Posts Tagged ‘ glasslands ’

Lyonnais: April 15, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

May 7, 2011
By

lyonnais
[Photo from Lyonnais MySpace page]

I fully admit to knowing next to nothing about the Atlanta band Lyonnais – except that they rock. The four piece began in 2008 as a project between two WRAL-Atlanta music directors, Farbod Kokabi and Farzad Moghaddam, and the two clearly have an affinity for drone, psychedelic and post-rock, as they layer on the heavy reverb and distortion without apology. Their music has become increasingly experimental, focusing on longer compositions that defy the traditional 3-to-6 minute format.

This show at Glasslands, opening for Eternal Summers (that recording here), gave Lyonnais a chance to thrive in what might be a more natural environment for a band of their style – Williamsburg. These five songs – mostly longer-form compositions – showcased their ability to combine dense, reverb-heavy guitar jams with surprisingly accessible hooks. Although all of the material was new to me, I hope it will become more familiar as the band progresses to the album release stage in the (hopefully) near future (their debt album is being shopped to labels at present).

I recorded this set from the same location as the Eternal Summers recording, and the sound is excellent. Enjoy!

Please help out with the setlist – as the band does not appear to have any releases, the only source of song info I could find was their MySpace page.

Stream “Friendly Fires”:
[audio:https://www.nyctaper.com/L1540Lyonnais0211/04 Friendly Fires.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Lyonnais
2011-04-15
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248+Soundboard>>Edirol R-44 [Oade Concert Mod] (24/44.1)
Position: Center pole, 11′ up, X/Y
Mastering: 2x24bit/44.1kHz WAV>Audacity (mixdown, EQ audience source, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [unknown]
02 The Fatalist
03 [unknown]
04 Friendly Fires
05 [unknown]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Lyonnais, visit their MySpace page, and find out more about the band (including their forthcoming album release date) from Tell All Your Friends.

Eternal Summers: April 15, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

April 18, 2011
By

etsum1
[Photo by Jessica Amaya]

I was a bit surprised that my first experience in the upgraded/redesigned Glasslands – complete with better sightlines, more bars, more bathrooms, better sound, and better light – was actually a band that wasn’t from NYC. But Roanoke, VA-based Eternal Summers certainly have their finger on the pulse of the sensibilities of the moment, whatever their geographic orientation. They make the kind of smart, plaintive pop-punk that would have fit well into the early 90s scene in DC and Arlington, VA. With a record, Silver on Kanine Records that has been extremely well received, as well as a slew of EPs, the duo of Nicole Yun and Daniel Cundiff (now also with a touring bassist) has been hitting New York with regularity. This show, presented by PopGun Booking and Tell All Your Friends PR, celebrated the band’s latest release on Kanine, the Prisoner EP. Rounding out an excellent four-act bill, Eternal Summers didn’t spend much of their economical set chatting, instead focusing on playing fiery renditions of songs from all over their catalog. My favorite was the bouncy title track from Silver. It is worth noting that Eternal Summers are part of a loosely affiliated local collective (in which Cundiff is a serial participant) known as the Magic Twig Community. If the rest of Roanoke’s progressive scene bears any relationship to the quality of this band, I need to take a trip to Virginia as soon as possible.

I recorded this set with an excellent soundboard feed from Josh of Glasslands combined with the DPA mics mounted in an optimum new location in the venue. The results are excellent. Enjoy!

Stream “Silver”:
[audio:https://www.nyctaper.com/E1504EternalSummers2011/04 Silver.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Eternal Summers
2011-04-15
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248+Soundboard>>Edirol R-44 [Oade Concert Mod] (24/44.1)
Position: Center pole, 11′ up, X/Y
Mastering: 2x24bit/44.1kHz WAV>Audacity (mixdown, EQ audience source, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Prisoner
02 [unknown]
03 Able To
04 Silver
05 World’s Away
06 Safe At Home
07 I Know Now
08 [unknown]
09 [unknown]
10 [unknown]
11 Girls In the City
12 What Do You Do (?)
13 [unknown]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Eternal Summers, visit their MySpace page, and purchase Prisoner directly from Kanine Records [HERE]

Wise Blood: April 1, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

April 5, 2011
By

wiseblood glasslands
[Video still by Cannons]

I met Christopher Laufman, aka Wise Blood, just before he took the stage at Glasslands on Saturday. He seemed like a friendly, mild-mannered type of guy. In fact, dude was so unassuming, I would never have guessed he was a musician – and definitely not the kind of musician/performer that he is. He took the stage in a white sweatshirt and (as he pointed out) moccasins. He named his act after a Flannery O’Connor novel. Does this sound like some kind of badass MC to you?

Especially on April Fool’s, you should expect looks to be deceiving.

Minute one of the set, and the sweatshirted-and-moccasin-ed guy is telling us “I’m about to wreck this.” And then he does. On his bandcamp EP, “+” Laufman’s vocals have more layers of effects over them, giving his recorded output a much… milder sound than the live performance. On record, we hear Laufman as barely a high-pitched whisper underneath the monstrous beats, but live, his voice is the ragged, raging centerpiece. At Glasslands, songs like “B.I.G. E.G.O. ” took the tone of brash, angry manifestos, Laufman belting out the lyrics with the type of angry-white-boy attitude that Eminem had when he actually lived in a trailer. Whatever you think of his music (which can be quite catchy), Laufman is a hell of a performer to watch. In a first among the many shows I have seen at Glasslands, Wise Blood climbed up to the front of the balcony along with headliner Wu Lyf to perform “Solo (4 Claire)” for a few minutes, before jumping to the floor to finish the song. It was a raw, wild performance straight through to the end, when a shirtless Laufman careened through the song “Loud Mouths”, singing a lot of the song from the crowd. He may look unassuming, but onstage, Wise Blood is an animal.

I recorded this set from our usual spot in the venue with the DPA microphones and a stereo soundboard feed from Derek at Glasslands. The sound quality is outstanding. Also, please look for a forthcoming video of the performance courtesy of Dovecote Records and Cannons.

Please note that although we would have loved to record Wu Lyf, their management very respectfully asked that we not do so. Therefore, that set was not recorded.

Stream “Loud Mouths”:
[audio:https://www.nyctaper.com/W1400WiseBlood0211/wiseblood2011-04-01glasslands_acidjack-7.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Wise Blood
2011-04-01
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+stereo soundboard feed>Tascam DR-680 (24/48)
Position: Balcony, center, ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 STRT SRNS
02 Indian Song
03 interlude
04 B.I.G. E.G.O.
05 Solo (4 Claire) [including balcony climb/dive]
06 I’m Losing My Mind
07 Loud Mouths

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wise Blood, visit their MySpace page, and purchase their EP, “+” from their bandcamp page.

Hooray For Earth: March 8, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 14, 2011
By


[Video still by Cannons]

Looking at Brooklyn bands with big, big potential to come out of SXSW this week transformed into rising stars, Hooray For Earth has got to be high on the list. Though there is no exact formula for making it to the next level, it has to include the appeal to resonate beyond narrow indie borders into the broader pop realm. Look at bands that have done it recently (Yeasayer, in particular) and Hooray For Earth is right up there with them. How so? The energy of Hooray For Earth‘s music is boundless, their beats ecstatic. Their songs are anthemic, but smart; fresh, but digestible. Songs like “Rolling/Nectarine” are all big beat backbone with shimmering keys and soaring choruses that click in any language, and that applies to most of their standout 2010 EP, Momo. They are both of rock music but beyond it in the way that many recent successes are; without dropping gimmicks, the band’s mastermind Noel Heroux takes some cues from the electronica realm and makes music that sounds like the near-future.

This Glasslands show was packed from when doors opened, completely sold out and then some. Undoubtedly, many of us had the same idea of spending Fat Tuesday sending off some local heroes before an SXSW run that will include a coveted spot at Pitchfork‘s showcase. Heroux and Co. got some unintended practice in crisis management, as gear malfunctioned left and right at the show’s start, including Heroux’s bass strap snapping during the second number. That didn’t slow the show’s momentum a bit, though, as HFE showcased a number of new songs that will appear on their forthcoming full-length, True Loves, which has already been generating heat in media circles. The hype seems justified, as Heroux has evolved the anthemic pop sound of Momo to embrace more tribal sounds, such as on the set opener, “Realize It’s Not the Sun,” and the spacescape-evoking “Black Trees.” The backing vocals of the ladies of Zambri were key throughout the night, perhaps no more so than on the standout title track to their new record, “True Loves”. Begged for an encore, the band came back to perform “Form” from Momo, which Heroux introduced as “This is Form. It’s rock n’ roll.” Not to contradict Noel, but in this moment, Hooray For Earth songs are all rock n’ roll. The rest of rock n’ roll may just not know it yet.

I recorded this set with the DPA microphones and an excellently mixed board feed from Derek at Glasslands. The sound is outstanding. Enjoy!

Stream “True Loves”:
[audio:https://www.nyctaper.com/H7206HFE0201/05 True Loves.mp3]

Stream “Rolling/Nectarine”:
[audio:https://www.nyctaper.com/H7206HFE0201/06 Rolling_Nectarine.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Hooray For Earth
2011-03-08
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]
Position: ROC, balcony, ~ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (vocal-enhancing compression on soundboard track, smooth peaks, mixdown, adjust levels, EQ, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks:
01 Realize It’s Not The Sun
02 Surrounded By Your Friends
03 Get Home
04 [banter]
05 True Loves
06 Rolling/Nectarine
07 [banter]
08 Sails
09 [banter]
10 Black Trees
11 [encore break]
12 Form

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Hooray For Earth, visit their website, and purchase Momo and their debut LP, True Loves directly from Dovecote Records.

Widowspeak: March 3, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 10, 2011
By

Brooklyn’s Widowspeak could be considered a Pacific Northwest import of sorts – vocalist/guitarist Molly Hamilton and drummer Michael Stasiak hail from Tacoma, Washington (guitarist Robert Thomas is from Chicago) and the rain-washed influence of that region suffuses both their sound and their songwriting.  Stylistically, you hear it in their guitar playing, which picks up the jangly, rangy sound of some of the early K Records acts like Beat Happening, and in the band’s unforced delivery.  There is a mellow, wistful air to Widowspeak that is uncommon to hungry young East Coast bands; rather than blaring “hear me NOW!” their approach is more akin to, “don’t worry, we know you’ll get it eventually.”  Which is to say that, in a scene thoroughly embracing the 90s at the moment, Widowspeak are firmly more in the SubPop than the shoegaze camp.  Hamilton’s vocals are sure to garner their fair share of favorable comparisons – one reviewer compared Hamilton’s distant, ghostly moan to Mazzy Star, but I prefer to think of her as a successor to Chan Marshall, aka Cat Power.  Her vocals talents were on full display this past Thursday night at Glasslands, where the band gave us a taste of some of the material they hope to release this summer on their forthcoming full length on Captured Tracks.  The band gave us a tight, well-rehearsed and set with few digressions, with a mix that emphasized Hamilton’s vocals.  Their current 7″ single (also available on Captured Tracks) “Harsh Realm” is both a knowing reference to an old joke (this link is worth reading) about grunge slang, as well as a paean to Hamilton and Stasiak’s roots, and that song also closed out this eight-song set.  Another highlight was the band’s sincere rendition of Chris Isaak’s classic, “Wicked Game”, which went perfectly with the band’s style and sound.

I recorded this set with the DPA microphones and a soundboard feed by Derek of Glasslands.  The sound quality is excellent.  Enjoy!

Stream “Harsh Realm”:
[audio:https://www.nyctaper.com/W3030Widowspeak0211/09 Harsh Realm.mp3]

Stream “Wicked Game”:
[audio:https://www.nyctaper.com/W3030Widowspeak0211/07 Wicked Game.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Widowspeak
2011-03-03
Glasslands
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]
Position: ROC, balcony, ~ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, adjust levels, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Burnout
02 Yellow Light
03 Brainfreeze
04 banter
05 Nightcrawlers
06 Ghost Boy
07 Wicked Game [Chris Isaak]
08 Pines
09 Harsh Realm

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Widowspeak, visit their MySpace page, and purchase their forthcoming LP and the “Harsh Realm” 7″ from Captured Tracks.

Mr. Dream: March 4, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 7, 2011
By


[Photo by Johnny Fried Chicken Boy and acidjack]

The Brooklyn band Mr. Dream gives the lie to the adage about writers, and critics in particular: That those who cannot actually do something become critics instead. In Mr. Dream’s particular case, the former Pitchfork writers Nick Sylvester and Adam Moerder joined with bassist Matt Morello to make the kind of rock music that made them become critics in the first place. Which is to say, rock music from the days when independent rock music wasn’t just the go-to tuneage for car commercials – when it was more often brash, loud, angular – and let’s be honest, had some fucking balls.

This show at Glasslands (and presented by PopGun Booking, who have been putting up one killer lineup after another at the venue recently) celebrated the release of the band’s first full-length, the 33-minute adrenaline burst Trash Hit. The record’s most evident influences are a who’s-who of critical favorites – early Pixies, Nirvana, Shellac, Fugazi, and a decent-sized portion of the SST canon. Stylistically, Mr. Dream’s songs embrace empty air in the manner most often associated with the legendary engineer Steve Albini – with each instrument clearly separated and clear, giving the music a dry, spare, propulsive quality. Joined by current Pitchfork contributor Matt LeMay (who produced three of the songs on Trash Hit) to bolster their guitar assault, the band hurtled through a half-hour of mostly Trash Hit songs whose intensity never flagged. The first notes of “Knuckle Sandwich” kicked in before the house music had even been turned off, and the show was balls-out from there. The musical erudition of the players shows through in their songs, which wear their influences well without being overwhelmed by them; the title track, “Trash Hit”, for example, could have held its own with the Pixies in their Surfer Rosa days. By the time they left the stage after “Unfinished Business,” Mr. Dream didn’t need an encore – they had cemented themselves as yet another band to watch in 2011. The band will be joining Sleigh Bells and CSS for their East Coast tour, with dates in DC, Philly and Boston, and a May 11 show at Webster Hall in NYC (tickets here).

I recorded this set with the DPA microphones mounted on the balcony, combined with an outstanding house mix from the Glasslands engineers. The quality is outstanding. Enjoy!

Stream “Trash Hit”:
[audio:https://www.nyctaper.com/M3400MrDream2011/05 Trash Hit.mp3]

Stream “Unfinished Business”:
[audio:https://www.nyctaper.com/M3400MrDream2011/12 Unfinished Business.mp3]

Direct download of MP3 files [HERE]

Download the Complete Show in FLAC [HERE].

Mr. Dream
2011-03-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod]
Position: ROC, balcony, ~ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (guitar-enhancing compression on soundboard track, smooth peaks, mixdown, adjust levels, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 30:20]
01 Knuckle Sandwich
02 Crime
03 Scarred For Life
04 Holy Name
05 Trash Hit
06 [banter]
07 Winners
08 Knick Knack
09 Croquet
10 King Klutz
11 [banter]
12 Unfinished Business

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mr. Dream, visit their MySpace page, and purchase Trash Hit from Amazon or your favorite record store.

Austra: December 4, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

January 20, 2011
By


[Photo by acidjack with iPhone4 with Hipstamatic]

Toronto’s Austra came to town with one of that music scene’s current favorite sons, Diamond Rings, who referred to them later that night as “my favorite band.” This set at Glasslands gave many of us our first taste of a band that is likely to get big in a hurry, as they just signed to the UK’s famed Domino Records just a few days ago (with a new record on the way this spring), and have embarked on an extensive European tour. The brainchild of well-known Toronto-based vocalist Katie Stelmanis (Autra is actually her middle name), Austra play dreamy leftfield pop at home in the current moment; those searching for references might think about a band like The Knife; I also hear a less poppy, less histrionic bit of a band like Florence and the Machine as well (listen to “Lose It” for the reference). The centerpiece of the band’s sound is unquestionably Stelmanis’ powerful vocals, which soar above the driving electro beats. Expect to see Austra again stateside for SXSW, and look out for a video from them next month!

I recorded this set from the same location as the Diamond Rings recording, and other than some isolated crackling from the house system, the sound is outstanding. Enjoy!

Stream “Lose It”:
[audio:https://www.nyctaper.com/A1204Austra2010/Austra-LoseIt.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Austra
2010-12-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, ROC, mics roughly DIN
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Darken Her Horse
02 Lose It
03 The Villain
04 The Choke
05 Beat and the Pulse
06 Spellwork

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Austra, like them on Facebook, and purchase their releases directly from Domino Records here.

Headless Horseman: December 16, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 22, 2010
By


[Photos by acidjack with iPhone4 and Hipstamatic]

I will forgive you for thinking, on first listen, that some of the crackles and pops in this recording of Headless Horseman‘s latest performance at Glasslands are technical faults. The band’s sound relies on the studio combo of heavy compression and clipping to create their fuzzy, beat-driven bedroom folk (think a glitchier Menomena or a more electronic Microphones). The band’s blown-out sound challenged the Glasslands sound system (and maybe some ears) at times, but their pop sensibility shone through. The duo of Fareed Sajan (of Bottle Up and Go) and Conner O’Neill make their live sounds through an interesting array of drums and other homespun percussion that lies between them, allowing them both to pound out their beats simultaneously if they wish (they also have a laptop, of course). Most of these songs come from the band’s current bandcamp EP, 5songs, which should be on your hard drive if it isn’t. The band also played a new number that we have not heard before. This was the last show that I attended this year, and there couldn’t have been a better way to end a spectacular year, with a cutting-edge band that we are sure to see more of in 2011. Thanks to our friends at forthebeat for putting together this excellent bill!

I recorded this set from the balcony with the DPA microphones and a soundboard feed. A couple of the pops during “Demonsong” may actually not be intentional, but the sound overall is excellent. Enjoy!

Stream “SH8KR”:
[audio:https://www.nyctaper.com/H1612HeadlessHorseman0210/HeadlessHorseman-SH8KR.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Headless Horseman
2010-12-16
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, ROC, mics ORTF
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, light compression, tracking, downsample)>FLAC ( level 8 )

01 Wavlngth
02 banter
03 Demonsong
04 SH8KR
05 [new]
06 banter
07 Growing

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Headless Horseman, visit their MySpace page, and purchase 5songs from their bandcamp page.

Diamond Rings: December 4, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 19, 2010
By


[photos by acidjack with iPhone4 and Hipstamatic]

The man who I anointed the male Lady GaGa (followed by Pitchfork co-opting the comparison in their review of Special Affections) after he played the NYCTaper 2010 CMJ Show was at it again on a Saturday night early this month, and he remains on a roll. Glasslands has had some especially strong rosters lately, in part thanks to the efforts of PopGun Booking, and this was no exception, with ArpLine, Austra and Body Language also on the bill. But the tall, blonde man from Toronto was clearly the main draw. Don’t think that a one-man act cannot put on a rock-n-roll show; John O’Regan (Mr. Diamond Rings himself) gave that the lie big-time as he danced, played guitar, spazzed out, and rocked out all over the stage. If this is what he is capable of with no backup of any kind on the Glasslands stage, he might just be scary at the next level; even at this show, a creepy guy in the front was photographing his shoes and (from where I was sitting, at least) his crotch. But you can’t fault people for getting a little creepy – the sexual energy of O’Regan’s set is undeniable, and unlike really anything crossing most indie rock stages these days. He vamps, he flaunts, he owns the place. And O’Regan is about to gain a much wider audience for his music, too, as he begins at tour as the opening act for Robyn (tour dates here). She’d better be ready, or O’Regan just might blow her off the stage.

I recorded this set with a soundboard feed from the Glasslands staff and the DPA microphones. Other than some light distortion on the board feed during one track, the sound is outstanding. Enjoy!

Stream “Play By Heart”:
[audio:https://www.nyctaper.com/D1807DiamondRings2211/DiamondRings-PlayByHeart2010-12-04.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Diamond Rings
2010-12-04
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to balcony, ROC, ORTF
Mastering: 2x24bit/48kHz WAV>Audition (apply compression to soundboard track)>Audacity (split soundboard track, copy right channel, mixdown, set fades, tracking, balance, downsample)>FLAC ( level 8 )

Tracks
01 Play By Heart
02 On Our Own
03 banter
04 Wait and See
05 Something Else
06 banter
07 You & Me
08 It’s Not My Party
09 banter
10 All Yr Songs

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Diamond Rings, visit the website, visit the MySpace page, and purchase Special Affections from the Secret City Records [HERE].

Radical Dads: November 9, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 1, 2010
By


[iPhone 4 photo by acidjack]

Radical Dads is a recent offshoot of our friends Uninhabitable Mansions, consisting of drummer/vocalist Robbie Guertin (also of Clap Your Hands Say Yeah), Chris Diken, and vocalist Lindsay Baker. The band is still in its early stages, but the musical talent they have behind them speaks well of their potential. The band’s music leans toward the more raw, lo-fi side of the spectrum, but the pop sensibility of their predecessor bands is also evident. “Recklessness” is a great introduction to the band, a two-minute blast of emotion backed by an instantly catchy beat. The band have already been playing a number of gigs around town, and you should take care not to miss them the next time they are on a bill near you.

I recorded this set with a soundboard feed and the Schoeps microphones. I am admittedly not as pleased as I usually am with the sound quality – the mics were placed somewhat poorly in the room and the board feed was not able to compensate for the deficiencies in mic placement. Nonetheless, I think it is worth sharing with our readers, and please don’t blame the band! Enjoy!

Stream “Recklessness”:
[audio:https://www.nyctaper.com/R6110RadicalDads0210/RadicalDads-Recklessness2010-11-09.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Radical Dads
2010-11-09
Glasslands
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+Schoeps CMC641>Edirol R-44 (Oade Concert Mod)
Position: At soundboard, ROC, mics at 7′ pointed at stacks
Mastering 2x24bit/48kHz WAV>Audacity (compress SBD, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Little Tomb
02 Don’t Wanna Go
03 New Age Dinosaur
04 Pink Flag
05 banter
06 Alondra Rainbow
07 Recklessness
08 Walking Wires
09 I Am the Father of Myself

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Radical Dads, visit their website, and download “Recklessness,” which is also available on their site.

SUPPORT NYCTaper




Email

Email nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.