Posts Tagged ‘ nyctaper ’

Magic Trick: August 16, 2012 Mercury Lounge – FLAC / MP3 / Streaming

September 9, 2012
By


[Photos courtesy of Bleary Eyed Brooklyn]]

As avowed fans of The Fresh & Onlys, we were thrilled to get a chance to see their frontman Tim Cohen’s bedroom project, Magic Trick, come to life as a full band for a set at Mercury Lounge. While Cohen’s lo-fi solo efforts have their charms, the songs feel more fully-realized with a real band, outshining even the latest official release, Ruler of the Night. Cohen and the band took a rapidly-filling room through many of Ruler’s new numbers, as well as a few from his older catalog (all of which can be heard on his bandcamp page). Compared to the Onlys, Cohen’s Magic Trick material is a bit more subdued and has less over psychedelic overtones; these songs veer much closer to confessional singer-songwriting than Nuggets-era jams. What hasn’t changed is Cohen’s knack for hooks and compelling songwriting. “Same People” is one of those songs that will stick in your head for days, while “Weird Memory” has a similar appeal to Real Estate’s blissfully diffident stylings. The Onlys have a tour and new record on the way shortly, but Magic Trick deserves a look on its own.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed by Kevin of the Mercury Lounge.  The quality is excellent. Enjoy!

Stream “Same People”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Magic Trick
2012-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KC5>CMC6>Aerco MP-2 + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, additional EQ, balance, downsample)>FLAC ( level 8 )

Tracks
01 Torture
02 I Am Never Going to Die
03 Sunny
04 Ruby
05 Same People
06 Tunnel of Love
07 Weird Memory
08 Invisible at Midnight
09 I Say Your Name

If you enjoyed this recording, PLEASE SUPPORT Magic Trick, like them on Facebook, and buy Ruler of the Night directly from Hardly Art [HERE]

Hurray For The Riff Raff: August 26, 2012 Mercury Lounge – Flac/MP3/Streaming

August 28, 2012
By


[photo courtesy of Joshua Brasted]

I’m thinking a lot about New Orleans right now. Hurricane Isaac has landed just west of the City on literally the 7th anniversary of Katrina. As New Orleans braces for the worst and all of us hope that the pumps and levees hold in their first major test, its comforting to listen to one of the best young bands the city has to offer. Hurray For The Riff Raff are surging on the momentum of their new album (Look Out Mama), a string of superb shows and some pretty heady media attention. On Sunday, the band returned to Mercury Lounge as the headliner and very impressively packed the joint on a Sunday night late show in late August. While they’ve always impressed us, going all the way back to 2008, its fair to say that HFTRR has never been better. Alynda is singing with strength and confidence and the musicians are incredibly tight. The set was heavy on Mama material but also featured four new songs, a couple of older numbers, and some really neat covers. We are streaming the Jimmie Dale Gilmore (via Flatlanders) classic “Dallas” which not only cemented the band’s alt-country bona fides but also featured vocals with Alynda showing great range and passion. With our thoughts and hopes for the safety of New Orleans on this night, we’re also streaming Hurray For The Riff Raff’s tribute to the city, “St. Roch Blues”. HFTRR will return to do more shows in Europe this Fall before returning to NYC for a special show in mid-October. More details to follow on the NYC date!

I recorded this set with the Sennheiser cards positioned in front of the soundboard and mixed with an excellent board feed. The large crowd on this night was extremely into the band and there’s almost no chatter that isn’t part of the show. We mixed the mics and the board at 50/50 leading to a really nice room feel to an otherwise outstanding recording. Enjoy!

Stream “Dallas [Flatlanders cover]”:

Stream “St. Roch Blues”:

Direct download of complete show in MP3 files (HERE)

Direct download location of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hurray For The Riff Raff
2012-08-26
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-08-27

Setlist:
[Total Time 1:07:37]
01 [introduction]
02 Little Black Star
03 Never Never Knew [new song]
04 Look Out Mama
05 Slow Walk
06 Dallas [Flatlanders]
07 End Of The Line
08 Junebug Waltz
09 Ode to John and Yoko
10 Small Town Heroes
11 What’s Wrong With Me
12 Lake Of Fire
13 Be My Baby [Ronettes]
14 Time Is On My Side (Irma Thomas)
15 [encore break]
16 The St. Roch Blues
17 Born To Win

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Look Out Mama from the Euclid Records website [HERE].

Imperial Teen: August 17, 2012 Knitting Factory – Flac/MP3/Streaming

August 24, 2012
By

Imperial Teen have achieved something quite rare in pop music — the release of what is arguably their best album deep into the band’s existence. Its been fifteen years since the quartet formed from members of various other San Francisco bands. Their popularity reached its high-water mark with the 1998 single “Yoo Hoo” (streaming below), a song that received significant airplay and was featured in the black comedy classic Jawbreaker. Five years removed from their last album, and seemingly out of nowhere comes Feel the Sound (Merge), a brilliant pop album rich in melody and sweet boy-girl harmonies. “Runaway” (also streaming below) is the lead track on the album, and at Friday night’s show at Knitting Factory it was elevated to set-closing status. The song is chock-full of earworm melodies and is an early candidate for song of the year. At the Knit show, Imperial Teen worked through a nice run of the highlights of their catalog and mixed in half of Feel The Sound in an hour long set to a demographically mixed but faithful crowd. The band was called back for three encores and they seemed geniunely touched by the fervent support. The Knitting Factory show was Imperial Teen’s only Northeast performance on this tour, but I would expect their return over the next few months.

I recorded this set with the Sennheiser cards at the front left corner of the soundboard booth and mixed with an excellent board feed provided by the Knit’s head sound tech Rob. The sound quality is superb. Enjoy!

Stream “Yoo Hoo”:

Stream “Runaway”:

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Imperial Teen
2012-08-17
Knitting Factory
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (levels, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-20

Setlist:
[Total Time 1:01:15]
01 Ivanka
02 Sugar
03 You’re One
04 No Matter What You Say
05 All The Same
06 Million Dollar Man
07 Lipstick
08 Don’t Know How You Do It
09 Yoo Hoo
10 [banter- scientologists]
11 Butch
12 Runaway
13 [encore break]
14 Imperial Teen
15 Shim Sham
16 Water Boy

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Imperial Teen, visit their website, and purchase Feel The Sound from Merge Records [HERE].

Wussy: August 11, 2012 Mercury Lounge – FLAC / MP3 / Streaming

August 21, 2012
By


[Photos by acidjack]

Wussy, like their Cincinnati brethren and fellow NYCTaper favorites Heartless Bastards, are one of those hardworking, unpretentious, straight-up-rocking bands that real music fans should always pull for. Unlike the unabshed classic rock of the Bastards, Wussy’s sound is more reminiscent of early-80s indie acts like the Bongos, with a rawer sound and accented with a light country twang. Despite being what no lesser critic than Robert Christgau called “the best band in America”, they remain an open secret among music fans. Meaning, when they throw a Sunday night early show at Mercury Lounge like this one, they’ve got a line snaking down the block before doors. And half the people in that line were wondering aloud at why the band isn’t more popular. There’s no getting past it, Wussy aren’t an act built around image or gimmicks; I don’t know this for a fact, but I’m betting their t-shirt sales aren’t what they could be (being a dude wearing a shirt that says “Wussy” may not be a winner). What Wussy is about is delivering the best show possible, having a fan-first attitude, and writing song after song with what Christgau himself called “Beatles/Stones consistency”.  This band suffered and sweated to make it to this Mercury Lounge show, in a van without A/C, which on this particular day, coming from just about anywhere, was enough torture to make you question their sanity, but not their rock n’ roll bona fides. (You can hear the story at the beginning of “Funeral Dress”, streaming below).  What we got was a set that spanned their records, kicking off with the title track from Funeral Dress, the album that started it all. Vocalists Chuck Cleaver and Lisa Walker sounded raw and right on this night, and despite a trying day, they gave the packed early evening house a hell of a time.

I recorded this set with Schoeps MK41 microphones and a soundboard feed provided by Kevin, the head engineer at Mercury.  As with most of our recordings from the venue, this one is outstanding. Enjoy!

Stream “Funeral Dress”
[audio:https://www.nyctaper.com/W1604Wussy2211/01 Funeral Dress.mp3]

Stream “Pizza King”
[audio:https://www.nyctaper.com/W1604Wussy2211/05 Pizza King.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wussy
2012-08-11
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KC5>CMC6>Aerco MP-2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mixdown)>Izotope Ozone 5 (light EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 44:27]
01 Funeral Dress
02 Pulverized
03 Maglite
04 Death by Misadventure
05 Pizza King
06 Happiness Bleeds
07 Motorcycle
08 [banter]
09 Grand Champion Steer
10 Airborne
11 Rigor Mortis

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases including Strawberry directly from the Music section of their website [HERE]

Pujol: March 15, 2012 SXSW at Longbranch Inn Impose Party – Flac/MP3/Streaming

August 16, 2012
By


[photo by Eric Groom – courtesy of Impose Magazine]

Pujol announced today a show in NYC on October 11, 2012 at Mercury Lounge. We were fortunate to have captured a live performance of Pujol at SXSW in March, at the Impose Magazine party “Imposition” at the Longbranch Inn. Pujol is the recording project of Daniel Pujol from Nashville TN, and at SXSW the live band was a trio. Their set at Imposition was one of the most impressive of the bands that I had not previously seen. This was unselfconscious power punk with fine musicianship but which didn’t take itself too seriously. In the interim, Pujol has released their first proper album UNITED STATES OF BEING (Saddle Creek Records), and this set featured four numbers from the new record among a set of seven songs. We’re streaming “KEEPER Of ATLANTIS”, an older song that opened the set with a bang.

I recorded this set with the Sennheiser 8040s set up at the rear of the room and mixed with a board feed. Other than the mumble of crowd chatter apparent in between songs, this is an excellent recording. Enjoy!

Stream “KEEPER Of ATLANTIS”:
[audio:https://www.nyctaper.com/P1503Pujol1202/01.%20KEEPER%20Of%20ATLANTIS.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download of complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pujol
2012-03-15
Long Branch Inn – SXSW
Impose Magazine’s Austin Imposition
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-15

Setlist:
[Total Time 22:52]
01 KEEPER Of ATLANTIS
02 [banter]
03 BUTTERFLYKNIFE
04 MAYDAY
05 HOW HIGH
06 [banter – water break]
07 DARK KNIGHT in SHINING ARMOR
08 [tuning]
09 REVERSE VAMPIRE
10 [banter – one more]
11 BLACK RABBIT

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Pujol, visit their website,  and purchase their album UNITED STATES OF BEING from Saddle Creek Records [HERE].

The War On Drugs: July 21, 2012 Mulcahy’s Wantagh NY – Flac/MP3/Streaming

August 13, 2012
By


[photo by Patrick Barthel]

The Shine A Light Music Festival took place a few weeks back, and we’ve already posted the Luna reunion (here). As our regular readers are aware, The War On Drugs is one of my favorite current bands. The addition of this set to the site is by no means an afterthought, but the result of a discovery. Due to technical problems, I had written this recording off as a non-post, but after a re-listen and re-evaluation this week, the sound quality is far above what I expected. The show was also something special. The War On Drugs arrived early at the gig and had already soundchecked by the time I got there and set up. The band was interacting and mingling with all of the members of the Tommy Brull Foundation for several hours before their set, so that by the time they took the stage The War On Drugs felt like they were playing to friends. The show contained a nice mix of their material, but also some entertaining banter, a “guest” guitarist, and even some gentle ribbing of nyctaper.

I recorded this show with the Sennheiser 8040’s on-stage and running through the snake and mixed with a board feed. Unfortunately, there was a problem with the phantom power of the mics, so this set is the straight board feed. Its not optimal for sound quality, but its certainly a good listen. Enjoy!

Stream “Coming Through”:

This recording is now available for download in FLAC and MP3 at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

War On Drugs
2012-07-21
Shine A Light Festival
Mulcahy’s
Wantagh, NY USA

Digital Master Soundboard Recording

Soundboard > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-11

Setlist:
[Total Time 1:16:58]
01 Best Night
02 Coming Through
03 [banter – Dylan email]
04 Baby Missiles
05 Your Love Is Calling My Name
06 The Animator
07 Come To The City
08 [banter – Chris Mullin]
09 I Was There
10 [banter]
11 Brothers
12 [banter – Neil]
13 Taking the Farm
14 Black Water Falls
15 A Needle in Your Eye No 16

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The War On Drugs, visit their website,  and purchase their latest album Slave Ambient from Secretly Canadian Records [HERE].

Sean Rowe: July 21, 2012 Mercury Lounge – FLAC / MP3 / Streaming

August 10, 2012
By


[Photos by acidjack]

Sean Rowe has that kind of deep, bone-shaking voice that sticks with you; the dark, harrowing type that gives voice to a thousand souls. Born and raised in upstate New York, Rowe has been kicking around there for awhile, doing his thing in local bars and clubs, playing to whoever will listen. In a welcome development, ANTI Records picked him up a few years ago and re-released his first solo album, Magic.  Since then, he has enjoyed a wider audience, and this show at Mercury Lounge found Sean on the cusp of his second ANTI release, The Salesman and the Shark, which drops at the end of this month. Joined onstage by Sarah Pedinotti from Railbird on keys, Rowe showcased several new songs from Salesman as well as some truly classic covers.

Magic reflected Rowe’s other main passion, being a naturalist, and was the result of 24 days spent foraging in the wilderness. Based on what we were previewed at this show, Salesman will be another dramatic artistic statement, with songs like “Joe’s Cult” evoking some of rock and folk’s most cherished vocalists. You can imagine Rowe sharing the stage with any number of great artists: Tom Waits, Bob Dylan, Steve Earle, Johnny Cash, were he still with us. Rowe’s baritone has a timeless, evocative quality, and that made his covers at this show as memorable and true as his originals.  Because everything has to have a label to hang it on, PR people have taken to calling this “alt-folk”, and maybe, as the work of an accomplished woodsman with a love and respect for the outdoors, that makes some sense. But I don’t think Rowe is trying to be the “alternative” to anything; his music is classic, as well as relevant. Although, in fairness to the “alt” tag, he had a bit of fun with us at the end with his cover of the Violent Femmes’ “Gone Daddy Gone” – an 80s staple that, like Rowe’s own music, wears awfully well.

Rowe will be performing two NYC shows in September – on the 19th at Mercury Lounge, and on the 20th at Brooklyn Bowl.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed from Kevin, the head engineer at Mercury.  Like the Field Report recording from this same night, it is outstanding in quality.  Enjoy!

Stream “Joe’s Cult”
[audio:https://www.nyctaper.com/S2107SeanRowe2120/04 Joe’s Cult.mp3]

Stream “Jesus Gonna Be Here [Tom Waits]”
[audio:https://www.nyctaper.com/S2107SeanRowe2120/07 Jesus Gonna Be Here.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sean Rowe
2012-07-21
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and Johnny Fried Chicken Boy
Produced by acidjack

Soundboard + Schoeps MK41>CMC6>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown)>Izotope Ozone 5 (various)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Flying
02 Bird On A Wire [Leonard Cohen]
03 [banter]
04 Joe’s Cult
05 [banter]
06 The Walker
07 Jesus Gonna Be Here [Tom Waits]
08 To Leave Something Behind
09 Gone Daddy Gone [Violent Femmes]

If you enjoyed this recording, please support Sean, visit his website, and pre-order The Salesman and the Shark from ANTI Records [HERE].

Port St. Willow: July 30, 2012 Glasslands – Flac and MP3 Downloads + Streaming Song

August 8, 2012
By


[photo by wagz2it – courtesy of aheartisaspade blog]

Port St. Willow is Nick Principe’s solo project and this past year he returned to the East coast from Portland after having grown up in the New York area. He is a childhood friend and early collaborator with Peter Silbermann from The Antlers, and while there are similarities in the music of the two bands, there are also very divergent styles between the two old friends. Last Monday at Glasslands, Port St. Willow opened the secret Glasslands show. Their set was relatively short and consisted of six of the eleven songs from the May 2012 self-release Holiday. The album is a remarkable collection of atmospheric mood pieces, but live with the addition of a drummer the songs take on an immediate feel. At Glasslands, the duo took time to develop each song with a gentle lead-in evolving ultimately into a full-on symphonic crescendo. Port St. Willow is poised to move to the next level — it would hardly be surprising if an established indie label picked up Holiday for wider release. And given the talent for songcraft and live performance, we expect that this band will be a regular on NYCTaper for years to come.

I recorded this show in the same manner as the Antlers set, and the sound quality is outstanding. Enjoy!

Stream “Five Five Two Five”:
[audio:https://www.nyctaper.com/P3007PortStWillow1202/04.%20Five%20Five%20Two%20Five.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download of complete show in FLAC files [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Port St. Willow
2012-07-30
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Studio Projects LSD2 (XY Cardioid) > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-08-05

Setlist:
[Total Time 36:24]
01 Amawalk
02 On Your Side
03 Corners
04 Five Five Two Five
05 Tourist
06 North

If you download these recordings from NYCTaper we expect that you will PLEASE SUPPORT Port St. Willow, and visit the Bandcamp page to purchase Holiday [HERE].

Lee Ranaldo: July 28, 2012 Brewery Ommegang – Flac and MP3 Downloads + Streaming Song

August 5, 2012
By


[photo by Andrew Lowden]

The embarrassment of riches that was our trip to Cooperstown was further enhanced by the quality of the support band, someone quite familiar to NYCTaper, Lee Ranaldo. Back in December, we recorded a couple of the earliest performances of Lee’s new band (Glasslands and Maxwells), but since he’s literally been touring the world since then, we had not seen Lee since those early shows. At Ommegang, his set began while the sun was still shining, and the forty-five minute set of material from Lee’s excellent new album Between the Times and the Tides seemed to fit the scene perfectly. Of course, the abundant availability of Belgian ales didn’t detract from the enjoyment, but this was still a special set. Lee’s band was joined for a couple of songs by Wilco’s keyboardist Pat Sansone, and for almost the entire set by Nels Cline. This intense version of “Xtina As I Knew Her” was supplemented by Nels’ signature guitar style, and we are streaming it below. Lee Ranaldo will return to NYC from the just-completed Wilco tour for a performance at ATP on Pier 36, on September 21.

Of the six NYCTaper rigs running for this set, we chose to mix my Sennheiser 8040 Cardioids with Acidjack’s AKG C 414’s in the omni setting. The mix gives a nice clear signal while also capturing the full soundstage and that “outdoor feel”. While our distance from the sound source (90 feet) was not optimal, this recording nevertheless provides a true “you were there” experience. Enjoy!

Stream “Xtina As I Knew Her”:
[audio:https://www.nyctaper.com/L1609LeeRanaldo1122/07.%20Xtina%20As%20I%20Knew%20Her.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download location of the FLAC files (HERE).

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lee Ranaldo
2012-07-30
Brewery Ommegang
Cooperstown, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Tent

Sennheiser MKH-8040 Cardioids + AKG C 414 B-XLS (Omni Setting) > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper and acidjack
2012-02-14

Setlist:
[Total Time 43:46]
01 [introduction]
02 Off The Wall
03 Angles
04 Waiting On A Dream
05 Tomorrow Never Comes
06 [Xtina intro]
07 Xtina As I Knew Her
08 Hammer Blows
09 Stranded
10 Fire Island (Phases)

If you download these recordings from NYCTaper we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his page at the Sonic Youth website, and purchase Between The Times and The Tides directly from the Matador Records website [HERE].

The Antlers: July 30, 2012 Glasslands Gallery – Flac and MP3 Downloads + Streaming Songs

August 1, 2012
By


[photo courtesy of Chad from The Artistree.fm – full set here]

The Antlers “secret” show at Glasslands Gallery on Monday was announced in the morning and sold out within a few minutes. For a band that sold out the 1200-capacity Webster Hall the last time they played New York, The Antlers took the opportunity of this small surprise gig to play for an extremely worthwhile charitable effort. Charitywater.org is an organization that provides safe and clean drinking water to developing nations, and this concert raised more than $4000 for the cause. The Antlers also treated the crowd to a run-through their brand new four-song EP Undersea (Anti Records). The EP represents the continued maturity in the songwriting talents of this superb band, as each of the four tracks are less lyrically driven and more intense sonic atmospheric pieces. That’s not to say that Peter Silberman’s voice doesn’t soar at several points during the EP, but this is a band that has taken the studio like a fish to water and the results are astounding. At Glasslands, the EP was performed straight through and the live setting offered some challenges, but the band was prepared and the songs flowed naturally. We are streaming “Crest” from the EP. The balance of the set consisted of selected tracks from Hospice and Burst Apart, songs that continue to mature and develop as live performances. After a profound “Dog To Sleep”, the band returned for two encores the final of which was a brilliant “Wake”, which we are also streaming below. The Antlers will be on tour for the next several months, but return to NYC for a gig at the newly arrived ATP Festival on September 22.

I recorded this set utilizing our installed recording rig at Glasslands, the Studio Projects LSD2 mics and an excellent board feed. The sound quality of this recording is superb. Enjoy!

If you download this recording, we ask that you further the cause and visit the website to contribute to charitywater.org [HERE].

Stream “Crest”:
[audio:https://www.nyctaper.com/A3398Antlers3200/04.%20Crest.mp3]

Stream “Wake”:
[audio:https://www.nyctaper.com/A3398Antlers3200/20.%20Wake.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Antlers
2012-07-30
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Studio Projects LSD2 (XY Cardioid) > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-07-31

Setlist:
[Total Time 1:40:10]
01 Drift Dive
02 Endless Ladder
03 [banter – home]
04 Crest
05 [banter – Undersea]
06 Zelda
07 [banter – charitywater.org]
08 Rolled Together
09 Parentheses
10 No Widows
11 Atrophy
12 [banter – monsters]
13 Shiva
14 Two
15 Hounds
16 [banter – thanks]
17 Putting The Dog to Sleep
18 [encore break]
19 I Don’t Want Love
20 Wake

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Undersea from their site [HERE].

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