HBO TV series Eastbound and Down. 

The band members gelled quickly for a set that was well-attended despite relative remoteness from some of the festival’s other offerings. Hopscotch does a great job of pairing like-minded artists, and the combination of Enemy Waves with Durham, NC guitarist Matt Northrup, ambient act Helm and the vintage noise artist Tony Conrad (who also played with Moore; that recording awaiting approval) gave fans of mind-bending, you-have-to-see-it-live style music a palette that couldn’t be denied. The Waves gave us four tunes total, each of extended length, with my highlights being the sax-focused “Stronach’s Allely / Bleechie” and “Radiant III”, the latter of which closed the show with Moore on guitar. While there isn’t much to hear from Enemy Waves other than the two-song single on their bandcamp page, our hope is that this diverse group of musicians gives us more to enjoy in the future.

I recorded this set with Schoeps MK41 microphones and a soundboard feed. While the design of the church building gives the music a bit of a boomy quality that is hard to avoid, I think it is a very enjoyable listen.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Enemy Waves
2014-09-05
Hopscotch Music Festival
Vintage 21
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
recorded and produced by acidjack

Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, levels, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, fades, dither and downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Bone Marrow Transplant
03 [tuning]
04 Warriors Tabooed
05 Stronach’s Alley / Bleechie
06 [tuning2]
07 Radiant III*

* with Thurston Moore

If you enjoyed this recording, please support Enemy Waves by visiting their bandcamp page.

Little Black Egg Big Band (feat. Steve Gunn, Georgia Hubley, Ira Kaplan, James McNew, Letha Rodman Melchior and William Tyler): September 5, 2014 Three Lobed / WXDU Day Show, King’s, Raleigh, NC (Donation Download)

September 9, 2014
By


photo by PJ Sykes
[photo courtesy of PJ Sykes]

SUPPORT LETHA RODMAN MELCHIOR IN HER FIGHT AGAINST CANCER. DONATE HERE.

This year’s third Three Lobed Recordings / WXDU co-produced Day Show during the Hopscotch Music Festival was an embarrassment of riches once again, featuring a number of one-time-only collaborations. But perhaps nothing was more hotly anticipated than the brief spring into existence of the Little Black Egg Big Band, named after Georgia Hubley’s solo guitar project Little Black Egg, which she has performed only rarely:  guitar luminaries Steve Gunn and William Tyler together with Hubley, Ira Kaplan and James McNew of Yo La TengoLetha Rodman Melchior also provided the pre-recorded material that was mixed and manipulated into the live recording.

Hubley, Kaplan and McNew’s participation in this event was brought about in part by their desire to support Melchior, a friend and fellow musician who hoped to join for the day show but was physically unable. Melchior, who has played music under her own name as well as under the alias Tretetam, and in the band Ruby Falls, was diagnosed with stage IV melanoma in 2010, which she has documented on a personal blog. Melchior’s illness has produced considerable financial hardship for her and husband Dan Melchior in addition to the agony of her cancer. An effort to offer further support to Melchior is also the reason why we are honored to offer this performance to the wider world today.

What the fans in the room at King’s in Raleigh saw at the show (along with those who heard it on the stream by Duke University’s WXDU) were five masterful musicians collaborating in real time on an at-times brooding, but oddly hopeful soundscape. Instead of soloing all over each other, each artist blended into a whole that spoke with one voice. Over its nearly forty minutes, the piece gains on itself in increments, with the bed of guitars and Melchior’s pre-recorded effects manipulated by McNew, a technique familiar to anyone who has seen him perform as Dump.

The piece honored Melchior as well as the spirit of the entire event, which celebrated the power of experimental music, the validity of independent labels and college radio, artist-run venues like King’s, and the ever-present, unquenchable thirst that the best artists have to evolve, change, and create. Three Lobed has a fan base primed to understand that this particular grouping probably wouldn’t be playing YLT classics like “Big Day Coming” with a bunch of extra guitars added in. What was expected, and what was received, was a unique offering that could exist only in this single moment. It was a performance for the benefit of people who believe the best artists never stop taking chances and are as generous with the product of their minds as they are with their time. People like the ones sitting on that stage.

This recording was made with Schoeps MK4V microphones in the center of the stage, combined with a stereo soundboard feed by the King’s staff. Because this download is offered for donation only, we are not streaming it, but you can trust me that the quality has been approved by the artists and is excellent. We are deeply grateful to all of the five artists involved for playing this show and for giving us the opportunity to help benefit Melchior and share this music with the wider world.

Thanks to Cory Rayborn, Ross Grady, Kelly Davis (and everyone else at WXDU), Paul Siler of King’s Barcade, Ira Kaplan, Georgia Hubley, James McNew, Steve Gunn and William Tyler for making this possible.

AT THE REQUEST OF THE ARTISTS, THIS DOWNLOAD HAS EXPIRED.

This recording raised approximately $4,000 in seven days for a worthy cause. We thank the artists and the others noted above, as well as all who participated, for their support of Letha Rodman Melchior. 

Rodney Bowles LBEBB -1
[Photo courtesy of Rodney Boles]

Little Black Egg Big Band
2014-09-05
Three Lobed Recordings / WXDU Day Show
Hopscotch Music Festival
King’s
Raleigh, NC USA

Exclusive download hosted for donation only at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage pair)>KC5>CMC6 + Soundboard>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, light compression)>Izotope Ozone 5 (adjust stereo image, light EQ, light harmonic effects)>xAct (tagging and conversions)>FLAC ( level 8 )

Tracks [Total Time: 38:28]
01 improvisation

Musicians (in alphabetical order)
Steve Gunn
Georgia Hubley
Ira Kaplan
James McNew
Letha Rodman Melchior (pre-recorded material mixed and incorporated into the performance)
William Tyler

Along with supporting Letha Rodman Melchior, please support these musicians. You can buy Steve Gunn’s albums from Three Lobed and Paradise of Bachelors, Yo La Tengo’s recordings from their website and Matador Records, and William Tyler’s latest work from Merge Records.  

Rodney Bowles LBEBB-2
[Photo courtesy of Rodney Boles]

Oneida: July 17, 2014 Glasslands – FLAC/MP3/Full Set Streaming

July 20, 2014
By

Photo by Greg Cristman | www.gregCphotography.com
[Photos by Greg Cristman]

With Oneida, you never have to worry about seeing the same show twice. Even if you’re hearing the same song — for example, the mammoth version of “Cedars” from this night’s show at Glasslands compared to the one we documented at the start of the year at the Knitting Factory — you won’t necessarily know it if you don’t pay close attention. As our review of the Knitting Factory show pointed out, at this point, referring to an Oneida show’s “setlist” is kind of missing the point. This band has long-since abandoned the conventional, which is why they continue to be a major draw in the underground scene in New York seventeen years in despite minimal blog hype and virtually no mainstream exposure. An Oneida show is an event, a celebration of what music can be when all of the downward pressures on creativity are cut.

Joining the band for this show, as he did at Glasslands last year, was James McNew of Yo La Tengo and Dump, whose bass playing mingled nicely with the swirling controlled chaos on the stage. Although technically a four-song “set”, this set had a similar structure, with a 40-minute sequence of “Cedars” into “Economy Travel” adding two shorter songs, “Cock Fight” and “You Get Brighter” (a 48-minute version of which appeared at the 2013 Glasslands show) to round it out. We expect to see some of these compositions whittled down to album length for a future release, but in a way that’d be a shame. This act’s sound cannot be contained on a few pieces of plastic, nor can their songs properly be culled to one right “version”. The beauty is in the expression of it at a given time on a given night–the very reason live recordings exist in the first place.

I recorded this set with a Schoeps MK5 and Schoeps MK8 capsule in the “mid-side” configuration on-stage to allow maximum adjustment capability to the stereo image, combined with a soundboard feed from Glasslands head of production Josh Thiel. The sound quality is quite simply phenomenal — one of the best recordings I think I can take credit for. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the full show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

Photo by Greg Cristman | www.gregCphotography.com

Oneida
2014-07-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (stage lip, M-S)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (Engineer: Josh Thiel)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 56:59]
01 [intro banter]
02 Cedars>
03 Economy Travel
04 Cock Fight
05 You Get Brighter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Oneida: September 8, 2012 Hopscotch Festival Day Show (Raleigh, NC) – FLAC/MP3/Streaming

November 4, 2012
By


[Photos by acidjack]

Our friends in Oneida were a late but welcome addition to the “Megafaun and Friends” day show at Hopscotch Music Festival, and as usual, nobody knew what to expect in terms of the setlist. Joined by a number of special guests throughout the set (including the ubiquitous man-of-the-festival, the drummer Chris Corsano), Oneida filled the streets of downtown Raleigh, NC with their complex improvisational post-rock. For this show, we were treated to a rendition of the band’s LP Preteen Weaponry, which this site also recorded a live performance of back in June of last year. As we eagerly await their next album, A List of the Burning Mountains, out on November 13, this just-over-half-hour set of another of the band’s classic albums whetted our appetites for what they have in store for us in just under two weeks.

I recorded this set with a soundboard feed provided by the day’s hardworking sound team, plus Schoeps MK5 omnidirectional microphones. The sound is excellent, after some initial adjustments to the board mix. Enjoy!

Oneida plays their record release show at Secret Project Robot on December 1.

Stream “Part II”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oneida
2012-09-08
Hopscotch Festival Day Party
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, at soundboard, split 3ft)>KC5>CMC6>>Edirol R-44 [OCM]>2x24it/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (set fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks [Preteen Weaponry]
01 Part I
02 Part II
03 Part III

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains (available for pre-order NOW) and their other releases from Jagjaguwar [HERE]

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