Posts Tagged ‘ schoeps mk4v ’

J Fernandez: March 15, 2014 Post-SXSW Private Show (Dripping Springs, TX) – FLAC/MP3/Streaming Full Set

August 20, 2014
By

IMG_6964
[photos by acidjack]

We first caught up with J Fernandez at our CMJ show back in 2013, and were pumped to run into them again on the tail end of their SXSW journey at this private show an hour away from the madness. Here, the band performed a stripped-down set that included new material as well as offerings from their excellent two-EP collection of No Luck and Olympic Village. Though run ragged from a very busy schedule over the week, J Fernandez played this private show with real panache, with these songs coming to life as live numbers in a way that distinguished them from their lo-fi EP counterparts. The band, like most of their counterparts, has been on the festival circuit heavily this summer, most recently hitting Canada with comrades Alvvays, and returning to that country next month for POP Montreal. We can’t wait to see what this guys will do next.

As you can see in the photo, I recorded this set simply, with Schoeps MK4V microphones right in front of the band. The vocals are a touch low in places owing to the DIY setup, but overall the sound quality is excellent. Enjoy!

Thanks to J. Fernandez for permitting this recording.

Download the complete set: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

IMG_6965

J Fernandez
2014-03-15
Private Ranch
Dripping Springs, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>PFA>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, parallel compression, dither)>FLAC ( level 8 )

Tracks
01 Fading Out
02 [unknown1]
03 Read My Mind
04 [unknown2]
05 Between the Channels
06 No Luck

If you download this recording from NYCTaper PLEASE SUPPORT J Fernandez, visit his blog, and purchase No Luck / Olympic Village from the links at Soundcloud [HERE] or on iTunes.

Cross Record: March 14, 2014 Ba Da Bing / Northern Spy SXSW Showcase, Palm Door (Austin, TX) – FLAC/MP3/Streaming

August 13, 2014
By

IMG_6886
[photo by acidjack]

Before we caught up with Austin’s Cross Record at the private ranch show on the last day of SXSW (that recording here), the band played a full set to the Ba Da Bing / Northern Spy Records showcase back at the festival that showed a less intimate but somewhat bigger-sounding side of the band. Although it was easier to digest the band’s slowcore approach among the rapt die-hards at the ranch, this set found them sitting nicely alongside acts with a somewhat less reserved approach. Lead singer/songwriter Emily Cross gave a poised, poignant vocal performance, while the band, consisting of husband Dan Duszynski and Peter Frederiksen on guitar, made just the right amount of noise to make for a well-balanced and engaging set. While our recording was previously streamed in full over at Impose Magazine after the festival, we are pleased to offer it for download here for those who want it.

I recorded this set with a soundboard feed from the Palm Door staff coupled with Schoeps MK4V microphones. While some crowd noise is a distraction at points, the sound quality is otherwise quite good. Enjoy!

Stream “Wasp In A Jar”

Download the complete show: [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Cross Record
2014-03-14
Ba Da Bing / Northern Spy SXSW Showcase
Palm Door
Austin, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (FOB/DFC)>KC5>PFA>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (adjust image, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Steady Waves
02 [banter1]
03 I Can’t Hold Myself in Line ( Merle Haggard )
04 Crazy
05 Cups In the Sink
06 Wasp In A Jar

If you enjoyed this recording, PLEASE SUPPORT Cross Record, like them on Facebookbuy Be Good from Ba Da Bing Records and buy their other records from their bandcamp page.

Phish: July 12, 2014 Randall’s Island – FLAC/MP3/Streaming

July 13, 2014
By

IMG_7399
[photos by acidjack]

Phish represents a lot of things that people don’t understand. Tell those who listen to almost all of the other bands I listen to that you’re going to a Phish show, and expect rolled eyes and chuckles. At one time, Phish meant to its fans the continuation of the promise of The Grateful Dead and the beautiful movement they created; that gave way, in short order, to Phish being a juggernaut in its own right. If anything, the band’s very stylistic and and generational dissimilarity to the Dead is a key source of lament for its detractors. For others, so is the fact that they play really long songs, some of which have wincingly twee lyrical concepts. These things, I’ll concede.

Some people will never be convinced, but if you’re in the mood to be, you could do worse than starting with this excellent Village Voice blog post. Maybe a Phish show is a “you have to be there” kind of thing, but I’d like not to think so. Their career was, after all, built in part by people sharing live tapes. If you listen to this recording, in particular the emotional rollercoaster of a kickoff to the second set from “Punch You In the Eye” into “Carini”, followed by an especially cosmic rendition of “Ghost”, you might get an inkling of what this is all about when its firing on all cylinders. What’s on offer is neither party music nor music school pyrotechnics nor straight ahead rock n’ roll, but some combination of all three, a high wire act of a journey for its audience that only masters of their craft could create. One can’t ignore, too, the skills of Phish’s crew, especially veteran light man Chris Kuroda, who makes Phish’s shows as visually stunning as anything in the music business, and the entire FOH sound crew, who accomplished the difficult feat of making a windy, open-field outdoor venue sound flawless.

I haven’t attended a huge number of shows myself (this was the first I taped since 1999, though I’ve attended others since then), so, as was commented on our post of last night’s show, I won’t allow myself standing to say whether this was a “great” Phish show. But it was a reminder of the many things this band has done so right. Haters might ask themselves what they have against a band who created a community this large and this durable organically, turning their hard work into something commercially successful and culturally relevant, even if not to the mainstream. “Phish 3.0” at this point has a little something for everybody, community-wise, continuing to grow its fan base from the grizzled vets to the kids in their early 20s getting into their groove for the first time. For us tapers, seeing the band at this point is part ritual, part nostalgia trip. Most people are aware that they sell very good soundboard recordings on their site, meaning what we’re doing doesn’t have the same relevance, maybe, that it did before. But the mere act of recording the band is, for us, our connection to the community and to a band that for many of us was the one that brought us into the hobby to begin with. We share the recordings not only because they represent our own personal takes on the show, but out of tradition, community, and the original spirit that made this band what it is today.

I recorded this set from the same position nyctaper used for last night’s recording, forward of the board and dead center. Tonight’s recording was made with Schoeps MK4V cardiod microphones and the warm Aerco custom preamp. The crowd was generally respectful around us, meaning the only occasional flaws are gusts of wind that were stronger than those experienced last night. Enjoy!

Download the complete show: [MP3] | [Direct FLAC] | [FLAC torrent at bt.etree.org]
If the above MP3 link is not working, use this one: [MP3]

Stream “Carini”

Stream the full set:

IMG_7445

Phish
2014-07-12
Randall’s Island
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC, PAS, 7ft)>KC5>CMC6>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, effects)>Adobe Audition CS 5.5 (fades, light compression)>Audacity 2.0.3 (tracking, amplify, balance, dither)>FLAC ( level 8 )

Set One [1:20:57]
01 AC/DC Bag>
02 46 Days
03 [banter]
04 Yarmouth Road
05 Devotion To A Dream
06 Free
07 My Sweet One>
08 Back on the Train
09 [banter2]
10 Halfway to the Moon>
11 Sparkle
12 A Song I Heard the Ocean Sing
13 The Line
14 Run Like An Antelope

Set Two [1:34:05]
15 [crowd in]
16 Punch You In the Eye>
17 Carini
18 Ghost>
19 Wingsuit
20 Rock N’ Roll [Lou Reed]>
21 Harry Hood
22 [encore break]
23 Tube
24 Joy
25 First Tube

If you enjoyed this recording, PLEASE SUPPORT Phish, visit their website, and purchase Fuego from the Phish Dry Goods store [HERE].

IMG_7435

Chris Robinson Brotherhood: June 8, 2014 Mountain Jam X (Hunter, NY) – FLAC/MP3/Streaming

July 1, 2014
By


Mountain-Jam-2014-Chris-Robinson-Brotherhood-Joshua-Timmermans-365
[Images from the Mountain Jam Website]

While the latest breakup/hiatus of the always-volatile Black Crowes may have chagrinned the band’s fans, one thing it brought back to the forefront were the separate efforts of its dynamic duo, the brothers Chris and Rich Robinson, who are each out on the road supporting their own material. For his part, Chris seemed more than comfortable as the sole bandleader with the Chris Robinson Brotherhood here at Mountain Jam. If I’m being honest, his distinct voice has always been what I saw as the Crowes’ secret sauce, distinguishing them from other retro-minded acts, and Robinson’s own songs stood up well next to he and his brother’s combined catalog. Robinson also couldn’t resist sharing a little Crowes goodness, throwing “I Ain’t Hiding” into the mix along with a great cover of Dylan’s “Crash On the Levee (Down In the Flood)”. The mellow vibes laid down on this final day of the Jam nicely complemented the sounds to come from Sean Ono Lennon’s the GOASTT (that recording here), Lucius (that one here), and of course, the festival’s ultimate headliner, the Allman Brothers.

I recorded this set with Schoeps MK4V microphones into a nice and warm custom Aerco preamp. Though there are the usual minor issues caused by wind and distance, the sound quality is overall excellent. Enjoy!

Stream “Crash On the Levee (Down In the Flood)” [Bob Dylan]

Stream “Rosalee”

Download the Complete Show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

 Mountain-Jam-2014-Chris-Robinson-Brotherhood-Chris-Cleary-31

Chris Robinson Brotherhood
2014-06-08
Mountain Jam X (East Stage)
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (Right of SBD, PAS)>KC5>CMC6>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:15]
01 Let’s Go, Let’s Go, Let’s Go [Hank Ballard and The Midnighters]
02 Shore Power
03 Beggar’s Moon
04 Clear Blue Sky & the Good Doctor
05 Crash On the Levee (Down In the Flood) [Bob Dylan]
06 Vibration & Light Suite
07 I Ain’t Hiding [Black Crowes]
08 Rosalee

If you enjoyed this recording, please support Chris Robinson Brotherhood, visit their website, and buy stuff there

The Antlers: June 17, 2014 Rough Trade NYC – FLAC/MP3/Full Set Streaming

June 18, 2014
By


the-antlers-10
[Photos by Amanda M. Hatfield for BrooklynVegan]

There are many good things to be said about The Antlers, one of the most consistent and interesting bands to arise out of the Brooklyn scene in the past six years, but what’s most inspiring about them is how little they seem to care what others are doing. They’ve never been part of any kind of “-wave”; they’ve never even really found clear company among stylistically similar bands. If there were aspects of their sound that drew inspiration from elsewhere, the whole was something else entirely, animated by Peter Silberman’s unique vocal turns and the group’s collective faith in their listeners. Most bands in late-aughts Brooklyn wouldn’t have put out a record like the band’s debut, Hospice, a concept record from another time whose material was dark and whose sound was hardly going to bring out the tubthumpers who like to hit up Terminal 5 on Friday nights. The Antlers followed that up with Burst Apart, to date the closest thing they’ve done to a commercial record, even if it was hardly humpbacking a trend, either.

On this Tuesday night, the band showed up at the post-industrial chic and great-sounding back room venue at Rough Trade NYC and played us Familiars, the album they’d released that very day. Among the hardcore fans who showed up — who earned their tickets by buying the vinyl — there couldn’t have been a better way to be introduced to it. That whisper-quiet crowd got to hear these songs in their true voice, played by a band whose facility with the songs was hard-earned in the studio. Familiars won’t be everyone’s bag — even compared to the previous efforts, it’s a delicate effort that rewards patience — but for those who respect the band’s love of texture, of gorgeous songs that soar only when they really need to, it’s a classic. The songs unfolded like dreamscapes, rarely peaking until three or four minutes in, overlaid with Silberman’s literary, evocative lyrics. There are a good bit of horns on offer this time around, which I wouldn’t trust in less-sure hands, but The Antlers seem to have taken a page from Dan Bejar in that regard, using them at just the right moment. If I’m partial to any of the new songs as yet, it’d be the smooth-flowing “Director”, which feels like the product of several different phases of the band’s work all at once, and relies on elegiac guitar chords to move it forward.

It was a bit funny to hear Silberman, not yet out of his 20s, to say the band was “feeling the years”, but in an odd way it’s true. The Antlers aren’t the baby band we first witnessed back in early 2008; nor are they one of many flashes in the pan that have come since. The Antlers are a mature, established Brooklyn band, one that has rewarded their experience with an album of similar grace and maturity. See them throughout the U.S., Europe and the UK this summer and fall as they tour Familiars — this is a live experience you don’t want to miss.

I recorded this set with a flawless soundboard feed of the mix created by the band’s touring engineer Dan Seiders, together with Schoeps MK4V microphones. The sound quality reflects Seiders’ years of experience mixing the band and the flawless nature of the room, making for a live album quality experience. Enjoy!

Download the entire set: [MP3] | [FLAC]

Stream the entire show: 

the-antlers-18

The Antlers
2014-06-17
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (inside SBD cage, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Dan Seiders)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, limiter)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:02:01]
01 Palace
02 Doppelgänger
03 Hotel
04 Intruders
05 [transition]
06 Director
07 [banter]
08 Revisited
09 [tuning]
10 Parade
11 [tuning2]
12 Surrender
13 [banter2]
14 Refuge

If you enjoyed this recording, PLEASE SUPPORT The Antlers, visit their website, and buy Familiars there.

Lucius: June 8, 2014 Mountain Jam X (Hunter, NY) – FLAC/MP3/Streaming

June 11, 2014
By

IMG_7002
[photo by acidjack – if you have a better replacement that you have the right to transfer, please send]

It says quite a bit that out of the many sets by well-known “jam band” luminaries and others at this tenth annual Mountain Jam, one of my very favorite was by my hometown band (and decidedly non-“jam”) band Lucius, who we first got acquainted with playing as a duo in a humble backyard, before the crowds and the record and the festival circuit. The ladies who played Backyard Brunch Sessions that day weren’t anything close to a well-known act at that point — they had one EP to their name — but what they already had was what would carry them to where they are today: talent, great songs and humility. Back then, we hoped for, but never could have predicted, the way this band has blown up, to the point that on this past weekend alone, they were scheduled for both Mountain Jam and the much larger Governor’s Ball back in the city.

Compared with my last outing with the band at Webster Hall (and another set I didn’t record at SXSW) this Mountain Jam set was revelatory. Simply put, this always-promising band has upped their game to where it needs to be to play these kinds of stages. Vocalists Holly Laessig and Jess Wolfe have mastered their sound, their harmonies carrying well across Hunter Mountain’s wide-open space, and the band, consisting of percussionists/instrumentalists Andrew Burri, Peter Lalish, and Dan Molad is similarly able to play big, loud, and dialed-in. Lucius manage the difficult feat of sounding modern without coming across corny or derivative, while offering some of the same arena-filling fire that great female-fronted 80s groups like Heart used to be able to without sounding retro. They even served up a few bars of Whitney Houston’s “I Wanna Dance With Somebody” during “Turn It Around” (streaming below) just to put an exclamation point on that notion. Fittingly, I’m streaming “Nothing Ordinary” from this set below, because there is nothing ordinary about Lucius. This was by far the best set of theirs that I’ve seen, and they’re just getting started. Please support them — they’re on the festival and otherwise U.S., UK and Europe tour circuit until the fall, and their album Wildewoman is out there for purchase. 

I recorded this set with Schoeps MK4V microphones from an optimal spot at the festival, and the sound quality is excellent. Enjoy!

Look for more Mountain Jam recordings in the coming days.

Stream “Nothing Ordinary”

Stream “Turn It Around”

Download the complete set: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud links. Please respect our request.

Lucius
2014-06-08
Mountain Jam X (West Stage)
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (Right of SBD, PAS)>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, punch/glue)>Audacity 2.0.3 (fades, tracking, amplify, balance, dither, downsample)>FLAC ( level 8 )

Tracks [Total Time 43:54]
01 Genevieve
02 Go Home
03 Don’t Just Sit There
04 Tempest
05 Nothing Ordinary
06 Until We Get There
07 How Loud Your Heart Gets
08 Wildewoman
09 Turn It Around

If you enjoyed this recording, please support Lucius, visit their website, and buy Wildewoman directly from the band’s online store.

Phil and Friends: May 28, 2014 Central Park Rumsey Playfield – FLAC/MP3/Streaming Song

May 30, 2014
By

IMG_7410

We’ve had plenty of opinions aired on this site about the various incarnations of post-Grateful Dead bands — including praise for Joe Russo’s Almost Dead last year at Brooklyn Bowl and Phil Lesh and Friends at last year’s Mountain Jam. What we got here at Central Park’s Rumsey Playfield this past Wednesday was a kind of turbocharged version of the last Phil and Friends set we saw, with this one featuring Warren Haynes, Joe Russo, John Medeski, Ross James, Jordan Levine and John Scofield. With this kind of monster lineup, even by Phil and Friends standards, it was kind of hard to go wrong. This set featured a sweet lineup Grateful Dead classics and other people’s songs they liked to play, fully realized in these musicians’ own unique style. Vocal duties were shared among the group, with Haynes a welcome addition on that front. The park was packed for the sold-out event, and despite the unpredictable and chilly weather, the band had the crowd dancing in no time. By the time the 10PM curfew arrived, cutting short what could have been a longer “Goin’ Down the Road Feelin’ Bad”, we had already been treated to three and a half hours of music, making for a memorable night that we still didn’t want to end.

I recorded this set with Schoeps MK4V microphones in the official tapers’ section, which was behind the soundboard. While it should be as good or better than any other tape from that location, I’ll admit it’s nothing special. The Rumsey Playfield sound system isn’t loud, there was a walkway in front of us, and the section itself wasn’t exactly the most attentive portion of the crowd, either. That said, it’s an accurate reflection of the night, and if you weren’t there, it’s worth hearing what you missed.

Download the complete show: [MP3] | [FLAC (16-BIT)]  | [FLAC (24-BIT)]
(Note: 24-bit FLAC files cannot be used for CD burning)

Stream “Not Fade Away”

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud links. Please respect our request.

Phil and Friends
2014-05-28
Central Park Rumsey Playfield
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (BOB, PAS)>KC5>CMC6>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Set One
01 Jam>
02 Not Fade Away [The Crickets]
03 Sunshine of Your Love [Cream]>
04 Sweet Jane [Velvet Underground]
05 Bird Song [Jerry Garcia]
06 Just A Little Light [Grateful Dead]
07 West L.A. Fadeaway [Grateful Dead]
08 Sugaree [Jerry Garcia]

Set Two
01 Shakedown Street [Grateful Dead]
02 El Paso [Marty Robbins]
03 Uncle John’s Band [Grateful Dead]
04 Stella Blue [Grateful Dead]
05 I Know You Rider [Tossi Aaron]
06 Unbroken Chain [Grateful Dead]
07 The Other One [Grateful Dead]
08 Terrapin Station [Grateful Dead]
09 [encore break]

Encore
10 Goin’ Down the Road Feelin’ Bad [traditional]

If you enjoyed this recording, please support Phil Lesh, visit the website, and purchase the official releases at the dead.net Store [HERE]

Deleted Scenes: March 13, 2014 DC Against the World SXSW Party, New Movement Theater (Austin, TX) – FLAC/MP3/Streaming

May 19, 2014
By

IMG_6851
[photos by acidjack]

We hadn’t seen Deleted Scenes since a showcase in Brooklyn at the start of this decade, so the excellent unofficial DC Against The World SXSW day show put on at the New Movement Theater improv club proved a great way to catch up. The dark interior of the New Movement provided the perfect mood space to take in the new songs from the band’s latest effort, Lithium Burn, released this April, which has proven a worthy follow-up to the band’s well-received two previous full-lengths. In keeping with their DC-based roots, Deleted Scenes’ off-kilter art rock defies categorization in the same way their predecessors Dismemberment Plan, Q and Not U and others did, blending elements of that scene’s post-Fugazi punk with a kind of big-but-broken hearted confessional lyrical style. Despite the dark environs and material (culled exclusively from Lithium Burn), this was a band obviously thrilled to be here, ready to get back on the horse and share their new work with the wider world. They’ll be doing just that this Wednesday at Baby’s All Right in NYC, so if you’re in NYC, check it out!

I recorded this set in the same manner as the other recordings from this show, with Schoeps MK4V microphones and a soundboard feed. The sound quality is limited by the humble PA setup and the sound of the room, but it is overall a good listen. Enjoy!

Buy tickets to the Baby’s All Right show here.

Stream “Landfall”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Deleted Scenes
2014-03-13
DC Against the World SXSW Day Party
New Movement Theater
Austin, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB/DFC/PAS)>KC5>PFA + Soundboard (engineer: Mike)>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (EQ, effects, de-esser)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Haircuts/Uniforms
02 Stutter
03 Caught In the Brights
04 Landfall
05 House of Dust
06 Let’s Not Try to Fix Everything at Once
07 You Get to Say Whatever You Want

If you enjoyed this recording, PLEASE SUPPORT Deleted Scenes, visit their website, and buy Lithium Burn and their other records directly from them in their web store.

NYMPH: March 14, 2014 Northern Spy / Ba Da Bing SXSW Showcase, Palm Door (Austin, TX) – FLAC/MP3/Full Set Streaming

May 8, 2014
By

IMG_6909
[Photo by acidjack]

Brooklyn’s NYMPH took things to another level of the eclectic at the standout Northern Spy / Ba Da Bing SXSW Showcase this past March. Like many of the other acts on this night’s bill, the seven-piece is exuberantly unconventional, drawing inspiration from psychedelic rock, free jazz, kraut, and damaged blues. This three-song, thirty-two minute set included the title track from the band’s first Northern Spy release, New Millennium Prayer, which should be on any fan of experimental/out music’s list of 2014 releases to own. With each composition stretching past the seven-minute mark, every song became a chance for the band to explore, and those of us in the audience to rage on the floor in return. As the band’s Facebook page promises, “Witnessing NYMPH at peak power is akin to witnessing ritual.” Having seen what I saw this night, I’d say I agree.

I recorded this set in the same manner as my other recordings this night, with Schoeps MK4V microphones in the optimum position hanging over the crowd and a soundboard feed. The sound quality is outstanding. Enjoy!

Stream the full set and download individual tracks

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

NYMPH
2014-03-14
Northern Spy / Ba Da Bing SXSW Showcase
Palm Door
Austin, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (FOB/DFC)>KC5>PFA>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (adjust image, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Nuclear Allah (Atomic God, Particle Fusion Buddha)
02 Thiyo
03 New Millennium Prayer

If you enjoyed this recording, PLEASE SUPPORT NYMPH, like them on Facebook, and buy New Millennium Prayer from Northern Spy.

Dva: March 14, 2014 Northern Spy / Ba Da Bing SXSW Showcase, Palm Door (Austin, TX) – FLAC/MP3/Streaming

April 22, 2014
By

IMG_6953
[Photo by acidjack]

Since first seeing the Czech band Dva back at Trans Pecos in January, we were struck by the originality of their vision and the playfulness of their style. With their unique mix of instruments and influences — you’ll hear banjos and sax, latin jazz and electronica — the band doesn’t sound quite like anything, but little pieces of everything. This show found Dva closing out the Northern Spy / Ba Da Bing Showcase at SXSW, and it was the ideal way to end a party, with audience members joining the band on stage as they sent us into the night with “Mulatu”. This set did not focus entirely on their most recent release, Nipomo, but rather hopped around their catalog, serving up gems like the set opener “Nunovo Tango”. If you take SXSW for what it should be — a chance to broaden your horizons, seeing worthy acts that might not have been on your radar screen — you’d have been hard pressed not to call this Dva set one of the highlights of the week.

I recorded this set in the same manner as the other recordings from this showcase, with Schoeps MK4V microphones and a soundboard feed. While the sound reveals some limitations of the venue acoustics compared to our previous recording of the band, overall it is quite good. Enjoy!

Stream “Nipomo”

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dva
2014-03-14
Northern Spy / Ba Da Bing SXSW Showcase
Palm Door
Austin, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (FOB/DFC)>KC5>PFA>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (adjust image, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Nunovo Tango
02 Hap Hej
03 Huhu
04 Nipomo
05 Mechan Tuman
06 Meteor
07 Tatanc
08 Mulatu

If you enjoyed this recording,  PLEASE SUPPORT Dva, visit their website, and order Nipomo from Northern Spy Records [HERE].

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.