Posts Tagged ‘ schoeps ’

Hooded Fang: June 4, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 19, 2013
By


hoodedfang2013-06-04-1
[Photos by acidjack]

It’s impossible not to like the Toronto band Hooded Fang, who play a brand of rather American-tinged pop-inflected punk that always draws a crowd, and often a moshpit. While they’re just getting their due here in America (this was only their second NYC show), they’re actually on their third record, this year’s Gravez, which is as concise a burst of infectious new guitar music as I’ve heard this side of Parquet Courts.

This show at Mercury Lounge matched Hooded Fang up with a diverse cast of U.S. and international acts, including Brooklyn’s Pow Wow and Total Slacker as well as Finland’s French Films (that recording coming soon). As I expected from listening to the record, the Fang’s set put the emphasis solidly on fun, with new tracks like “Ode To Subterrania” delivering a light take on that staple of early-20s slackerdom, living in a basement. My other favorite, “Trasher”, echoes mid-to-late 80s postpunk, in roughly the vein of the Pixies, making a nice counterpoint to some of the more straight-ahead rocking tracks. Most of Gravez was played, but the band tore through those songs so fast that it left time for older fare from their second record, Tosta Mista, including the set closer, “Vacationation”. Hooded Fang promise to be one of the most exciting bands of their kind to hit the scene this year, and I hope more New York appearances are in the offing.

I recorded this set in my usual manner for the venue, with Schoeps MK41 supercardiod microphones and a soundboard feed provided by longtime Mercury engineer Kevin Mazzarelli. The sound quality is excellent. Enjoy!

Stream “Ode to Subterrania”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

hoodedfang2013-06-04-2

Hooded Fang
2013-06-04
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (tape effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 [intro]
02 Graves
03 Ode to Subterrania
04 Bye Bye Land
05 Wasteland
06 [banter1]
07 Clap
08 ESP
09 Sailor Bull
10 Trasher
11 Genes
12 [banter2]
13 Tosta Mista
14 Vacationation

If you enjoyed this recording, PLEASE SUPPORT Hooded Fang by visiting their bandcamp page where you can buy the digital album, or buy the vinyl/CD here.

Bill Evans Soulgrass: June 8, 2013 Mountain Jam IX (Hunter, NY) – FLAC/MP3/Full Set Streaming

June 11, 2013
By

billevans2013-06-08-1
[Photos by acidjack]

One of the real treats for me of this year’s Mountain Jam — and one that many missed, owing to its placement on the sidestage — was seeing the legendary saxophonist Bill Evans and his band, Bill Evans Soulgrass, tear it up from the very front of the stage. The man has recorded with everyone from Herbie Hancock and Medeski, Martin & Wood to the likes of Willie Nelson and Mick Jagger, and his solo career on its own is entering its third decade. This afternoon show found Evans and the Bill Evans Soulgrass band focusing on material from his 2011 record, Dragonfly. Evans and his band took turns on extended solos during several points in the show, and the crowd up front was right there with them. But it was the not-totally-shocking appearance of the hardest working man at this year’s festival, Warren Haynes, that brought the loudest cheers, and “Tit For Tat” found Haynes and keyboardist Danny Lewis helping to take that song to the next level. This wasn’t a set about raging the mountain, but it was exactly what it was meant to be — a loose, fun afternoon of musical interaction among players who share well-earned respect for each other and their audience.

I recorded this set with Schoeps MK21 wide cardiod microphones in an ORTF pattern generously loaned to me by fellow site contributor hi and lo, in a spot almost directly in front of Evans for an “onstage” effect. Other than the occasional “woo woos” of the friendly older gentleman standing next me, who I wasn’t about to ask to be quiet, this recording is outstanding. Enjoy!

Stream the entire set:

Download the entire set: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

photo-2

Bill Evans Soulgrass
2013-06-08
Healey Brothers Stage
Mountain Jam
Hunter, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK21 (ORTF)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, imaging)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 53:13]
01 Time
02 Kings and Queens
03 [banter1]
04 Madman
05 [banter2]
06 Tit for Tat %
07 [unknown1] %
08 Feel

% with Warren Haynes and Danny Lewis

If you enjoyed this recording, PLEASE SUPPORT Bill Evans, visit his website, and purchase Dragonfly and his other releases [HERE]

Tom Carter: May 25, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 10, 2013
By

tomcarter2013-05-25-1
[Photo by acidjack]

After a health scare sidelined him for much of last year, it was especially moving to see the guitar wizard Tom Carter back in action on Memorial Day weekend at Mercury Lounge. The Charalambides guitarist took us on an emotional journey through rare material that began with the “Nancy’s Song” (a renamed version of “Colors For N” from the Whispers to Infinity CD-R), followed by “August Is All” from the Northern Spy Records Clandestine Cassette series, and closing with “Numinous”, a very limited and out-of-print 2010 cassette-only release from Prairie Fire Tapes. While some live recordings can’t capture the magic of being in the room, I like to think this is exactly the kind that rewards repeat listening. The delicate but majestic tones of “Numinous” felt like the right choice for an artist whose comeback should continue going strong.

I recorded this set with a soundboard feed provided by the Mercury Lounge team, plus Schoeps MK41 supercardiod microphones. The sound is excellent. Enjoy!

Stream “Numinous”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Tom Carter
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Nancy’s Song
02 August Is All
03 Numinous

If you enjoyed this recording, PLEASE SUPPORT Tom Carter by buying his music from Wholly Other, the “Buy Music” links at the Help Tom Carter page and visiting the Tom Carter page maintained by Kranky.

Futurebirds: May 31, 2013 Bowery Ballroom – FLAC/MP3/Streaming

June 3, 2013
By

Futurebirds 1[photos courtesy of Jill Harrison and For the Love of Brooklyn]

On Friday night, we caught the Futurebirds at Bowery Ballroom for a great show. The six-piece band hails from Athens, GA and it’s not the first time we here at NYCTaper have had the good fortune to enjoy a taste of their good old-fashioned rock and roll. Last year they came to Irving Plaza to play in full costume for a show during Halloween weekend, and the year prior we saw them perform at Union Pool.

Over seven months of touring, Futurebirds were hard at work writing their sophomore record, Baba Yaga, testing out new material on the road for live audiences. The new LP was released in mid-April on Fat Possum Records and Friday’s show featured a healthy portion of new songs from the album. The band’s energy was downright refreshing after a long week at work, especially with an ice cold pale ale in hand. The crowd was way into the southern rock songs, many of which stretched on into psychedelic jams that reinforced how comfortable these guys are playing this material in a live setting.

Highlights of the set include new song “Virginia Slims” and oldie-but-goodie “Battle For Rome,” both of which you can stream below.

I recorded Futurebirds with a soundboard feed provided by house engineer Kenny and a pair of Schoeps MK4 microphones mounted from our usual spot in the Balcony. Per the Bowery’s usual excellence, the house mix was very well balanced and resulted in a great recording. Enjoy!

Stream “Virginia Slims”
[audio:https://www.nyctaper.com/F2602Futurebirds0211/Virginia%20Slims.mp3]

Stream “Battle for Rome”
[audio:https://www.nyctaper.com/F2602Futurebirds0211/Battle%20for%20Rome.mp3]

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Futurebirds 2

Futurebirds
Bowery Ballroom
Brooklyn, NY
2013-05-31

Recordist : hi and lo
Source 1 : Schoeps MK4 > KC5 > CMC-6 > EAA PSP-2 > Sonic AD2K + Soundboard >> Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab V6 (mixdown/eq/gain/fades/dither/resampling)
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0

Tracklist:

01. Strangers
02. Serial Bowls
03. Tanlines
04. Sam Jones
05. Battle for Rome
06. Virginia Slims
07. (Banter)
08. Heavy Weights
09. (Banter)
10. Megachills
11. (Banter)
12. Johnny Utah
13. M J B
14. Death Awaits
15. (Banter)
16. Ski Chalet
17. Wild Heart
18. Yur Not Ded
19. (Encore Call)
20. St. Summercamp
21. Americle

If you enjoyed this recording, PLEASE SUPPORT Futurebirds, visit their website, and purchase any of their CDs or Vinyls from their online store [HERE].

D. Charles Speer & the Helix: May 25, 2013 Mercury Lounge – FLAC/MP3/Streaming

June 2, 2013
By

dcharlesspeer2013-05-25-1
[Photos by acidjack]

We were thrilled to get a chance over Memorial Day weekend to check with D. Charles Speer & the Helix. We followed frontman Dave Shuford’s other band, Rhyton, quite a bit last year (not to mention our love for the separate work of Helix keys man Hans Chew). Now, after two Rhyton albums, Shuford is re-focusing on the Speer project, and if the material we heard on this night at Mercury Lounge is any indication, they have some good stuff up their sleeves. Two of our favorites from this set were “Cretan Lords”, which boasts inspired guitar work that alludes to the style of the Greek island for which it’s named, as well as the new midtempo psych-boogie burner “Doubled Exposure,” which adds some reggae flavor to the band’s already-complex stylistic mix. We also loved the band’s cover of the Jim Jackson classic, “Bootlegger’s Blues”. Keep an eye out for a new record from the Speer gang in the relatively near future, but until then, we hope this tides you over.

I recorded this set in our usual manner for this venue, with a soundboard feed from the Mercury FOH team and Schoeps MK41 supercardiod microphones. There are some issues with a vocal mic during the first song, “Red Clay Road” and light DI noise can be heard at especially quiet points during some numbers. Overall, though, the sound quality is outstanding per our usual for this venue. Enjoy!

Stream “Doubled Exposure”

Stream “Bootlegger’s Blues [Jim Jackson]”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

dcharlesspeer2013-05-25-2

D. Charles Speer & the Helix
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Red Clay Road
02 Cretan Lords
03 Bootlegger’s Blues [Jim Jackson]
04 The Heated Hand
05 Mandorla at Dawn
06 Doubled Exposure
07 Wallwalker
08 Tough Soup

If you enjoyed this recording, PLEASE SUPPORT D. Charles Speer & the Helix, visit their website, and purchase their records directly from Thrill Jockey [HERE]

speer2013-05-25-3

Friend Roulette: April 5, 2013 Bushwick Starr – FLAC/MP3/Streaming

May 29, 2013
By

d40 - friend roulette-1
[Photos by Jill Harrison at For the Love of Brooklyn]

We joined the band Friend Roulette last month at the Bushwick Starr to celebrate the release of Paul Damian Hogan the Third’s new record, but Friend Roulette had some celebrating to do of their own. This month they dropped their latest creation, the full length LP I’m Sorry You Hit Your Head, an album rich with whimsical orchestral pop creations. Singers/songwriters Matthew Meade and Julia Tepper show a variety of influences in their work, including classical music as well as film scores, and their willingness to venture afield from standard verse/chorus/verse/bridge/chorus structure is commendable. Throw in dual percussionists along with strings, keys and sax and you have a lot of layers for your brain to process — a challenge for the listener, but also a journey worth making. Pulling these songs off live was a challenge of its own in a stripped-down space, but the band showed no hesitation on this night, covering material from their first EP right through the new record. Streaming below is “Golden” from the new album, but we’d recommend hitting up their bandcamp page, where you can stream (and buy) the whole thing.

I recorded this set with Schoeps MK5 cardiod microphones in an “ORTF” pattern, which provides optimal stereo imaging and reflects the acoustics of the space accurately. Enjoy!

Stream “Golden”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

d40 - friend roulette-2

Friend Roulette
2013-04-05
The Bushwick Starr
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, ORTF, DFC, FOB)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 The Sailing Song
02 Warm Cycle
a) Up In the Air
b) Warm Year
03 Garden’s Tidings
04 Grow Younger
05 Golden

If you enjoyed this recording, PLEASE SUPPORT Friend Roulette by visiting their bandcamp page and purchasing I’m Sorry You Hit Your Head and their other records.

The Men: March 7, 2013 Bowery Ballroom – Streaming Full Set

April 25, 2013
By


2013_03_07_TM_32
[Photos courtesy of David Andrako]

The Men are one of those bands that have earned their critical darling status, not only by being a great live act, but by never standing still. Their 2012 effort on Sacred Bones Records, Open Your Heart, deservedly earned “Best New Music” status, softening some of the hard edges of the previous year’s dirge-y (if solid) effort Leave Home.  With 2013’s New Moon, the band didn’t abandon their original sound, but they certainly took it in a rootsier direction, willing to indulge their Neil Young and Americana influences to a greater degree than ever before.

This show at Bowery Ballroom not only found the Brooklyn band delivering on the promise of New Moon live, but it also represented a further expansion of The Men’s horizons. Showing up armed with a horn section, they played a 17-song set that featured three new songs, plus some incredible versions of material from their three current releases. The beginning of the set was a three-song summary of the band’s output to date: A lengthy guitar intro turned into “(  )” from Leave Home was followed by a searing Without A Face from Open Your Heart, and then the rootsier “The Seeds” from New Moon. The new material suggested that the band won’t stop expanding their horizons; those horns, which particularly complemented the new numbers, might have looked out of place at a 285 Kent show, but totally worked with the evolution of their sound. As if to drive home the point that they have no intention of staying within genre confines, the band played an extra-long nearly 90 minutes, each of them worth it. The Men are going to keep taking chances, and I’m looking forward to seeing where they head next.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed from the Bowery house engineer, Kenny. The sound quality is excellent. Enjoy!

Thanks to Sacred Bones Records and The Men for permitting this recording. At the band’s request, this is being offered streaming-only and will not be available for download.

2013_03_07_TM_42

The Men
2013-03-07
Bowery Ballroom
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (DINa)>KCY>Z-PFA + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter, imaging)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 ( )
03 Electric
04 Without A Face
05 The Seeds
06 I Saw Her Face
07 Open Your Heart
08 [new song 1]
09 Candy
10 Turn It Around
11 [new song 2]
12 [new song 3]
13 The Brass
14 Night Landing
15 [encore break]
16 Bird Song
17 Freaky

If you enjoyed this recording, PLEASE SUPPORT The Men, visit their website, and buy New Moon and their other records from Sacred Bones Records.

2013_03_07_TM_41

Acid Mothers Temple: April 19, 2013 Mercury Lounge – FLAC/MP3/Streaming

April 21, 2013
By

amt2013-04-19-2
[Photos by acidjack – sorry they aren’t very good]

Seeing Acid Mothers Temple has become a bit of a yearly tradition for me, and it’s one worth keeping. No two shows by the legendary Japanese psych-rock band are alike, and this one at the Mercury Lounge on Friday night was extra-special due to the introduction of two as-yet-untitled songs from the band’s forthcoming album. The rest of the set was the usual dazzling display of the band’s improvisational talent, with this tour’s version of “Pink Lady Lemonade” jamming into “Om Riff” and back into “Pink Lady Lemonade” anchoring the middle of the set, plus a killer rendition of “Cometary Orbital Drive”. As with the Knitting Factory show I captured last year, the band ended this 90-minute set with “Chinese Flying Saucer”, sending the exhausted late-night crowd home happy. Until next year, enjoy this dose of Acid Mothers Temple!

I recorded this set with Schoeps MK41 supercardiod microphones in our usual spot in the venue, plus a soundboard feed from a longtime Mercury house engineer. The sound is excellent. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

Direct Download: [MP3] or [FLAC


amt2013-04-19-1
Acid Mothers Temple
2013-04-19
Mercury Lounge
New York, NY USA

Recorded and produced by acidjack

Schoeps MK41 (PAS, slightly ROC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard)>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:30:55] (Thanks to the band for the corrected song titles)
01 [new song 1] Space Speed Suicide
02 [banter1]
03 Dark Stars In the Dazzling Sky In Search of Lost Divine Ark
04 [banter2]
05 Pink Lady Lemonade>
06 Om Riff>
07 Pink Lady Lemonade
08 Cometary Orbital Drive
09 [encore break]
10 Chinese Flying Saucer

If you enjoyed this recording, please support Acid Mothers Temple, visit their website, and buy their records from your favorite retailer.

METZ: April 17, 2013 Bowery Ballroom – FLAC/MP3/Streaming

April 18, 2013
By


metz2013-04-17-1
[Photos by acidjack]

METZ lead singer/guitarist Alex Edkins introduced their new song “Can’t Understand” as being about “all the totally messed up people in the world”. They left the spoken statement at that and then let the music do the talking. Over and over, the screamed refrain of those two words over the incessant backbeat and howling guitars framed, in simplest terms, the way people may have been feeling about recent events. Sometimes the best way of expressing anger is the most direct.

Yes, METZ is one of those Canadian bands that gives the lie to the notion that our neighbors to the north are mild-mannered — there is nothing less than 100% full-bore intense about METZ or their delivery. When bassist Chris Slorach was bleeding badly enough that he needed a metal splint on his nose after three songs, then came out after a couple minutes to finish the set, you knew these guys weren’t fucking around.

But don’t let all the hardcore noise fool you. Underneath the brutal dynamics are well-crafted songs and strong musicianship; to quote Stuart Berman’s excellent review of their self-titled Sub Pop debut last year, “there is a fine to art to taking a music fueled by destructive impulses and building it to last.” Much of the front floor of the Bowery Ballroom — and the venue was basically sold out by showtime — may have been too busy moshing to notice, but many of METZ’s songs are seriously good, paying tribute to the punk/sludge golden age of the late 80s and early 1990s. Songs like “Sad Pricks” stand up to anything in this genre’s canon, and the massive show of support from the NYC crowd — a little less than half a year after a sold-out show at the Knitting Factory — underscored that METZ are the real deal.

I recorded this set with Schoeps MK5 cardiod mics in our usual spot in the venue plus an excellent feed of the house sound from longtime Bowery engineer Kenny. The sound is excellent. Enjoy!

Stream “Sad Pricks”

Stream “Can’t Understand”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

METZ2013-04-17-2

METZ
2013-04-17
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DIN, slightly LOC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 44:51]
01 [new song1]
02 Knife In the Water
03 Negative Space
04 [banter – head injury repair]
05 Get Off
06 Wasted
07 [banter2]
08 Sad Pricks
09 [banter3]
10 Can’t Understand
11 Headache
12 Rats
13 The Mule
14 [banter4]
15 Wet Blanket

If you enjoyed this recording, PLEASE SUPPORT METZ, visit their website, and buy their self-titled debut directly from Sub Pop [HERE]

Zoned Out: March 28, 2013 Union Pool – FLAC/MP3/Streaming

April 16, 2013
By

zonedout2013-03-28-best
[Photos by acidjack]

Little is known to date about the Brooklyn band Zoned Out, though they have quietly been building a following around town. Featuring current and former members of La Otracina, Grateful Dead cover band Dead Tape, Titan, Polygamist and Mirror Queen, they serve up deep multi-part psych meditations grounded in the rock aesthetic. For this Union Pool show, the band played under the swirling light show of Planetary Projections, adding to the otherworldly vibe of the night. Expect to see a new album from these guys, as well as more Brooklyn dates, soon.

I recorded this set with Schoeps MK5 cardiod microphones from our usual position in the venue, along with an excellent soundboard feed from the house engineer, Patrick. The sound is excellent.  Enjoy!

Stream “Smoke Signals”

Download the complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

zonedout2013-03-28-2ndbest

Zoned Out
2013-03-28
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Patrick)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Audacity 3.0 (set fades, EQ, tracking, upward compression, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Feathers of the Wild Cloud outro>
02 Bigger Funner>
03 Feathers of the Wild Cloud
04 Eyes Within A Dream>Gypsy Dance>Eyes Within A Dream
05 [tuning]
06 Smoke Signals
07 Woodland Blues

If you enjoyed this recording, be on the lookout for more from Zoned Out, including a new record, in the near future.  

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

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