Posts Tagged ‘ schoeps mk22 ’

Natureboy: March 30, 2012 Union Pool – FLAC and MP3 Downloads + Streaming Songs

April 4, 2012
By


[Photos by acidjack and Johnny Fried Chicken Boy]

Natureboy ranks high among bands that we have been pulling for on this site.  While we have hosted shows that featured the band before, we were thrilled to have the chance to co-sponsor this show at Union Pool with Kevchino.  We are pleased to report that the band we saw was more mature and even sharper musically than before.  Since we last saw the band, they have added a drummer and keyboardist to give their Dylan-inspired folk-rock sound more muscle and rock n’ roll presence.  Founder and frontwoman Sara Kermanshahi and the band have recorded a new, as-yet-untitled release at fellow bandmember Cedar Apffel’s studio, and they served up a generous portion of that record with this set, including a favorite we had seen before and craved seeing again, “A Flame”.  The band’s newly-found live energy was palpable, and the five players easily filled the room with sound as Sara’s voice remained, as it should be, the centerpiece.

Natureboy is exploring options for the release of this new record, and we expect a label to snap this up before they miss the chance. As they closed this set with the Smiths’ “Back to the Old House” – one of many great covers we have heard from them – it was evident how Kermanshahi’s unique singing style and vision is a perfect compliment to the band’s now-classic sound.

I recorded this set with an excellent soundboard feed from the Union Pool FOH, plus Schoeps MK22 open cardiod mics.  The results are excellent.  Enjoy!

Thanks to Union Pool for their hospitality and to Kevchino for co-hosting the show and developing this great bill. 

Stream “Head to Toe”
[audio:https://www.nyctaper.com/N1107Natureboy2299/08 Head to Toe.mp3]

Stream “Back to the Old House”
[audio:https://www.nyctaper.com/N1107Natureboy2299/12 Back to the Old House.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Natureboy
2012-03-30
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (ORTF, DFC, at SBD)>KCY>PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>Audacity (mixdown, downsample, set fades, adjust levels, light EQ, tracking)>FLAC ( level 8 )

Tracks
01 Pariah
02 A Flame
03 [tuning]
04 Lexies
05 [banter/tuning]
06 Blow To the Head
07 Don’t Worry
08 Head to Toe
09 Sight to See
10 Heart to Fool
11 [encore break]
12 Back to the Old House [The Smiths]

If you enjoyed this recording, PLEASE SUPPORT Natureboy, visit their MySpace page, and purchase their debut album from Bleek Records [HERE]

Laura Stevenson & the Cans: February 11, 2012 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Song

March 15, 2012
By


[Photos by acidjack]

Laura Stevenson & the Cans do not have much in common with their Don Giovanni Records labelmates stylistically – the label skews, with bands like The Screaming Females, a heck of a lot noisier.  But their performance this night at Music Hall of Williamsburg – in between the Screaming Females and gritty punk outfit For Science – was, like the Females’ (posted here), one of uncompromising quality.  It should be noted that Stevenson is not without her punk credentials, either.  Prior to going out on her own with the Cans, she was best known as keyboardist for the Long Island punk collective Bomb the Music Industry!, who will be her tourmates for the next few months along with the Felice Brothers, Screaming Females, and others.  Her band’s own music is more of the confessional, folk-influenced  singer-songwriter variety, and Stevenson executes her vision with a clarity and poise the reminds me of many of the things that have impressed us about other rising songwriters like Sharon Van Etten.  Along with songs from her first two records, including last year’s Sit Resist, Stevenson played several new numbers that portend a strong third album in her future.  Playing before a weekend punk crowd is hardly an easy task for any musician, but Stevenson did a fairly easy job of winning this crowd over.  At age 27, it might not be accurate to say Stevenson is a punk who has “grown up” – but perhaps it’s fair to say hers is grown-up music that punks can appreciate.

We recorded this set in the same manner as the Screaming Females recording, and it is a similarly nicely-balanced recording.  Enjoy!

Stream “[new song]”
[audio:https://www.nyctaper.com/L1102LauraStevenson0212/newsong.mp3]

Stream “8:08”
[audio:https://www.nyctaper.com/L1102LauraStevenson0212/808.mp3]

Direct download of complete show in MP3 files [HERE] | Direct Download location of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Laura Stevenson & the Cans
2012-02-11
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack and nyctaper

Neumann KM150>Sound Devices USBPre2 + Schoeps MK22>KCY>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, EQ, amplify and balance, tracking, downsample, set fades)>FLAC ( level 8 )

Tracks
01 The Healthy One
02 8:08
03 Halloween Pts. 1 & 2
04 [new]
05 Caretaker
06 Peachy
07 [banter]
08 [new]
09 [new]
10 A Shine To It
11 Master of Art

If you enjoyed this recording, PLEASE SUPPORT Laura Stevenson & the Cans, visit their website, and purchase Sit Resist from Don Giovanni Records [HERE]

Soulive: March 1, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

March 4, 2012
By


[Photos by Jill at For the Love of Brooklyn]

In what has now become a tradition, Soulive are currently taking over Brooklyn Bowl for a series of shows filled with special guests and blow-the-doors-off playing.  Billed as “Bowlive III”, these shows highlight the band’s efforts to move forward with a jazz/funk genre that all too often seems content to rest on its laurels.  This show, for example, had almost nothing in common with the final night of Bowlive II that we covered last year.  While that show seemed to emphasize the soul elements of the band, this performance made the guitar skills of the band’s virtuosic regular Eric Krasno its focus.  The show opened with several extended numbers with just the trio before the band was joined by a rotating cast that included Karl Denson, regular guest Nigel Hall, and Sam Williams of Big Sam’s Funky Nation. While the guests added some range to the band’s sound, for this set, it was the trio numbers like “Aladdin” that kicked it off that I appreciated most – reminders that even with all the hoopla of the guests at these shows, this is one incredible band on its own.

After about 75 minutes of inspired playing, the band took a break during an appearance by special guest Rahzel, who gave a 25-minute beatbox performance that challenged the limits of the physically possible with his ability to essentially play, and sing, an entire song using only his mouth.  He joined the band for “I Am the Magnificent” before exiting the stage.  The crowd, already partying like madmen, was fully loaded for what was to come.

The band’s most recent recorded output is a record of Beatles covers called Rubber Soulive that highlights the shared heritage of jazz and rock n’ roll, so it came as no surprise when the band performed a mini-Beatles set of “Come Together,” “Eleanor Rigby” and “I Want You (She’s So Heavy)”.  While the heavily-covered “Come Together” (you may have heard the Aerosmith version) was probably the biggest crowd-pleaser, I was most impressed with the extended jamming on “Eleanor Rigby”, which turned that two-minute gem of a vocal performance into an extended guitar meditation.  Rather than being a real “cover” version, the original was merely a starting point for what followed.  “Too Much”, one of few repeats from the show we saw last year, came next, before Brooklyn Bowl regular Questlove took the stage with Hall, Williams and Lenesha Randolph for a series of songs, including Stevie Wonder’s “Signed, Sealed, Delivered”.   With four more Bowlive shows on the way next week (Tuesday, Wednesday, Thursday and Friday), Soulive are sure to have more tricks up their sleeves.  Don’t miss out.

Thanks to the Brooklyn Bowl staff for their hospitality to us at this show, and to the band for continuing to allow fan audio taping.  

hi and lo and I recorded this set with Schoeps MK21 wide cardiod microphones onstage, combined with Schoeps MK22 open cardiod microphones on the left side near one of the speakers to pick up some vocals and room ambiance.  The result is an incredible recording that truly feels like you are watching the band from the stage lip – which is an amazing experience.  There may be some tracking errors here and there – feel free to send corrections.

Stream “Eleanor Rigby [Beatles]”:
[audio:https://www.nyctaper.com/S1302Soulive1021/14 Eleanor Rigby.mp3]

Stream “Aladdin”
[audio:https://www.nyctaper.com/S1302Soulive1021/04 Aladdin.mp3]

Download the FLAC and MP3 files and stream the entire show at the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Soulive
2012-03-01
Brooklyn Bowl
Brooklyn, NY USA

Download hosted at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK21 (onstage, NOS)>KC5>PFA>SD USBPre2 + Schoeps MK22 (A-B, 3ft split, 15 ft back, left stack)>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (Izotope Ozone limiter, EQ), resample to 44.1kHz>Audacity (tracking, downsample to 16bit)>FLAC ( level 8 )

Set I [1:13:26]
01 [intro]
02 Steppin’
03 Uncle Junior
04 Aladdin
05 The Swamp
06 [banter]
07 Shaheed^
08 Rudy’s Way
09 [banter]
10 Leave Me Alone #

Rahzel [26:36]
11 improv

Set II [1:25:12]
12 I Am the Magnificent %
13 Come Together [Beatles]
14 Eleanor Rigby [Beatles]
15 I Want You (She’s So Heavy) [Beatles]
16 Too Much $
17 [banter]
18 Signed, Sealed, Delivered [Stevie Wonder] $&
19 [banter]
20 Tuesday Night Squad> $
21 Bewildered #
22 Tuesday Night Squad
23 [farewell]

^ with Karl Denson
# with Nigel Hall and Sam Williams
% with Rahzel
$ with Karl Denson, Nigel Hall, Sam Williams and Lenesha Randolph
& with Questlove

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Soulive, visit their website, and purchase their official releases and merchandise directly from the band’s online store [HERE].  You can also stream these shows live on iClips [HERE].  It’s also not too late to get tickets to the last four nights from Brooklyn Bowl.

Shellshag: February 11, 2012 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Songs

February 20, 2012
By

Shellshag was the second band to play at the Don Giovanni showcase at Music Hall last week, but based upon the crowd response and participation, the band could have played much higher in the bill. Shellshag is not a new band — Shell and Shag have played together for over a decade. A guitar/drums duo that sounds like a full band playing legit garage rock, these veterans of the San Francisco DIY scene since the 1990s are a blueprint of how two people with talent and passion can make compelling underground music and make it last. But their latest album on Don Giovanni Rumors in Disguise may be the complete realization of what the duo is all about, and although the too-short thirty minute set at Music Hall featured only two songs from Rumors (“Resilient Bastard” is streaming below), it also offered a overview of their catalog, a medley of garage rock covers, and a rousing finale where “Fuck Society” devolved into a noise jam of instrument-switching and amp-stacking. Shellshag is currently on tour on the East coast, and they return to NYC for a show at Death By Audio on March 11.

Acidjack and I captured this set in the same manner at the Screaming Females recording, and the sound quality is excellent. Enjoy!

Stream “Resilient Bastard”:
[audio:https://www.nyctaper.com/S1102Shellshag1202/06.%20Resilient%20Bastard.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Shellshag
2012-02-11
Music Hall of Williamsburg
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Center Balcony Rail

Neumann KM-150s > Sound Devices Mix-Pre + Schoeps MK-22 > KCY > Littlebox > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper and acidjack
2012-02-18

Setlist:
[Total Time 27:48]
01 Face to Face
02 Memories Linger
03 Crashing Rockets
04 Little Birdy
05 Body of the Bird
06 Resilient Bastard
07 Forever
08 Done For Myself
09 Magnet
10 Fuck Society

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Shellshag, visit their website, and purchase their official releases from the Don Giovanni Records store [HERE] and the Starcleaner Records website [HERE].

EULA: February 2, 2012 Cameo Gallery – FLAC and MP3 Downloads + Streaming Songs

February 12, 2012
By


[Photos by acidjack]

Brooklyn’s EULA have been on a tear lately, just having wrapped up a slew of local shows that brought them to many of my favorite venues (and some newer ones like Big Snow and NXL LVL).  It was hard to pick the perfect time and place to see them with so many good options, but Cameo Gallery seems to have a been a great choice.  The stage wasn’t overlit, the sound was spot-on, and the band, well, they were on fire.   EULA’s sound updates the classic three-chord postpunk of the riot grrl era, recalling classic bands like Bikini Kill, Le Tigre and Sleater-Kinney.  Frontwoman Alyse Lamb does her predecessors proud with a confident vocal delivery and equally strong guitar attack; she comes off in her role like a combination of Kathleen Hanna and Debbie Harry (the band has a pretty mean Blondie cover, I hear).  But this band is more than a great frontwoman; they’re a tight group of musicians capable of delivering uptempo rapid-fire bursts of quality postpunk.

This set focused on the band’s latest record, Maurice Narcisse, and the contrast between the more raw live versions and the studio versions – with their additional flourishes – is a positive one, with things to like about each.  On record, the band comes across a bit more poppy – a song like “Wake Up” shows the contrast – whereas live their punk influences predominate, especially on songs like “Honor Killer”.  They closed this show with a scorcher, the early tune “Fight Riff” from their Language of Threat EP.

EULA have one more Brooklyn show this month, at Shea Stadium on February 24, before heading out of town for a bit.  They will return to NYC on March 22 at Zebulon.

I recorded this set with a soundboard feed from the Cameo engineer and Schoeps MK22 “open cardioid” microphones.  The results are excellent.  Enjoy!

Stream “Maurice Narcisse”
[audio:https://www.nyctaper.com/E2020EULA2012/07 Maurice Narcisse.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

EULA
2012-02-02
Cameo Gallery
Brooklyn, NY USA

Recorded and produced by acidjack
exclusively for NYCTaper.com

Schoeps MK22>KCY>littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, light EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 intro/Above the Weather
02 Dirty Hands
03 Housewolf
04 Wake Up
05 Texas Stampede
06 Honor Killer
07 Maurice Narcisse
08 Rosie the Riveter
09 Fight Riff

If you enjoyed this recording, PLEASE SUPPORT EULA, visit their website, and purchase Maurice Narcisse directly from their bandcamp page.

Food Will Win the War: January 11, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Song

February 10, 2012
By


[Photo by Ken Grand-Pierre.  See his Flickr stream here]

Food Will Win the War may have been opening for the Lemonheads on this night, but they put a headliner-level of intensity into their set of acoustic folk-rock, and were rewarded with a mostly full house to do it.   They are one of those big, “musical” bands that puts thought as well as energy into their performances, using their fairly large (six) number of players and diverse instrumentation to produce finely-honed, thoughtful arrangements.  Yes, as rock music goes, they are about the furthest possible thing from “garage” as possible – and more power to them.

Luckily, FWWTW got the memo early on that being real students of music and having musical talent are not enough; they also know that performing and having great songs is essential.  Frontman Rob Ward is not only a good lyricist but a good-humored and entertaining bandleader, and his bandmates follow suit.  Their new record, A False Sense of Warmth, contains plenty of memorable tunes, many of which were played during this set. (including two of my favorites, “Shatter Today” and “Closer To Water”)  The band also served up a judiciously-chosen cover in Peter Gabriel’s “Sledgehammer”, which they delivered with their own stylistic twist.

The band will be gigging outside of NYC for their next few dates – February 15, at the Northern Liberties Festival in Philadelphia; March 30th, at the Nowadays Indie Music Festival in Bethlehem, PA; and April 28th at ChesterFest at Chester College in Chester, NH – but expect to see them back in town for the summer.

I recorded this set in the same manner as the Lemonheads recording, with Schoeps MK22 “open cardiod” microphones and an excellent soundboard feed.  The quality is outstanding.  Enjoy!

Stream “Shatter Today”:
[audio:https://www.nyctaper.com/F1110FoodWillWin0211/03 Shatter Today.mp3]

Stream “Sledgehammer [Peter Gabriel]”:
[audio:https://www.nyctaper.com/F1110FoodWillWin0211/05 Sledgehammer.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Food Will Win the War
2011-01-11
Knitting Factory
Brooklyn, NY USA

Recorded and produced by acidjack
Exclusively for nyctaper.com

Schoeps MK22 (ROC, DIN)>KCY>littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )

Tracks
01 Down
02 Clock All Day
03 Shatter Today
04 Big Yellow
05 Sledgehammer [Peter Gabriel]
06 Chesapeake
07 Thickly
08 The Astronaut Song
09 Style
10 Closer to Water
11 Chester Street

If you enjoyed this recording, PLEASE SUPPORT Food Will Win the War, visit their website, like them on Facebook, and purchase A False Sense of Warmth either on iTunes digitally or via this link for a hard copy.

The Notekillers (w/ members of TV On the Radio, Oneida and Liturgy): January 18, 2012 Union Pool – FLAC and MP3 Downloads + Streaming Songs

January 23, 2012
By


[Photos by acidjack]

DONATE TO JONATHAN TOUBIN’S RECOVERY [HERE]

The beloved New York DJ Jonathan Toubin, proprietor of the New York Night Train & Soul Clap parties, was recently the victim of a bizarre and horrifying accident while he was sleeping in a hotel room in Portland, OR last month.  The odds were against that he would be alive beyond that night, but Jonathan has beaten those odds.  He is convalescing in a Portland hospital at this moment.  He will likely need years of expensive treatments to restore him to the life he had before the accident.  As you may already know, musicians, DJs and other creative, independent types in America often don’t have the best health insurance.  Jonathan is going to need our help.

Which brings me to this benefit show, a one-of-a-kind bill at Union Pool, organized by the legendary Philadelphia avant-garde instrumental rock band The Notekillers.  Formed in 1976, The Notekillers broke up in 1981 before coming back together in 2004.  Since then, the band have picked up where they left off, continuing to innovate and push the boundaries of rock music.  This show pushed those boundaries even further, as it saw the band splitting into various combos with a number of special guests, including Kyp Malone of TV On the Radio, Kid Millions of Oneida, Greg Fox of Guardian Alien and Bernard Gann of Liturgy.  The various combinations produced a range of thought-provoking pieces, from Fox’s electronics work to a three-drummer trio of Millions, Fox and Barry Halkin of The Notekillers, to The Notekillers’ own instrumental avant-punk.  For his part, Malone played two separate “solo” sets (in a three-person band setup) and also joined the Notekillers and Millions in an improptu supergroup they called The New Party Systems Band.  Added to all of this was a psychedelic light show for some numbers that gave the compositions and even more otherworldly feel.

On a cold Wednesday night, the show ended, appropriately, with Kyp Malone performing “Winter Song” from his Rain Machine solo album.  The song alludes to how love can thrive even in the darkest of moments.  Jonathan Toubin is having one of those right now, for sure.  But in this little room on Union Ave., his friends let the world know that he is not alone.

I recorded this set with Schoeps MK22 “open cardioid” microphones and a soundboard feed by Ian, the house engineer, who was kind enough to arrange it especially for me.  With many stylistic and volume variations, it was a bit interesting to mix down, but I am very happy with it.  Enjoy!

Although you are not required to donate to Jonathan Toubin in order to download this set, I strongly encourage you to help him out.   To that end, I will personally match the first $150 of new donations that people can provide proof of by means of PayPal receipts.  The PayPal link for Toubin is [HERE] and you can send your proof of donation to me [HERE]

Stream the New Party Systems Band performing an instrumental:
[audio:https://www.nyctaper.com/N8101Notekillers2012/15 New Party Systems Band 1.mp3]

Stream The Notekillers performing an instrumental:
[audio:https://www.nyctaper.com/N8101Notekillers2012/21 Notekillers 6.mp3]

Stream Kyp Malone performing “Winter Song”:
[audio:https://www.nyctaper.com/N8101Notekillers2012/24 Winter Song.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Notekillers
2012-01-18
Union Pool
Brooklyn, NY USA

Digital Master Recording hosted exclusively at NYCTaper.com
Recorded and produced by acidjack

Schoeps MK22>KCY>Naiant littlebox + SBD >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, level adjustments, downsample to 44.1)>Audacity (set fades, tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

[Total Time 1:59:05]
Set I

Kid Millions, Barry Halkin & Greg Fox
01 [3 Drummers]

Kyp Malone
02 [Kyp Guitar]
03 [Kyp banter]
04 [unknown Kyp song 1]
05 [Kyp banter 2]
06 Smiling Black Faces
07 [tuning]
08 [unknown Kyp song 2]

The Notekillers with Greg Fox, Bernard Gann & Kid Millions
09 [instrumental]

The Notekillers
10 Ricochet
11 Compelled
12 [tuning]
13 Glider
14 [tuning]

New Party Systems Band [The Notekillers/Kid Millions/Kyp Malone]
15 [New Party Systems Band 1]

Set II
Stephen Bilenky & David First
16 Guitar/Congas
17 [tuning]

Stephen Bilenky, David First & Greg Fox
18 Guitar/Congas/Electronics

The Notekillers
19 Airport
20 Airport (cont.)
21 Eyelash

New Party Systems Band [The Notekillers/Kid Millions/Kyp Malone]
22 Stockhausen

Kyp Malone
23 [Kyp tuning]
24 Winter Song

Musicians
The Notekillers (drummer Barry Halkin, guitarist David First, bassist Stephen Bilenky)
Kyp Malone (and band)
Greg Fox
Kid Millions
Bernard Gann

If you enjoyed this recording, PLEASE SUPPORT The Notekillers, visit their website, and purchase their records via the links on that site, as well as supporting the other fine bands on this bill.

The Lemonheads: January 11, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

January 16, 2012
By


[Photos by Ken Grand-Pierre.  See his Flickr stream here]

As acts from the early 90s have continued to take victory laps over the past few years, I have had a chance to reflect on how different the personalities were that dominated the music scene then than those from today’s self-affirming generation making vital new music today.  In an era principally concerned with authenticity, its troubadours were often people who lived hard and felt deeply – addicts, romantics, and the generally self-destructive.  And if you wanted a picture of the archetypal musician of the era, you might consider Evan Dando of The Lemonheads (which he actually formed in ’86, but rose to stardom in the early 90s).  A soft-spoken singer whose lyrics tell tales of broken romance, addiction, and self-doubt, Dando has had his ups and downs professionally.  I last saw the band headline the 9:30 Club in Washington, DC in 1997 – the last year the band was together before going on hiatus – and they packed the place.  In fact, a little known Orlando, FL band called Matchbox 20 opened.  The next time I encountered the band, Dando was playing a show in an out of the way honky tonk near a Vermont ski resort.

Dando brought the band back in 2005 and has put out two new records, The Lemonheads and the covers album Varshons, as well as a greatest-hits collection in the UK, Laughing All the Way to the Cleaners: The Best Of.  While Dando has struggled at times on this current tour – I heard reports from other cities of shows completely falling apart due to him being too impaired to play – the quality of his music and his songwriting hasn’t wavered.  To see a Lemonheads show is to see song after song that you know, each as good as the last, each intensely, searingly personal.  Listen to “All My Life”, streaming below, and see if it hits close to home.

At this show at the Knitting Factory in Brooklyn, Dando was every bit the musician I had seen nearly 15 years ago, playing an epic show that consisted of multiple solo sets, a full run-through of The Lemonheads’ breakout album, It’s A Shame About Ray, and a second full-band set.  The show ran for an epic 105 minutes – even more impressive considering the average song length of about three minutes.  Dando delved into some of the covers from Varshons, as well as some of his other concert favorites.  Some of these covers could have been written especially for Dando; he chooses covers that tell his story as much as the orignal authors’.  As Dando continued to play a string of classics, it was hard not to yearn for the era that spawned them, when cred and emotions were a band’s currency, and musicians didn’t need car commercials to earn enough money for the booze and drugs that fueled their damaged art.

Wrapping up a set that never faltered, Dando closed with the twofer of “Rick James Style” – whose refrain “don’t wanna get high / but I don’t wanna not get high” is lent added menace by James’ eventual end – and the Angry Samoans’ “You Stupid Jerk,” a short, chaotic burst of silliness that ended this show on a happy note.  The band continues their U.S. tour westward today, and I hope fans in the Midwest don’t miss a chance to see Evan Dando back at the top of his game.

I recorded this set with Schoeps “open cardiod” microphones and an excellent soundboard feed by the Knitting Factory team.  The recording is an outstanding capture of the night.  Enjoy!

Stream “All My Life”

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-06.mp3]

Stream “Confetti”

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-09.mp3]

Stream “How Much I’ve Lied [Gram Parsons]

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-26.mp3]

Direct download of the complete set: [MP3/FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Lemonheads
2012-01-11
Knitting Factory
Brooklyn, NY USA

Digital Master Recording hosted exclusively at NYCTaper.com
Recorded and produced by acidjack

Schoeps MK22 (ROC, DIN, 8ft)>KCY>Naiant littlebox + SBD >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mastering effects on SBD source, align, mixdown, amplify and balance, downsample)>24bit/44.1kHz WAV>Audacity (set fades, tracking, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:44:00]
[Evan Solo]
01 Being Around
02 My Idea
03 Why Do You Do This To Yourself?
04 The Outdoor Type
05 Frying Pan
06 All My Life
07 [intro the band]

[The Lemonheads perform “It’s A Shame About Ray”]
08 Rockin Stroll
09 Confetti
10 It’s A Shame About Ray
11 Rudderless
12 My Drug Buddy
13 The Turnpike Down
14 Bit Part
15 Alison’s Starting to Happen
16 Hannah & Gabi
17 Kitchen
18 Ceiling Fan in My Spoon

[Evan solo (finishing “It’s A Shame About Ray”)]
19 Frank Mills

[Evan solo]
20 It’s About Time
21 No Backbone
22 Tenderfoot
23 Your Home Is Where You’re Happy [Charles Manson]
24 Streets of Baltimore [Gram Parsons]
25 A Song For You [Gram Parsons]
26 How Much I’ve Lied [Gram Parsons]
27 Ride With Me

[The Lemonheads]
28 [intro band]
29 Hospital
30 Down About It
31 If I Could Talk I’d Tell You
32 Big Gay Heart
33 The Great Big No
34 Rick James Style
35 [encore break]

[Evan solo]
36 You Tore Me Down [Flaming Groovies]
37 Don’t Tell Yourself
38 Rain [Blake Babies]
39 Favorite T
40 It Looks Like You
41 Like A Rose [Lucinda Williams]
42 Nighttime [Big Star]
43 $1000 Wedding
44 You Stupid Jerk [Angry Samoans]

If you enjoyed this recording, PLEASE SUPPORT The Lemonheads, see them on tour, visit their website (which contains those tour dates) and purchase Laughing All the Way to the Cleaners and their other records from Amazon or your favorite retailer (their online store is not yet up).

Daniel Wayne: November 17, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 7, 2011
By


[photo by David Andrako]

If you haven’t heard a truly great voice lately, you might want to check out Daniel Wayne. There’s no doubt that distinguishing yourself as a singer-songwriter can be difficult; it’s a style where it’s easy to be mediocre, difficult to be great. But that voice puts to rest the doubters – sweet through the middle and upper ranges and flawless on the high notes, Wayne is instantly recognizable as well as accessible. A good example can be heard on the haunting, lonely solo number, “Pub’s Crawl”, which also takes an abrupt turn into a religious hymn at the end. Humble and appreciative between songs, the Ohio native comes across likable as well (the Midwestern thing again?). As for his songs, many are tinged with a light country twang, and navigate both indie gloom and homespun folk themes with equal skill.

I will admit that I had not heard of Wayne before I caught this Glasslands Gallery set opening for Jessica Lea Mayfield (that recording here), but apparently I was behind the curve. A sizable crowd showed up to catch his opening set, and by the end, a pretty full house was paying rapt attention. Wayne split the set equally between solo acoustic and full-band electric numbers, and we have served up a streaming example of each below (along with the complete-set download, of course). When the full band comes in during the first chorus of “Birds,” you can tell that Wayne’s big voice is equally if not better suited to the full-band treatment. The full-band songs also give Wayne a broader palette for his arrangements, and he takes full advantage on songs like the countrified “Virgin Saint”, streaming below. Despite being the first opener of the night, Wayne put forth a full 50-minute set that alone was worth the show’s price of admission. As Wayne himself put it in a recent interview on the CBS News website, “Every time I get on the stage, I give it everything I have.” This was only my first Daniel Wayne performance, but that sure seemed to be the case.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a flawless soundboard feed provided by Josh Thiel, the house engineer at Glasslands. The sound is outstanding. Enjoy!

Stream “Virgin Saint”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/09 Virgin Saint.mp3]

Stream “Pub’s Crawl”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/04 Pub’s Crawl.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Wayne
2011-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, POS)>CMC6>Sound Devices USBPre + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 The Fool
02 The Dog
03 [banter]
04 Pub’s Crawl
05 Beautiful Day
06 Poseidon’s Drownin’ Son
07 [banter]
08 Birds
09 Virgin Saint
10 Far From Here
11 [banter]
12 My Bed
13 untitled

If you enjoyed this recording, PLEASE SUPPORT Daniel Wayne, visit his website, and purchase his 4-song EP directly from Amazon.

Owen: December 2, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 6, 2011
By


[Video stills courtesy of Ian Perlman and Oresti Tsonopoulos]

Mike Kinsella has been involved in many a highly-regarded project over the years – in particular, the Illinois native still does time in Joan of Arc with his brother Tim (our recent recording of them [HERE]), and before that, he and Tim were in Cap’n Jazz (our recent recording of them [HERE]). The man’s discography is longer than many artists twice his age – and most of it is quite good.

The latest Kinsella project to receive positive notice is his affecting solo effort, Owen, which he has been releasing albums under since 2001. Let me revise that – a lot of positive notice. I had not seen Glasslands this completely full in a long time, probably since the packed-to-the-rafters Yuck show last winter, or Bear In Heaven’s show there in 2009. Our friends at PopGun Booking knew what they were doing when they booked this for a Friday night.

Packed house or not, Kinsella made the show feel like an intimate evening in a family basement, with a freewheeling set that found him joking with the crowd during and in between songs, chatting with folks in the front row, riffing on fantasy football, hockey, airplane turbulence and (briefly) failed GOP contender Herman Cain, and making the best of some difficult technical issues. Alone onstage with his guitar (with audience members in his face on all sides), Kinsella delivered an hour’s worth of songs that were by turns melancholy, funny and whimsical, all in a trademark sweet voice that, for many of us, typifies the “emo” sound popularized in the 1990s. Even with such distractions as occasional PA buzzing and interference from Mike’s phone, his unadorned set was powerful and moving, and the crowd hung on every word. Much of his 2011 release Ghost Town was covered, but the set spanned the Owen catalog. Even Kinsella’s occasional flubs — a couple of songs ended prematurely — were greeted enthusiastically, to the point that he mocked the crowd for cheering for one aborted number. With some performers, this kind of thing could be annoying, but Kinsella is the type of amiable guy you can’t help but laugh with when things go wrong.  The show ended on that kind of note, when a massive equipment problem during the encore sent waves of static blasting through the PA. “That’s cool,” Kinsella said. “Thanks for coming guys. I’m done. It was fun. Now it’s over.” Mike smiled as he walked off, and the crowd roared its approval. It was that kind of night.

I recorded this set with a soundboard feed and Schoeps MK22 “open cardioid” microphones in the usual location I use in the venue.  After extensive post-processing to reduce or eliminate most of the sound issues (which, it should be added, were not the fault of the Glasslands house team), I am quite pleased with the quality of the recording. Hear it for yourself below, and enjoy!

Stream “The Armoire”:
[audio:https://www.nyctaper.com/O0212Owen0211/12%20The%20Armoire.mp3]

Stream “No Language”:
[audio:https://www.nyctaper.com/O0212Owen0211/24%20No%20Language.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Owen
2011-12-02
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, NOS)>KCY>Naiant littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, noise reduction, EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro banter]
02 Too Many Moons
03 [banter]
04 O, Evelyn
05 Abandoned Bridges
06 [banter/tuning]
07 The Sad Waltzes of Pietro Crespi
08 An Animal
09 [banter]
10 The Anthropology Song
11 [banter]
12 The Armoire
13 No Place Like Home
14 [banter]
15 New Leaves
16 [banter]
17 Bad Backs and Hardwood Floors
18 [banter]
19 Bad News
20 A Bird In Hand
21 [banter]
22 Everyone’s Asleep in the House but Me
23 [banter]
24 No Language
25 [banter]
26 Broken Bones
27 [banter]
28 Good Friends Bad Habits

PLEASE SUPPORT Owen by visiting Mike’s MySpace page for the band, and buying the band’s records, including the 2011 release Ghost Town, directly from Polyvinyl [HERE]

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